Episode Transcript
[00:00:04] Speaker A: Yo, welcome to effective immediately, I'm DJ head.
[00:00:07] Speaker B: What up, world? It's your favorite homegirl gene of you.
[00:00:09] Speaker A: And we have a special guest in the studio with us. Special meaning not as in, like, special as in this person made a special appearance, but as in, like, education.
[00:00:17] Speaker C: That's crazy. I knew he just. Nigga, I knew he was about to start with some bullshit.
[00:00:21] Speaker B: You know, he also came in here saying he had the shit.
[00:00:23] Speaker A: Yes.
[00:00:24] Speaker C: He said, no, that's not what I said. That is not what I said. I said yesterday, I was down bad.
[00:00:29] Speaker B: And he was backed up.
[00:00:30] Speaker C: Cause I was shitting yesterday.
[00:00:32] Speaker A: Ladies and gentlemen, Zoho Osama.
[00:00:33] Speaker C: Nah, we not about to give my introduction like that.
[00:00:36] Speaker A: Zo Osama is in studio with us.
[00:00:38] Speaker B: You signed that form. We ain't scratching shit.
[00:00:42] Speaker A: Welcome to the show, Zo Osama.
[00:00:44] Speaker C: What's the deal, head?
[00:00:45] Speaker A: We appreciate you pulling up on us even though you canceled on us. Yes. You wanna explain what happened?
[00:00:51] Speaker C: Y'all just bring the whole show in about what happened. Look, I had a stomach virus. It was bad.
[00:00:55] Speaker A: You had a stomach virus?
[00:00:56] Speaker C: Do you know food poison?
[00:00:57] Speaker B: That motherfucker don't go away in 24 hours, either.
[00:00:59] Speaker C: That's on my mama. I don't know.
[00:01:00] Speaker B: That's contagious.
[00:01:00] Speaker A: So the reason why I wanted to.
[00:01:01] Speaker C: Bring that up, it probably was food poison. Domino's.
[00:01:03] Speaker A: Count y'all days, okay?
[00:01:06] Speaker C: Count y'all motherfucking days.
[00:01:07] Speaker A: Unless they sponsored the show, then we love y'all.
[00:01:09] Speaker C: You know, I mean.
[00:01:10] Speaker B: Yeah, I love Domino's. I love Domino's is the best. Yes.
[00:01:13] Speaker A: We mean, it's the best.
[00:01:14] Speaker B: What, pizza? No place in the world.
[00:01:17] Speaker C: Tumbies.
But tumbies in every place that you're not supposed to be in LA. It's good.
[00:01:22] Speaker B: Domino's, pay a little more.
[00:01:23] Speaker C: Yeah, yeah.
[00:01:24] Speaker A: Okay.
Shout outs for that free promo. But anyways, Zo sama is here celebrating with us because you have a lot of things going on, sir.
[00:01:34] Speaker C: Yeah.
[00:01:35] Speaker A: And I wanna talk about a few things. But before we do that, how is Zoell Simon feeling today? If you need to listen.
[00:01:42] Speaker C: They got one more. They got one more time. Talk about.
[00:01:45] Speaker A: No, no, I'm just saying this as a reminder, if at any point you feel.
[00:01:49] Speaker C: Go fuck yourself, man.
[00:01:51] Speaker A: You can go ahead and get up and go to the facility.
[00:01:53] Speaker B: We just checking on you, black man.
[00:01:55] Speaker A: You know how Uber got the dollar 150 cleaning fee if you throw up in the uber? Like, out here? Like, I don't even know what that fee is. So just, you know, go ahead and handle that.
[00:02:06] Speaker C: Got it.
[00:02:06] Speaker A: Shout out to the homie.
[00:02:07] Speaker B: His guest in here with his phone on.
[00:02:09] Speaker A: Shout out to the homie. Honcho don't know.
[00:02:10] Speaker C: Honcho don't know how to turn his phone off in the interview live. That's crazy.
[00:02:14] Speaker B: Like, he ain't never been nowhere before, man.
[00:02:15] Speaker A: But welcome to effective immediately, zo Osama. The record is out. Stomp just dropped. I want to get to that. But you did a joint venture, and I want to clear. I want to get this out the way right now. You did a joint venture, and from what I understand, you following the likes of somebody like nip hussle.
[00:02:32] Speaker C: Right? Right.
[00:02:33] Speaker A: Okay. Explain that.
[00:02:35] Speaker C: Well, I did a joint venture, like he just said, but it was mostly off the purpose for me to still have freedom and control of when I want to drop and how much I want to drop. And I think as an artist, underground artist, that's coming up. A lot of artists fuck they self over by signing majors too fast and not having the freedom to be able to put as much music out for somebody to actually like your catalog before you do so. Cause you got one song that's taken off.
[00:03:00] Speaker B: So who's that joint venture with?
[00:03:03] Speaker C: Empire. So I went ahead and did a joint venture with Empire. I saw my label, the new cartel Slash Empire, which I could still own, and put out as much music as I want to and put any nigga that I want my homeboys on still. So I think for me personally, it might not be for everybody, but for me personally, I want to be more of the business side of the music than artists.
[00:03:23] Speaker A: Congratulations.
[00:03:24] Speaker C: I appreciate that, man head. For some reason, I actually believe you when you say congratulations.
[00:03:27] Speaker A: I am. That's a real sincere congratulations. First of all, not everybody can do. Can get a deal. Second of all, not everybody can get a joint venture.
[00:03:34] Speaker C: Right? Right.
[00:03:34] Speaker A: That's not a normal thing. Most people sign to a label, and then they're at the mercy of the label. They can't drop when they want. They can't do what they want.
[00:03:41] Speaker C: Then they on Instagram talking about Illuminati, and I can't drop. That's crazy.
[00:03:45] Speaker B: People are also not.
People are also not trying to sign other artists. They're not trying to share their opportunities with other people.
[00:03:53] Speaker C: And that's crazy. You said that. Cause that's one thing that we be big on. Like, it ain't gonna hurt me to help you. Cause if you know how to hustle, whether I put you on or not, I know how to still get up and go get my money, regardless of the fact that the case be. But a lot of people know that when they get on, it's probably luck. So they don't wanna let nobody else take they spot. Cause they've probably feeling they self that they not really what they think they is.
[00:04:13] Speaker B: Who was the person who helped you out as far as what you within this industry? You getting your record deal. You had a hot song for a long time.
[00:04:22] Speaker C: Yes. So me personally, I probably took meetings with a lot of labels. They was just never. They just never. They wasn't offering what I wanted. And then I, um. Then I linked up with Sal, you know, management.
Me and bro just clicked more. He knew we had a conversation on what I wanted.
[00:04:39] Speaker B: Yeah.
[00:04:39] Speaker C: So he built that around what I wanted to do. So I would say, if we gonna say who helped me as far as being like, hey, man, take this one. It's the best you gonna do. It'll be Sal in my lawyer.
[00:04:50] Speaker A: Shout out to Salas too. Because Sal is another manager. That man. That's. It's another entity. Sal and co. Is a real management company.
[00:04:57] Speaker C: Oh, bad. So Sally.
[00:04:58] Speaker B: Yeah, but is Sally's paying you for this promo?
[00:05:01] Speaker C: He been paying me for the promo. That was crazy. Look, look, hey, don't worry about it. I sent the invoice, but no, for. I think that's probably the only person in the industry that I actually trusted to even work with me. Cause I was just doing everything by myself and learning as I go and fucking up. Yeah, but I wasn't fucking up that bad. But I was fucking up. I was fucking up.
[00:05:26] Speaker A: You was fucking up.
[00:05:27] Speaker C: I fucked up.
[00:05:27] Speaker A: Okay, so when you decided to. When you decided to do the joint venture, I mean, you say you took a lot of meetings. Why do you feel like. Well, first of all, how did you even end up connecting with Empire is.
[00:05:37] Speaker C: That Nima hit me directly.
[00:05:40] Speaker A: Oh, okay.
[00:05:41] Speaker C: So Nima hit me and he was like, he hit me in my DM. And I'm like, I was ignorant to the fact of who Nima was. So I'm like, this shit fake. You feel me? But I'm like, ghazi is the one that inferred. But me not knowing who it was.
[00:05:53] Speaker A: Shout out to Neiman, you know?
[00:05:54] Speaker C: Right. Shout out to Neima. He's a real good dude. So I realized it was right. So then Ghazi hit me up and I'm like, I just talked to some dude named Nima fan. He was like, oh, yeah, that's real. And then they flew me out. Me and Sal got on the plane and we went out there and we sat down, then we thought about it, and then they sent the paperwork over. The lawyers just compared and contrast from all the deals that I had on the table. And my lawyer told me this would probably be an a minus deal compared to every other deal that you would ever see.
[00:06:22] Speaker A: Damn.
[00:06:22] Speaker C: So he was like, he couldn't do nothing. He didn't have nothing bad to say about the deal except, you know, certain negotiating points. But otherwise, other than that, they told me that that's probably the best deal that anybody out the west coast gonna get, period.
[00:06:33] Speaker B: What was the craziest ask that you got from another label?
[00:06:38] Speaker C: What's the word? Inpatuity.
In perpetuity.
[00:06:41] Speaker A: In perpetuity?
[00:06:42] Speaker C: In perpetuity. I got an offer from. I ain't gonna say the labels, but probably every label that I had had that word in my contract. But I knew what that word was from my homeboy, and he told me, you know, his dad is a lawyer. Me, if that's ever in your contract, red flag immediately. So the craziest deal, I'm not going to say who, was, like, a crackhead deal. They offered me $10,000.
They offered me $10,000.20. It went from ten to 20 for them to sign me, take underrated, and do what they had to do, and they give me a $20,000 advance, and the dude told me, let's be serious. We want to make sure you recoup. I like, like, bro, I'm making ten times that a month off this one song alone. So why would I give you my number one song and you give me a $10,000 advance and own all my shit? That was the craziest shit I ever heard in my life.
[00:07:34] Speaker A: When you got that, did you laugh or were you upset?
[00:07:37] Speaker C: No, actually, I ain't gonna. I'm gonna keep 100. That was when I first was starting, so I didn't know if it was a good or bad thing.
[00:07:43] Speaker A: Oh, you wasn't sure?
[00:07:44] Speaker C: I wasn't sure then. You know, like, I'm like, okay. Other deals starting to slow down on the table. I didn't already sat with everybody, and they giving me something, kind of what I'm asking for, but them to take possession of the number one song that's making sure I got to pay bills every month, worry about no bills every month. It just didn't make sense to me, so. But I didn't know if that was a good thing or not until I started getting more knowledge about the rap game. So I considered it. It was like, one of my first offers, I considered it, like, yeah, I can, you know, I take that and still make money. But, nah, overall, it wasn't. It wasn't. It wasn't really for me.
[00:08:16] Speaker B: Where are you at in your life at this point, when you were offered.
[00:08:18] Speaker C: This $10,000 shit, I needed that. But, like, it's like, I was. I was making money from underrated, but it just. It was just so much. It was just the starting point of it. So it was like, oh, damn, I made 3500 this month off it. And then the 35 turned to 1010. Start turning to 40. 40 turning 80.
[00:08:36] Speaker B: I don't got it. Still out of target no more.
[00:08:38] Speaker C: Like, that's crazy. Cause I still would never steal from target. That's great what we just do before.
[00:08:48] Speaker A: How much you pass for King Goodfella t shirt?
[00:08:52] Speaker C: I pass for a goodfella t shirt every time.
[00:08:54] Speaker B: So at this point in your life, you still stealing from target, man?
[00:08:56] Speaker C: Hey, I'm leaving here with something. I'm on the way.
[00:09:01] Speaker A: That's crazy. Okay, so underrated. When did you know? When did you know underrated was, like, the record? Like, when did you know it was. It was the monster that it became? When did you know? Did you know immediately? Did you. Once you put it out, like, when did you know?
[00:09:16] Speaker C: I knew that it was gonna be something when I put a clip of it out and it started going crazy on instagram, but I dropped it. But even once it started going crazy, I was just never really around. I was off the way. So one time I was in Escondido, and I was, like, about to come back to the city. I don't know how I ended up in Escondido, but I was in Escondido, and I stopped at this little shopping mall. It was something. And it was a white dude in a big ass white truck slapping underrated with a surfboard on top of his shit. I'm like, oh, yeah, I'm up there now. They got. I said, yeah, we got the Caucasians left is good. So. But at that moment, I was like, damn. Like, I think we might have something. So from there, I think, yeah, I was in Escondido, somewhere far from LA, you know, in the place where most people would know me. Cause that's where I'm from. So when I started seeing my record play in places like Utah and other places where I'm not from, and then, you know, the majority is not black or hispanic. I think at that moment, I thought we probably could do something.
[00:10:11] Speaker A: Do you think that now when it's song. When the song took off. Yo, I ain't gonna lie. Nobody markets and promotes themselves on Instagram better than Zo.
Almost. Almost in excess.
It's almost. You know how, like, if you get a burrito and sometimes you can't roll that motherfucker up. Cause it'd be too much shit in there. That's how your promo be.
[00:10:32] Speaker C: You wanna know why?
[00:10:33] Speaker A: Like it, like, take a little bit out the burrito and it's still fire, right?
[00:10:36] Speaker B: That motherfucker gonna break.
[00:10:38] Speaker C: Hey, but, you know, look, I look at it like this, I wanted. I wanted to get to the point. Cause how. How me trying to get into the music game is more. So did nobody want us at they table? So now it made me to the point that every time y'all open y'all motherfucking phone, y'all gonna still see me. Even when you got me blocked. I'ma pop up on your shit somewhere to make you turn your phone off. And that's how. That's how I look at marketing. And the strategy to stay everywhere, like, to the point that your brain will realize it before you even, you know, or your eyes actually see it. So, like, you would hear something like, that's that nigga. I'm tired of hearing this nigga voice. So, you know, I just try to stay in front of everybody to the point that you hate it, that you start to like it.
[00:11:15] Speaker A: I feel you.
[00:11:16] Speaker B: It almost seems as though, too, that you had an advantage during that time. Cause underrated came out March 2022, and we didn't have no hit at all. We didn't have no hit. There wasn't nothing going outside had just came back open. And you heard underrated when outside was open. You heard underrated at every day parties, every functioning stuff that was going on.
[00:11:34] Speaker C: I mean, that shit was crazy.
[00:11:37] Speaker B: What was that studio session like when you made it, clear that shit up. Clear whatever that is. And you clear that up.
[00:11:44] Speaker C: See, she just don't give a fuck. She don't give one, motherfuck.
[00:11:49] Speaker A: Hey, you got two waters.
[00:11:51] Speaker C: Hey, look. Hey, look, man.
[00:11:52] Speaker B: That one ain't even open. That's crazy.
[00:11:55] Speaker A: Hey, you know what? You know what you gotta do? You gotta stop eating dairy. That's that dairy all in there.
[00:12:01] Speaker B: That's that stomach.
[00:12:02] Speaker C: I just tried to tell me that bullshit yesterday. I said, you sound dumb. Nigga. Ain't nothing wrong with dairy.
But you might be right. No, but. So, look, the session with underrated is crazy because I record myself at my home studio. So, like, all my music for the most part, I record. So I left with my boys, honcho, slim and sleep. I left from kicking it with them, like, at 03:00 in the morning and drove home. And I had this beat from Zeke, the one that produced Zeke beats. He produced the beat. I had to beat for, like, two months. And I just knew the beat was hard, but I had nothing for it. So I came in the house drunk.
It turned all the lights off. It turned that shit on. Mass capacity. It was like, I'm by myself. Who was us. And I just. But I was drunk, so I made the song, fell asleep on it. Like, I just. I just did the hook in the first verse. Fell asleep on it. I posted it on Instagram. And it started going crazy. So I finished it, and then I put it out, and it immediately started going. And I was like, okay, at that.
[00:12:57] Speaker B: Point, was that the best song in your catalog?
[00:12:59] Speaker C: I mean, if you looking at the numbers and you asking people that listen to me, they'll say so. But me personally, hell, no.
Drunk as hell playing with that song. And then it was hidden, like, you know, when I was. I was drunk like this motherfucker smacking. But I was too drunk to finish it, and I went to sleep. And then I guess that's what make people like it at that moment. Cause when they in the club drunk or whatever, they feel like, you know, that's the type of music that they want to hear. So if you're asking me, is it the best and cataloged by money and on paper, yeah. Quality wise, no, definitely not. That's not the best quality song. I think I have.
[00:13:33] Speaker B: No, at that point.
[00:13:34] Speaker C: At that point. Yeah, yeah, yeah, yeah, yeah, yeah. It took me, like, two days to try to mix that motherfucker. I was cleaning everything up. I mixed the whole song myself. And I didn't know how to mix. I was just. What sounded good to me. And then the speakers is what I went with.
[00:13:47] Speaker A: What made you call the song underrated? Cause you damn nearly say underrated one time.
[00:13:51] Speaker C: Because that's how motherfuckers was making me feel. That's why I said in the beginning, like, bitch, I'm underrated. Do you feel me? That's.
[00:13:56] Speaker B: What are you actually saying on the hook? Cause I don't know the words.
[00:13:59] Speaker C: Damn. I gotta rap it myself.
What's that? Hold on.
[00:14:02] Speaker A: It says, bitch, I'm underrated.
[00:14:04] Speaker C: Switch, Leno.
[00:14:04] Speaker A: That's not a hook.
[00:14:07] Speaker C: It said, tutored up little bitch. Booted up by myself. Who was us. That's not how I go. How you go. How you go, girl? I forgot that. That's my hit song.
[00:14:17] Speaker A: You want a teleprompter?
[00:14:19] Speaker C: And we not save your sluts. Give her dick. Give her nut. Give her semen. Drink it up. And when I'm done, clean it up. It was really vulgar.
[00:14:25] Speaker B: That's what you're saying on the hook?
[00:14:26] Speaker C: Yes.
[00:14:27] Speaker B: So break that down.
[00:14:28] Speaker C: Okay.
[00:14:29] Speaker B: What do you mean by toot it up, little bitch? Papa peel. Little bitch is just us semen. Sip it up.
[00:14:38] Speaker C: You give her semen, she drink it up. And when I'm done, clean it up. Give me a towel. A warm towel. I'm out of here.
[00:14:45] Speaker B: Okay.
[00:14:46] Speaker A: I'm out of here.
You know what's interesting about that? I'll try to explain that to women, and I'm gonna get off of this, but I try to explain that to women. It's something that go off in our brain as soon as we finish. It's like, oh, I gotta get the fuck out of here.
I don't know what that is.
[00:15:02] Speaker B: Post nut clarity.
[00:15:03] Speaker A: Yes. That's a real thing.
[00:15:05] Speaker C: Post nut clarity is wild.
[00:15:07] Speaker A: It's a real thing, though, like, post nut clarity. Cause you know how, like, you know how.
[00:15:11] Speaker C: Oh, God. Everything get clearer after you finish.
[00:15:13] Speaker A: Immediately.
[00:15:13] Speaker C: I'm like, I gotta go.
[00:15:15] Speaker A: What? Am I doing?
[00:15:15] Speaker C: Something right? I gotta go. Something is not right.
[00:15:18] Speaker B: It's over with.
[00:15:20] Speaker A: That's real. Hey, that's facts. Okay, let's go to underrated remix. Money sign, sway, big snoop Dogg, E 40. That was a big look for you. I think when. I think that was a big moment for you, I say like that because it.
It could. It kind of looked like when. When I first heard the remix, obviously I heard it before everybody, but when I first heard, I'm like, oh, I know what this is. It kind of like California is rallying around Soma. You know what I mean? Is that it, was that the intention behind that, or it was random that you got this person and that person. Did you already have a relationship with sway so personally?
[00:15:57] Speaker C: No, not like, because he was from a side of town that wasn't cool with a side of town that I was from once upon a time ago, and that situation ended a few years ago. So you feel me? So it all. It made sense. He tapped in with me and he was like, man, I've been listening to this song and I can't get this shit out of my head. Send the open. So I sent the open to him.
[00:16:17] Speaker A: So he text you or he dm'd you?
[00:16:18] Speaker C: Or he dm me.
[00:16:19] Speaker A: Wow.
[00:16:20] Speaker C: So he hit me like, he like.
[00:16:21] Speaker A: Man, so just, I just want to clarify this because it's important to people who don't understand LA, right? Did you already have a, did you already have communication before he dm you about the song?
[00:16:31] Speaker B: No, communicate due to politics.
[00:16:33] Speaker C: Like, and it wasn't even like I used to listen to like, dennis Meskin. Hard as fuck. He sound like Kodak. Like, you know, like this nigga hard though. But I'm like, I'm listening. Like he's sliding on every beat. Like he, like he was it. He sound like a Hispanic. He sound like who he is, you know, like how when you see his Hispanics probably sound like they black or black dude trying to sound like. So the nigga sound like a Mexican rapping on the beat. Like he slid.
So I always fuck with his music, but just, you know, decided towns. It was just, it was like I folks, they doing a thing, you know, and he hit me up and I'm.
[00:17:09] Speaker A: Like, so he was the first one to reach out to you?
[00:17:11] Speaker C: Oh, definitely. This, yeah, we gonna keep that. We gonna keep it just like that. Like, definitely. He was the first one to reach out to me to get on the song. We had a different rapper that reached out, but it didn't fall through like how it's supposed to. It should have went through. It probably would have been bigger for the city, actually.
[00:17:25] Speaker B: Can we guess?
[00:17:26] Speaker C: I mean, you guys might go say it.
No, but, you know, I think, I think it would have been, it would have been as much as the uni thing as sway was. You feel me? So it was, it was opposite side.
[00:17:41] Speaker A: So did, when you got the DM from sway, did it surprise you? Like, oh, shit, he reaching out at that point. We just started getting along a couple years ago.
[00:17:47] Speaker C: Yeah, it was like, it was like, okay. It was like, you know, it was something that I feel like I would have reached out, he would reply to because it was already, you know, solidifying and the song was already going up, so nothing was really a surprise. It was just more like, that shit makes sense to do it, you know, I'm like, that really makes sense to do it. And that's what I was pushing at that time anyways. So it really, it really was, you know what it was. And he was the first person to get on it. We had that. It probably just be me and him.
[00:18:13] Speaker A: Oh, you and sway?
[00:18:14] Speaker C: Yeah. And then he will probably shoot the video. The nigga end up going to jail. He bailed back out and when he bailed back out, we shoot the video. And before we could shoot the video, he went back to jail. And he didn't make it home long last week, so he was never actually able to be on the video. So I just. So it was really important to me to keep him on the song facts, you know? Cause then Snoop Dogg got on it, then 40 got on it, and it was like, kind of like they was like, we don't need suede no more. But, nah, make sure that Suede stayed. Cause I think that would be big to have blacks and Hispanics on a big song that's going for the west coast. So I had to make sure, you know, he stayed on it. And I actually just wanted him to see that he had a song with E 40 and Snoop Dogg. I know that would have fucked him up, right? You know, like, you feel me? But he was never able to see who ended up on the song.
[00:18:57] Speaker B: Was that one of the last features.
[00:18:59] Speaker C: He did for me? No, man. Got a few other songs. Okay, so we got. We got, like, we, um. We got. We got underrated remix. We got the song called Mo fans of Swifty Blue and me, and we got another song that's coming out.
It should be on his deluxe project. I don't know if his team go put it on this one, his next album, or whatever they got going on, you know, with his catalog, but we got a few songs that me and him got. It's just that that's circumstances, you know, circumstances before, you know.
[00:19:27] Speaker A: No, I think that's. I think that's a good look. And I think it's important to acknowledge that, because whenever somebody. People only acknowledge the bullshit, they never acknowledge, like, the stock, like, oh, that's solid.
[00:19:36] Speaker C: Like, right, right.
[00:19:38] Speaker B: Even being that y'all was from two separate hoods that were, you know, he.
[00:19:43] Speaker C: Wasn'T technically from the hood, but the city. Huntington park facts, you know, you. We all know exactly same thing. Especially with my area in Huntington park.
It was a green light. Like, we couldn't, you know, you know how it go. But, you know, thank God all that shit over with, you know, I think it was better that all that shit ended anyways to kept going.
[00:20:04] Speaker A: I think it's dope, bro.
Now fast forward. Like, that was. So I want to touch on this, too. The project that you have coming out was the project that you wanted to drop before.
[00:20:17] Speaker C: The project that I had coming out right now was the project I was supposed to drop last year, but it wasn't the same name. It was called. Originally called underrated, volume two.
[00:20:25] Speaker A: Okay.
[00:20:26] Speaker C: So we was just going. We was writing off the name cause it was still hot. But I think timing and everything in universe goes the way it's supposed to go. So we went in to turn the album in. Me and Salas, we flew out to Empire, we turned the album in. Everybody was excited. The whole off. It was there, you know, my numbers and everything on the board was booming, and we played it. Everybody fucked the album. But when it came time to do the business part on the album, we had too many interpolations and samples. That shit would have cost more than it would have cost. So we had to reconstruct the whole album. And I was going through a point like, man, fuck this album. I don't want to do this shit no more. So I just started doing street shit. I started like, like, nah. Salah tell you, like, I told like, man, I feel like I'm not. I'm not even into it no more. Like, at this point, we just had. We just. We just trashed a whole album. I had to redo the whole album. So it took us a year. Plus, I wanted to learn the game on how certain shit go, how she was broken down, where the money come from, where the streams come from, how it is. Working with a label. I was just overwhelmed with the fact that I just wasn't focused on the music no more. I had money in my pocket when nobody hungry. I was outside doing nigga shit and, you know, doing shows. So it was. The album was on backburner until this year, you know, so I guess it all worked out because it's a summertime album. I make summertime music.
[00:21:42] Speaker A: Speaking of doing nigga shit, man, here we go.
Okay. I mean, you know I'm good for texting you when you be on bullshit on Instagram.
[00:21:51] Speaker B: How we get into that part?
We on that part. We on that portion because I have one more general question.
[00:21:59] Speaker A: Go ahead before we.
[00:22:00] Speaker B: Okay, go ahead. Originally, just back on underrated, the remix. Who were your ideal artists for the remix? Cuz that's not who I pictured on the remix.
[00:22:10] Speaker C: Okay, so who are like type of motherfuckers that I wanted on the album?
[00:22:14] Speaker B: Yeah, no, for the remix, if you was able to just like when you just at home, you just still regular zo Osama, you don't got no motion, you don't got nothing, but you got a song that's viral in your mind. I got to do the remix. I need. Blah, blah, blah, blah, blah, blah, blah, blah, blah. Who's your all star liner?
[00:22:27] Speaker C: Kodak. Okay, I just heard Kodak only for some reason, I guess. Cause you know, that zooted up shit, like, you know, how they be out there shit. It seemed like. It seemed like that. That.
It seemed like, you know, that that's who I had. I was thinking outside of the west coast, so I wasn't thinking west coast, you know. But I always wanted Snoop on. I wanted Snoop on it for show. But once I got snoop, I'm like, can't be too hard to get 40 on it.
[00:22:55] Speaker B: Yeah.
[00:22:55] Speaker C: You know, so it made sense after I got snoop vocals on it to send it to far, like, look, I got Snoop on it. What we doing?
[00:23:01] Speaker B: Okay?
[00:23:01] Speaker C: And Mister Fab. Shout out, mister Fab. He set that up for me. He got me. He got me e 40 on the. On the phone. He. 40 was already fucking with the song, but he didn't know who song it was. He guys on the phone and I sent it over.
He got it back to me. When he got it back to me, it would have been out faster. But 40 was doing what? 40 dudes?
[00:23:20] Speaker B: What's your relationship with Mister Fat?
[00:23:23] Speaker C: That's my boy. We chop it up. And still when I go out there, when I did shows out there, I stop at the store, he makes sure I'm good. Let me know. Leave your windows down. They will steal your shit. So, you know, they.
[00:23:32] Speaker A: Oh, yeah, they bipping out there.
[00:23:33] Speaker C: What? Yeah, somebody bipped in front of his shop when we was there. I'm like, damn.
[00:23:38] Speaker A: Damn.
[00:23:38] Speaker C: But, you know, you would think you can see it. We looked up like, oh, they take the whole car? No, no, no. They break your window, whatever, in your car. Oh, so don't leave shit in your car. It's something that came. There's some niggas that got rich off of biffing. You know, like, say. Say you a nigga. You just got a bag with a hundred thousand in it. Like, running the store real quick, snatch your whole wap. It's gone. Now you. Now you crying. I gotta hurt you.
[00:24:00] Speaker B: See, I'm from the hood, for real. My car look like a rental in the window.
[00:24:04] Speaker C: And it's not tenant. Nope.
[00:24:06] Speaker B: I'm running around fishbowl.
[00:24:07] Speaker C: See, that's crazy. Fishbowl in LA is crazy.
I tend the front of my. I tend my windshield. You can't see shit. I look like the president driving every car.
[00:24:16] Speaker B: It don't even look like I own my car.
[00:24:19] Speaker C: I ain't gonna be able to do it. I can't do that. You can't do that? Cause, look, somebody. And Honcho was with me. If I'm lying right now. I swear to God. Somebody got up on me between my tent and seen me in the car through my tent. It was like they stopped the car like Zo that shit. I'm like, never.
[00:24:34] Speaker A: I'm like, I gotta be.
[00:24:36] Speaker C: Hold on.
[00:24:37] Speaker B: Before I almost got robbed in traffic.
[00:24:39] Speaker C: See, that's it, man. Everybody know Eugenie. You better tint that motherfucking car. What's wrong with her?
[00:24:43] Speaker B: No, no. Let's get into the bullshit now.
[00:24:50] Speaker C: Come on. Go.
[00:24:51] Speaker A: So I'm always shout out to you for following directions. I want to give you a props first and foremost, you know what I'm saying? We had that whole dialogue about the car and all that. So thank you. I appreciate you for making a responsible decision. Because. Can I talk about where you was at today when I talk to you?
[00:25:09] Speaker C: Yeah, go ahead. Go ahead. Tell the world.
[00:25:11] Speaker A: So Zo Sima was literally, he said, hey, big bro. Hey, what was you telling me about how to buy a car? Because I'm at the Audi dealership right now. I'm finna buy this shit cash. I said, what?
[00:25:24] Speaker C: Oh, my mama. I had to hold car cash. I wanted to be on some 56 year bad.
[00:25:31] Speaker A: I said, what? He said, yeah, I got. I'm finna buy cash. But I needed to make sure what she was telling me about how to finance and do all the credit. I said, bro, leave the dealership. He was like, what?
[00:25:41] Speaker C: That's not what I tossed in there. That's not what I just called you for.
[00:25:46] Speaker A: I said, bro, do not buy car cash. That's irresponsible. Do not. He's like, but I got the money, though. That's not the point.
[00:25:51] Speaker C: That shit was crazy.
[00:25:52] Speaker A: So fast forward. He got his business. He got his business credit. Everything set up the right way. He got his credit going. Like, I want to say, I want. Before we get into the bullshit, I want to congratulate you.
[00:26:03] Speaker C: I appreciate you. Cause I was about to fuck up.
[00:26:05] Speaker A: I know.
[00:26:06] Speaker C: I understand this shit. I was like, well, I was on some bullshit.
[00:26:09] Speaker A: You was on bullshit.
[00:26:10] Speaker C: That was dumb.
[00:26:10] Speaker A: Okay.
[00:26:11] Speaker B: What were you gonna buy?
[00:26:12] Speaker C: A pair mirror.
[00:26:13] Speaker B: Okay?
[00:26:13] Speaker C: But that motherfucker.
[00:26:14] Speaker B: And how much was it?
[00:26:15] Speaker C: Man, listen. That was the stupidest shit. That shit was like $90,000 or something. That shit was crazy.
[00:26:21] Speaker A: It was dumb.
[00:26:22] Speaker C: And I was still gonna probably have to owe a 20 piece on it.
[00:26:26] Speaker A: That was dumb. So you still do nigga shit on the Internet?
[00:26:31] Speaker C: Oh, man.
[00:26:31] Speaker A: You still posting the money every. You still posting the money, rapper shit? It's not rapper shit. It's nigga shit.
[00:26:37] Speaker C: Nigga rapper shit.
[00:26:38] Speaker A: Because there I never see. I never seen Eminem do it. I never got a nigga rapper I never seen. I said this nigga shit. Nigga rapper Jack Harlow, don't do it.
[00:26:48] Speaker C: Not a nigger. Like, on my mama, not a nigger.
I mean, they might. They are, but they not a nigger.
[00:26:55] Speaker A: Would you agree? Okay, what about Doja cat? She kind of do nigga shit.
[00:27:00] Speaker C: She do nigga shit. No, she do white people shit.
[00:27:02] Speaker A: Okay.
[00:27:03] Speaker B: She do white nigga shit.
[00:27:04] Speaker C: She do white nigga shit. White n shit. Damn dojo. I like Doja, though, but she crazy as hell.
[00:27:09] Speaker A: Okay, but my point is, you still doing this stuff on online.
[00:27:12] Speaker C: Not that much.
[00:27:14] Speaker A: You still doing it. But see, now what you just said, that's like you and gina together. You like. Look, I don't cheat on you that much.
[00:27:20] Speaker C: That's a step. It's a baby step. Baby step.
[00:27:23] Speaker A: It don't work like that.
[00:27:24] Speaker C: Paris wasn't built overnight.
[00:27:26] Speaker A: It's Rome, nigga.
[00:27:28] Speaker C: It wasn't built overnight.
[00:27:30] Speaker B: Paris to it.
[00:27:33] Speaker C: The shit still wasn't built, built overnight. That's. Oh, my God, that's crazy. That was wild.
[00:27:42] Speaker A: I just wanted to say that, but go ahead.
[00:27:44] Speaker C: Now, when I do that bullshit head on, you say nothing.
[00:27:46] Speaker A: I don't.
[00:27:47] Speaker C: Look, he just. He just. He go on my inbox and just be like, thumbs down.
All right, God damn it. Let me live a little bit.
We got chili bean over here. He do not like.
[00:27:57] Speaker A: They don't need to know that.
[00:27:58] Speaker C: They don't.
[00:27:59] Speaker A: So if you want them to know, you could ride around fishbowl.
[00:28:02] Speaker C: That's crazy.
[00:28:02] Speaker B: Mm. Got you there.
[00:28:04] Speaker C: I mean, I'd run around fishbowl if I had a cyber truck. Cause you can't get in here.
[00:28:09] Speaker A: Yes, you can.
[00:28:09] Speaker C: It's bulletproof, ain't it?
[00:28:11] Speaker A: It's small arms. Bulletproof? Yes.
[00:28:13] Speaker C: Niggas in LA got small arms. They ain't got chopped. This is not down.
[00:28:17] Speaker A: The windows are not bulletproof.
You can still bust it with a bit. A spark plug. It's over.
[00:28:24] Speaker C: The cyber truck. Elon. You got some explaining to do, gang. What's going on?
[00:28:27] Speaker A: Go ahead, Gina.
[00:28:29] Speaker C: That's crazy. I mean, he would know. He king Tesla over here. His Tesla. Nice as hell.
[00:28:33] Speaker A: Go ahead, Gina.
[00:28:34] Speaker B: Has, um, any of the diss tracks that you dropped or beefing with any artist done anything for your career?
[00:28:39] Speaker C: I don't do beef tracks. You can't find nothing about me beefing with nobody nowhere online anymore ever.
Don't pull it up if you got it. Cause I feel like, you about to go do some crazy shit right now. I ain't wanna look over there.
[00:28:51] Speaker B: So why you just lie to me?
[00:28:52] Speaker C: That's crazy.
[00:28:54] Speaker A: Don't lie to black women. I learned my lesson.
[00:28:56] Speaker C: You see, nigga don't want to make eye contact.
[00:29:03] Speaker A: She's saying that. She's saying, going back and forth with people online, it's not going to benefit you.
[00:29:10] Speaker C: But see, that's the thing.
[00:29:13] Speaker A: It's not going to benefit you in any way.
[00:29:15] Speaker B: Yeah, I was very disappointed. I didn't like. Not one. I didn't double tap nothing that you dropped. I know that for you.
[00:29:22] Speaker C: No, I hated it for me, too, cuz. Yeah, but I was more. I was more, more so fidget. Just making fun and shit. It was. I didn't take it serious.
Yeah, but nobody still knows. Still don't know who she is.
[00:29:36] Speaker B: We know that. That's the person that was beefing with you.
[00:29:38] Speaker C: Don't nobody know her.
[00:29:41] Speaker A: See, she gonna take it.
[00:29:45] Speaker C: Don't nobody know who that little girl is.
[00:29:49] Speaker A: So anyway, next.
[00:29:51] Speaker C: Oh, she. She told. She, yeah, I'm almost.
[00:29:53] Speaker B: I'm gonna give her what she.
[00:29:54] Speaker C: What you asked. Goddamn.
[00:29:56] Speaker A: So you're doing worse.
[00:30:02] Speaker C: That was crazy. It was crazy.
[00:30:05] Speaker A: I don't. I don't necessarily condone or care about none of that stuff.
[00:30:08] Speaker C: No, no. But all in all, bullshit aside, that shit, that shit was never for me. And that was numb that I was never. That I never agreed to. Because in reality, it was called. A phone call was made to my phone saying, hey, y'all should do this and do this. And I politely declined the offer and said, I don't rap beef. I don't do nothing like that. So, you know, and I hung up the phone. Y'all do y'all. You know. And after that nigga, I woke up one day with me dressed up as a girl with a nigga rapping under the underrated beat. So I let that go. But then the nigga kept on. He was saying certain songs that politic wise, you don't say, cause you not from nowhere. So it went left. But all in all, it was never trap. It definitely was a trap. And the crazy part about the whole situation and nigga never met me. I never met him real life. We never shook hands. He's talking like he know me. He don't know nothing about me. Never met me.
[00:31:00] Speaker A: That's usually how it goes, though, online. Like, usually. I mean, that's why I never really engaged with people. Cause it's like, bro, you don't actually know me.
You don't have my number. You don't know where I live. So if you don't have my number, don't know where I live, then we. You don't really have a reason to be mad at.
[00:31:13] Speaker C: Right. See, that's more. That's more the case. I'm like, this is. This is. I didn't think right. You know, like, how niggas be like, rap beef is fake and niggas really be doing it. I didn't think niggas is really on that type of timing until you realize, oh, niggas is really on that type of time. And to do whatever just to get a ten second of.
[00:31:27] Speaker A: Well, as you tension, as you were saying, it's just gonna amplify, get bigger and bigger and bigger and bigger, and then it just before you know it, you in a 20 volts one, right?
[00:31:36] Speaker C: Yeah, definitely left to right. They were trying to pack. They trying to pack me out for a minute.
[00:31:44] Speaker B: You hopped on the not like us beat?
[00:31:46] Speaker C: Yeah.
[00:31:47] Speaker B: Where do you rank your freestyle against all the other ones that drop?
[00:31:50] Speaker C: Uh, what do I ranked that freestyle at? I slid on that motherfucker. I don't give a fuck with.
[00:31:55] Speaker B: Nobody said, you think you had the best one.
[00:31:57] Speaker C: Definitely. On my mama's, mama's, mama's mamas. I definitely had the biggest betters. Like, I was the first one to do it. Literally was when the song came out. Ten minutes later, I had a freestyle up.
[00:32:07] Speaker A: What you think?
[00:32:08] Speaker C: I slid? I don't think nobody. I think a couple people slid. I think Roddy Rack slid.
[00:32:13] Speaker A: Roddy Racks.
[00:32:14] Speaker C: That's the hispanic rapper.
[00:32:15] Speaker A: I didn't. Oh, I didn't even listen to him.
[00:32:16] Speaker C: He slid. He sound the closest to Kendrick to me. He slid everybody else. I think they were just doing it just to get clicks and views because I was the hottest beat out at the time when nobody really sliding.
[00:32:26] Speaker B: Did.
Did Mark Lucky drop one over who? Or did he rap on something else?
[00:32:32] Speaker A: Mark Lux, he.
[00:32:34] Speaker B: I'm not familiar Mark Lux. He's. He from out here. His was hard.
[00:32:38] Speaker C: I'm a tap in when I want.
[00:32:39] Speaker B: Mark Lux, his was real hard. And I fucked with rumbles.
Rumbles was hard. Everybody else.
[00:32:50] Speaker C: Hey, I appreciate everybody.
[00:32:51] Speaker B: They not like us.
[00:32:52] Speaker C: They not. That was crazy. They not like us.
[00:32:56] Speaker A: I had a couple more things. Your relationship with Hitboy, crazy. Your relationship with hit boy. You were honcho obviously working with big hit and hit boy was it.
[00:33:08] Speaker C: Big hit is hilarious.
[00:33:10] Speaker A: He's an amazing person.
[00:33:12] Speaker C: Very amazing.
[00:33:13] Speaker A: Very interesting.
[00:33:14] Speaker C: It's never a dull moment around big hit.
[00:33:17] Speaker A: You know what's funny is he'll be showing you love, and it sound like he tripping on you.
[00:33:22] Speaker C: Look, look. It's funny you said that. Look, look. Hey, look. So, look, we did the. We left the novo with them niggas, right? We like the nigga. Big hit. He doing him. He got bottled. You know, he doing him. He living his best life. And saw me was like, yeah, let me hit the bottle, blood. He like, nah, blood, you thirsty? And walked away. He never passed the bottle. I passed him. You know, I thought, you know, like. Cause I said that some shit like that. The honcho is still passing the bottle. Then they get walked off.
[00:33:46] Speaker A: He really meant his.
[00:33:47] Speaker C: No, I was like, damn. Yeah, big hip. Probably don't even remember that shit. He was lit. But that shit was funny as fuck.
[00:33:53] Speaker A: How did you end up linking up with them?
[00:33:56] Speaker C: Okay, I had a conversation with him before, but I'm gonna give credit. What credit is due? My boy. My boy, TK, he from Inglewood, and we cool. He hit me up. Like, man, I can see you doing something Hitborough. Like, that's crazy, cuz. I reached out, we already started a conversation. It just never went nowhere. So he got us on the phone. He was like, man, you still going strong, you know? And big hit. I did a freestyle on bootleg to my beat. So he was like, you still do your thing? Like, he like, pull up to the studio. Who went the next day? Well, honcho. Me and Honcho went the next day. Excuse me, playing this beat. So we walked in. That was that. All that. And as soon as he played it, we started rapping immediately and just made the song in ten minutes.
[00:34:39] Speaker A: Oh, shit.
[00:34:39] Speaker C: And then, like, we made. We. We made, like, a whole album. We made, like, nine songs that night. Just. But we made that song off the top. And when we made that motherfucker, everybody in the studio was like, yeah, this the one. They were like, so that nigga hitboy was like, oh, y'all. He like, y'all niggas sick. That nigga told us. He like, I ain't seen nobody rap off the top of the head like this since I was working with Juice Wrld.
And he like, we was making songs back to back. He like, oh, these niggas. These niggas really don't write these niggas. And they saying different shit every time they rap. So, you know. And then from there, he was like, bro, whatever y'all niggas need, you know, embracing honcho as well. Like, nigga, whatever you need, regardless, if you got your career started all the way. He fucked with us. And that's like, that was some real shit, you know? Cause most people only wanna fuck with who hot at that moment for him to, you know, fuck with us, open the studio up with us. Then he started calling us to his shows. He called me or honcho like, hey, y'all, pull up. So hit boy and big hit.
They really solid people. And every time I. Nigga, big hit. So you say, those my crip partners right there.
That's my nigga right there.
[00:35:36] Speaker B: I appreciate him, boy have one on your album.
[00:35:39] Speaker C: Oh, yeah, he got that. All that. We put that on the album, but all he just sent me. We did, like, eight songs that night. So me and Big hit got a lot of songs too, that we just. I guess, you know, we just stacking them up, whatever they want to do with them. Put some on my own, put someone. I don't know, whatever. But Hitboy just sent me another beat that I just recorded to. To the song called Jiggas. It's gonna be on my next album for show. But that motherfucker's sick. Like, I think Hitboy know what kind of beats to send me, you know, type shit. Cause he'll send you some shit that you gotta get lyrical. I'm like, damn.
Like that. I'm like, damn, I gotta give him my kendrick bag. You feel me? But now he understand. Like, he gotta send, like, that all that type shit that he send, like that shit that got that bang to it.
[00:36:20] Speaker A: Now stomp. Like, when. Okay, first of all, when I first. The first time y'all played it for me in the studio, I was like, oh, this is one of them ones. Yeah, but you got on Instagram live and leaked the song yourself. Damn near.
[00:36:36] Speaker C: Nah.
[00:36:36] Speaker B: But see, he be doing anything on Instagram.
[00:36:38] Speaker C: He be doing anything, man, they blocked me. I ain't been able to go live for year.
[00:36:41] Speaker A: Oh, that's great. Shout out to Mark Zuckerberg.
[00:36:43] Speaker C: Yeah. Hey, that's on my mom.
Oh, God. I used to play all my albums on there.
[00:36:50] Speaker A: So what happened? So how did stump.
[00:36:53] Speaker C: So, look, decades is too short.
And e 40 producer, they make a lot of they beats, right? So I did a studio session with two short, like, a year ago and two short. Send me all these beats.
He said, do these beats. I promise you, if you do these beats, you out of here. Right? So I made this one song to this one beat that I had, and I was gonna put it on the album, and I found dead k information I'm on to make sure I know, too. Sure, he gave it to me, but business wise, you gotta talk to the producer. And he's like, that's crazy, cuz. Ice cube just took this beat for his album. Oh, say hurt my soul. He said. He said, don't trip. He said, don't trip. I'm gonna send you some beats. He like, man, if you hit me up a day ago, he just took it today.
I said, that's crazy. I said, ice cube? He said, yeah. I said, cube. He said, yeah. I said, ice cube? He like, nigga, yeah.
[00:37:42] Speaker A: So I'm like, okay, you gotta let that one go.
[00:37:44] Speaker C: It was nothing. I can do it. But I said, you know, look, man, I was hurt. I said, so? He was like, don't trip. Give me your number. I'm gonna send you some beats. He sent me a pack of beats. And the first beat I heard was the stump beat. And I went straight in on it and I sent it to Sally. He was like. He was like, okay, we got one. You feel me? Cause it was like. It's more of a universal song. It's not too vulgar. It's something that kids can play some that adults could play. Bay area, la, west coast.
[00:38:09] Speaker B: So how did y'all come up with the concept for the music video Blue and Zylo?
[00:38:15] Speaker C: Blue and Xylo? I'm gonna give it all to them. Blue and Zilo. Look, cuz, cuz, me personally, I wanted something. Like, I wanted. My vision was towards where they was at, but my vision was. I don't know if you remember that song called stumped by young Buck. It would remember that video like, it was, like, insane. But they brought it to life with the kids and the dancers and the you got served thing. So when I got there, it was already a full. I was just. I was just artist.
[00:38:38] Speaker B: I don't know why I gave me yo mama vibes, exactly.
[00:38:43] Speaker C: I mean, like, is it. See, that's.
I said the same thing. Yeah, it was. Oh, serve. No, fuck that. Serve him. Y'all been serving me all day. Get on his ass.
[00:38:56] Speaker B: I let him share his fun fact.
[00:38:57] Speaker C: No, you was on there.
[00:38:59] Speaker A: I was on the pilot. I was on the pilot episode of your mom.
I'm on the episode. The reason why the show got on air.
[00:39:07] Speaker C: Why do I feel like now that you said you didn't have the hat on, huh?
[00:39:10] Speaker A: No, I had a headband on.
[00:39:11] Speaker C: Why? I feel like. I know.
[00:39:13] Speaker B: The headband is so crazy.
[00:39:14] Speaker C: They got a headband.
[00:39:15] Speaker A: It was like 2000, bro. Like, fabulous wore headbands.
[00:39:18] Speaker C: No, no, that's fast. The durag, you gotta forget the durag with the headband.
[00:39:23] Speaker A: Nah, I didn't do that.
[00:39:24] Speaker C: Crazy miss, why would he put a.
[00:39:25] Speaker A: Durag, you know, that's, that's what west side niggas did. I don't know what y'all was on.
[00:39:29] Speaker C: Nah, she not, he ain't even catch that. That's crazy. That was case, that was crazy work.
[00:39:34] Speaker A: Damn, she just, I don't care.
[00:39:37] Speaker B: Oh, they fuck me up.
[00:39:39] Speaker C: No, he say shit that when I get home I play.
[00:39:43] Speaker A: Cuz I ain't fucked up when I get home.
[00:39:46] Speaker C: Cause I'll be thinking about all night. Like that nigga come up to you and say you tell you a smart ass insult and spin off.
[00:39:51] Speaker B: Oh, Alice told me yesterday, I said, I don't want to be a sex symbol all my life. You don't got that many more years, devils.
[00:40:01] Speaker A: I mean, where's the lie though?
[00:40:06] Speaker C: Hey, hey, one thing these niggas will do is tell you how they feel that moment in life real quick. I swear to God, they humble you.
[00:40:14] Speaker B: These niggas works in the comments.
[00:40:15] Speaker C: Look, I said to niggas out a song, I thought it was it. That niggas said, it's cool. It's not album material. I didn't even write back to him. I didn't even write back to him. I just kept going on my day, like, that's crazy.
[00:40:26] Speaker A: Hey, where do you get, where do you get your. Because you have, you do accept criticism. Well, where do you get that from? Is that just from like.
[00:40:32] Speaker C: No, my dad, my dad was cold. My dad used to, my dad used to tell me crazy shit like what?
[00:40:38] Speaker A: Give me some. You know, like, what's like the worst thing your dad said, you know, like.
[00:40:41] Speaker C: You know, like how you.
I had a real, you know, like, uh, I had a real black father from the hood. That's from Louisiana that came here, that was military.
[00:40:51] Speaker A: What's the worst thing he's probably said? Do you remember?
[00:40:53] Speaker C: Boy, listen, I don't probably can't say it online.
[00:40:55] Speaker A: Oh, okay.
[00:40:55] Speaker C: But, you know, but that nigga used to tell, he used to tell you some crazy shit that made, like, damn.
[00:40:59] Speaker B: Like it was something that was crazy, but you were able to apply it in your profession.
[00:41:03] Speaker C: Oh, you ain't never gonna be shit. You know shit like that. Like, you know, are you gonna, that's empowering? No, no, no. Like, you ain't never gonna be shit. You ain't got no car. All you do is run the streets and have these blue rags in your pot. He used to say, shit, I used to, but he'd be like, damn, I really ain't got shit. Cause I just asked you for $5 for a blunt.
[00:41:20] Speaker A: Damn.
[00:41:20] Speaker C: You know, but that's what. He'll definitely bring that up. You keep smoking all that tweed like that is weed.
[00:41:26] Speaker A: But then also like, I think sports builds that too.
[00:41:29] Speaker C: No, yeah, I saw, I did, I did sports but I started gang banging more than I was in sports. And then I ended up having a kid early. So I was like, shit, you know, it was a situation that happened when I was playing for Hollywood. I played for Tav.
Not, I ain't gonna lie, I didn't get to play for Tav because I end up going to jail after the tryouts. Damn, it's crazy.
[00:41:50] Speaker B: How early did you have your kid?
[00:41:52] Speaker C: 12Th grade. 1718.
[00:41:54] Speaker A: That's not that early.
[00:41:55] Speaker C: But I'm talking about as far as a nigga that don't got nothing going for.
Right? Right. Yeah, you're right. That's early as hell.
Hey, I ain't gonna lie. People was fucking in middle school. We gonna. Let's talk about it.
No, no, no. We, we gonna talk about it now. Yeah, we ain't gonna talk about. That's crazy. Middle school was cracking. Audubon. Audubon Horseman.
[00:42:20] Speaker A: I can't relate.
[00:42:22] Speaker B: 1213, 1113.
[00:42:24] Speaker C: I was nine. I'll say 8th grade. But you know how they be having the Hispanics and some of the girls that be pregnant in 7th grade and shit.
[00:42:30] Speaker B: What you saying right now?
[00:42:31] Speaker C: What I'm saying?
[00:42:32] Speaker B: What you saying? What you saying?
[00:42:34] Speaker C: They be getting involved early.
[00:42:36] Speaker A: I can't relate to none of y'all talking about right now.
[00:42:38] Speaker C: The defined day is crazy people.
[00:42:40] Speaker A: No, no, don't.
[00:42:41] Speaker C: Don't people be getting involved early.
[00:42:45] Speaker A: I can't relate to none of this. So I'm opt out. But I was like 19. 1st time I touched a labia.
[00:42:50] Speaker C: So the first time you touched a what?
[00:42:52] Speaker A: A labia. You'll get it when you get home.
[00:42:54] Speaker C: I know what.
[00:43:00] Speaker A: Anyway.
[00:43:00] Speaker B: Yeah, let's wrap this up.
[00:43:03] Speaker C: What the fuck was you.
[00:43:04] Speaker A: I was skateboarding.
[00:43:06] Speaker B: So skateboarders, you was on your mama?
[00:43:09] Speaker C: Anybody that was on that tv show for show wouldn't get none.
Cannon name. Hey, what was Nick Cannon name on love? Don't cross the thing. Calvin, my nigga was Calvin.
[00:43:20] Speaker A: Yeah. So thank you, old Simon for coming through.
[00:43:25] Speaker C: He was Calvin on love to cause a thief before he turned into the popular nigga that was DJ.
[00:43:31] Speaker A: Give me the album date.
[00:43:33] Speaker C: Ah, can I do that sound?
[00:43:35] Speaker A: Give me the album.
[00:43:35] Speaker C: All right. I gotta ask, you know, mister Suge Knight over there.
[00:43:38] Speaker A: Give me the actual album date.
[00:43:41] Speaker C: June 28.
[00:43:41] Speaker A: June 28.
[00:43:42] Speaker C: Name of the album from the east side with Love.
[00:43:45] Speaker A: Okay, that's a play on Dom Kennedy.
[00:43:47] Speaker C: Yeah. Oh, that's. Yeah, that's definitely a reference to Dom Kennedy. But, you know, I'm from the east side and I actually paid the album for him when we was in the studio with Hitboy. And he was fucking with it like this shit slap. He was like. He was like, you bringing that old school west coast shit back with a high tempo, tight, like it's different is like. It's crazy how you doing it because you making it work. And he was like, a lot of people weren't able to make that shit work. That's why everybody going everywhere what they doing, cuz they can't make their roots work. And he was like, you making that shit work from there?
Yeah, I told the name of the album and I asked him how you fucked about. He was fucking with it because the blessing. Yeah, that's why I kept it. Cause if not, it went from underrated to from the east side with love. Cause it was just a whole different feel of the album. It wasn't even underrated. And plus, I was tired of underrated. So it was like, let's move on. Let's get a different stand. So he was fucking with it for sure.
[00:44:36] Speaker A: From the east side with Love. You said June 20? June 28. Okay, stomp is out right now. Go peep the video. Not because of my cameo, but because the video really got a lot of energy. I like the kids dancing. I like the routines. Like the dance routine thing. You don't see that in videos, no matter. So shout to blue for that, too.
[00:44:57] Speaker C: As I lose.
[00:44:57] Speaker A: I love shout to Zalo. Anything else?
[00:45:00] Speaker B: Nothing else. Thank you all so much.
[00:45:02] Speaker A: She wanted to say some messy.
[00:45:03] Speaker C: I know. Go ahead, say it. Hurry up before we got here.
[00:45:05] Speaker B: What?
[00:45:06] Speaker C: Okay.
[00:45:07] Speaker A: Okay. Well, make sure you check out whole fashions, too.
[00:45:10] Speaker C: I'm not bringing my phone there. She's not going to none of my shit. She. I already seen a couple episodes. I'm bringing a burner.
[00:45:16] Speaker B: I'm glad you said that because I will have a bad.
[00:45:18] Speaker C: That's crazy. I'll bring my phone. I'll bring my phone. I'm gonna clean my phone up before I walk.
[00:45:23] Speaker A: She gonna have you just log into your Apple id.
[00:45:25] Speaker C: Sound crazy. I don't know the password.
[00:45:26] Speaker B: I might have the bitches waiting in the room.
[00:45:27] Speaker C: Oh, what bitches? What bitches? What bitches? I am a child of God.
[00:45:33] Speaker A: I don't have no bitches from the east side. With love is on the way. Zo sama stomp is out right now. Go get that, go stream it, go download it. And the video is fire.
[00:45:44] Speaker C: Yeah. Got my nk slim in that video. Got them doing something productive with they.
[00:45:48] Speaker A: So thank you for coming through, Zo. We appreciate you. Stop with the clown shit on the Internet.
[00:45:53] Speaker C: No, you can't say clown shit. You gotta say, stop doing the bullshit.
[00:45:57] Speaker A: Stop doing the bullshit.
[00:45:58] Speaker C: We all do clown shit, right? Nope.
[00:46:00] Speaker A: Okay. All right. Stop with the bullshit on the Internet, Zo sama. It's effective immediately. Deja head Gina views and we out.
