Episode Transcript
[00:00:04] Speaker A: Yo, it's effective immediately. I'm DJ Head.
[00:00:06] Speaker B: What up, Hip Hop Nation? It's your favorite homegirl, Gina Views.
[00:00:08] Speaker A: Special guest in the studio, the homie man, the man, the myth, the legend, all the way from Philadelphia, My brother Friday is here.
[00:00:15] Speaker C: What's up, man? Yeah, what up, man?
[00:00:18] Speaker A: Welcome to the show with a new show. This your first time?
[00:00:22] Speaker C: Congratulations, too.
[00:00:23] Speaker A: Thank you, bro.
[00:00:23] Speaker C: Yeah, this is my first time.
[00:00:25] Speaker A: Yeah.
Well, welcome to the new. The new. The new spot. You know what I'm saying? I see you've been running around for sure, talking to everybody that'll listen to you.
Are you? Are you? Are you?
I remember when we first. Like the first time.
I don't. I don't think. I don't want to claim that I had your first interview, but it was like, one of the first.
[00:00:45] Speaker C: Yeah, it was either the first one or the second one.
[00:00:47] Speaker A: It was like the second one.
[00:00:48] Speaker C: Yeah.
Like our generation. And then you.
Word. Yeah, it was probably you, though. It depends when they dropped it.
[00:00:55] Speaker A: Oh, no, I did do the first. I did do your first interview, but I remember we. You had a exclusive with them, so we didn't put it out until after that.
[00:01:03] Speaker C: Yeah, same outfit, too.
[00:01:05] Speaker A: Same day, same outfit.
Are you a fan of doing it yet? I mean. I mean, not a fan. Are you overdoing it yet? Like, are you still cool with it?
[00:01:15] Speaker C: No, I'm still cool with it. Now it's better now. It's like back then, it was like the same questions like, who the fuck are you?
Then it was corny as shit, like, who are you? God did and all the same shit. Now it's like, niggas really got shit to talk about.
[00:01:29] Speaker A: Got records.
[00:01:30] Speaker C: Yeah, yeah. Now niggas got records, for sure.
[00:01:31] Speaker A: Records, experiences, tours.
[00:01:34] Speaker C: Yeah, for sure.
[00:01:35] Speaker A: Plaques, facts, all kind of shit.
[00:01:37] Speaker C: Yeah.
[00:01:37] Speaker A: Congratulations.
[00:01:38] Speaker C: Thank you, bro.
[00:01:40] Speaker A: What's been the difference? Cause, I mean, when I first met you, this was before God did and all that. When I first met you. I remember. I don't remember what I said to you.
I said something to you that threw you off, do you?
[00:01:54] Speaker C: Yeah, I remember. It was something like. It was something like. I don't know why I like your music. Like, you said something like that. I'm not supposed to like your music or some shit. She had me laughing.
I got the clip, too.
I said, what that mean?
[00:02:08] Speaker A: Yeah, I said, look at her face.
[00:02:11] Speaker B: I said, cause he be saying anything.
[00:02:13] Speaker A: No, I was. Oh, no. I remember. I said, bro, I don't know why I like your music, but I fuck with you or something like that.
[00:02:20] Speaker C: Yeah, something like that. It just hilarious.
[00:02:22] Speaker A: It spoke to me. But I think, like, what's been interesting is to watch your journey and to watch, like, the world kind of catch on to you. What's been the biggest, like, moment for you outside of, like, the obvious? Like, what's been one of them things for you where it's like, okay, I'm official. I'm a real artist. Niggas got take me serious. Put some, like, put some respect on my shit.
[00:02:43] Speaker C: I think, like, the best thing is, like, the tours, touring now. You know what I'm saying?
[00:02:46] Speaker A: Them fans seeing, them records seeing.
[00:02:48] Speaker C: It's like, you don't know. You don't ever know how much land you really touching until you, like, get out there. Even, like, when artists bring me out, like, say right away will bring me out to Tampa. It's like, all right. Like, they gonna know my songs. And them niggas word for her, too. You know what I'm saying? So it's like, them be the moments, like, going to different cities that I don't usually go to. He did word for word with me.
[00:03:10] Speaker A: Yeah, I remember talking to KDOT about that. Like, one time when he did, I went to a show, and I was backstage afterwards, and I was like, yo, dude, that shit still trip you out. Like, he be like, bro, that shit crazy, dude. Like, when that. When you get that experience? I've never. I'm not an artist. I never had people singing my records. But what about people that don't speak English? Have you had that experience yet?
[00:03:30] Speaker C: Yeah, for sure. York. I was in York two years ago. My York tour. That was the craziest genre. Like in Paris, Amsterdam.
Where else?
London. A couple people that don't speak English, like, the meet and greet lines, they don't speak no English. They trying write their words and all that. Like, I'm like, damn, I'm writing them back and all that. It was crazy, for sure.
[00:03:50] Speaker A: And then what about the white people? Do they sing on Beat?
[00:03:54] Speaker C: I don't got no that much white fans yet.
You pull up to my show, it'd be all.
Even when you go, it'd be like, Africans. You might catch some light skins. Yeah, but I ain't cross over that. That's my next genre. I need something to cross over so them white people come.
[00:04:12] Speaker A: Okay.
[00:04:13] Speaker B: I assume you already answered this question before, but I don't know the answer.
[00:04:17] Speaker C: Why Friday? Yeah, okay.
I was a young boy. I was like, 15. Me and my brothers was, like, making, like, a little group trying to make a group. And like, my real name, Corny as shit for, like, as an artist name. So we was like, at that time, the Weeknd was my favorite artist. Weeknd party next door. So my brother was like, yo, you should go with Friday.
And I rocked with it.
[00:04:40] Speaker B: No other day of the week option was available.
[00:04:42] Speaker C: Nah. Cause Friday, like, the best day, you know what I'm saying? As soon as Friday hit, like, n. Like, where we at? You know what I'm saying? But niggas ain't even want to call me Friday. Cause we not about to call you something else. So it wasn't until I went to, like, college, like, and I introduced myself on Friday, then it was stuck.
[00:04:59] Speaker B: What was this group y' all was making?
[00:05:01] Speaker C: It was called dct.
Yeah, Dreams Come true. Just some young nigga. Shit. We ain't even put out that much songs. We just was like creating shit.
[00:05:09] Speaker A: Is it out? Are the records still out?
[00:05:11] Speaker C: Yeah, we got some on Soundcloud.
[00:05:13] Speaker B: Are they good?
[00:05:13] Speaker C: It's like 14 year old fry. Yeah. I feel like I was good.
I feel like I was always good.
[00:05:19] Speaker B: So the goal was always to make music.
[00:05:20] Speaker C: Yeah, for sure. I ain't had no other route. I ain't. Ain't no other route for me. Like, if this ain't work.
[00:05:25] Speaker B: Were you always singing or did you ever try to rap?
[00:05:30] Speaker C: I was more so singing. Like, I grew up in a church, so I was singing in choir and all that. So it's until like, middle school, like, when I started listening to, like, rappers and all that, like, living my own life. I'm like, all right. You know what I'm saying? Then I try start rapping. So now I really, like, mix it. It depends. Which song.
[00:05:47] Speaker B: Do you have a favor? I hear the gospel influence in the music too. You have a favorite gospel song?
[00:05:51] Speaker C: Probably some Marvin. Marvin set.
Testimony.
[00:05:55] Speaker A: Yeah.
[00:05:56] Speaker C: No Testimony.
[00:05:56] Speaker B: No.
[00:05:57] Speaker C: I only know Kirk Frankenstein, though.
Yeah, for sure.
[00:06:02] Speaker A: Is there.
Well, first of all, you did drop a album this year, you know? Like, was it initially two discs?
[00:06:12] Speaker C: Nah. Like, when you came to the studio, that was like, we had songs, but it was like no Direction. Really? Like.
[00:06:18] Speaker A: Cause I was like, bro, when you played me, I didn't hear none of that shit though.
[00:06:21] Speaker C: For sure. We like. Cause at that time we was like, yo, we gotta get this album out. But it was like, me and Edgar, like, nah, we can't rush it. Like, let's create more songs. You know what I'm saying? The more we started creating, the more the story just started coming. You know what I'm saying? What I was saying in the songs. And especially when we made the title. Some days I'm good, some days I'm not.
It was like we really could have like, separated now. So, like, on the good side, it's like more R and B songs. On the not side, it's like more life songs you get through life with. Yeah.
[00:06:52] Speaker A: Cause I was like. When I. The first. Like, I heard the majority of the first disc, but then, like, I was listening to the second disc, I'm like, I heard maybe, like, ideas like that you.
[00:07:04] Speaker C: Yeah, yeah, yeah. You're right. The second diss is more like a new shit.
[00:07:07] Speaker A: Okay.
[00:07:08] Speaker C: Like the first jones. You heard like 5. 5 from the first diss, I think.
[00:07:11] Speaker A: Yeah. When did you.
When you. When you did Baddest in the Room, I remember us having a conversation, but I don't remember if you had already had the idea to do. To go that direction.
[00:07:26] Speaker C: Yeah.
[00:07:28] Speaker A: When you make a song like that, is it like, all right, I need to make a song like this? Or it's like this nigga DJ Head is on my line to make a song. Cause like, the songs performed, like, beautifully.
[00:07:38] Speaker C: Yeah, it went crazy.
[00:07:39] Speaker A: We playing that shit up here. Yeah, it went crazy is that. I know you don't really like going into it, crafting records for a specific purpose. Like, did you already have that idea or was it like, all right, I'm finna try to do my thing. But like, this type of format, it.
[00:07:54] Speaker C: Was just like more like summer was coming. And it was like my team was like, yo, we need something for the girls, you know what I'm saying? So we need, like some up tempo, feel good vibes, you know what I'm saying? I feel like everything slowed down now.
I feel like only a few niggas could give you some uptempo, swaggy shit. And that's like Chris Brown to me. That's Tory Lanez and that's Bryson Taylor and Party Next Door when you feel like it. But at that time, we was like, yo, we need a summer record. And I went in my basement, like, just created the idea called My Boy Monbro. He produced on it. Then we sent it to N. Like, yo. Like, yo, think this gonna go? It's gonna do right on the radio. We got like four yeses and we was like, yo, let's do it.
[00:08:33] Speaker A: Let's go.
[00:08:34] Speaker C: I think it was you, Nyla, and a couple more DJs. We like, hey, let's run it.
[00:08:38] Speaker A: Yeah, now, I was happy when you. And I was happy that the record.
[00:08:41] Speaker C: Performed, like, yeah, it went good.
Easily, too.
[00:08:44] Speaker A: Yeah, it's going up. Also, my other one. My other favorite off the project is Wait for Me.
[00:08:49] Speaker C: Yeah. Yeah.
[00:08:50] Speaker A: And I remember that. Yeah, I was like. When I heard that, I was like, okay, this is. I'm glad you kept that. Cause this is one other one that you didn't keep on the album. I don't know the name of it. I don't know. I think I got it in my phone. But you brought up Chris Brown one call away on the album. How many records did you end up doing with Breezy total In, like, life?
No, I mean. Well, I guess so.
[00:09:12] Speaker C: Yeah. Me and Breezy probably got, like, good seven.
[00:09:15] Speaker A: Enough for episode?
[00:09:18] Speaker C: Yeah, good seven. Like, four of them already out. Probably, like, three sitting.
[00:09:21] Speaker A: Okay.
[00:09:22] Speaker C: It's like, we go. Every time we cook up, it's like. It's something that we gonna use, though. You know what I'm saying? So we don't really.
[00:09:27] Speaker A: You don't got no. Like, just throwaways.
[00:09:29] Speaker C: Yeah, for sure. If I go to his crib, it's either gonna go on his album.
[00:09:33] Speaker A: That was a life, Flex.
[00:09:34] Speaker B: That was a life.
[00:09:36] Speaker A: If I go to the house, you know what I'm saying?
[00:09:37] Speaker C: For sure. Like, we cook up. It's going on my album or his album. For sure.
[00:09:41] Speaker B: What you doing with those three? That's not out yet.
[00:09:45] Speaker C: I feel like they good. It's just, like, an energy thing. You know what I'm saying? I don't feel like we.
It's not the best. You know what I'm saying? I don't feel like it's the best.
[00:09:53] Speaker A: How do you decide which song goes where? Like, I'm gonna take this one. You take that one.
[00:09:58] Speaker C: It's just. You could tell, like, when niggas working on the album, like, you know what I'm saying?
Especially me, like, when I'm working some of the songs we did, I'm like, yo, I'm working on this album. I need you on this. You know what I'm saying? And it'll be on my album. Or. Or he'd be like, yo, pull up. I'm working on my album.
[00:10:12] Speaker A: So.
[00:10:12] Speaker C: Like that. Yeah.
[00:10:14] Speaker B: You have this, like, undeniable connection with the fans.
[00:10:17] Speaker C: Yeah.
[00:10:17] Speaker B: It don't sound like the 2000s, but it felt like the 2000s when we really felt the music and we could not relate. Cause we was kids back then, but we was relating to situations that we had never experienced.
[00:10:28] Speaker C: Yeah.
[00:10:28] Speaker B: What's the creative process when you are making music?
[00:10:33] Speaker C: Thinking about the fans for real, really? Like. Cause when I grew up, it Was like, Jamie Soxx. He got a song called I wish you were here. It's a song about his grandma. And I think at the time I was, like, 11. I didn't even know what life really was. I lost my grandma. Then when I heard that song, I was like, damn.
But it made me connect with him, like he was my brother, you know what I'm saying? So when I hear songs like that, it's like I know what it did to me, how it affected me, so I know how I can affect my fans, you know what I'm saying?
Like, giving him detailed songs. It's like, I'm never gonna switch on, bro. You know what I'm saying? Like, I'm really his fans. I'm a buy merch. I'm gonna buy a ticket, so. And I know it's a lot of people going through what I'm going through probably on a whole different level, and they don't got ways to express it. So I put it in the music so they could feel something.
[00:11:23] Speaker B: It's four songs specifically that stood out to me from the project Back to youo, Dark Knight, Shotgun, Savin My Love.
It feels like the real music that sticks.
[00:11:34] Speaker C: Yeah.
[00:11:34] Speaker B: And I feel like with those songs, you hit two senses. The being able to hear and being able to actually feel it. Do you pull from any concepts, from anywhere else or any ideas what you mean?
Because, like I said, how it hits the two senses. I can feel what you talking about in the music. Even though I've never gone through any of that.
[00:11:55] Speaker C: The effects, yeah, it's just like I'm Haitian, so, like, I don't know if you're familiar with Haitians. It's similar, like, Jamaican. So, like, growing up in, like, in a Haitian household and listening, like, Jamaican music, it's more like.
It's more like the feeling more than, like, the singing. Like, you ever, like, meet somebody that could sing? Ain't doing all the extra. But it's like, we get it. Like, you can sing, and it's like somebody else come in the room and just keep it simple. And it's like, damn, why I'm feeling the way she sings? It's like I learned how to, like, express myself in a way where it's not like. It's not even. I could be the best lyricist. It's just like, I feel what he's saying. You know what I'm saying? So I learned how to, like, record myself and give every detail, like, every note that I'm hitting. For sure. Yeah.
[00:12:38] Speaker B: It's like it's layers, and I don't know the process of creating music, but I can tell when something is flat and it's just vocals on a beat versus I don't know what I'm hearing.
[00:12:48] Speaker C: I don't know for sure, but it's.
[00:12:49] Speaker B: There and it's inside the music.
[00:12:51] Speaker A: I appreciate that you brought up the shotgun record, Wale.
[00:12:55] Speaker C: Wale, yeah.
[00:12:58] Speaker A: Was that off? Was that Kanye inspired? The All Falls down part, it was like.
[00:13:02] Speaker C: That was like, the only song, right? Like, you know me. I'm like, 100 percenter. That was the only song part of my life. Like, it's a songwriter. Daniel Church, so he was, like, working. I was with him for, like, a week, and he cooked up, like, that idea. He was like, I gotta play you something.
And it was like, damn. Like, I need this young. So I don't know what he was, like, thinking from my perspective, you know what I'm saying? I was like, damn, it's really my sound. You know what I'm saying? And I made it my own, so. But, yeah, he was definitely thinking on a Kanye tip, you know what I'm saying? And it was just like a special song. We was just trying to figure out who to get on, and Wale came through.
[00:13:39] Speaker A: Yeah, you are 100 percenter.
[00:13:42] Speaker C: Yeah.
[00:13:43] Speaker A: Like, just for the record, Friday produce most all of your shit. Like, you don't even. Like, I remember one time I had a record come to me, and I was, like, trying to. I was like, man, I think Friday, the fuck with this. And the homie was like, yeah, Friday, if he don't make it, he ain't. He ain't finna do it.
[00:13:59] Speaker C: Yeah, for sure.
[00:14:00] Speaker A: Like, what n.
What you mean? Like, what is that? Is that just.
Is that a control thing? Quality control? Or is it like. No, I want to showcase what I could do. Like, what is that? Where does that come from?
[00:14:12] Speaker C: It's just like. I don't know. Like, with me, it's like, sometimes I can. But it's, like, rarely. Like, everything I sung on, I produced on. It's Cause, like, it gotta come from, like, a place. Like, I gotta, like, see it, like, from zero, you know what I'm saying? I can't really, like.
I don't know. I can't really explain it, bro.
[00:14:30] Speaker A: Is that the same thing for features, though? Like, if somebody wants you to jump.
[00:14:33] Speaker C: On a ring, features is different.
[00:14:34] Speaker A: Okay, so it's. Cause it's not yours.
[00:14:35] Speaker C: Yeah, because it's not yours. Like, the Dark Knights, that was a feature. Kage Kai, he's like a feature. If I love the song, he might inspire me. Like, he might say something in a song where I get inspired. But if it's just like a beat, nah, I gotta, like, play the keys or guitar to bring that inspiration out of me.
[00:14:51] Speaker B: I had no clue that you was producing, too.
[00:14:53] Speaker C: Yeah, for sure.
[00:14:54] Speaker A: Yeah, most everything.
[00:14:55] Speaker B: You need to go help some other niggas out.
[00:14:57] Speaker C: For sure.
[00:14:58] Speaker B: Cause it sound like you got all the good production on your album.
[00:15:01] Speaker C: Yeah, for sure.
I'm going to take a seat back probably next year and then go back to producing and writing.
[00:15:08] Speaker B: He like, blast.
[00:15:09] Speaker A: Yeah.
[00:15:10] Speaker B: Have y' all worked together yet?
[00:15:11] Speaker C: Nah, we ain't worked yet.
[00:15:12] Speaker B: Oh, you and Blast need to work together.
[00:15:14] Speaker C: For sure. Yeah, for sure.
[00:15:15] Speaker B: You and Blast need to work together.
[00:15:16] Speaker C: Yeah. You fire.
[00:15:18] Speaker A: I definitely think that you.
[00:15:20] Speaker B: Your song when it comes to youo.
[00:15:21] Speaker C: Yeah.
[00:15:22] Speaker B: Beautiful.
[00:15:23] Speaker C: Thank you.
[00:15:24] Speaker B: Beautiful. Amazing. I cry listening to it.
[00:15:27] Speaker C: For real.
[00:15:27] Speaker B: Ain't never been in love.
[00:15:28] Speaker A: She emotional, though.
[00:15:29] Speaker C: Where you from?
[00:15:30] Speaker B: La.
[00:15:31] Speaker A: For real?
[00:15:31] Speaker B: Yeah.
[00:15:32] Speaker C: Okay.
[00:15:32] Speaker B: Never been in love. Never felt nothing like that before. But it kinda.
It reminded me a little bit of confession.
[00:15:38] Speaker C: Yeah. You ain't never been in love?
[00:15:40] Speaker B: No.
[00:15:41] Speaker A: She don't fuck with.
[00:15:42] Speaker C: You don't want to feel it?
[00:15:43] Speaker B: No, I just ain't never met nobody to fuck with.
[00:15:45] Speaker C: Not even, like, in high school? Junior.
[00:15:47] Speaker B: Like, I don't. That been expunged off my record.
[00:15:49] Speaker C: Okay.
[00:15:50] Speaker A: I don't claim expunged off your record, Andrea. Nigga, you can't just knock shit off your leg.
[00:15:57] Speaker B: You claiming shit from high school.
[00:15:58] Speaker A: Them n count high school, you can.
[00:15:59] Speaker C: High school, you can.
[00:16:00] Speaker B: I ain't claiming nothing.
[00:16:01] Speaker A: 18, it count.
[00:16:03] Speaker C: 18. 18 and up. It counts.
[00:16:04] Speaker B: Well, I was 17.
[00:16:05] Speaker C: All right, bet.
[00:16:06] Speaker A: Yeah. But now that we got that settled.
[00:16:09] Speaker B: Yeah, it reminded me of Confessions. And I remember hearing. I don't know how true this is, but supposedly Confessions is not Usher's story. It's Jermaine Dupree's story.
[00:16:20] Speaker C: Yeah.
[00:16:22] Speaker B: Is the content in your music, do you pull specifically from your own experiences or experiences you're familiar with?
[00:16:28] Speaker C: Yeah, like, 99% from my experiences.
Like, I think I probably did twice where I had a convo, somebody and I went to the booth. But like, that song, from my experience, for sure, it's not even about, like. I think that was my debut album. It was on my Friday album. So it was like, you know, it was a lot of, like, fuck you music. Like Toxic R and B. Shit.
Nah, that's. That was like. I think it's getting better now. Where? It's getting back to, like, real love songs. But, like, I just went in the studio with my friends. Like, it was like, yo, let's just make an uplifting joint. Like, it don't gotta be corny. You know what I'm saying? Let's just make an uplifting love song, you know what I'm saying? And it came from a place where I was talking to this girl, and it wasn't even about marriage. It was just like. Just telling her how I feel, you know what I'm saying? Like, I won't waste no time when it come to you. And the way just. I remember my manager called me, like, bro, you should get married in a video.
I'm like, bro, I'm not about to get married in a video. That would've been hard, though. Yeah. No, it got 100 million views. That's what made the song really go crazy, like, the video, you know what I'm saying? It took it on a whole different level.
[00:17:31] Speaker A: But I remember when you dropped a teaser for that. Yeah, I definitely hit Edgar.
[00:17:35] Speaker C: Like, is he getting married? Yeah. No bullshit.
[00:17:38] Speaker A: I was like, what the fuck is Friday doing?
[00:17:41] Speaker C: He just got on.
[00:17:42] Speaker A: Why would you do that? What?
[00:17:44] Speaker B: That Is Loki a wedding song, though.
[00:17:47] Speaker C: No, it is.
[00:17:47] Speaker B: I feel like that's a wedding song.
[00:17:49] Speaker C: All these niggas in comments like, bro, you just got on, bro. Like, what you doing?
[00:17:53] Speaker A: You gonna. That's crazy.
[00:17:54] Speaker C: That's what made the song elevate the video and just. And I was like, bro, it's a young nigga Real, bro. Niggas don't wanna see no get married.
[00:18:01] Speaker A: Hell no.
[00:18:02] Speaker C: And that's what made the song go crazier, though.
[00:18:04] Speaker B: That don't even sound like a young nigga experience, though.
[00:18:06] Speaker C: For real.
[00:18:07] Speaker B: Yeah. Like, that's one of them songs that I wanna see you in the rain Crying over me.
[00:18:12] Speaker C: Yeah.
[00:18:13] Speaker B: Holding a radio outside the window like, that's one of them type of songs.
[00:18:16] Speaker C: The way I was talking was just, like, still me, though. Like, the way I didn't make it, like, you know what I'm saying? I was still talking to me, bro. I pull up, I got bookings years straight for that in the clubs. 12. Any trench you could think of. I'm talking about any hood that you could think of. A year straight, that's niggas in the crowd holding they girl crying. I swear to God.
[00:18:37] Speaker A: What?
[00:18:38] Speaker B: That has to go down in history as at least top 10 of our era of love songs.
[00:18:43] Speaker C: Yeah, for sure.
[00:18:44] Speaker B: Cause the love is not in the music no more.
[00:18:45] Speaker C: Nah, for sure. I appreciate that.
[00:18:46] Speaker B: That's why. That's one of those good ones. Do you ever regret being vulnerable in music?
[00:18:50] Speaker C: Hell, nah. Nah, I don't be that vulnerable. Like, you know what I'm saying? I be vulnerable, but not that vulnerable.
[00:18:55] Speaker B: Yeah.
[00:18:56] Speaker C: Where it's like, I do it in a way like anybody could relate.
I don't do it in a way where it's like, you know what I'm saying? Like, I'm too far in his life, you know what I'm saying? And know exactly what's going on.
[00:19:07] Speaker A: Proud of me.
[00:19:08] Speaker C: Yeah.
[00:19:09] Speaker A: That was like, whose idea was that?
[00:19:12] Speaker C: Initially, it was my idea.
I've been locked in with Meek since. Since. You know what I'm saying? 2022.
So, like, that Chris Brown song, we was having, like, a sampling problem, so that was the only thing holding the. The album back. Oh, yeah, for sure. So the album was already turned in. We was just trying to figure out, like, the production on that song. Then I seen Meek me like, bro, we gotta lock back in. You know what I'm saying? And then I went in my. My crib and just. I'm making something for somebody else album, you know? Like, when I'm done my albums, I just still cook up, see what people need.
And once I made that, I was like, nah, this guy gonna album not facetime. Meek. I'm like, bro, you gotta hear this. Cause I knew Meek lost his dad, you know what I'm saying? So I knew it was gonna touch him. And then when I played it for him, he started getting the chills.
Then I drove up New York, and he was in the booth for like, 11 hours, bro. Like, straight. You know what I'm saying?
[00:20:05] Speaker A: Meek Mill was in the booth for 11 hours.
[00:20:07] Speaker C: Yeah, 11 hours straight.
[00:20:08] Speaker A: That's bullshit for our niggas.
[00:20:09] Speaker C: Swear to God.
[00:20:11] Speaker B: He was in a booth in the studio.
[00:20:13] Speaker A: He didn't come out to eat, take a piss?
[00:20:15] Speaker C: No, I think he came out once just to hear something and went back in the booth.
[00:20:20] Speaker A: He was in a booth for 11.
[00:20:21] Speaker C: Hours on that song, my brothers. You can ask anybody. Because when I pulled up, yo, I'm proud of me. When I pulled up, he was like, bro, he loved the song so much, you know what I'm saying? Because of the message and him losing his dad, he was like, bro, I ain't gonna lie. Like, I ain't writing, like, five months. Like, I ain't write a full version, like, months. I got writer's block. So the first, like, three hours was just him. Like, four hours, bro. You couldn't find nothing like, he was just like. You know what I'm saying? He was stuck. Yeah, he was stuck. And he snapped on the engineer. Like, bro, don't let them niggas hear me out there. Like, mute my john out there. You know what I'm saying? Put your headphones in, bro.
[00:20:56] Speaker B: You helped him through his grieving process.
[00:20:57] Speaker C: Nah, for sure. It was like a therapy session. Damn. It was a therapy session. Like, bro, I was crying in there and everything. Like, niggas was crying. Like, that song crazy, bro.
[00:21:07] Speaker A: That's. That's intense.
[00:21:08] Speaker B: That's deep.
[00:21:09] Speaker A: Yeah, that's big, bro.
[00:21:11] Speaker B: You like a prophet.
[00:21:15] Speaker A: So when. So. So when he came out the booth, he had finished the verse.
[00:21:20] Speaker C: Yeah.
[00:21:21] Speaker A: So y' all finished the song that y' all finished the record that night?
[00:21:23] Speaker C: Yeah. And then still he was like, I'm about to re record my verse. Give him more energy. Like, he finished it.
He was like, I'm about to re record it. Like, give him more. You know what I'm saying?
[00:21:32] Speaker A: Yeah, damn.
I ain't expect you to say that.
[00:21:37] Speaker B: You being from Philly, did you used to look up to me?
[00:21:40] Speaker C: Yeah, that's the greatest to us, you know what I'm saying? That's the greatest, you know what I'm saying?
Because he did it in a different way. We felt like Meek was one of us. Everything he did, it was like we could do it too. You know what I'm saying? So even when I came out, n ain't even know I was from the city. Cause, like, my first breakout song was God Did. So niggas was really like, who is you? You know what I'm saying? And he wrapped his arms around me like, nah, he from the bitty. You know what I'm saying? So he show love for sure.
[00:22:07] Speaker B: You ever asked about them fries in his lap?
[00:22:10] Speaker C: Nah, we ain't know.
[00:22:12] Speaker B: How did you even get connected with Meek?
[00:22:16] Speaker C: Meek, one of them people, like, if you like coming up, he'll show you love in a way, you know what I'm saying? So I dropped Don't Give up on Me one of my singles, like, on my first ep, and he just posted me. Then he was having a concert in Philly, like Wells Fargo, like 20,000 people.
He did a remix to the Don't Give up on Me, you know what I'm saying? He did a remix. I think, like two weeks before his concert on SoundCloud, he threw it up on SoundCloud.
And then he was like. He tweeted, yo, I'm about to do a 20,000 show. Like, we're Friday. I need Friday to pop up.
Hey, I'm bitching like, you know what I'm saying? I ain't perform. Like, the only place I probably perform probably, like, some little shit.
I ain't respond to that, John. Like, I ignored it for, like, three hours. The whole city called my phone. Like, I'm like, yeah, I'm scared, though, bro. You know what I'm saying? But I was like, let me do it. And I re.
[00:23:07] Speaker A: I re.
[00:23:07] Speaker C: Tweeted it.
[00:23:08] Speaker B: Yeah.
[00:23:08] Speaker C: And that was like, my first show. 20,000. Meek Mill.
[00:23:11] Speaker B: Where are you at financially in your life when Meek tweeters?
[00:23:15] Speaker C: That's after my deal. So I'm cool.
[00:23:17] Speaker B: You already good?
[00:23:18] Speaker C: Yeah, I'm good. I moved out, got my mom a career. Moved out Philly. Yeah, I was cool.
[00:23:24] Speaker B: Oh, you already good?
[00:23:24] Speaker C: Yeah, I signed my. It was like, at the guy deal when I signed my deal.
[00:23:27] Speaker B: So it's true what they say about Meek, that he a real nigga that.
[00:23:30] Speaker C: Looked out for episodes. Yeah. And I'm not the only one. He did it for a lot. I seen him do it for a lot of artists. Like, even when Roddy Ricch was coming up, he was showing Roddy Ricch so much love. I found Roddy Ricch through.
[00:23:40] Speaker B: I remember that.
[00:23:40] Speaker C: I found Roddy Ricch through Meek Mill. I remember, like, yesterday, like, 10,000 followers. I'm like, damn. Meek showing him too much love. Who this?
[00:23:47] Speaker B: He had the chain off.
[00:23:48] Speaker C: Yeah. I'm like, who this? And then I started listening to Roddy Ricch. Like, dang, he hard like, young blue Vori. You know what I'm saying, Cora?
[00:23:55] Speaker A: Yep.
[00:23:56] Speaker C: He always be showing y' all niggas love.
[00:23:58] Speaker B: So is that a Philly thing or that's just a Meek thing?
[00:24:01] Speaker C: I feel like it's just. It's a genuine thing. Like, especially where we come from, that's all we could really ask for, you know what I'm saying? It's just when somebody hear our stuff, just show us love. You know what I'm saying? It ain't hard to show somebody love. Post some. It don't cost nothing to post somebody on your page or on your story, so I think that's what it is.
[00:24:17] Speaker B: Shout out to Meek. We need to hear more positive stuff.
[00:24:19] Speaker C: Yeah, for sure.
[00:24:20] Speaker B: About him.
[00:24:21] Speaker A: You said that you were scared to do the show. What about being on tour? Like Keisha Cole? Like Keisha Cole, the whole goat.
Are you intimidated at all?
[00:24:30] Speaker C: No, I'm cool with that now.
[00:24:32] Speaker A: So now you good?
[00:24:33] Speaker C: Yeah, I'm good. I still get Nervous backstage before, but once I get out there, all I gotta see is, like, one face. I learned that now. Like, all I gotta see is one face and lock in with them. It's me. This is me.
[00:24:45] Speaker A: Oh, so you zone everything else out and it's just you and.
[00:24:48] Speaker C: Yeah, for sure. Especially, like, when I go on, like, the keys are cool. Like, it's a couple of her dates.
[00:24:53] Speaker A: Yeah.
[00:24:53] Speaker C: So it's like. Say it's like, couple people there for me, then it's for her. So all I gotta do is find, like, who there for me, and I'm locked in.
[00:25:00] Speaker A: You lock in.
Couple more questions I got for you. As far as desert.
Is that a country influence record?
[00:25:07] Speaker C: For sure.
[00:25:08] Speaker A: Okay. Cause, you know, they don't want to accept Beyonce, and she's fucking Beyonce.
So is it audacious for Friday to step in that ring with the Shaboozies of the world, or is it, like, that's just what you feel like doing and you don't have a genre?
[00:25:24] Speaker C: Yeah, I don't have a genre. I just.
I feel like I could do anything. So I'll make a country song. You know what I'm saying?
I'm gonna bring light to that song in a different way, too.
Really? Like, do the video and, like, really, like, make it bigger than what it is, because I feel like that song need a lot of highlighting. But, yeah, I don't ever think, like, I'm about to do a country. I don't want them. I don't care if they don't accept me. I just like the genre.
[00:25:48] Speaker A: Yeah.
[00:25:49] Speaker C: You feel me? Yeah.
[00:25:50] Speaker A: And then as far as, like, saving my love with Kehlani, how did y' all get. Was y' all together? Did you get to work with Kehlani in the studio?
[00:25:58] Speaker C: No, I made that song in LA with my guy, Daniel Church. And then, you know, I feel like Kehlani, the only one of the only girls that could, like, hop on, like, a swaggy, like, uptempo beat where it's not, like, boring. Like, some boring R and B vibes. So we hit her up. She FaceTimed her. She been a fan. And then she knocked it out in, like, two days.
[00:26:16] Speaker A: Damn.
[00:26:17] Speaker C: Yeah, for sure.
[00:26:17] Speaker A: Cause Kehlani don't with a lot of people.
She make it public, like, I don't fuck with you.
[00:26:21] Speaker C: N. Yeah, for sure.
[00:26:22] Speaker A: You say, like, yeah, she stand on that shit.
[00:26:25] Speaker C: It was love. Like, I'm like, I've been listening to you since I was. You feel me? Like, eight, ten years ago. She like, I've Been on you too. Like, I love the song. Let's do it.
[00:26:35] Speaker B: What does it feel like for you that people who you were fans of embrace you?
[00:26:40] Speaker C: Yeah, that's. That's the best. That'd be the best. Jones. The DMs be crazy.
[00:26:44] Speaker B: Yeah.
[00:26:44] Speaker C: Cause it'd be like, I was one of them DM niggas. Like, I'll take niggas. Like when I was coming up, like, you got work, work, work, work, work. Boom. So now, like, them niggas, them niggas be apologizing like, damn, I ain't even see these. Like, nigga, you wasn't supposed to see these. It'd probably be like 10 messages, all me, please, let's work.
[00:27:01] Speaker B: You never went back to unseen, huh?
[00:27:03] Speaker C: Oh, no, no, I don't do that. Not with them niggas. Just. Cause I could show them. Like, I really fuck with you. I'm not just saying that. Cause I want a feature from you. I really fuck with you. And I ain't. You feel me?
[00:27:13] Speaker B: You still find yourself getting starstruck?
[00:27:16] Speaker C: Nah, not no more. My first year, I used to be like that.
Oh, and that.
[00:27:21] Speaker A: That kind.
[00:27:22] Speaker C: Yeah. My first year I was like that. I learned that. Be throwing the vibe off.
[00:27:27] Speaker A: Yeah.
[00:27:27] Speaker C: Just be wanting to chill, like. Cause now I'm in this position, coming. You know what it feel like coming, like, oh, fry, yo. Like, yo, chill the out. Like, I ain't trying to be around no fan. Like, you know what I'm saying? Now I know where they was coming from. I might have threw off the wrong way. Like, you feel me telling them five compliments in a row and all that. Like, just chill like, oh, that. I was one of them niggas. I did that a few times.
[00:27:51] Speaker A: Who did you.
[00:27:52] Speaker C: Who you did it to, bro? I did that joint. The Future, you know. You know, Future, chill, nigga. So you know what I'm saying?
[00:27:59] Speaker A: I'm like, you walked in the studio. What you say?
[00:28:01] Speaker C: Future, what's up, bro? Like, I'm like, bro, I've been listening to you. Boom, boom, boom. I'm naming a song. He just like, yeah, like, he just trying to chill. Like, bro, I'm just trying to have a session, bro.
I ain't really understand it.
[00:28:15] Speaker A: He like, I'm trying to do music.
[00:28:16] Speaker C: He like, I fuck with you. Let's just vibe out. You know what I'm saying?
Now I ain't understand it until now.
Do that to me.
[00:28:24] Speaker B: Like, you be a little irritated, bro.
[00:28:25] Speaker C: We could just talk and chill like, you know what I'm saying? I wasn't going on crazy shit.
[00:28:30] Speaker B: But five Common is back to back is a little crazy.
[00:28:32] Speaker C: Nah, for sure.
[00:28:33] Speaker A: That said, oh, shit is future.
[00:28:35] Speaker C: Cause I really be fans of these, bro. I was listening to you when I was up, like, yeah, boom, boom. I'll go on. I'll go on.
[00:28:42] Speaker B: That's the thing. You never know just y' all as creators, you never know who you're touching.
[00:28:46] Speaker C: Yeah.
[00:28:47] Speaker B: With the music you make.
[00:28:48] Speaker C: Yeah.
[00:28:49] Speaker A: That's fire, bro.
I guess I want to know if you. Because I know we had Rotimi up here, and he did a double side, he did the R and B side, and he did a Afrobeat side of the project. You heavily dive into the Afrobeats frequently the vibe of it.
[00:29:06] Speaker C: Yeah.
[00:29:06] Speaker A: Is that something that you planning on also fucking with? Cause you said you not. You don't plan on doing a country project. But what about a whole, like, Afrobeats?
[00:29:14] Speaker C: I'll do a collab tape with somebody. Like, somebody from Nigeria. I got a lot of people I love, like, tenny crazy artists, Asake, Fireboy. You know what I'm saying?
It's a couple. But that's all I could think of right now is just like, I'll do a collab tape. You know what I'm saying?
[00:29:31] Speaker A: Yeah. And then also, as far as. Like, you said you used to be a DM person.
[00:29:35] Speaker C: Yeah.
[00:29:35] Speaker A: What's the wildest? Like, somebody reaching out to you that you was like, it kind of old shit is future. Like, what's the wildest?
[00:29:44] Speaker C: Like, dm, like, the biggest person that.
[00:29:46] Speaker A: DM me that you done got that kind of fucked you up. Like, damn, you fuck with me.
[00:29:52] Speaker C: It's a lot. Probably the biggest, though, is probably like, oh, Ed Sheeran.
[00:29:57] Speaker A: Ed sheeran. Ed Sheeran DM'd you.
[00:29:59] Speaker C: He hit me up, like, last month. We've been chopping it up since.
[00:30:02] Speaker A: You chop it up with Ed Sheeran. I'm fan of that.
[00:30:05] Speaker C: Yeah.
[00:30:06] Speaker A: Nigga, you chopping. You didn't text me and tell me that, nigga. What did you.
[00:30:11] Speaker C: That's the crazy junk he posted. Proud of me, bro.
[00:30:14] Speaker A: Ed Sheeran does arenas on a bar stool with a guitar.
[00:30:18] Speaker C: Yeah, different nigga.
[00:30:20] Speaker B: Yeah.
[00:30:21] Speaker C: Yeah, for sure.
[00:30:21] Speaker A: Like, no backing enough track, nigga. No band.
[00:30:24] Speaker C: Knockout. Yeah.
[00:30:25] Speaker B: Have y' all talked about collabing?
[00:30:27] Speaker C: Yeah, for sure. We talk about Lincoln. I know he. He on the tour right now where he moving around. So I think in the fall, we gonna. We gonna get up.
[00:30:33] Speaker A: What did he. What did he. I'm not.
[00:30:34] Speaker B: He ain't telling you all that.
[00:30:35] Speaker A: I'M just.
[00:30:36] Speaker C: Look. I'm gonna look. This how it be.
[00:30:38] Speaker A: I won't even read it on the air.
[00:30:39] Speaker C: You don't gotta read it.
[00:30:40] Speaker A: I'm not gonna read it on the air. I just. Nigga, that's Ed Sheeran.
I fuck with that white man pause. You know what I'm saying?
[00:30:48] Speaker C: Damn. I don't got no joint in here. I don't got no service.
[00:30:51] Speaker A: It's all good.
[00:30:53] Speaker B: Would you be open to working with his producers, or would you still wanna produce that?
[00:30:57] Speaker A: I'll work.
[00:30:58] Speaker C: I'll be collabing with a lot of producers. As long as I got, like, control of where I want my stuff.
[00:31:03] Speaker B: I want him in your world.
[00:31:04] Speaker C: I want you. For sure. Yeah, for sure.
[00:31:06] Speaker A: I would be fine if Ed Sheeran wants to do a record with you. And he's like, but I don't. It's your record. But he's like, Friday, look. This the record. Like, don't produce it. Don't do no key. You gonna put it out or you not like, you gotta pass.
[00:31:21] Speaker C: Independent.
So he gotta produce it.
[00:31:24] Speaker A: He wanna do the record. And it's your record for your next project.
[00:31:28] Speaker C: Yeah.
[00:31:29] Speaker A: You can't play nothing on it. You can't redo shit.
[00:31:32] Speaker C: Why do you say that, though? That's.
[00:31:34] Speaker A: I'm not saying.
[00:31:34] Speaker C: But if he said that, I would still consider. Yeah, I would get him to my world.
[00:31:40] Speaker A: God damn it, Friday.
[00:31:41] Speaker B: That's what it have to be, though.
[00:31:42] Speaker C: No, I would do it. I'm saying. You'll do it. I'd be like, yo, just change it a little bit. You know what I'm saying? You still gotta play.
[00:31:49] Speaker A: You're a control freak.
[00:31:51] Speaker B: What's your sign?
[00:31:51] Speaker C: It's not a control freak. It's more like.
I can't explain it, bro.
[00:31:55] Speaker A: That's control freak.
[00:31:57] Speaker C: It's like you DJing on somebody else.
[00:32:01] Speaker A: I have.
[00:32:02] Speaker B: He's a control freak.
[00:32:03] Speaker C: I'm talking about some other shit, though. Not like your joint like. I'm talking about, like, Imagine, like a whole different joint. You're not really, like, you.
[00:32:09] Speaker A: Should I be uncomfortable? But I've done it.
[00:32:11] Speaker C: I know. And you was uncomfortable, and you wasn't your best.
[00:32:14] Speaker A: Okay, all right.
[00:32:15] Speaker B: Head is a control freak. I don't even know why he pointing these fingers right now.
[00:32:18] Speaker C: You know what I'm saying?
[00:32:19] Speaker A: Fuck you.
[00:32:20] Speaker C: So when you. When you did it, imagine it come out in front of the world and they say, this DJ hit.
[00:32:26] Speaker A: I feel you. It's Ed Sheeran, though.
[00:32:28] Speaker C: I know.
[00:32:28] Speaker B: Ed Sharon music.
[00:32:29] Speaker C: We're gonna figure it out.
[00:32:30] Speaker A: All right, I'm gonna figure it out. I wanna hear that shit.
[00:32:33] Speaker C: Yeah, that'll be crazy. Hopefully. God willing.
[00:32:36] Speaker B: So I have a game before you get up out of here. It's a card game called Hofessions from my podcast where I get in a rapper's business.
I'mma assume that you are R and B lover.
[00:32:46] Speaker C: Yeah, for sure.
[00:32:47] Speaker B: So I put all the R and B questions out. These ain't really getting in your business much. Okay, Just read it and answer the question.
[00:32:54] Speaker C: What did Keysha Cole say she should have done?
See, you might get me on all these. I ain't know like what she said she should have done.
[00:33:03] Speaker B: If you don't know, just skip it. They tell you in the comments.
[00:33:06] Speaker C: I really don't know.
What time was Pretty Ricky having phone sex?
I really don't know.
I'm a guest though. Like, I'm a guest.
2am okay. That's right.
[00:33:19] Speaker B: Sure.
[00:33:20] Speaker C: No, she playing with me. What time?
[00:33:22] Speaker A: I think it was 5.
[00:33:23] Speaker C: 5Am 5 in the morning.
[00:33:24] Speaker B: 5 in the morning.
[00:33:25] Speaker C: Oh, yeah. I'm tripping.
Where are they? 112.
[00:33:29] Speaker B: I know you don't know that one.
[00:33:30] Speaker C: Want to make love? I don't know none of these.
You might just get me on these. I ain't gonna lie. My fault. All the R B lovers.
[00:33:35] Speaker A: Yeah. You know what I'm saying?
[00:33:39] Speaker B: What was that one?
[00:33:42] Speaker C: Where did Jagged Ass want to meet at?
[00:33:44] Speaker B: You should know that one.
[00:33:45] Speaker C: I know the songs. I don't know about like. You feel me?
[00:33:48] Speaker B: The lyrics.
[00:33:49] Speaker C: Yeah.
[00:33:53] Speaker A: Skip this one.
[00:33:54] Speaker C: It's crazy.
[00:33:54] Speaker B: You gotta read it.
[00:33:55] Speaker C: I feel like I know these, but I just got here to like. At least the instrument.
[00:33:58] Speaker B: I'll tell you the answers.
[00:33:59] Speaker C: What was Usher? Who was Usher in LA with?
[00:34:02] Speaker B: Every time I was in la, I was with my ex girlfriend.
[00:34:07] Speaker A: Yeah, see what I'm saying?
[00:34:10] Speaker C: What the Left Eye get arrested for?
[00:34:14] Speaker A: I don't even know that.
[00:34:14] Speaker B: Arson.
[00:34:16] Speaker C: Oh, arson.
[00:34:17] Speaker A: That's not a lyric, though. That was some real army like she. Yeah, that was some she. That up?
[00:34:25] Speaker B: What?
[00:34:26] Speaker A: That was some real nigga shit.
What?
You know what I'm saying?
[00:34:31] Speaker B: You over there whooped. What the car say?
[00:34:33] Speaker C: Whoop my ass.
What planet did Trace on? Want to take a trip to make love on Jupiter.
[00:34:41] Speaker A: Okay, when did he say that?
[00:34:42] Speaker B: Jupiter Love.
[00:34:44] Speaker C: Oh, you need these young. No, he don't. Like, I ain't alone.
[00:34:50] Speaker A: I'm not an R and B.
[00:34:51] Speaker C: That gotta be. It gotta be 90 bpm for him.
[00:34:53] Speaker A: To like RV shut the up.
[00:34:58] Speaker B: All right, answer this one. Answer this one. That's a Good one.
[00:35:02] Speaker C: You think I'm gonna know it?
[00:35:04] Speaker B: Yes.
[00:35:04] Speaker C: What is the worst catfish, hatfish or dick? Fish Experience.
[00:35:08] Speaker B: Catfish. Catfish Experience.
[00:35:10] Speaker C: Catfish.
[00:35:11] Speaker B: Yeah.
[00:35:12] Speaker C: What's a catfish? I had a catfish before.
It'd be the joint. Oh, I had a catfish before. Oh, man.
[00:35:19] Speaker B: What happened?
[00:35:19] Speaker C: I was like, probably like, 1920.
It was like the Instagram this when I first learned, right? It was like the john, like, shoulders up.
[00:35:29] Speaker A: Oh, the picture here up. Yeah, yeah.
[00:35:32] Speaker C: But it was like a nice face, though. Like, you know what I'm saying?
[00:35:35] Speaker A: But ain't no other pictures. Just this, like a passport photo.
[00:35:39] Speaker B: Like, Freddie Jackson.
[00:35:40] Speaker C: She had, like, one other junk then, bro. It was like one of my cousins was having, like, a barbecue. I'm so sure. Because, like, your face is right, bro. You know what I'm saying?
[00:35:50] Speaker A: Yeah.
[00:35:51] Speaker C: Tell her to pull up.
[00:35:52] Speaker A: Wait, wait, wait, wait. You soft. Launch without seeing her, bro.
[00:35:56] Speaker C: I was so sure, bro.
[00:35:58] Speaker A: You tripping.
[00:35:59] Speaker C: I'm so sure.
[00:36:00] Speaker B: Like, was the face still pretty young and.
[00:36:01] Speaker C: I'm young. I'm young, too.
[00:36:02] Speaker A: Yeah.
At that point, you taking what you.
[00:36:05] Speaker C: Can get, like, 19, shooting in the dark. And it wasn't even about the face. It was just. Everything else was just crazy. Crazy.
[00:36:11] Speaker B: You pulled up looking like Freddie Jackson.
[00:36:12] Speaker C: I couldn't explain it. It was like, shoulders.
[00:36:14] Speaker A: I couldn't explain it.
[00:36:16] Speaker C: It's like this. Imagine.
[00:36:17] Speaker B: Is that the shoulders?
[00:36:18] Speaker C: Imagine this, like, shoulders up, arms down past the knees type of junk.
[00:36:24] Speaker A: Like Shrek.
[00:36:26] Speaker C: Yeah, something like that.
[00:36:27] Speaker B: Fiona.
[00:36:28] Speaker C: Yeah, something like that. Like, right here.
Long arms down to the. You feel me? Her arms is long, head and her shoulder. Like, it's like. It was crazy.
[00:36:40] Speaker A: I think.
[00:36:40] Speaker C: I think she was coming and I walked fast and shit. Like, they was like, who's she with?
[00:36:45] Speaker A: I don't know.
[00:36:45] Speaker C: I don't know. She ain't with me.
[00:36:47] Speaker B: She ain't with me, bro.
[00:36:47] Speaker A: I really have this thing about when a woman walking away from me, I could see her palms. Like, why can't I should.
[00:36:53] Speaker C: What you mean?
[00:36:54] Speaker A: What? Think about it like these. Like, if a woman is walking away from you, I shouldn't be able to see her palms.
[00:37:00] Speaker C: Talking about palms.
[00:37:00] Speaker A: The palm of her hands. So she walking like.
[00:37:05] Speaker C: That's weird. That's weird.
I never seen it.
[00:37:08] Speaker A: Oh, I seen it. Yeah.
[00:37:09] Speaker B: What are you saying right now?
Like, she walk like this.
[00:37:13] Speaker A: She walking just like. Yeah, yeah.
[00:37:15] Speaker C: That's how it was.
[00:37:17] Speaker A: That's how she walked. No kidding.
[00:37:19] Speaker C: It was like, bro, that joint, that should be crazy.
[00:37:23] Speaker A: It looked like.
[00:37:24] Speaker C: Yeah.
[00:37:24] Speaker A: You know what I'm talking about, right? I be like, bro, what Is going on. That's why. But I don't. That's on Instagram, bro.
I don't fall for that no more.
You got to see him walk.
Fly ass photos, but they start walking.
[00:37:40] Speaker C: They walk like, see them walk.
[00:37:41] Speaker A: You have to see him walk, bro.
My mama, bro.
[00:37:45] Speaker C: That's a good joke.
[00:37:46] Speaker A: Real shit.
[00:37:47] Speaker C: They could mess with the photo shoot. Oh, my God. That's a good joke. You gotta see him walk.
[00:37:51] Speaker A: That's real shit.
Cause you ever seen one that walk was like, other than that. But I seen one with her. Like, she was beautiful. Take fire ass and she do the whole. All of the. Yeah, doing all of the shit, nigga. And then she came walking up and she walked like, nigga, dub C. And I was like, bro, what the fuck is this?
[00:38:13] Speaker B: So that's one of the things you look at when you go on somebody page.
[00:38:16] Speaker A: I'm trying to find a video.
[00:38:18] Speaker B: Them walking.
[00:38:18] Speaker A: A picture of her video.
[00:38:20] Speaker B: A video walking.
[00:38:20] Speaker C: Yes. Like, if you met a nigga, like, everything cool about him, but his walk was crazy. Yeah, that's like, take him down.
[00:38:26] Speaker B: Like, I've got a thing for bad voices.
[00:38:29] Speaker A: Okay, so you gotta hear him.
[00:38:30] Speaker B: Yeah, but that.
[00:38:31] Speaker A: You hear nigga before you see nigga walk, though. Like, I gotta see.
[00:38:33] Speaker B: Yeah, that's true.
[00:38:34] Speaker A: Like, I make sure, like, we meet somewhere and you gotta park so I can.
[00:38:38] Speaker B: Yeah, I don't think I have one walking video on my page.
[00:38:41] Speaker A: Yeah, see, I wouldn't trust that shit.
[00:38:42] Speaker B: I be double dutching up.
[00:38:43] Speaker A: Yeah, but see, that shows rhythm.
[00:38:45] Speaker B: Okay.
[00:38:47] Speaker C: Real shit. Yeah, you could.
[00:38:48] Speaker A: Yeah, you do that.
[00:38:49] Speaker C: You can walk, right?
[00:38:50] Speaker A: Yeah, that's what I'm saying. Anyway, congrats on everything, bro. Thank you, bro. Congrats on being on the road. And that prodding record is one of them ones as far as impact.
[00:38:59] Speaker C: Oh, for sure.
[00:39:00] Speaker A: And, you know, I know you got some shit in the works, but you wanna.
You wanna tease anything.
[00:39:09] Speaker C: Nah, just tour. Okay. Right now I've been cooking up, but, I don't know, the energy of the world right now.
[00:39:14] Speaker A: Okay. All right.
[00:39:15] Speaker B: It's hot outside.
[00:39:16] Speaker C: Yeah, it's hot outside. But I'm like, I feel like niggas heard everything.
[00:39:19] Speaker A: Or like you wanted to bring something new.
[00:39:22] Speaker C: Yeah, I want to bring something new. I'll be in studio, stuck like, yo, what's the new joint I can bring?
[00:39:26] Speaker B: Yeah, link with Blast.
[00:39:27] Speaker C: Nah, for sure. Yeah, that'll be hard.
[00:39:29] Speaker A: Yeah, I'm trying to connect. You got his line?
[00:39:31] Speaker C: Yeah, I met Blast a few times. I got his number.
[00:39:33] Speaker A: All right, for sure. Well, Friday is here. God damn it. It's effective immediately.
