Episode Transcript
[00:00:04] Speaker A: Yo, it's effective immediately. I'm DJ Head.
[00:00:06] Speaker B: What up, Hip Hop Nation? It's your favorite homegirl, Gina Views.
[00:00:08] Speaker A: We got a special guest in the studio. You clicked on the video. You already know who it is. London on the track.
[00:00:13] Speaker B: You've gotta say it's tagged.
[00:00:14] Speaker A: We got London on the track.
[00:00:16] Speaker C: It's a few of them. I mean, that's the main one, but it's a few of them.
[00:00:19] Speaker A: That's the one, though. Yeah, that's the one that got. That's the one that got them gold ropes on your shoes.
[00:00:23] Speaker B: Who voices are those?
[00:00:25] Speaker C: It's Schoolboy. It's. He's from Atlanta. Okay. Yeah. Legendary guy at Atlanta.
[00:00:29] Speaker A: Word.
[00:00:29] Speaker C: We grew up together. Yeah.
[00:00:30] Speaker A: Oh, okay. Do you pay. Do you get royalties on a tag? Cause I remember they were talking to YG about the mustard tag. Cause that's YG doing mustard on a B hole from a song called I'm Good. Do you have to pay? Like, did you pay the homie for that?
[00:00:42] Speaker C: Did I pay him for it? No, I ain't paying for it.
[00:00:44] Speaker A: You give him a free beat?
[00:00:45] Speaker C: Yeah, definitely. Always gonna give him free music.
[00:00:47] Speaker A: Okay.
[00:00:48] Speaker B: He good for life.
[00:00:49] Speaker A: He good.
[00:00:49] Speaker C: He's straight for life.
[00:00:50] Speaker B: He good for life. How does that work, though? Is it royalties on every song? Or, like, how does that work with a tag?
[00:00:55] Speaker C: No, it's not royalties on the tag at all. There's no royalties.
[00:00:58] Speaker A: You know what's crazy about that? Like, if. If somebody took. Like. I know you have producer packs and shit. Like, I'm. I produce, too, but I know you have, like, producer packs and shit like that.
[00:01:05] Speaker C: Yeah.
[00:01:06] Speaker A: Like, if somebody took your shit and made a tag out of that, would you being. Would you be able to get a royalty rate off of that?
[00:01:12] Speaker C: Yeah, but some people, we just. We just grew up, like, we don't ask for, like, nothing. You don't feel you. That's how we grew up. Like, we just, you know, I know how to give it back. You feel me? Yeah. Without somebody asked me for something in paper and all of those. Nah, we ain't doing that.
[00:01:25] Speaker A: Well, now that you here, you know, you was running around, you said all weekend. Thank you for coming through, by the way. I appreciate you. What's your, I guess, favorite and least favorite thing about Los Angeles?
[00:01:37] Speaker C: The least favorite thing, probably taxes.
[00:01:39] Speaker A: Taxes? Whoop your ass.
[00:01:40] Speaker C: Yeah.
[00:01:42] Speaker A: I live here from the South. Y' all don't really have taxes, and y' all walk around with the burner in Whole Foods.
[00:01:47] Speaker C: Yeah, but I live here, though. I live here, too. You Said what? Burner. What'd you say?
[00:01:51] Speaker A: I'm saying, like, they got the open carry in, like.
[00:01:54] Speaker B: Oh, yeah. That gotta do with taxes?
[00:01:55] Speaker C: Yeah. It ain't got nothing to do with taxes.
[00:01:56] Speaker A: No, I'm just saying, like, you see.
[00:01:58] Speaker B: He trying to catch you up.
[00:02:00] Speaker A: He's trying to throw you one of them ricos. I wish we could do that. We gotta get a CCW out here. Like a license to carry concealed. Like in Atlanta. I remember a Uber driver picked me up. He just had his shit on his hip. And that was when I found out y' all got open carry.
[00:02:11] Speaker C: It be like that Uber driver.
[00:02:13] Speaker A: Yeah, they got open carry. You could just walk in Whole Foods with your burner on your hip.
[00:02:16] Speaker B: Do you need to though, like, fush means.
[00:02:19] Speaker C: Yeah.
Where I'm from. Yeah.
[00:02:22] Speaker A: What part of town?
[00:02:23] Speaker C: What part of Atlanta? West side.
[00:02:24] Speaker A: West side.
[00:02:25] Speaker C: From the west of Atlanta.
[00:02:26] Speaker A: Okay. You said the favorite thing at least. Favorite is taxes.
[00:02:29] Speaker C: Yeah.
[00:02:29] Speaker A: And your favorite?
[00:02:30] Speaker C: My favorite thing.
I like the weather here.
[00:02:35] Speaker A: As you should.
[00:02:38] Speaker C: That's about it. Look, I ain't really. I mean, some of the homies from here, like, you know, I mess with.
[00:02:45] Speaker A: Yeah.
[00:02:47] Speaker C: But I lived here for six years.
[00:02:49] Speaker A: Yeah.
[00:02:50] Speaker C: I'm kinda, you know, I'm back in Skyemi.
[00:02:53] Speaker A: Oh, word.
[00:02:54] Speaker C: But I still come back and forth. Cause I got a house here.
[00:02:56] Speaker A: Yeah.
[00:02:57] Speaker C: And I got a penthouse in Miami. But I love Miami.
[00:03:00] Speaker A: I can see that.
[00:03:01] Speaker B: What's your go to restaurants in la, being that you from the South? Cause a lot of people from the south say that our food is trash.
[00:03:08] Speaker C: Oh, I love crustaceans.
[00:03:10] Speaker B: Oh, you gonna give me that one?
[00:03:11] Speaker C: That's the one. I mean, when I come out here, I just feel bougie.
[00:03:16] Speaker A: You feel bougie?
[00:03:17] Speaker C: Yeah, I feel bougie. I feel like they just bougie. So I just go to all the bougie stuff.
[00:03:22] Speaker A: Yeah, I get it.
[00:03:23] Speaker B: I heard that. Bougie, nigga.
[00:03:24] Speaker C: Yeah, I'm bougie when I'm here.
But when I'm back, like, in Atlanta, like, I feel like, you know, just. I feel like myself.
I just feel boozy.
[00:03:33] Speaker B: Have you had any of the, like, mom and pop restaurants or, like, hole in the Wall spots here?
[00:03:37] Speaker C: Yeah, I have. I just probably don't remember. I don't remember the names like that.
[00:03:41] Speaker A: Okay.
[00:03:41] Speaker C: I'm here. I always go to the bougie places. Yeah. Like Erewhon and stuff like that.
[00:03:45] Speaker B: Yeah, my bad.
[00:03:47] Speaker C: What's the Hole in the Wild spots?
[00:03:49] Speaker B: No, I mean like the, like, soul food restaurants maybe. Because, like, when we talk to artists that come from the south. And we have guests on that come from the South. They tell us that our soul food is horrible, that they had never tried anything.
[00:04:00] Speaker C: Yeah, what part?
[00:04:02] Speaker B: I was gonna say the honeys.
[00:04:04] Speaker A: Yeah.
[00:04:06] Speaker B: South Central.
[00:04:07] Speaker C: South Central. What's the whole. What's the.
[00:04:09] Speaker B: We like Stevens. Well, he don't fuck with Stevens. Do you like Stevens? Chili cheese fries, pastrami.
[00:04:14] Speaker A: She eat Marathon burger every day.
[00:04:15] Speaker C: I'm about to say Marathon Burger. A whole.
[00:04:17] Speaker B: No, no, that's a bougie. That's a bougie burger spot.
[00:04:21] Speaker C: I love they burgers.
[00:04:22] Speaker B: Good.
[00:04:23] Speaker C: For sure. It's really good.
[00:04:24] Speaker B: You had that blue lemonade yet?
[00:04:26] Speaker C: I think so. No, I didn't. I had the red thing.
[00:04:29] Speaker B: You gotta get the blue lemonade and then you gotta order the shrimp. Fried shrimp. Right. But then you gotta get it drizzled in buffalo sauce.
[00:04:36] Speaker C: Well, see, I recently just went there, probably like two months ago, and I've been on my health journey, so I ain't really been drinking nothing with a lot of sugar.
[00:04:42] Speaker A: What's your health journey look like?
[00:04:44] Speaker C: Shit. Okay, maybe two months ago I weighed about. I was 25 pounds heavier. Now I'm 25 pounds lighter.
[00:04:50] Speaker A: No, I'm saying, what are you doing? What's the regimen?
[00:04:52] Speaker C: No sugar.
[00:04:53] Speaker A: No sugar. Just it.
[00:04:53] Speaker C: No sugar.
Straight fruit, bro.
[00:04:58] Speaker A: It's sugar and fruit, though.
[00:05:00] Speaker C: Yeah, but it's like natural sugar. Natural sugar. And then I'd eat it in the morning and that's it.
[00:05:05] Speaker A: Oh, okay.
[00:05:06] Speaker C: You know what I'm saying?
[00:05:06] Speaker A: So you don't have no. You ain't had a cookie in how long?
[00:05:10] Speaker C: Cookie?
[00:05:11] Speaker A: You don't eat cookies?
[00:05:11] Speaker C: I don't eat cookies.
[00:05:12] Speaker A: Candy. Chocolate.
[00:05:13] Speaker C: No candy.
[00:05:14] Speaker B: You don't fuck with the studio cookies.
[00:05:16] Speaker C: No. Stop being. Bring a banana to the studio with grapes.
[00:05:19] Speaker A: You see how he looking at us? Yeah, Neanderthals.
[00:05:23] Speaker C: Some grapes.
[00:05:24] Speaker A: Like studio cookies.
[00:05:25] Speaker C: Look, I tell you, when I get studio cookie stop tier, my snack is oranges. Probably like in grapes. Okay, Everybody tell you that?
Green or purple with the ones with the seeds?
[00:05:35] Speaker B: The seed.
[00:05:35] Speaker C: Okay, so the green.
[00:05:36] Speaker B: Cause they said the seed ones is the real ones.
[00:05:37] Speaker A: Yeah. Okay.
[00:05:38] Speaker B: Okay.
[00:05:40] Speaker A: I am one of them people who. I'm a nerd. I want to obviously dive into your music and your catalog, but I have a couple of nerd things that I would like to talk to you about real quick.
[00:05:49] Speaker C: Feel free.
[00:05:49] Speaker A: When it comes to, like, it's a big controversy right now in music, especially on the production side. When it comes to AI, how do you feel about AI being used as a Producer.
[00:05:58] Speaker C: I feel like AI is good for ideas, you know what I'm saying?
[00:06:01] Speaker A: Just to ideate it's idea you gotta.
[00:06:03] Speaker C: Put music come from the soul, it come from the spirit. It don't come from automatic automated stuff. Like I do it for like an idea, but to get me there where it need to go. If I'm like blocked or something, I'd rather be blocked if I'm inspired.
[00:06:17] Speaker A: And how do you feel about loops?
[00:06:19] Speaker C: How I feel about it? Like from other people. Do you?
[00:06:21] Speaker A: Yeah, like do you get loops? I know people.
[00:06:22] Speaker C: Oh yeah, yeah, people.
[00:06:23] Speaker A: I know people submit loops to you.
[00:06:25] Speaker C: Yeah, yeah, people.
[00:06:25] Speaker A: I think I done seen your live one of your lives and whatnot.
[00:06:28] Speaker C: Yeah, people send loops. I mean some people got dope stuff, you know what I'm saying? Some people seeing good things. But you know, I always put my little touch on it to make it authentic.
[00:06:38] Speaker A: What songs have you used loops for? Like that we probably would know of where you either got it submitted or somebody collabed or.
[00:06:45] Speaker C: You pulled the song I did with Kode Black called Rolling Piece. Yeah, yeah, that was a loop by Q beats and I added like piano stuff to it and shit like that.
[00:06:55] Speaker A: So you always is going, you gonna touch it up and add.
[00:06:59] Speaker C: Yeah, yeah, I'm always touch it like it ain't gonna always sound high ascended.
[00:07:02] Speaker A: Right.
[00:07:03] Speaker B: Where do you back on the AI thing? Just like with the. Specifically just within the music industry. Do you see being a future for AI in the music industry or do you think it'll work against us?
[00:07:13] Speaker C: Nah, I mean it's a future. I mean everybody doing it. So I mean it's only gonna get better and better.
I feel like if you ain't using AI, you living under the rock facts, you better get on it. Evolution.
Yeah, yeah.
AI is a cheat code for people.
[00:07:29] Speaker A: Have you ever looked at it in a negative way? Even when it first started, you always embraced it since the beginning.
[00:07:35] Speaker C: Yeah, I feel like it's the future.
So you just. You better start using it and put your sauce to it.
[00:07:42] Speaker A: What about the AI artist though? Like, would you ever like.
[00:07:46] Speaker C: Yeah, I mean, AR artists, they give ideas too. I mean the AR artists, it sounds good too. When it's automated.
Some of the stuff really sound good. Like backgrounds and melodies and they really sound good. But you still gotta give them you with it. You can't just take that and then run with it. Nah, that's not album. I wouldn't do that. I feel like that's gonna get burnt out at some point. You keep doing it. I Feel you.
[00:08:07] Speaker A: Would you produce a whole body of work for AI artists?
[00:08:11] Speaker C: Would I do it?
No.
[00:08:15] Speaker A: Is there a reason?
[00:08:18] Speaker C: I can't really answer that. Cause I don't know what the future might bring. And then I go back to this interview and I said, no.
[00:08:23] Speaker A: Right, Right. Yeah, they gonna wear your ass out.
[00:08:26] Speaker C: Twitter gonna get you. Yeah, they gonna get me. So right now, how I'm feeling right now in 2026. No.
[00:08:32] Speaker A: Okay, okay.
[00:08:34] Speaker C: I wouldn't produce for AI artists. Cause I wanna see the real thing.
[00:08:39] Speaker B: We gotta get into your catalog. You got some classics. But out of all the songs that you produced, what was one that you just instantly knew? Like this one right here, this gonna be the one.
First listen.
[00:08:55] Speaker C: Out of my catalog. Yeah.
Ariana Grande, Positions. I knew that was gonna be one Lifestyle.
The whole summer album.
[00:09:07] Speaker B: The first one.
[00:09:09] Speaker C: Yeah. Yeah, I knew. I told her. I said, we going with this. I hope you know that. I hope you ready?
[00:09:13] Speaker B: Yeah.
[00:09:14] Speaker C: Yeah. I knew that was gonna be the one.
[00:09:15] Speaker B: I'm glad you said that.
I'm a huge, like, R and B fan. We always have these conversations about R and B albums. Like the ones that should be counted in the conversations. The best R and B albums of all time. And I feel like that's one of those. But I don't know if maybe I'm just too young and it's too soon to title it that, but I feel like that's one of those albums that should. Counting on those conversations.
[00:09:36] Speaker C: Yeah. I feel like 10 years from now, they still gonna play that album. It was a bunch of singles on there that we was trying to decide to put out. That's when I knew was like, oh, this album really gonna go? Cause the one with Usher, we did. I knew that was a single. The Body song, Playing Games with Bryson Tiller. And there was another one, Party Next Door. It was like we had like four singles. We was trying to decide. And I said, go Playing Games.
And it looked what it did.
[00:10:00] Speaker B: How do you create an album with no skippable tracks? Like, that has to be a little.
[00:10:04] Speaker C: Like, how you play it.
[00:10:05] Speaker B: How do you create one?
[00:10:06] Speaker C: How do you create that?
[00:10:07] Speaker B: Like, just. It's no skippable tracks. Everything on that album is fire.
[00:10:12] Speaker C: Just lock in. You gotta lock in every day. And as long as you got, like, the direction of knowing what you wanna do and you hear it every day and you just, you know, you put your heart and soul into it, you gonna put out what you put in.
[00:10:25] Speaker B: Are there any songs that was removed from it that you didn't think that would.
[00:10:29] Speaker C: It was one we had with Selena Gomez was removed.
[00:10:32] Speaker A: Why?
[00:10:33] Speaker C: Because she said she didn't wanna do no pop. And it was like.
[00:10:36] Speaker A: Summer said that?
[00:10:36] Speaker C: Yeah. What she said at that time, she, like. She was more authentic. She was like, more like, I don't wanna do nothing. That sound pop. Just straight soul, straight R and B. Wow.
[00:10:46] Speaker B: You still believe in that song?
[00:10:48] Speaker C: Yeah, I do.
[00:10:49] Speaker B: It's still good to this day when you listen back to it.
[00:10:52] Speaker C: That song is one of them to me.
[00:10:53] Speaker B: Can we leak it?
[00:10:56] Speaker C: Can you do that? I think they did leak it one time and they took it down.
[00:10:59] Speaker A: That motherfucker came out.
[00:11:00] Speaker C: It came down. Yeah, it came out, but it, like, got down the next five hours or something like that.
[00:11:04] Speaker A: Quick you brought up positions. How did you end up in the studio with Ariana Grande?
[00:11:08] Speaker C: She hit me. Her and Tommy hit me on FaceTime.
[00:11:12] Speaker A: It was like, just straight up.
[00:11:13] Speaker C: When I came through, I went to the studio, go talk to her. First thing she say, we got London on the track. I need that.
I need whatever you putting into all this. She wanted the R and B mixed with her sound. So, yeah, we created it right there on the spot with me and Nija. She's a writer.
[00:11:31] Speaker A: Damn.
[00:11:32] Speaker C: Me and Nija and Tommy and Ariana.
[00:11:35] Speaker A: I have another question about. You brought up lifestyle, and obviously that's a classic. That's a cultural classic. Do you know what Young Thug is saying on the second part of that hook?
[00:11:47] Speaker C: Which part?
[00:11:48] Speaker A: So I did a lot of shit just to get this here lifestyle.
What does Thug say after that?
[00:11:56] Speaker C: A lot of.
I'm on the top of the mountain. What part?
[00:12:00] Speaker A: That part.
[00:12:01] Speaker C: And. And I'm trying to remember the song.
I'm gonna let him tell y'. All.
I don't know. I'm trying to remember the part of the song that you talking about, but he'll come up here and tell you.
[00:12:15] Speaker A: Yeah, okay. So when you. When you said you knew that was gonna be one of the ones.
[00:12:19] Speaker C: Yeah, I knew it. Yeah.
[00:12:20] Speaker A: Rest in peace To Quan, too. But were you, like.
I don't know how to ask the question, but I guess. Were you involved in the product? I know you made it, but were you involved in the construction of the record?
[00:12:32] Speaker C: Yeah, I recorded him.
I was his engineer. I was recording him at that time. We made it in his first apartment.
I don't even think he had a cot in.
[00:12:42] Speaker A: For real?
[00:12:43] Speaker C: Yeah, it was the first apartment. He might have had a Camaro. I think we just got a Camaro that time.
[00:12:48] Speaker A: He didn't have a car.
[00:12:49] Speaker C: He Had a car then. We didn't have no car.
It was 20, 21 years old. We made the song. I was recording him. We made it in the kitchen in his apartment. I still got the picture. I will find a picture. I know we made a picture of him. We made Lifestyle.
[00:13:05] Speaker B: At least find it for us for the edit.
No, you don't gotta look right now.
[00:13:09] Speaker A: But I need that for you.
[00:13:10] Speaker C: I got you right after that.
[00:13:11] Speaker A: That's crazy.
[00:13:13] Speaker C: Yeah, we recorded it in the kitchen. And some Logitech speakers. I had, like a little cool, little microphone. It cost about 2, $300.
And he freestyled the whole song.
I can see that it was just drums snap and, like, some little sounds I put to it.
And he freestyled the whole entire song.
[00:13:33] Speaker B: What?
[00:13:33] Speaker C: And he didn't even know, like, he was rapping for a long time. But when I heard him as he was freestyling, I heard the lifestyle part and I heard up and, like, duplicated it in the, like. If you look at. If it's like a Pro Tools in front of you. Yeah. I recorded Logic. My fault. If it's Logic in front of you.
[00:13:49] Speaker A: You recorded Lifestyle and Logic.
[00:13:50] Speaker C: And Logic, yeah.
[00:13:51] Speaker A: Get the fuck out of here.
Okay, continue. Sorry. That's nervous.
[00:13:54] Speaker C: You know about Logic.
[00:13:55] Speaker A: Yeah, bro.
[00:13:56] Speaker C: Okay, cool.
[00:13:57] Speaker B: We're lost.
[00:13:58] Speaker A: Sorry. Logic is the program that come in the application.
[00:14:01] Speaker C: It's like how you make the music.
[00:14:02] Speaker A: It's how you put it together.
Pro Tools is the industry standard.
[00:14:05] Speaker B: Why is that so crazy, though?
[00:14:07] Speaker A: Cause everybody use Pro Tools.
[00:14:08] Speaker C: Everybody use Pro Tools. Yeah. And this is when Logic kind of like, just kind of get popping a little bit too.
[00:14:13] Speaker B: Is logic like GarageBand?
[00:14:15] Speaker A: It's like a.
[00:14:15] Speaker C: It's like a GarageBand. It's like garage elevator.
[00:14:17] Speaker A: Elevator, yeah, GarageBand.
[00:14:20] Speaker C: And as he was rapping the whole time, I hurried up and moved that hook. Cause he said that first. Did a lot just to live his lifestyle. I heard up he was rapping so long, I hurried up and moved it to, like, the middle so he wouldn't keep rapping. So I already knew it was the hook that he was recording it.
So. And then that part, I think y' all talking about.
I'm not sure if we talking about the same part, but that's the part y' all talking about. It just sounded good. I'm like, we keeping that.
So Thug is one of them people that, like, he likes how it sounds and he don't want it to be touched when he records it as he was done. Cause it wasn't no intro. The intro part Where I played the piano. The intro, it wasn't there.
It wasn't no rolls, none of that stuff. The beat wasn't finished.
[00:15:02] Speaker A: So the part I'm talking about, he says, nigga, living life like a beginner.
[00:15:08] Speaker C: Yeah, that's what he said.
[00:15:09] Speaker A: I'm on top of the mountain, puffing on clouds and n. Still beginning.
[00:15:13] Speaker C: That's what he said.
[00:15:13] Speaker B: Yeah, I know. You said you knew it was gonna be. It was. Instantly you knew that it was one of them. But were you surprised at the reception that, like, the public reception of it?
[00:15:22] Speaker C: Nah, I knew it. I felt it.
[00:15:24] Speaker B: Yeah.
[00:15:24] Speaker C: When I feel it, when I'm super confident about something, it hit every. It go. Even when I did the Die Young song with Roddy, when we did that, I said, bro, you about to go. Yeah, I hope you know that this song, out of here, bro.
[00:15:36] Speaker B: Telling you where you at. Career wise, when Lifestyle came out, how old was it?
[00:15:42] Speaker C: Or was it. Oh, I was in the bottom. Nothing. No money, no nothing. I was broke.
[00:15:48] Speaker B: What songs had you done before Lifestyle?
[00:15:51] Speaker C: I did a lot of big songs in, like, Atlanta's.
Like, a song called Peon. It was huge in Atlanta.
I produced for a lot of people, like Young Buk, even Future.
I did a song called Ratchet Shit with him.
Charlie Lowe, huh?
[00:16:07] Speaker B: I said, But Lifestyle was the one.
[00:16:09] Speaker C: Lifestyle.
Actually, my first Billboard record was Hookah by Tyga.
[00:16:13] Speaker A: Tyga?
[00:16:14] Speaker C: Yep.
[00:16:14] Speaker B: Pass me to Hookah.
[00:16:16] Speaker C: That was the first song that put me on the map on, like, the Billboards. Wow.
[00:16:21] Speaker A: I got two questions. So one, you mentioned Roddy Die Young.
You said you knew that song.
[00:16:27] Speaker C: Oh, yeah, yeah.
[00:16:28] Speaker A: Was Roddy the first one with that beat?
[00:16:30] Speaker C: Yeah.
[00:16:31] Speaker A: Okay, so you made it for him, or it was one that you had?
[00:16:34] Speaker C: Nah, I met him when he had, like, two, three thousand followers.
He was, you know, hot young. He was, like, 19.
I brought him out on Lollapalooza, too. And I DJed at Lollapalooza, and we performed that Die Young song before it came out. But I told him, bro, this the one.
I'm telling you, it's gonna go. Damn, I hope you're ready.
[00:16:55] Speaker B: Do you have a producer? Mount Rushmore?
[00:17:00] Speaker C: The new or the old?
[00:17:01] Speaker B: Yours? Like, whatever yours is.
[00:17:03] Speaker C: If it's the old, like, not. Oh, I ain't gonna call old heads old, but I'm just saying, like, yeah, I do, actually. I got first. Probably Dr. Dre.
Pharrell. That's my icon. That's what I look up to. For real.
I gotta throw Quincy in there.
Cause I'm a composer. Composer just like him.
And it's a lot of em. Oh, drummer boy.
[00:17:31] Speaker A: Word. People don't never say drummer boy.
[00:17:33] Speaker C: I haven't said.
[00:17:35] Speaker A: Why you think people never mention drum?
[00:17:36] Speaker C: Drummer boy is the.
When it come to, like, the street shit that I do, like all the hip hop songs, that's who I look up to.
[00:17:45] Speaker A: Word.
[00:17:46] Speaker C: When you drum boy. When it come to, like, the other side of me. Cause I have, like, two or three sides. I ain't gonna lie.
That's when it come to get into Pharrell.
Like, right now, I'm in my Pharrell bed right now. You know what? You ain't even doing hip hop right now.
[00:18:01] Speaker A: What are you doing?
[00:18:02] Speaker C: Electro tempo. For who, me?
[00:18:05] Speaker A: Oh, your shit?
[00:18:06] Speaker C: Yeah, my own genre. It come out in May.
[00:18:08] Speaker A: Electro.
[00:18:08] Speaker B: It's creating your own genre?
[00:18:09] Speaker C: Yeah, it's called electro tempo.
[00:18:12] Speaker B: What happened one day when you woke up and you said, this is what I'm doing? Like, what was the process of that?
[00:18:16] Speaker C: Well, I got my own jewelry brand.
It's called Jaidal Auto.
[00:18:20] Speaker B: Are you wearing it right now?
You brought us some drip?
[00:18:23] Speaker C: I got something for you actually.
[00:18:25] Speaker B: Okay, okay, okay.
[00:18:27] Speaker C: It's called Gia Delardo.
[00:18:28] Speaker B: Congratulations on that too.
[00:18:29] Speaker C: Thank you. Thank you. It's based out of Switzerland.
Italian brand.
Yeah. That's when it go up.
[00:18:37] Speaker B: What made you want.
[00:18:38] Speaker C: And that made me want to do, like, overseas, like. Like international music.
Yeah.
[00:18:46] Speaker B: What made you want to get into Jury?
[00:18:48] Speaker C: I always been a big fan of Jury, but I just wanted to create my own. Like, a lot of the Jury that's in the US Is kind of the same.
I feel like I've always been like, an interior designer. Just a designer, A creative guy, like, unique. Because if you hear all my records, they're unique. They're all different lifestyle. Don't sound like digits or check or any of summer stuff. Like, all that is different. I got different things. Things for different stuff, you know? So I feel like Jury is a big part of my creativeness, and I'm glad to be starting that journey.
[00:19:20] Speaker A: I want to know your mindset.
[00:19:21] Speaker B: I want you to make him wear Jury.
[00:19:22] Speaker A: Nah, it don't happen.
[00:19:24] Speaker C: Why not?
[00:19:24] Speaker A: I'm not. I don't. I just. I'm not a Jury nigga.
[00:19:27] Speaker B: Like.
[00:19:27] Speaker C: Like, these are made out of piercings.
[00:19:29] Speaker A: What does that mean, piercings?
[00:19:30] Speaker C: Like, you know, like, stuff like your earring. Like, but I made it, like, on a chain instead of a Cuban link, it being a piercing. So I can, like, take this off, put. I wanted to.
[00:19:39] Speaker A: You could take it out and put it in Your ear.
[00:19:40] Speaker C: In my ear? Yeah.
[00:19:42] Speaker B: Oh, the earrings.
[00:19:43] Speaker C: Oh, earrings.
[00:19:43] Speaker B: Earrings around in it.
[00:19:44] Speaker C: Yeah.
[00:19:44] Speaker B: Okay.
[00:19:45] Speaker C: Okay.
[00:19:45] Speaker A: Oh, okay. I see what you. You said pierced. Okay.
[00:19:47] Speaker B: Your ear pierced. Give them one.
[00:19:48] Speaker A: No, my ears are not pierced.
You mentioned Hookah by Tyga. Did was. What were you. Where were you at mentally when you made that? Because you also did. I wanna biz for yg and so I wanna know how you.
[00:20:03] Speaker C: How I did that. How. It's two different sounds.
I actually made hookah in the hotel room. I remember making it in Atlanta.
I don't know what inspired me to make that beat. I ain't gonna lie to you. I don't remember. I don't remember. Maybe I had a girl or something at the time and it was just in a happy moment. It felt like. I don't know, it just. I don't know.
[00:20:23] Speaker A: Different vibe.
[00:20:24] Speaker C: Different vibe.
[00:20:25] Speaker B: Hookah in the hotel, lifestyle in the kitchen. And what atmosphere do you think London on the track is the most creative?
[00:20:32] Speaker C: It depend on the artist, too. Like what I'm doing, who I'm doing it for. Okay. If I'm doing it for myself, then I need to be around a lot of energy, beautiful girls. I need to work out.
I need to get on my, you know, fashion shit. That's me. If I'm around, like, thug or future, I need to be in a different atmosphere. I need to be in a different vibe to create different things.
[00:20:56] Speaker B: What's a place or, like, environment that you've been in before that we wouldn't guess? Like, that just was just so out of whack that you've been able to create in.
[00:21:07] Speaker C: When me and Kodak. Me and Kodak was starting on the album, we went to Memphis. We was in the hood.
[00:21:12] Speaker A: Y' all just hung out in the hood in Memphis?
[00:21:13] Speaker C: Yeah, in the hood of Memphis. And we was just making music that felt like the hood was up with energy.
[00:21:18] Speaker B: Yeah.
[00:21:18] Speaker C: Yeah.
So we stayed there for like a week or two just making music just to feel that energy. So we. Cause you make music off the energy. Where you at, who's around you? And if I'm around a whole bunch of Switzerland people, I'm gonna probably make Switzerland music.
You can't make hip hop around. You know what I'm saying? It's not authentic. It don't feel real.
[00:21:40] Speaker B: You went to the hood, like, in like a studio in the hood or you went to the hood and then.
[00:21:44] Speaker C: You went to a big studio.
We had a house and we put the studio in it and brought people there.
[00:21:49] Speaker B: Okay.
[00:21:49] Speaker C: Okay. That's from Memphis Okay. Yeah. And came out pretty good.
[00:21:54] Speaker A: Do the west have a sound to you?
[00:21:56] Speaker C: West coast, yeah. Yeah.
[00:21:57] Speaker A: What's our sound?
[00:21:59] Speaker C: It's like.
It's like that doc. Like the Dr. Dre kind of sound, but you want me to describe it?
[00:22:07] Speaker A: Yeah.
[00:22:11] Speaker C: It's like upright pianos.
I don't know how to explain it.
[00:22:15] Speaker B: It's different.
[00:22:16] Speaker C: You just gotta get in your. You know what I'm saying?
I don't know the dance with that. You know what I mean?
[00:22:21] Speaker A: Y' all niggas do that shit.
[00:22:22] Speaker C: It's like a swag. I don't know.
[00:22:24] Speaker A: It's different swag that everybody put they arms.
[00:22:27] Speaker C: Yeah, your arm gotta go up like that. I hope you got shoulders and muscles and shit. You know what I mean? Cross your feet and stuff like that.
[00:22:33] Speaker B: Is that your mindset when you creating instrumental for a West coast artist? Or is it like, I'm gonna give them the London way of it?
[00:22:41] Speaker C: Yeah.
I'm not from here, so it's not authentic. So I gotta give them something that I've heard before.
You get what I'm saying? If they want that sound from me. So when I did, I wanna bends, you know, when I was in the studio, yg, he said, make a Tupac sound.
[00:22:58] Speaker A: Ah, okay.
[00:23:00] Speaker C: He told me to do that. I mean, why'd, you know? I play the peak, play the keys, you know what I'm saying? So he's like, yeah, play some shit. Like something Tupac and Dr. Dre Woulda did. So that's how that came.
[00:23:11] Speaker A: Got you. What's the difference between a beat maker and a producer?
[00:23:17] Speaker C: A beat maker just making beats, and hopefully it hit something. Hopefully somebody do it. Somebody land on something, a project, just sending it out.
A producer is a composer. He's actually building the sound, creating the sound, recording the music, giving an idea how the video would be, how to roll it out, overall idea. A producer makes moments. He ain't calling himself. I ain't just. I make moments. I feel you, you feel me. That's how I feel about the producers.
[00:23:51] Speaker A: How do you decide who gets what production? And then also, have you ever had to take a song back because you, like, you didn't do it justice?
[00:24:01] Speaker C: Yeah.
Like you saying, like, if I ain't like it. Yeah, yeah. I did a. I don't want to name the artist.
[00:24:09] Speaker A: No, you gotta name the artist. But.
[00:24:11] Speaker C: Yeah, but it's a few times that I was like, okay, this song ain't gonna hit, so we don't need to put this out.
[00:24:15] Speaker B: Or you took some shit back.
Give it to somebody else?
[00:24:19] Speaker C: No.
[00:24:19] Speaker A: You have that conversation.
[00:24:21] Speaker C: It depends. If I'm in the studio making it with him, If I ain't in the studio making it with him, yeah, I probably gave it to somebody else.
But if I'm in the studio creating a vibe with them, nah, I ain't giving nobody else.
[00:24:33] Speaker A: Have you had that conversation personally? You gonna wait till you get to the lawyer and like, nah, yeah, it's me.
[00:24:38] Speaker C: Lawyer ain't got nothing. They don't run nothing.
[00:24:40] Speaker A: Well, the Grammys just passed. Obviously.
From a production standpoint, what's more important to you? Like, accolades, acknowledgement from your peers, or getting to the bag, getting the hits? Cause people say it's separate.
[00:24:54] Speaker C: I feel like you stay consistent with the music, everything will come.
You know, Freeda Boy Diddy, the boy Diddy did tell me something that stuck with me. Cause I went up to him one time, like, how you get all these brands and all this stuff going for yourself, like, you know what I'm saying? He was just like, how you get the deals with the. The Surat stuff, all the success you had? I asked him this about six, seven years ago. All the success you had, how did you get all this? He was just like, bro, stay hot in the music. Everything gonna come.
[00:25:25] Speaker A: Stay hot in the music.
[00:25:26] Speaker C: Just stay consistent.
[00:25:28] Speaker B: What was your Mary J. Blige session like?
[00:25:34] Speaker C: It was inspiring. Cause I'm a big fan of Mary J. And I was just happy to be there, honestly.
I just. We was just creating, and it came out good. But she's a dope person to me. She's so spiritual and beautiful inside and out.
[00:25:51] Speaker B: Any unreleased music with her? Yeah, right now?
[00:25:54] Speaker C: I think we got a few more.
Yeah. It ain't released yet.
[00:25:59] Speaker B: For a long time, we weren't able to put a face to the tag London on the track. It almost seems like once you got into the relationship and it was all over the shade room and shit, that's when we knew what, you know, what you look like. Was that intentional to. To Not. Yeah. Like, to kind of, like, hide your identity.
[00:26:16] Speaker C: Oh, yeah. I kind of like.
I don't know. I like to be. I'm a private guy. Yeah. Been private. But I plan on stepping out from here on out from 2026. Okay. Yeah. It's the pop out of now.
Even when I was, you know, going through that, all the stuff that was happening with, you know, my baby mama and all that, I still didn't care to be on the scene. She just always brought me out on the scene.
[00:26:39] Speaker B: Do you regret Popping out in that form.
[00:26:41] Speaker C: No, everything happened for a reason in this time. Yeah. I don't regret.
[00:26:45] Speaker A: How do you balance that?
[00:26:46] Speaker C: That, you know, that helped me my profile.
[00:26:49] Speaker A: Yeah.
[00:26:50] Speaker C: Yeah.
[00:26:50] Speaker B: She was almost like her.
[00:26:52] Speaker C: I was what?
[00:26:53] Speaker A: Like her, the artist hiding your face.
[00:26:55] Speaker B: We didn't know what she looked like.
[00:26:56] Speaker C: Yeah, she be hiding her face.
[00:26:58] Speaker B: She wear glasses. We don't know what she looked like.
[00:27:00] Speaker C: Hey, that just her style.
I don't really know.
[00:27:02] Speaker A: How do you balance dad life like. Like from like, you are a private guy. We don't know much about London. Like, what you think, where you at, who you deal, all that stuff. How do you balance dad life, your personal time versus working and then also co parented with another celebrity?
[00:27:18] Speaker C: Just running the narrative. Running my own narrative.
[00:27:20] Speaker A: Controlling it.
[00:27:21] Speaker C: Controlling it, yeah.
[00:27:23] Speaker B: What was your reaction, like, your initial reaction when you heard the lyrics on Bitter Summer Walker song, Bitter Linda. Did you screw that bitch?
[00:27:34] Speaker C: Gonna be real with you.
[00:27:35] Speaker B: Did you though?
[00:27:37] Speaker C: You gonna be real with you? Yeah, I wrote the song.
[00:27:39] Speaker A: Oh, hey, run it up.
[00:27:43] Speaker B: It's a scam.
[00:27:45] Speaker A: They ran a play on us.
[00:27:46] Speaker B: They ran a play on us.
[00:27:47] Speaker A: That's all good.
[00:27:48] Speaker C: Ran a play, you know, got the bat.
Yeah, I wrote a lot song.
[00:27:53] Speaker A: I respect it.
[00:27:53] Speaker C: But that one in particular. Yeah, I wrote this song in particular and she just loved it.
[00:27:57] Speaker B: Did you do more work on that album? Cause that's the second project.
[00:28:00] Speaker C: I did like 10, 11 songs on that album. I initially was the executive producer. Executive producer. Supposed to be the executive producer of that album. But we just had, you know, at that time.
[00:28:10] Speaker B: So how do you balance, like, professionally and then personally, how do you balance you producing the album, you wrote on the album and for your girlfriend or baby mama, and she's venting about.
[00:28:19] Speaker A: You get to the hits.
[00:28:23] Speaker C: Yeah, I mean, at the. Look, all that stuff that happened at that time was real. It was real.
I just helped write the songs. But that one particularly, I wrote the whole.
[00:28:34] Speaker B: Let me help you write about what I put you through.
[00:28:36] Speaker C: Right.
[00:28:37] Speaker A: That's fire. You a cold nigga.
[00:28:39] Speaker C: Yeah, I put you through it. But shit, we gonna make.
I'm gonna make a baby. We gonna make a bag.
[00:28:45] Speaker A: It's kind of similar to like the four for four and eliminate thing too.
But anyway.
[00:28:51] Speaker B: Wait, wait a minute, though. Like, with like, situations is okay just on some nigga shit. Like, is it like, all right, this gonna be inspo or inspiration for the next project?
[00:29:02] Speaker C: For what next project?
My project.
[00:29:05] Speaker B: Hers.
As y' all going through it, are you in your mind creatively, like, as a producer?
[00:29:11] Speaker C: We Ain't going through it no more.
[00:29:12] Speaker B: No, I'm saying at that moment, though.
[00:29:16] Speaker C: Yeah.
You know, I wanted to make sure she talk about. I mean, she gonna do that anyway, honestly. Cause she's a great writer.
She not a writer. Damn song.
But some of the stuff that I know she probably wouldn't say, or I'll probably help her be inspired to say it and she'll just do it.
But she loved it, though.
[00:29:39] Speaker B: Yeah.
[00:29:39] Speaker C: I was like, this is how we need to do it. This is how we need to put it together. And she listened.
[00:29:42] Speaker B: As shocking and, like, mind blowing as, like, you just revealing that to me is. I appreciate the authenticity and being transparent in the music, because I feel like that's something that a lot of, like, R and B is missing. One thing I always say, I love when my favorite artists are going through breakups.
[00:29:57] Speaker C: Right.
[00:29:58] Speaker B: So I appreciate y'.
[00:29:59] Speaker A: All.
[00:30:00] Speaker C: You know, honestly, I ain't. I ain't think we were gonna honestly break up, but, you know, everything happened for a reason. You know what I mean?
But that song, them songs was definitely real.
Like, it wasn't fake.
And so I just gave her everything that, you know, I felt like.
[00:30:19] Speaker A: Real rap.
[00:30:19] Speaker C: Yeah. Real shit.
[00:30:20] Speaker A: I have a question. One of my favorite songs that you produce, all about the. I'm Sorry about the money. TI yeah. Is there a different version? I heard there was another version of that song. Is there a separate version of that song?
[00:30:33] Speaker C: About the money?
[00:30:33] Speaker A: Yeah, TI And Thug.
[00:30:35] Speaker C: No, we did that one session.
[00:30:37] Speaker A: Oh, that was just. Okay.
[00:30:38] Speaker C: Yeah, yeah. Ain't no separate versions.
[00:30:40] Speaker A: Okay. All right. And then you said you.
You mentioned, like, you. When you were talking about the difference between producing and beat making, you say you make moments.
Are you interested in scoring? And have you had any conversation about scoring tv, film scoring movies and stuff like that?
[00:30:55] Speaker C: Yeah, I've definitely scored in a few movies.
What's that movie called? The uncle movie with Kyrie Irving. Uncle Drew.
[00:31:04] Speaker A: Oh, okay.
[00:31:06] Speaker C: I scored in that one, and there's a few other ones.
[00:31:08] Speaker A: Are you interested in doing more?
[00:31:10] Speaker C: Yeah, of course.
[00:31:11] Speaker A: Is that better than. I heard the money is better over there than it is doing. It is rap.
[00:31:15] Speaker C: It is.
[00:31:16] Speaker A: It is.
[00:31:16] Speaker C: Most definitely.
[00:31:17] Speaker A: Okay.
[00:31:18] Speaker B: Is there a producer versus you want to.
[00:31:20] Speaker C: Definitely more than rap.
[00:31:22] Speaker A: He meant that shit.
[00:31:23] Speaker C: Definitely more than rap.
[00:31:25] Speaker B: That is.
[00:31:26] Speaker C: Ain't really. If you are, you ain't an artist.
It's kind of, you know, hard to make money in rap for real facts. Yeah. Yeah.
[00:31:33] Speaker A: What'd you say?
[00:31:34] Speaker B: We just got the mike. Will made it. And hit boy versus producer. Versus is There one that you want to see a producer versus that you would like to see. Like me being just see in general, even if you're not.
[00:31:46] Speaker A: It could be you if you want. Me.
[00:31:47] Speaker C: No, no.
I like to see Metron. Mustard.
[00:31:55] Speaker A: M.
[00:31:57] Speaker B: That's a good one.
[00:31:59] Speaker A: Okay.
[00:32:00] Speaker B: Who would you battle?
[00:32:01] Speaker C: I can't say.
I don't want to say who I'm about. I want to battle.
[00:32:06] Speaker B: But can I throw something out there?
[00:32:07] Speaker C: I wouldn't say Metro because Metro. Me and Metro on the same team? Yeah, yeah, we like. We grew up together. We on the same.
[00:32:13] Speaker B: I like Metro and Mustard, though.
[00:32:14] Speaker C: That's a good.
[00:32:15] Speaker A: I like Metro and Mustard.
[00:32:16] Speaker C: Yeah.
[00:32:16] Speaker B: But if I was to, you know, like put my bid in for Lundy.
[00:32:20] Speaker C: You can't put me nobody.
[00:32:22] Speaker B: Oh, okay. My bad.
[00:32:24] Speaker A: And put your pen in. Fuck. What he talk? I wanna know.
[00:32:27] Speaker B: I'm kinda scared to say it.
[00:32:28] Speaker C: Who?
[00:32:29] Speaker B: Hitmaker.
[00:32:31] Speaker C: That's how you feel?
You want me to go against Hitmaker? I can't go against him either.
[00:32:36] Speaker B: Why?
[00:32:36] Speaker C: I fought with Hitmaker.
[00:32:38] Speaker A: It ain't beef. It's a celebration of music.
[00:32:40] Speaker C: I don't. Yeah, we good. I'm just. I wanna verse myself. Fuck it, bro.
[00:32:44] Speaker B: London versus London.
[00:32:45] Speaker C: London versus? Yeah.
[00:32:46] Speaker A: This nigga crazy.
Are you. What about joint projects? Are you open to doing joint projects? Cause I seen the one you deal with. Was it Day Dae?
[00:32:53] Speaker C: Yeah, Day Dae.
[00:32:54] Speaker A: That the one with 21. Bullshit.
[00:32:56] Speaker C: Bullshit. Yeah.
[00:32:57] Speaker A: That shit was hard.
[00:32:58] Speaker C: Yeah.
[00:32:58] Speaker A: Are you interested in doing more joint projects or do you have any more coming? Are you working on one?
[00:33:03] Speaker C: I am actually working on a joint project with someone. I don't wanna say the name yet, I guess. Cause I'm not ready to say it yet.
[00:33:09] Speaker A: Okay.
[00:33:11] Speaker C: The music gotta get done. The music ain't finished.
[00:33:13] Speaker A: Are you. What percentage done are you with the music?
[00:33:16] Speaker C: About 50, 60.
[00:33:17] Speaker A: Word.
[00:33:18] Speaker C: Yeah, the joint project.
[00:33:20] Speaker A: Yeah. So it'll be a London slash.
[00:33:22] Speaker C: Yeah, yeah.
[00:33:23] Speaker A: Okay. Yeah, I look forward to that. Because I like when you do when producers.
It's a what?
[00:33:30] Speaker C: It's an R B single.
[00:33:31] Speaker A: R and B single. Like. Like. Like OG or new?
[00:33:34] Speaker B: Like Jeremiah?
[00:33:36] Speaker A: No, no, like OG or new.
[00:33:38] Speaker C: New. New. A new R B kind of new.
I ain't say nigga. I said singer.
[00:33:44] Speaker A: Singer. I know. I replaced singer with nigga, but. My bad.
[00:33:47] Speaker C: Mariah, we can't say no names.
[00:33:50] Speaker B: Okay.
[00:33:51] Speaker C: We just gotta wait.
[00:33:52] Speaker B: If I guess right.
[00:33:53] Speaker C: Would you wink at me though? It's gonna be big.
[00:33:55] Speaker A: You can't see his eyes.
[00:33:56] Speaker B: I can see his eyes.
[00:33:57] Speaker C: It's gonna be big.
[00:33:58] Speaker A: It's Gonna be big.
[00:33:59] Speaker C: Yeah. Yeah, it's gonna be okay.
[00:34:00] Speaker A: When can we expect it then?
[00:34:02] Speaker C: Sometime this year.
[00:34:04] Speaker A: Before my album? No, before Labor Day or Memorial Day.
[00:34:08] Speaker C: Labor Day.
[00:34:09] Speaker B: I'm too thirsty. You can't play with me like that.
[00:34:12] Speaker A: She the R and B head, bro.
[00:34:14] Speaker C: You gonna love it. For sure. All right. Yeah. We ain't gonna say it.
[00:34:16] Speaker A: Okay.
Okay. Well, the last thing, I guess, for you is, is there someone that you haven't already worked with that you would like? Cause you done work with everybody that I would assume is on your bucket.
[00:34:27] Speaker C: List at this point, right?
[00:34:29] Speaker A: Oh.
[00:34:34] Speaker C: Timbs. Maybe. I like. I would love to work with Tim's.
[00:34:37] Speaker A: Okay. You want. Have you delved into the Afrobeat bag fully?
[00:34:41] Speaker C: No.
[00:34:41] Speaker A: Okay. Is that a bag you care to get into?
[00:34:44] Speaker C: Yeah, I do want to work with Tim's. I'm about to work with Odile, bro.
[00:34:48] Speaker A: I know you did. Speaking of that genre, you did Mariah the scientist.
From a Woman.
[00:34:58] Speaker C: From a Woman. Yeah.
[00:34:59] Speaker A: I didn't. I went to South Africa for New Year's. She did a festival out there that was completely sold out. And I had no idea. I ain't gonna. I ain't disrespect. I had no idea she was that big, bro.
[00:35:09] Speaker C: Oh, yeah.
[00:35:10] Speaker A: Like, she's fucking huge, right? And these. These girls are losing her mind, losing their minds, yelling her name for her to come out. And when she did that, I was like, damn. I didn't realize that our. I don't want to say our kind of our R and B, but it's really big over there.
[00:35:23] Speaker C: Yeah, definitely.
[00:35:25] Speaker A: All of the artists are telling me that Afrobeats bag, that the producers need to be leaning into that. So that's why I brought it up to them.
[00:35:31] Speaker C: No, most definitely. Me and Mariah got a lot of songs, too.
[00:35:34] Speaker A: Unreleased.
[00:35:35] Speaker C: Unreleased, yes.
[00:35:36] Speaker A: Where are those at when you get those?
[00:35:38] Speaker C: Whenever we put them out, that's.
[00:35:40] Speaker A: This year should be okay. All right, well, thank you.
[00:35:48] Speaker B: Can you come back when that R and B.
[00:35:50] Speaker A: When the R and B drop, I come back. You come back? Yeah. We want to talk about it. Okay. Well, I appreciate you, bro. Like, you always come through. I know we ran into each other a couple times. You always show love, but I appreciate that.
[00:36:02] Speaker C: I appreciate you.
[00:36:03] Speaker A: Thank you.
[00:36:04] Speaker C: Y' all always supporting.
[00:36:06] Speaker A: Appreciate you.
[00:36:06] Speaker C: Yes, sir.
[00:36:07] Speaker A: London on the track is here. It's effective immediately.
