“The Fall Off” Album Review, Grammy Winners, 50 Cent DoorDash Commercial, New Baby Keem

[00:00:04] Speaker A: Welcome to effective immediately. I'm DJ Head. [00:00:06] Speaker B: What up, y'? [00:00:07] Speaker A: All? [00:00:07] Speaker B: It's your favorite homegirl, Gina Bues. [00:00:09] Speaker A: Welcome to another week of effective immediateliness, full transparency. We did not give you an episode last week. I was sick as fuck. [00:00:15] Speaker B: I totally forgot that we didn't do that. [00:00:17] Speaker A: Well, damn. [00:00:17] Speaker B: While we was back and forth sick. [00:00:20] Speaker A: I know you lost your voice, but you. You. You lost your voice because of rap shit, though, right? Yeah. Yes, I lost my voice. Cause I ate cheese. [00:00:29] Speaker B: Yeah, that's crazy. Cause I need my cheese. [00:00:31] Speaker A: I'm sensitive now. I'm a little dangerous. [00:00:34] Speaker B: Yeah. [00:00:35] Speaker A: Nah, it ain't even that. Like, I ain't gonna hold you. And I know we, like, 30 seconds into this episode, but I just gotta get this off when you don't eat dairy no more. Cause we. I'm shout out to the homies at Empire. Shout out to Ghazi Nima. My family over there at Empire. You was there. You and Tally Spencer was running all over the place, taking pictures of. With everything. And every wall. Y' all got a picture on. [00:00:57] Speaker B: Like you seen my bad photo shoot. [00:01:00] Speaker A: Yeah, you and Tali had a picture on every goddamn wall. So while y' all was doing that, I was trying to find food because I just left the radio station and I was doing some shit. I go straight to the party. I'm starving. And you know I don't do well when I haven't eaten. [00:01:14] Speaker B: Yeah. [00:01:14] Speaker A: So they was walking around you a full crash out. Full crash out. They was walking around with the. You remember them little cheese. I mean, the little board with the cheese pizza slices? I ate three of them bitches. And I knew in the moment, like, I'm tripping. Cause I don't eat dairy no more. Especially cheese. I knew I was tripping. And then sick. I went down. I was down five, four and a half days. I probably blew at least eight to six ounces. Six to eight ounces of mucus out my face in one day. But, yeah, so, yeah, you know, just a little thing, just. Cause I want you to know that. [00:01:48] Speaker B: Well, I'm glad you better, because you had the group chat thinking that you had that. [00:01:53] Speaker A: The strep throat. You know what's crazy is when I. [00:01:56] Speaker B: Text, I was ready to leave the group chat. [00:01:58] Speaker A: I know what I. I don't play about that strip when I text y'. [00:02:01] Speaker B: All. [00:02:01] Speaker A: Cause I was trying to figure out what was wrong with my throat. And this nigga. I was trying to figure out what exactly was going on because it felt like I had strep throat. And I hadn't had strep throat in 10 years. I don't know. I don't remember what it. I just remember how. How what I felt like when I had it. But when I text y', all, I'm like, I didn't know what I had, so I didn't wanna come in and get everybody sick and shit. I just didn't. So that's why. Anyway, that's why we didn't have a show last week. But thank you for. [00:02:33] Speaker B: Hey, that strep throat, that ain't nothing to play. [00:02:35] Speaker A: When's the last time you had it? [00:02:36] Speaker B: I had strep throat in probably like, 24, I think it was. Yeah. And it had me getting my affairs in order like I had never had it before. So I thought that my throat was actually closing like, I thought I was dying slow like that. Strep throat. I don't wish that on nobody. I rather catch the vid than strep throat. It literally feels like you have a jawbreaker in your throat. But my throat was closed up. I was crying. Oh, Morgan, Morgan here. [00:03:07] Speaker A: She not finna get on camera. [00:03:08] Speaker B: She left. [00:03:08] Speaker A: No, she in there. [00:03:09] Speaker B: I was texting Morgan, like, morgan, she. [00:03:12] Speaker A: In there right now. She's shaking her like this. [00:03:16] Speaker B: I was texting Morgan, like, bitch, when you had strep throat, how did it feel? So I was. I was also throwing up blood and stuff, like, well, coughing up. I was coughing up mucus, but it was like blood wrapped around it. So I was asking Morgan, like, what did you do? And stuff. And I was telling her all my symptoms. She was like, yeah, bitch, you got strep throat. Go to the doctor. So I went to the doctor and they. You know, the doctor. I don't know if they treat everybody like this, but they be treating you like you tripping like it ain't that serious. [00:03:42] Speaker A: That's why I stopped fucking with the doctor. [00:03:44] Speaker B: Oh, you don't fuck with the doctor. [00:03:45] Speaker A: I do. [00:03:46] Speaker B: So I'm going to the doctor. [00:03:48] Speaker A: I'll be honest with you. Two things about the doctor. One is shout out to Candace Grace. I was looking for a black doctor, and I couldn't find one. I couldn't find one in Southern California. And she found me. She said, look into this person. And she found me a black female primary care doctor. I got the only black female primary care doctor in the whole Southern California state Cedar Cyanide System. And so that's who I go to. But my insurance is through the motherfucking roof. My insurance is so high. But I got A black woman as my doctor. [00:04:24] Speaker B: Is she one of them that come to your house? [00:04:26] Speaker A: Hell, no. That's what you mean. Nigga, this ain't that. [00:04:29] Speaker B: Not like that. [00:04:30] Speaker A: No, I'm saying I ain't. What type of rapper. [00:04:33] Speaker B: Fredo, remember Fredo, told us that. [00:04:35] Speaker A: You talking about the rich rapper had. [00:04:38] Speaker B: I don't know if you want me like. I'm not saying I'm pocket watching. I don't know if you want the people to know, but he got some coin. [00:04:45] Speaker A: I don't got no coin. [00:04:47] Speaker B: Okay. I got some chips. [00:04:48] Speaker A: I'm not finna Listen. Let me tell you something. [00:04:50] Speaker B: You looking at me with Versace glasses on. And you have a car that drive itself and park itself, and you could call your car from wherever you at to come to you and pick you up. [00:05:00] Speaker A: And so can everybody if they pay Elon. [00:05:03] Speaker B: Everybody can't pay Elon. Rich nigga. [00:05:06] Speaker A: No. And these glasses, I got these. Cause they didn't have no other glasses that would fit me. And I got them from LensCrafters. These ain't no custom made glasses. This was sitting on the shelf at LensCrafters. [00:05:16] Speaker B: This is not an ad. But could it be? [00:05:18] Speaker A: It could be. You don't have to say. These ain't just. Oh, yeah, this ain't an ad, but it could be. If you have a glasses company and you would like to sit on my. That's about to be crazy. [00:05:33] Speaker B: If you would like to sit on my face. [00:05:35] Speaker A: I didn't say that. You did not hear me say that. [00:05:37] Speaker B: What was you gonna say, though? [00:05:38] Speaker A: Sit on the board of the organization I'm starting for glasses. [00:05:43] Speaker B: Okay. [00:05:43] Speaker A: Yeah. [00:05:44] Speaker B: Nice cleanup. [00:05:45] Speaker A: Oh, yeah. I good. I cooked. [00:05:46] Speaker B: Give me a little. [00:05:50] Speaker A: But if you got a glasses plug. These are not for fashion, okay? I can't see. I have a light prescription, but it's prescription. So holla at me. You know what I'm saying? Anyway, I think that for the most part, anybody who can afford those are called concierge doctors. [00:06:06] Speaker B: Okay? [00:06:07] Speaker A: If they come to your house and stuff like that, if you can afford that, hey, God bless. I'm not that. I'm not him. I'm not there yet. Now holla at me in 2028. 2028. I might be talking that talk. [00:06:18] Speaker B: Can you. When you get your next home, can you build a bunker, please? [00:06:22] Speaker A: A bunker? Like a doomsday bunker? [00:06:24] Speaker B: Yes. [00:06:25] Speaker A: Fuck, no. [00:06:25] Speaker B: Well, what's a doomsday bunker? [00:06:26] Speaker A: That's where you dig it underground. And then you got food and you got a little makeshift shit. [00:06:30] Speaker B: You don't think we Might need it. [00:06:32] Speaker A: First of all, if we need a bunker, we ain't gonna make it anyway. [00:06:37] Speaker B: Why? [00:06:39] Speaker A: You know. Okay. [00:06:40] Speaker B: Have you seen Greenland? [00:06:41] Speaker A: Yeah, I also watched that show paradise that's coming back. It's not an ad Hulu, but it could be that show fire. [00:06:46] Speaker B: They was in bunkers. [00:06:47] Speaker A: Nigga, you gotta watch Paradise. [00:06:49] Speaker B: The last I came, the president got. [00:06:53] Speaker A: Yeah, paradise is cracking. But anyway, yes, I do plan on having a fallout shelter, but not a bunker. [00:06:59] Speaker B: So what we gonna get? Cause I'm coming to yours. [00:07:01] Speaker A: We going to Cheyenne Mountain. The Cheyenne Mountain facility in Montana. If it go down, that's where you want to meet me. That's where I'm going. [00:07:07] Speaker B: How we gonna get there? [00:07:08] Speaker A: In my car. [00:07:10] Speaker B: Did you see watch Leave the World Behind? [00:07:12] Speaker A: Oh, where the Teslas was crashing into each other? Yeah, I gotta. That's why I got another car for that. [00:07:17] Speaker B: Oh, we got a backup car. Yeah, you like how I keep saying we? [00:07:20] Speaker A: Yeah, Yeah, I got a backup car for that. [00:07:23] Speaker B: You gonna trip if I bring Rolando? [00:07:25] Speaker A: It depends. I don't like the way you. I ain't gonna lie to you. You know I got love for you. Your dog, like, he. The way he look at people be just like it. Just like he racist or something. Like, he be looking like. No, no, no. [00:07:41] Speaker B: Don't let him sit here and lie to you. Anytime he has come to my house or rolling cuddle up under him, you got a picture. You actually got a picture with him that you posted on your Instagram. [00:07:51] Speaker A: I know that, but I'm talking about when you walk in the door, the. [00:07:54] Speaker B: Way he look at you, like he entitled. [00:07:56] Speaker A: Yeah, he be looking at you and he look at you like this with his little. And he. Am I right, Nate? That's what I'm saying, bro. Turn nae mic on. Am I lying? That's. [00:08:07] Speaker B: Cause that's his house, though. [00:08:08] Speaker A: No, that ain't how he be looking at y'. [00:08:09] Speaker B: All. [00:08:09] Speaker A: That nigga be look. He look up at you and he gonna. [00:08:12] Speaker C: Cause he looked like. [00:08:13] Speaker B: What the. [00:08:13] Speaker A: And he just walk like bitch ass nigga. [00:08:15] Speaker B: Yes. [00:08:16] Speaker A: Don't look. He look at me like I'm small, low key. You know what I mean? [00:08:21] Speaker B: Y' all know Roland not used to company, man. [00:08:24] Speaker A: Yes, you could bring him, but if he look at me like that, we probably gonna cook him. [00:08:28] Speaker B: You a heat a Yorkie. [00:08:30] Speaker A: It depend on how bad it get. I'm just telling you the truth. [00:08:34] Speaker B: Okay, now that we having this conversation, because once you eat a dog. What? You might eat a people. [00:08:42] Speaker A: No, that's not true. [00:08:47] Speaker B: I'm letting you know right now, don't start looking at my arms, my feet. God. Get down with you now. [00:08:55] Speaker A: If you have to eat a person then you would want to start. Nevermind. Anyway, there's a movie about that on Hulu. You seen that? [00:09:03] Speaker B: The rich people. Yes. [00:09:05] Speaker A: They wasn't us though. Yeah. [00:09:07] Speaker B: They was definitely others. How was your week? [00:09:11] Speaker A: The week was crazy. Shout out to everybody that came out here for All Star week. I know like everything is still going down as you watch this but. Or listen to this. But it's a lot of people that fuck with us. [00:09:26] Speaker B: Yeah. [00:09:27] Speaker A: And I don't know, I don't want to go down the list because I know we gonna leave somebody out, but. And I'm have a transparent moment. Okay. This is just some real shit. I know. I remember what episode we had where we just kind of. We had a heart to heart at the end of the episode. I remember what episode that was. [00:09:42] Speaker B: We was getting all emotional. [00:09:43] Speaker A: Yeah. We was talking about our childhood and we was just. You know what I'm saying? We was trauma bonding in this moment. But Ginaviews and myself have been working our asses off for a very long time. And the fact that there is acknowledgement and things that are happening now is I'm overjoyed to see the things that are happening. Well, not even. I ain't gonna lie to you. And I didn't understand this at first, but my first time going to Japan, it's kind of long, but I'm just sharing my first time ever going to Japan. Glasses took me to Japan with him and we did a tour over there and it was my first time leaving the country and I was so excited. My auntie helped me pay for my passport and shout out to Auntie Faye. She helped me pay for my passport was 350 and I couldn't afford it, so she paid for my passport. So I go to Japan with Glasses and he was just looking at us. He didn't even give a fuck that he got to go to Japan and do a tour. He was looking at us and we were so. I was so excited because I didn't, you know, I'm from the east side. Like I never left the East. My first time coming to the west side, I was a grown man. We don't, you know how it is in la. We don't leave our pocket. So I was so excited to get to Japan. I'm out there just like a little kid, like, oh my God, this is crazy. And you know, whatever I'm now so stoic where I'm not tripping. I like seeing you. You be so excited. Like, oh, my God. I got. Yeah, yeah, yeah. I got a show. I got three shows I'm doing. So I just be like, I be looking at you. And that's kind of where I get my enjoyment from. Because to me. And shout out to Emory Jones, Mr. Vegas Jones himself, He just gave me a game lesson, an OG lesson. He said, you need to appreciate the wins in real time. You need to take time and just step back and just look at it. You ain't gotta bask in it, but just step back and look at the W's and just appreciate it. And I'm very grateful. And I'd be appreciative. You know, I thank God every day, but I don't really get my enjoyment from my wins like that no more like, I get my joyment from, like, watching you win or like, you know, when I get to see, you know, nay do stuff or when I get to see, like, that's kind of where I get my enjoyment from. So I. I just want to thank everybody who has been booking the fuck out of Gina views. She may not look like it, but she be tired because, nigga, she's booked and busy out this month. You hear me? You get to. You get to host a block party with Big Boy, which is crazy. [00:12:09] Speaker B: Hey, that. Cause, okay, so I didn't even know that until the flyer came out that it was me and Big Boy or whatever. But, like, that just. It's just such a full circle moment. Obviously, I had just met him when y' all did the Bigger Picture Live show. Oh, yeah. But I remember being at. When I worked at Staples center and I seen Big Boy, and I walked up to him like, I'll produce cypher. Da, da, da da. And he was like, all right, email it to me. And I was like, you're not gonna get my email. And he was like, yes, I am. Just keep sending it. He never responded. But it's just so crazy. Cause big boys, you know, you listening to them phone taps in the morning on the way to school, like, you know, so it's just cool that this is just like a full circle moment, being that I'm about to be able to share a stage with him. And you know what tripped me out too. We're both booked with the same company for different events on different days. Like, we not even about to see each other. Mm. [00:12:59] Speaker A: But we. [00:13:00] Speaker B: Yeah, no, we gonna have to figure out. [00:13:02] Speaker A: We gonna figure it out. [00:13:03] Speaker B: We have to Figure out to see each other. [00:13:04] Speaker A: I'm probably gonna fuck with you on one of the days. But, yeah, we are just very blessed, and I appreciate all the event organizers, the organizations, and everybody fucking with us because, you know, we deserve. [00:13:17] Speaker B: Yes. [00:13:17] Speaker A: It's straight up. It's just the truth. And to me, it's about time that people start to recognize, I quote, I say the real. The authenticity that, you know, we have to offer in the space. So thank you. [00:13:31] Speaker B: I just hope that being next to somebody like that, who I've, like, looked up to, that I don't have a. Oh. Cause when we just. Can we. Yeah. We just interviewed Fab Mayno, Jim Jones Davies. Y' all didn't even know. I was sitting here having a panic attack, for real. I was having anxiety attack in my chest. Like. Like. Like, my chest was, like, caving in. Like, when we were sitting right here. Like, my. It was. It was like. It was fucked up my chest. I was having an anxiety attack, and I didn't know where to start. Like, I'm looking at my notes. I got. I got four notes open for all four of them with all the questions and stuff, but I didn't know where to start. [00:14:09] Speaker A: Yeah. [00:14:09] Speaker B: So that's why I was having. You was like, yeah, so I guess we can start, you know. You know, talk about, let's rap about it pie or whatever. But I be having these anxiety attacks, and they don't go away until, you see, now I got energy. [00:14:20] Speaker A: Yeah. Yeah. You wasn't like this when they was here. You was like, hi, I'm Gina. I'm Gina. Yeah, we know that, nigga. What's your question? [00:14:32] Speaker B: Hi. But. [00:14:33] Speaker A: Yeah. [00:14:34] Speaker B: Oh, I. I got y' all Christmas presents. [00:14:36] Speaker A: What? [00:14:37] Speaker B: I know it's February. [00:14:42] Speaker C: Oh, and I forgot yours. [00:14:44] Speaker B: It's okay. Mine is at my house, bro. [00:14:46] Speaker A: What you mean? [00:14:47] Speaker B: I know it's February. [00:14:48] Speaker A: It's about to be St. Patrick's Day, fool. [00:14:51] Speaker B: I was tired of this stuff sitting in my. I was tired of this stuff sitting in my. In my living room. Cause you know, I'm a minimalist. [00:15:02] Speaker A: Yeah. [00:15:02] Speaker B: My house look like an Airbnb. I don't like too much going on. I don't wrap gifts. [00:15:07] Speaker A: Me either. [00:15:07] Speaker B: This is. Remember I said it was something you needed, so I was tired of getting in your car and sitting on your hats. [00:15:15] Speaker C: We love that. [00:15:15] Speaker B: So that's for you. [00:15:17] Speaker A: Thank you. [00:15:17] Speaker B: And then, Nate, I got you a bag for work. It's a junk purse for brand. [00:15:26] Speaker A: She said, I got y' all Christmas presents. [00:15:28] Speaker C: No, the thing. I have a Christmas present for Gina that I left it at my house. [00:15:32] Speaker B: But I was just tired of looking at the stuff in my. In my living room. [00:15:38] Speaker A: Thank you. [00:15:39] Speaker B: Gina views a little junk purse. [00:15:41] Speaker A: And I appreciate this. [00:15:42] Speaker B: A hat container. [00:15:43] Speaker A: I can't even get this open right now, but thank you. [00:15:45] Speaker B: You don't need to open it, but you need that. That should be part of your whole day. [00:15:48] Speaker A: I got the hats in my backseat right now. Like, all over the back seat. [00:15:51] Speaker B: No, I know. [00:15:52] Speaker A: You know, it's funny, my mom said something like that too. When I was taking her. She got in the car, she was like, what do you got? All these hats. I said, I just reached back there and like, I don't even, you know. [00:16:02] Speaker B: Just throw one on now you can organize it. [00:16:04] Speaker A: Thank you. [00:16:05] Speaker B: You're welcome. [00:16:06] Speaker A: We gotta talk about the Grammys, because I remember before we took our break, we were going into the Grammys, and we. I just want to say this. People felt the way. Here I am thinking that people don't like black people, and they don't, but. Oh, they don't like Latinos. People do not like Latinos. When Bad Bunny won album of the year, I saw all of these people who I thought only didn't fuck with us. It was like, oh, you don't fuck with them either. And it was just, like, so crazy to me because I thought we were talking about it before when we made our predictions earlier. It's like, it's either gonna be Bad Bunny or it's gonna be Kendrick for album of the year. Now rap album. It was clips. It was like. It was kind of a toss up between Kendrick and whatnot. And then when Bad Bunny won album of the year, I was like, oh, shit. People really like, racism is, as Kanye say, racism still alive. They just be concealing it. Like, I saw all kind of slurs and. Cause he got. He got up there and accepted his Grammy. His Grammy for album of the year, and did a full speech in Spanish, and he stood on that shit. And then, as you know, he did the super bowl performance, and it was all in Spanish, and I fucked with it. I didn't know what was going on, but I fucked with it. And I just really appreciated that Bad Bunny took that moment to, like, stand on business, because I feel like that's what Dot did last year. It's the same thing I was gonna do. [00:17:37] Speaker B: You think the Grammys and Super bowl are in coots? [00:17:39] Speaker A: No different. Nah. Them a different set of white kids. [00:17:42] Speaker B: You get why I'm asking that, though, right? [00:17:44] Speaker A: Yes. [00:17:44] Speaker B: Cause last year and then this year. [00:17:45] Speaker A: Yeah, but I also think that there is a cohesion that goes with how they work and not because of. They're in cahoots. I think it's literally just because. No, this. This artist is the biggest artist of the goddamn year. Like, it just is what it is. Like, like previous year, it was like, what artist was bigger than Kendrick Lamar? He did the biggest rap selling, the biggest rapper of the year. He won five Grammys for one song. Like, you know what I mean? It makes sense. Bad Bunny winning album a year to me was a statement piece. Like, hey, America, like, we fucking with people. We fucking with this shit over here. Like, get with it or get lost. And then when Dot, obviously, Dot passed Jay Z for the most Grammy wins of a rapper ever, which is super dope. So that was a moment for me. But Clips got they Grammy and I was so happy for them. Like, I mean, obviously one and four Chains and Whips, which is a song with Kendrick, but they got one. And I remember when Push was here, he was like, no, we want that. [00:18:44] Speaker B: Yeah. [00:18:45] Speaker A: Like, we want a Grammy. I'm not finna act like, I don't want. Yeah, I'm not finna play act, like, be humble and coy. Like, no, I want my Grammy. And they got it. So I was really happy for Clips. [00:18:54] Speaker B: Yeah, Yeah, I was happy for Lefty, man. [00:18:58] Speaker A: Lefty. [00:18:58] Speaker B: Yeah, I was happy for Lefty. [00:19:00] Speaker A: Shout out to Lefty Gunplay. [00:19:01] Speaker B: Shout out to Lefty Gunplay. It didn't matter to me anything else that was going on at the Grammys. Cause obviously, you know that he's on the album, you know, he's featured on that song or whatever. But I just didn't even expect to have that moment. For him to have that moment for him to actually be at the Grammys and go on stage and stuff like that. So that was just dope to see that. Like, just to see, like, proud of everybody else. Mustard, you know, Kendrick, obviously, Soundwave and everybody. But Lefty was the moment for me. [00:19:31] Speaker A: Like, I love that for him and I like that. And I've talked to Dot about this, like, offline, obviously. Like, me and Dot have had the conversation about him being intentional about black and brown unity being a thing that we want to focus on from an LA perspective. And so I saw Lefty on the red carpet going into the Grammys, and then during the Grammy speech, he addressed it both times, like, shout out to Kendrick Lamar, you know, for really putting a Latino on. And he said that. And I was like, I'm glad he said that because there's so much energy being dedicated towards the divisiveness of the black and brown. And so Lefty has been very intentional. It's like, nah, we black and brown around here. We pushing that line. That's what we own. And I think that the rest of the country and the world might not get it, but for here, that's the thing, and we own that, and I fuck with that. I like that he's pushing that line. [00:20:26] Speaker B: I saw a post, a headline. I didn't research it for myself to see if this was true, but it said that he likes the second Latino to get an award in the rap category. [00:20:38] Speaker A: Oh, I didn't. I don't know. I didn't look. I didn't. I didn't. [00:20:41] Speaker B: I saw. I saw a headline that said that. [00:20:43] Speaker A: I did see people hating on Lefty too. It was like he, he, he. You know, he said four words. [00:20:49] Speaker B: This shit is getting crazy, scary, spooky, hilarious. [00:20:53] Speaker A: Yeah, but he got a Grammy and you don't. [00:20:54] Speaker B: Yeah, yeah. [00:20:55] Speaker A: Oop, oop. You know what I mean? You know what I'm saying? So it's like shout out to Lefty. Gunplay, man. I think that was big for the city, like, just culturally. [00:21:04] Speaker B: Absolutely. [00:21:05] Speaker A: And then Bad Bunny, obviously being. Did you watch the Bad Bunny? What do you call it? Benito Bowl. The Benito Bowl. [00:21:11] Speaker B: No, I miss it. I was actually going to Morgan House. [00:21:14] Speaker A: Oh, okay. [00:21:14] Speaker B: Morgan had a Super bowl party for her birthday, and so I was in route. You got there after. [00:21:19] Speaker A: You was en route? [00:21:21] Speaker B: I got there after. But, you know, I don't care. I can't see what the niggas face is on the field. So I don't care about football. So basketball. [00:21:30] Speaker A: What's that mean? Couple things about the Benito Bowl. Couple things about the Benito bowl is when people watched it, they immediately went online and bashed it. Cause, like, I didn't get it. It was so simple. It was no, whatever, whatever, right? And then when people got the. Breaking that shit down and doing the, like. The kind of like how you dive into the lyrics and the bars and break. It was so much symbolism and so much like Puerto Rican culture. I was like. It was so much shit in there that I didn't even catch. I wanna actually give credit to this person. I actually made a note of it because I wanted to shout him out. It was a content creator who did a complete breakdown of. Did a complete breakdown of the Benito bowl. And I want to give him his props because he went in. Should I play a little bit of it? Or no, no, I won't play. I don't know if we gonna get it flagged for it. Okay, so it's a guy named Mentally. Oh, Brian. Brian Bees. His Instagram is Mentally Divine official. He does like a bunch of breakdowns of political things and stuff every ice all that shit that's going down in the country. He had the most craziest breakdown of Bad Bunny super bowl performance that I saw and I thought it was beautiful. [00:22:56] Speaker B: What did he unpack? The, like all the symbols, the symbolism, everything. [00:23:01] Speaker A: He unpacked the lyrics, he broke down the lyrics. But then he also. What I thought was very dope is he broke down the symbolism, but he broke down what each thing means to Puerto Ricans specifically. It's kind of like how when we watched Kendrick at the super bowl, only we understood a lot of shit. It was for us, like he did that for us as black people. Same thing when Dr. Dre and Snoop Dogg did theirs and Kendrick did his performance. People didn't really get the black people marching and like the map and like they didn't understand like him being outside the box and like it was a lot of cult cultural things that people didn't understand from a creator standpoint. I just thought it was beautiful. I thought it was. I watched it back twice just so I can look at all. I was like, damn that shit fire. And then shout out to my Latinos here in la. They showed up. They went and pulled up to the taco spot. Each person in the super bowl that he featured were real people with real businesses. Then he had a fucking wedding in the middle of it. Like some people got the people that got married. That's a real wedding. That was a real wedding. They really got married. Anyway, it was just. I just respect. I was raised by Latinos. Like, I'm from the east side in la, so I was raised by. And I just have such respect for they culture. Like, I honestly have had more issues with people that look like me than Latinos, you know what I mean? And I just have so much respect for them. So black and brown, run this town. Shout out to Bad Bunny. Shout to Puerto Ricans. Shout to the Mexicans. [00:24:33] Speaker B: Yes, sir. Did you. Did you expect for Cardi to pop out? [00:24:39] Speaker A: No, I did not see that coming. It was like her. Jessica Alba, Pedro Pascal. [00:24:44] Speaker C: Ricky Martin. [00:24:44] Speaker A: Ricky Martin. Ricky Martin. [00:24:46] Speaker B: Lady Gaga, bro. [00:24:48] Speaker A: Ricky Martin. Where the fuck was he at? Like, I didn't like. Yeah, it was just. I don't know. To me, you remember when. So when you look at when Kendrick. I don't like people comparing either. They're like, oh, Kendrick had the biggest. And now. Cause to this day, the ratings still got Kendrick as the number one most viewed super bowl of all time. [00:25:07] Speaker B: Really? [00:25:07] Speaker A: Yes. [00:25:08] Speaker C: I've seen different numbers. I'm so confused. [00:25:10] Speaker A: The numbers came. They, they just, the numbers came out and they ranked them. And these are a bunch of different official sources. I didn't go to the Nielsen, which is like the rating website myself, but the official, like a lot of the official quote unquote outlets reported that and they ranked them 1 to 5. I don't like that, pitting people against each other. But the numbers speak for themselves. That's not the point. The point is when I look at, when I look at Kendrick's performance, it was all black. When I look at Bad Bunny's performance, it was all brown. And I just fucked with that shit. Yeah, I just fucked with it. I like that shit. I mean, you had Cardi, she's Afro Latina. [00:25:48] Speaker B: But that's what. Even I was kind of confused when people were. I mean, I get it. Like, obviously the primary language is English, right? But when people are so upset and it was just so much uproar on social media about him doing the super bowl in Spanish, it's like, well, what did you expect? Exactly? You know, like, what did you expect? And I think that. And I don't want to tell nobody what to do, but it's just like as a culture, we're so pro us until somebody else is pro them. And when you see somebody else being so pro them, they turn it into a negative thing, you know? And it's like, why can't we be comfortable with individuals embracing their culture, Especially when it's on such a large platform? Because had it not been done, then it would be, oh, you're selling out. Oh, you're da da da da. You get what I'm saying? Like, it's times where even like, where rappers, like, they might have like either like light skinned women or white women and stuff in their music videos. And then that's the part that people are mad at. Like, well, why you gotta have all them white women or why you gotta have. Where the black girls at? Why you don't got no black girls? Da da da da. But then when it's done, y' all doing too much. Yeah. You know what I'm saying? I never forget. I don't know if I had tweeted it or if I. I forget if I tweeted it or if I said it, but obviously, like wale's lyrics. Sue me. I'm rooting for everybody that's black people. Look at that as you disrespecting. It's like, if you say, I don't like apples, so you don't fuck oranges. [00:27:19] Speaker A: Yeah, it's always that, you know, I. [00:27:20] Speaker B: Mean, it's like, if you say, I love apples, and you're like, well, you don't fuck oranges. Like, it's like, why do you think just because I'm pro this, I'm anti that. [00:27:27] Speaker A: You know, I have a tweet that's at least 10 years old to say, I'm not anti anybody, I'm just pro us. [00:27:33] Speaker B: Absolutely. [00:27:34] Speaker A: Straight up. So, yeah, no, I get it. Everything is blown up like that. [00:27:41] Speaker B: Even on the subject of that, though, how J. Cole getting all this backlash for they saying he cosplaying as a struggling artist because he done got in the Honda and he drive around the city and he, you know, selling the CDs out the trunk and stuff like that, where you just want to be. What do they be saying? He going out of his way to act poor. Why can't I just do regular shit? [00:28:07] Speaker A: Yeah. Okay, so there's two sides to that. One is that's insecurity or hate coming from people who just want to hate whatever. The other perspective is, J. Cole is allowed to do whatever the fuck he want to do. You know what I mean? Yes. As a fan, I have requests. [00:28:26] Speaker B: Yeah. [00:28:27] Speaker A: But he's a grown man and he's his own man. He's an artist. I'm pretty sure he's out of his deal at this point. He can do whatever the fuck he want to do. You know what I mean? He don't owe us. Well, he's supposed to come do the radio station and do a regular rollout and do what Clips did and do like, he don't need to do. He can get in the car with him and Ibrahim and drive around the country in that Honda if they want to, and put all them miles in that shit. [00:28:46] Speaker B: Yeah. [00:28:47] Speaker A: Now, here's the flip side to that. If does it take away from the experience? And I'm only asking this question because I saw this, right? So if you look at. It's still J. Cole. He's still a. He's still one of the goats. [00:29:02] Speaker B: Thank you. [00:29:03] Speaker A: Yeah. Like, it's still J. Cole. So it's like, hey, bro, everybody ain't happy for you. [00:29:11] Speaker B: Okay, Tell me this. Obviously, we don't like, we not on the road with him, so we don't know what's going on. But you don't think he got security telling behind him? [00:29:18] Speaker A: Yes, I saw the black trucks. That's what I'm saying. [00:29:20] Speaker B: Oh, okay. [00:29:21] Speaker A: So that's where I'm going with this. [00:29:22] Speaker B: Okay. [00:29:23] Speaker A: Is it the same effect? What you mean if we walk out the radio station right now and we see J. Cole and him, two of his homies pull up in the Civic by themselves. He popped the trunk. Gina views. Let me give you this copy of the Fall Off. Like I fuck with you. I really want y' all to, like, dive into the album. What not, thank you for fucking with me. Right. And they peel off and it's just them. Or if they turn the corner and it's a sprinter van behind them and two black trucks, is it the same effect? [00:29:55] Speaker B: I don't. I'm not sure if I understand. [00:29:58] Speaker A: Do you still feel like it's as authentic. [00:30:03] Speaker B: If he. I being. I think that that's the. That's what makes it, like, a difference right there. Like, obviously, like, he still has to move around in a way that he would be safe. [00:30:15] Speaker A: Exactly. [00:30:16] Speaker B: So if he got security in his back trucks and, you know, spinner, I don't know, maybe, like, the police is telling him they a few, you know, in front of him, or he is still J. Cole. [00:30:25] Speaker A: So that's what I'm saying. [00:30:26] Speaker B: He does still have to do it in that way. It would actually be stupid. Can we say stupid? [00:30:32] Speaker A: Yeah. [00:30:33] Speaker B: They didn't take that one. [00:30:34] Speaker A: No. You could just say the other one. What's that r to R1? You can't say that one. [00:30:38] Speaker B: Is that a hard R? We can add it to the hard R. Anyway, I think that it would be stupid for you. And honestly, it would just be, like, literally senseless and a lack of environmental awareness to drive around without protection or without security. You know what I'm saying? [00:30:59] Speaker A: That's a little foolish. [00:30:59] Speaker B: Yeah. Because anybody could pull up, corner you in, you know, cut you off in traffic, pull out and draw down on you. You know what I'm saying? [00:31:06] Speaker A: That's why I said it's still J. Cole. Like, you still are like J. Cole. So that's what I'm saying. Does it take away from the experience or what he's trying to do or emulate if you know he's moving in that way? [00:31:17] Speaker B: No, because if you're a fan, it doesn't matter facts. It don't matter how you pull up. It's the fact that you pulled up. [00:31:23] Speaker A: So another thing that I want to point out. Cause you and I Had this. I don't know if it was an idea or a thought, but we wanted to like have our listeners fuck with us. So we were gonna go pick listeners up and take em to work. Remember that? I think it's dope that J. Cole is doing that. Like he's pulling up on his fans. [00:31:37] Speaker B: In each city and they calling they Uber ride right off Twitter. They tweeting them like, hey, come get me. I don't know if you in the area, come get me. And he replying like, oh, yes, DM me the address. [00:31:48] Speaker A: Yeah, I'm pulling up. And he pull up and they play the album. Riding around, bro, that's hard. Like, imagine, imagine soul tape come out and fabulous. Like, like, yeah, DM me your address. I'm pulling up. And he come get you in, in the car and you get to ride around with him listening to the project backseat action. [00:32:08] Speaker B: Whoa, fabulous. Come get me. [00:32:14] Speaker A: I should ask about Wayne or Drake or somebody. She, you know, so if it was. [00:32:19] Speaker B: Wayne, ain't it funny that I was just mute just now? Yeah. [00:32:26] Speaker A: I'm saying, like, to me that's one of the dopest experiences that you could probably have as a fan. [00:32:31] Speaker B: Hey, is this not the same? Was it called, I don't remember if they was picking up fans, but was it called like uber karaoke or like, oh, carpool karaoke? Carpool karaoke. [00:32:43] Speaker A: Yeah, but that wasn't. [00:32:43] Speaker B: Listen, they wasn't picking up fans. [00:32:45] Speaker A: It was content that Apple was. [00:32:47] Speaker B: Oh, okay, okay. [00:32:48] Speaker A: And like Migos did it, you know, and then other people started adopting the same format where you'll see the dude riding around making beats in the car. [00:32:54] Speaker B: What's the difference from this and a meet and greet? [00:32:57] Speaker A: I think it's more intimate. It's just you like imagine you listen to the album twice, three times, your favorite artist pick you up in they car and you get to ride around with them, listen to the album and ask. [00:33:09] Speaker B: No, I'm not saying, not the pickup aspect of it, but just him pulling up on N. And you can just, you can come to your local spot in your city and J. Cole is there giving you the album himself. [00:33:21] Speaker A: Oh yeah. [00:33:21] Speaker B: Like, what's the difference between that and a meet and greet? You know what I'm saying? [00:33:23] Speaker A: It's just a one on one meet and greet. [00:33:25] Speaker B: Just a one on one. But it's, it's. They not getting full like a whole lot of time with them, you know what I'm saying? Pulling up, pop the trunk, handle your thing in. [00:33:33] Speaker A: They probably, I mean, no, a couple People, the people that he is tapping in with with the address shit, they get to get in the car and ride around and listen to the album with him and, like, ask him questions about the album. That's what separates it from meet and greet. Meet and greet's like, let's take a picture. Oh, hi. Oh, I'm a big fan. You could probably get one question off, and then they gotta move to the next person. If I'm in your car, bro, I'm out. And you. And like, you know. You know how you get with the lyrics. You like, wait, wait, wait, rewind that. Yeah, like how you be watching your battle raps in your living room. [00:34:03] Speaker B: Yeah, yeah. [00:34:04] Speaker A: Imagine you in the car with niggas and it's like, wait, wait, wait, wait, wait. What was it? What did you just say? And you get to ask a nigga in real time about they bars. That's to me, what the difference is. [00:34:12] Speaker B: I predict, though, that in maybe, like, it's probably gonna be sooner than later, but other artists are gonna start adopting this rollout. [00:34:21] Speaker A: Yeah, for sure they are. [00:34:23] Speaker B: Like, as much as people are talking about it and stuff, things are frowned upon and laughed at before. You know, before it's actually a thing. And I feel like it's gonna be a time where people are gonna start doing this. [00:34:35] Speaker A: Of course they're gonna do it. Everybody, you know, kind of does and follow suits and, you know, all that kind of shit. I just think that this is very J. Cole of him to do. [00:34:47] Speaker B: What did. What did you think about the album? [00:34:49] Speaker A: I thought, okay, so I have a couple thoughts about the album. The first thought when I. Oh, my first listen was, oh, shit, J. Cole made a slap. [00:35:00] Speaker B: Which one? Safety? [00:35:01] Speaker A: Nah, the main. Hold on, let me. I don't wanna. Cause I know they be wearing me out in the two six. Two six. [00:35:10] Speaker B: Oh, yeah, yeah, yeah, yeah. [00:35:13] Speaker A: Y' all were like, yeah, I like. [00:35:16] Speaker B: Two six, and I like safety. But it really got like. Obviously you could say that 39 was the girl side. [00:35:25] Speaker A: Mm, I could see that. [00:35:27] Speaker B: So that was my favorite. I liked everything on 39 on this. 39. I liked everything on that. And what I noticed, like, obviously I already knew this, like, being, you know, with songs like Wet Dreams or songs like Nobody's Perfect. I already knew that he was like an amazing, like, top tier storyteller, but this just kind of cemented it for me because he was telling stories about things that. It almost felt like I was listening to an audiobook. [00:35:59] Speaker A: Low key. [00:35:59] Speaker B: It felt like I was listening to an audiobook with the stories that he was telling and say, I didn't even. [00:36:03] Speaker A: Think about it like that. Cause I listen to hella audiobooks. That's right. [00:36:06] Speaker B: Yeah. It gave audiobook. [00:36:07] Speaker A: Nah. So for me, two, six was one. I like safety. Hot take. I didn't see Petey Pablo coming on the album. [00:36:19] Speaker B: Or Boosie. [00:36:21] Speaker A: Or Boosie. He put Petey Pablo on the album. And what made me go directly to that is remember we had the conversation on the radio about Petey Pablo not participating in Dreamville Fest and him being the OG North Carolina. N like, Petey Pablo is the reason we know about North Carolina on a national level. I'm just being honest. I don't know. I'm pretty sure niggas came before him. But Petey Pablo. Take your shirt off, twist around your head, Spin like a helicopter. I'm repping North Carolina. That was it. Him having Petey Pablo on the album, I think. And I don't remember where it started. Cause we talked about this. I talked about this with Elliot Wilson and Jeremy Hecht. And I think Jeremy Hecht went to Dreamville Fest and he talked to people on the ground. Cause I had brought it up. I'm like, isn't it weird or crazy that Petey Pablo has never been on Dreamville Fest? And I remember Petey Pablo responded like himself. [00:37:17] Speaker B: Oh, you're not in jail. [00:37:18] Speaker A: I don't. No, no. I'm saying I don't remember if it was a tweet or I don't remember how he responded, but I remember. But to that conversation, it wasn't directly to our quote, but I remember him saying something about the fact that he had never been to Dreamville Fest. And so this being J. Cole's last album, the Big Hooraps. I thought it was dope that Petey Pablo was on the album. [00:37:41] Speaker B: I'mma keep it real with you. I didn't even know where Petey Pablo was from. But now that just makes so much more sense. Now I feel like I gotta go back and listen to it to find a connection. [00:37:49] Speaker A: It was a whole thing. Like, it's been like. It's like a real deep fan thread. But I'm the one who was inquisitive about it to my friends. Cause I didn't understand why Petey Pablo has never been to Dreamville Fest. He's never performed there. And I'm like, it's fucking Petey Pablo. Like, at the bare minimum, you just throw him on it. You know what I'm saying? Bring him. Hey, put him on the bill. It's Petey Pablo. So I was always wondering about that. I thought that was dope. That he was on the album and then Erykah Badu and then Future was on there. Did you like the one with Tim's. Tim's burner boy? I mean. Yeah. I didn't expect. To me. Okay. Who the fuck is you is dope too. Who the fuck is you is dope to. [00:38:37] Speaker B: Poor thing. [00:38:38] Speaker A: Yeah. Who the fuck is you is dope too. I didn't expect a couple of records. I think it was drum and bass. I didn't expect that from Cole. And he did a couple of switches that I didn't expect. Like, it's like two beat changes on there. And I was like. I thought that was interesting. Cause I don't. That ain't really Cole. Like, Cole don't really do the beat switch thing. [00:38:57] Speaker B: Yeah. Some of the flips and stuff. I was shocked to hear him. I did not expect that at all. [00:39:05] Speaker A: Yeah, I did like the fact that when he. I like that trying. I know people be very critical about our critiques about these specific people. Especially maybe in our comments. [00:39:21] Speaker B: Chew glass, bitch. [00:39:24] Speaker A: I didn't think that like you said. I think you said this is his best album. Did you say that? [00:39:31] Speaker B: No. And that's probably one thing they gonna cook me for, but I don't know. I'm not gonna say this his best album. This is my favorite. Your favorite Cole J. Cole album. [00:39:41] Speaker A: Okay. [00:39:43] Speaker B: What was the one with the Everybody look like? It's like a cartoon or something. [00:39:48] Speaker C: Kod. [00:39:49] Speaker A: Kod. [00:39:49] Speaker B: Kod. I didn't like that one. [00:39:51] Speaker C: Really? [00:39:51] Speaker A: His fans don't like kod oh, really? Yeah. They don't really fuck with. [00:39:54] Speaker B: I didn't like that one. [00:39:55] Speaker A: They thought it was like him trying to be young. [00:39:58] Speaker B: But Forest Hills Drive, I love that one. [00:40:01] Speaker A: But that's the classic. [00:40:02] Speaker B: Yeah, but this one, it's like neck and neck with that one to me. But I saw a lot of people being disappointed by the album. [00:40:11] Speaker A: Why? What were they saying? [00:40:12] Speaker B: I saw people saying that it wasn't like, it wasn't any replay value. They were just disappointed in what he did, I think. But I kind of feel like he kind of for me with him dropping that mixtape before the album came out, he scratched my back. Like he got my itch for me. Like, you know, obviously I love the competitiveness and, you know, talking shit and, you know, popping it on songs and stuff. So he gave me what I needed right there. [00:40:36] Speaker A: So you. So you. Whatever else is extra credit. [00:40:39] Speaker B: Whatever else was just extra credit. But, like, I Said obviously, like, R and B is my favorite genre, contrary to popular belief. But, you know, people think that I'm, like, more so into rap, but I'm a bigger R and B fan than anything. So when I'm hearing them slow down songs and stuff, and him talking about his girl and all that type of stuff, like, I like that. [00:40:59] Speaker A: What's your thoughts on the ideology behind people doing the double diss thing? Cause remember when we had. We interviewed Blast, I think. Or maybe I think I talked to Blast here. I think we. Oh, we did interview Blast, right? [00:41:11] Speaker B: No, you did. For Pandora. [00:41:12] Speaker A: Oh, okay. It was a live. It was a live show. And remember he did his album in four. It was four discs or four parts or something like that. [00:41:20] Speaker B: Yeah, but it was like six songs or something like that per disc. [00:41:24] Speaker A: What do you think? The thought process. I thought it was some R and B shit. Like, that's kind of what people take from R and B. Like the A side. The B side. [00:41:32] Speaker B: I don't understand it in this era of streaming, because it would make sense when it would be actually two discs inside of the CD case. [00:41:43] Speaker A: Double disc. [00:41:44] Speaker B: Yeah, the double disc inside of the CD case. Or obviously this is. I'm even too. I really don't even remember this happening. But I know that it existed back in the day with tapes where you would have that side and then you would take it out and flip it and it would be the other side or whatever. [00:41:58] Speaker A: But. [00:41:58] Speaker B: So I don't understand it in this era of streaming because it's all essentially still in one playlist. It's just a compilation of music altogether. And then it'll be separated with this this and this that. But, yeah, I don't. I honestly don't get why people do it. I would like to hear, like, a label perspective on why. Because technically, if I go to the album and I shuffle it, it's gonna take me between that disc. In that disc. It's still all the same. You know what I'm saying? It's still all the same thing. [00:42:26] Speaker A: I would like, actually, since you said that. I know. Real quick. Let me see if Ray, pick up the phone real quick. I actually want to know that. Shout out to Ray Daniels. [00:42:37] Speaker B: Hopefully you pick up Ray Daniels. [00:42:40] Speaker A: But yeah, I don't know. I just always thought that would be more of an R and B thing as opposed to it being something that rappers did. And then also, like you said in the streaming game, it's a different conversation because it just plays straight through anyway. And then your call has been pulled and then from a YouTube perspective, you know how people create the playlist for, like, you could put any YouTube videos in a playlist, but then you can also section those off into folders. So it stops after it finishes that playlist and then continues on. But in the streaming service, it don't stop. Like, if you hit play on J. Cole's album, it'll play straight through both discs. So it makes sense for YouTube to me, but not for like Apple or Spotify or something like that. [00:43:27] Speaker B: I guess though, in this sense though, like for J. Cole. Because I don't know if this is true. They kill me every time I say fan theory. But then if I say that I figured some shit out by myself, they're gonna be mad that I claim that. But I saw a. I heard a theory. This is not my theory, so I don't wanna take credit for it, but that this 29 is basically the story of when he was 29. And then this 39 is supposed to be current. [00:43:52] Speaker A: Yeah, I don't know. [00:43:53] Speaker B: So maybe these are chapters for him. You get what I'm saying? Yeah, I guess so that would make sense. If it's like, this is what we talking about right here. And then this is what, you know, what's happening currently right here. Like, that's back in the day. And then this is right now. [00:44:08] Speaker A: I have a theory and this is mine. I'm just speculating, but it's a way for artists to get off all the songs they want to get off without it seeming like a long ass album. [00:44:19] Speaker B: Okay, I can see that. [00:44:20] Speaker A: So. [00:44:20] Speaker B: But shit, Chris Brown dropped three seasons. [00:44:24] Speaker A: Yeah, that's some bullshit Chris Brown be having. [00:44:26] Speaker B: Like, I've never gotten through a full Chris Brown album, like, since the first. That's one of. I think that should be counted in one of the, you know, the best R and B albums of all time. His first album. But the more recent ones where it's like 47 songs, I don't get through them. [00:44:43] Speaker A: Yeah. Nah, he tripped. [00:44:44] Speaker B: I'm still on season one. What is it called? Full Moon, Blue Moon, Sun Moon, bro. [00:44:50] Speaker A: I actually, you know who was doing that too? E40. When he first started learning the streaming game, he would drop 30 songs. I said, look, you know I love you, but hey, my nigga, I'm not. [00:45:01] Speaker B: Listening to all that. [00:45:02] Speaker A: 30 songs is insane. Yeah, Like, I got shit to do too. [00:45:06] Speaker B: Yeah. [00:45:06] Speaker A: But anyway, shout out to J. Cole. I saw. I guess J. Cole's legal team responded to Cameron. We've talked about this at least two or three times on this radio station. And we both said, cam' Ron not getting that verse. [00:45:28] Speaker B: Cam' Ron deserved that verse, though. [00:45:30] Speaker A: He deserved a verse. [00:45:30] Speaker B: Cam' Ron deserved that verse. But I don't think he getting that verse. [00:45:33] Speaker A: He ain't getting that verse because the lawyers responded. And once the lawyers respond, you know, like, it's quiet. Like, basically, it's like, hey, bro, they, they, they. I don't want to. I'm not legal. I'm not an attorney, so I'm not gonna read the docket. I did read through the documents. But in a nutshell, for our. I'll spare our. Our listeners. In a nutshell, they're disputing the fact that J. Cole owes Cam anything. That's. That's pretty much what it is. [00:46:00] Speaker B: Well, before we get off of J. Cole, we were not here to unpack the Simba response. Oh, father figure. And we were getting cooked. I got cooked. You got cooked. I dropped a screenshot of Simba. Sending me the file. Um, I had put the clip. You know what I'm saying? What the fuck is. Do I gotta instigate everything? Like, can I get a response? You know, whatever. And then you dropped the exclusive of Father Figure. And it's like, for the people who was saying that, that wasn't a shot at Simba. The young Sim Bar. A nigga rapped backwards. And then now all of a sudden, he talking about himself in past tense. No, he's talking about Simba. [00:46:46] Speaker A: Yeah, and I said that, too. When we had the conversation, when we first heard the lyrics on that mixtape. I said. I literally said, you can go back and listen to that episode. I said, jake, I'm not going to give J. Cole that bell. Like, he's way too intelligent and too intentional. And I stand on that. J. Cole is one of the smartest, most intentional rappers of our generation. It's no way him being aware. He's aware of everything. Just like DOT is. They be like, oh, they ducked off somewhere. I'm low right now, okay? On the island, okay? No, you not, nigga. You got a phone and you looking at social media, you know what I'm saying? Or niggas are sending you the shit like I've done in the past. Yeah, I've definitely sent Doc some shit. Like, hey, N. Look at this shit. You know what I'm saying? I know that J. Cole has homies like me. Yeah, he knows what the fuck is going on outside. And I'm not giving him that credit. Like, he didn't know about what Simba had going on. He Ain't never heard Simba, bro. [00:47:46] Speaker B: The reason why I know that he heard it is because Kaz got in the field during that time. [00:47:52] Speaker A: Oh, yeah, he did say something. [00:47:53] Speaker B: Kaz rapped back. [00:47:54] Speaker A: Yeah, he did. [00:47:56] Speaker B: Remember, I was pressing niggas, hey, what's up? What you niggas doing? I added everybody and everything. Like, what's up? Like rap, you know, come outside or whatever. But, yeah, no, he definitely. He know what's going on. [00:48:06] Speaker A: He know what's going on. He know what's going on. So if. What was people saying to you about. [00:48:10] Speaker B: The Simba thing that we was reaching. I was instigating, making something out of nothing. I'm stupid, because this is. He calls himself, you know, obviously, what we had already talked about, which we said it in the clip and in the episode. [00:48:26] Speaker A: They didn't watch it. [00:48:27] Speaker B: That. Right, that. You know, that he refers to himself as. That he was referring to himself or whatever. But it's like a nigga rapped backwards one time and now he talking about himself in past tense in the same scheme where he's saying, stop bothering me. All you should be saying is call you like a father to me. Why would he say Ramph his name twice? You know what I'm saying? Like, it's like if I. If you say something, I don't know, DJ Head and Aaron Drake, like, why would you say your name back to back in bars like that? Like, it just didn't. That shit just didn't make sense to me. But. [00:48:57] Speaker A: And who am I? [00:48:59] Speaker B: They said, we can't talk about J. Cole no more. [00:49:01] Speaker A: Simba was so cold with Father Figure, the angle he took was so incredibly dope. As an emcee, as a fan of rap, that's the type of shit I like. [00:49:13] Speaker B: The other thing that people were saying was that Simba tried to wait until the album to drop. The response. [00:49:23] Speaker A: Oh, yeah. [00:49:24] Speaker B: Which is 100% false. Yeah, he been had it done. [00:49:27] Speaker A: He been had that done. [00:49:28] Speaker B: He been had it done. If we being honest, it was us pressing him. [00:49:32] Speaker A: Facts. [00:49:32] Speaker B: I ran into him during Grammy weekend. What's up with you, nigga? [00:49:36] Speaker A: Yeah. You literally said that. [00:49:37] Speaker B: Yeah, that nigga, he must have been walking across the room. He said something. I said, why is you not in the booth? Yeah, why am I looking at you? Why we in the same room right now? [00:49:45] Speaker A: Why did I see you and I'm not in the booth? [00:49:47] Speaker B: Yeah, why do I see you right now? Like, so. And he had. I mean, I don't know, got a couple. Like, a couple, you know, like, we Supposed to shit the clip. But he had told me, like, no. Like, you know, I got something. I'm like, but what are you doing? Or whatever. And then obviously you had it and you dropped the exclusive or whatever. But that wasn't Simba saying, like. I mean, correct me if I'm wrong. You wasn't even supposed to. [00:50:13] Speaker A: I wasn't even gonna. Okay, I'm gonna tell you the truth. I had the record in the. Earlier in this. Cause people gonna clip this shit up, right? Earlier in this episode. At the beginning of the episode, I talked about me being sick last week. [00:50:29] Speaker B: Oh, right, right, right. [00:50:30] Speaker A: I was gonna drop it. I was gonna come to the radio station and World premiered and debut it on the turntables and go crazy on the radio. But I was sick. We had to postpone it until Thursday. [00:50:42] Speaker B: Yeah. [00:50:42] Speaker A: Because I was sick. I was gonna drop the record. [00:50:45] Speaker B: I forgot about that. [00:50:46] Speaker A: I was gonna drop the record earlier in the week. I had already told Simba I was gonna do it. I was like, hey, bro, niggas need to hear this. I'm dropping this. He's like, man, it ain't no. I'm finna play this record on the air. It's coming out. The reason why it came out the day before the fall off is because I was sick. Yeah, that's the truth. [00:51:05] Speaker B: I totally forgot about that part. [00:51:07] Speaker A: You know what I'm saying? That's actually how these. How that happened. But nonetheless, I did want to point out the fact that Simba took the angle of father figure. Hip hop being the father of them. They're all brothers. They're siblings. Sibling rivalries happen under the veil of hip hop. And then when the fall off came out, J. Cole dropped I Love Her Again. And he took the angle of hip hop being a girl that he's in love with and she's just giving to everybody. He ain't getting his. He moved to New York to chase her. Then he was like, oh, Shorty moved down south. So he went back down. So it was like, oh, this. It was fire. It was fire, right? A. [00:51:50] Speaker C: No. That was probably the best flip. [00:51:52] Speaker B: So is J. Cole your favorite rapper? [00:51:54] Speaker C: He's not my favorite, but he's up. [00:51:56] Speaker B: There like your top five. [00:51:57] Speaker C: He definitely in my top five, bro. [00:52:00] Speaker A: I love her Again and that's why I saved this record for last, is one of the reasons why I really fuck with J. Cole as a rapper, because his ability to storytell and conceptualize is top tier. I'm not saying better or worse than anybody else. I'm just Saying it's top tier, upper echelon MCing. [00:52:19] Speaker B: Yeah. [00:52:19] Speaker A: And the fact that. That Simba dropped Father figure. Personalize. I'm not personalizing, like, basically manifesting hip hop as a person. Going back at Cole for what Cole said. And then Cole on the fall off, which we know the fall off has been done and he's been worked on this. He dropped I Love her again, which is, you know, making. Turning hip hop into a girl that he's chasing, trying to get some loving from. I thought it was just so fucking. It was so symbolistic. I mean, symbolic. I just thought it was amazing. [00:52:53] Speaker B: What did you think about the whole Biggie and Pac angle? [00:52:58] Speaker A: Um, I like. I like. Here's the. If I'm being honest, I don't like the Biggie and Pac thing no more. Because we group them together now. [00:53:09] Speaker B: Yeah. [00:53:10] Speaker A: It's almost like they don't have their own legacy no more. Their legacy is completely tied together, which I understand how that happens. Like, at this point, Dot and Drake's legacies. [00:53:20] Speaker B: That's what I was literally about to. [00:53:22] Speaker A: Say are tied together. Yeah, but Drake is a whole fucking. He ran 10 years. Like, he has a whole career. I just don't like when people's kind of like how. When we talked about this before with Beyonce and Jay Z people. The Gen Z niggas was calling Jay Z Beyonce's husband niggas. Fucking Jay Z. You know what I'm saying? This nigga. Are you stupid? [00:53:45] Speaker B: It's the generation. It's the generational gap, though. Cause you gotta think there's some people who. There's a generation out there who was introduced to the Rock from Fast and Furious. [00:53:58] Speaker A: I understand that. [00:53:59] Speaker B: You know what I'm saying? [00:54:00] Speaker A: I get it. And I'm not mad at that. What I'm mad at is it's now just one thing, and I don't know how to fix it. I'm not telling you. I'm not bringing up any solutions. I'm just telling you. I don't like that Biggie and Pac is a thing now. When you say Biggie, you gotta say Pac, or it turns into what you said. Well, you don't fuck with Biggie. [00:54:19] Speaker B: Oh, right, right. [00:54:20] Speaker A: You know what I'm saying? And unless you funk Flex, which he's completely like, he's on record like, I don't fuck with Tupac. Fuck him. He's standing on that. Okay, fine. But when people say when they do they top five list and all that, they. Man, I gotta go big. I gotta go Pac. It's like, you don't even know why you saying that no more. Yeah, I'd rather it be a little separate. [00:54:40] Speaker B: What are your thoughts on just the POV pin, though? Just like, creatively. [00:54:45] Speaker A: Creatively, yeah, creatively. Cole is one of the best to ever do it. Like, I can't take that away from him, regardless of how I feel about other things or whatever. He, however. Whatever. But Cole is one of the best to ever do it. It is what it is. [00:54:58] Speaker B: Nate. Has he done that before? [00:55:01] Speaker C: I don't want to say no, because he probably has. And I just can't think of off top of my head, but I feel like he might have taken that angle, but he so many different stories. He might have rapped from somebody else's angle. I don't want to say that's his. [00:55:17] Speaker B: First time doing it because obviously we know, like, Joyner Lucas is known for that. Joyner Lucas rapped from the perspective of a hundred dollar bill. He done rap from the perspective of a boarded. Dang. Nah, we gotta give Nick Cannon his credit. [00:55:35] Speaker A: What? [00:55:35] Speaker B: Nick Cannon did that. Can I live? You'll always be a part of me. Yo, remember Tatiana Ali was the young girl in the video who got pregnant, and Nick Cannon was talking from the perspective of a baby. [00:55:49] Speaker A: Oh, shit. I got a whole thought process with Nick Cannon that we don't have time for. [00:55:55] Speaker B: But I'm just saying I feel like. [00:55:57] Speaker A: People play with Nick Cannon like, he ain't want. [00:55:59] Speaker B: Niggas do play. Niggas play with Nick Cannon like they play with Bow Wow. [00:56:02] Speaker A: Niggas be playing with Nick Cannon like he ain't really one of them niggas. Like, Nick Cannon has pioneered and Anyway. [00:56:08] Speaker B: But I asked you that because obviously during the whole beef with Drake and Kendrick, when Drake was just dropping shit and Kendrick wasn't responding yet, was it Tailor made where he did the AI thing? [00:56:24] Speaker A: Yeah. [00:56:24] Speaker B: So that was overshadowed. AI overshadowed how good the record was. [00:56:28] Speaker A: Correct. [00:56:29] Speaker B: But when he dropped the regular, like, the reference, the one that he actually rapped over, when he actually rapped over the beat, the shit was hard. [00:56:38] Speaker A: Correct. But he corned it up with the AI thing. Correct. [00:56:41] Speaker B: Yeah. [00:56:42] Speaker A: No, I'm not even shooting. I'm just saying, like, it wouldn't that be my problem? When N are good, just be good. You're good enough for it to. You don't need all of the extra shit. It's like. [00:56:55] Speaker B: It wasn't funny, though. [00:56:57] Speaker A: Not to me. [00:56:59] Speaker B: It was kind of funny. [00:57:00] Speaker A: Like, it was. [00:57:01] Speaker B: No, I feel like he should have dropped the original one first for people to pick up like, oh, shit. He's saying, nephew Tupac was listening. Tupac was watching the Joe Budden podcast. Like, so if he would have just dropped it like that, I think it would have been better. But then the AI kind of, like, just overshadowed how good the record was. [00:57:20] Speaker A: Without the AI, he would have cooked. Without the AI. It would have been an amazing concept. [00:57:27] Speaker B: Yeah. [00:57:27] Speaker A: Like, I'm rapping from the perspective of your big homies who's disappointed in you, nephew. That's hard. He corned it up when. When Dot dropped reincarnated. It wasn't no AI on bbl. AI on that shit. [00:57:40] Speaker B: Yeah. [00:57:40] Speaker A: You know what I'm saying? It was just. It was just. He rapped in the spirit of Pac, but it was like. You felt that. [00:57:47] Speaker B: Yeah. [00:57:47] Speaker A: That skill. [00:57:48] Speaker B: Did y'. [00:57:49] Speaker A: All. [00:57:49] Speaker B: Did. Yo, did your soul leave your body? What was it called? I forget the. On Kendrick where he got the Tupac interview. [00:57:57] Speaker A: When? Doc. Doc. [00:57:59] Speaker B: It's on his. Yes, it's on Kendrick's album. Let me. I don't. I forget the name of the song, but. Yeah. You never heard that? [00:58:06] Speaker A: No, I'm pretty sure. I just don't know which one you talking about. Cause Reincarnated is the one when he rapped like pop. [00:58:10] Speaker B: No, no, you talking about GNX. I'm talking about some shit from, like, 2015. [00:58:14] Speaker A: Oh, okay. [00:58:15] Speaker B: Tupac interview. Let me see. [00:58:17] Speaker A: Oh, I know what you're talking about. That was on Topemba Butterfly, right? [00:58:22] Speaker B: Yep. It's on Mortal Man. [00:58:24] Speaker A: Mortal Man, Yeah. [00:58:25] Speaker B: Yeah. Like, obviously on the first listen when I was like, I'm listening to the album or whatever, and I get to that part. You know, you just listen to it straight through from top to bottom. You don't shuffle or anything. So I'm listening to it in order, and I got to the part of the end of the song where that comes out, and Kendrick starts talking, and then you just hear Tupac voice. Yeah, my, like, soul had, like, left my body. Cause it was just like. Oh. I don't remember nothing else from that song except that interview. [00:58:52] Speaker A: What's crazy is I literally shot to my dude, Thundercat. I can't tell the full story. Cause it ain't my story to tell. But Thundercat, you know him. Soundwave Terrace Martin were the architects of Topempa Butterfly. He just told me the wildest story about Topima Butterfly. And we gotta have Thundercat pull up so he could tell that story himself. But speaking on Mortal man specifically, he was like. Dot was fully engaged in making. Bringing that. What you talking about? Is the question that you asked. That's what making me think about it. The question, did your soul leave your body? He said that's literally the intention behind that record. [00:59:28] Speaker B: That's what he wanted. [00:59:29] Speaker A: That's what Dot wanted to bring. He wanted people to feel like that with that Tupac shit. [00:59:34] Speaker B: And that's literally how I felt. [00:59:37] Speaker C: Real quick, back to J. Cole's last thing on J. Cole. I want to know how y' all feel about him dissing his homie, ex homie or friend from North Carolina. They've been apparently been beefing for a while. It's on the song Poor Thing. [00:59:49] Speaker A: Oh, poor Thing. [00:59:50] Speaker C: And he calls him a punk for like, a whole verse. [00:59:53] Speaker B: So there was beef when he was 29. [00:59:55] Speaker C: I don't know. [00:59:56] Speaker A: Okay. [00:59:57] Speaker B: Because it stands. [00:59:58] Speaker C: A video surfaced apparent. They're like, this is the dude. [01:00:01] Speaker A: Allegedly. [01:00:01] Speaker C: This is the dude J. Cole's talking to. [01:00:03] Speaker A: And there's couple, a. [01:00:03] Speaker C: A guy who goes to the house, the 2014 four wheel drives, pisses on the house, and then records a freestyle video dissing J. Cole. And it's like 8 years old. So the speculation that Poor thing is a response. [01:00:16] Speaker B: If it is a response. I don't want nobody to tell me that it's too late for a motherfucker to respond to anything. [01:00:24] Speaker A: Really. [01:00:24] Speaker B: If it was eight years. If J. Cole responded eight years later, yeah. I don't want to hear nothing. That it's too late, it's over and all of that. I don't want to hear that. [01:00:32] Speaker A: Oh, you saying if he got it off, then it ain't no too late? [01:00:34] Speaker B: It ain't no so, yeah, it ain't no cutoff time. [01:00:37] Speaker A: So if it's funk, it's funk forever. Like 50 for music. [01:00:40] Speaker B: If it's a diss track, yeah. You know, we just seen Ja Rule, Uncle Murph getting cracking on the airplane. [01:00:48] Speaker A: Hey, Ja Rule. Hey, you remember how. Remember. Remember that meme where that nigga, that little boy, he's like, I'm a man. He's standing there like, I'm a grown man. That's how it looks. [01:01:01] Speaker B: I'm grown. [01:01:02] Speaker A: I'm grown. That's how that shit look. Ja Rule was not. Cause he like, n. I'm not fit. Now, here's the thing about the thing about the 50. I mean, about the Ja Rule thing. I've had conversations. I'm not gonna say who it was, but I've had a couple conversations about this incident. I would have got off the plane, too. [01:01:20] Speaker B: I'm getting off the plane. [01:01:22] Speaker A: Well, hold on. Hold on. Look, you different. You not finna get off the plane. [01:01:27] Speaker B: No, I'm gonna leave, but you gotta eject me. [01:01:30] Speaker A: Yeah, I know. You gonna get put out. Yeah, yeah, I'm getting off because I'm not finna let you niggas sit behind me for five hours. You know what I'm saying? Niggas throwing ice. [01:01:42] Speaker B: I tell on them. [01:01:44] Speaker A: Who you gonna tell? The flight attendant. Yeah, and then what's she gonna do? [01:01:47] Speaker B: They gonna get into it. The flight attendant gonna say, you guys need to stop what you're doing. [01:01:51] Speaker A: And they gonna say, okay, I'm sorry, ma'. Am. And then they gonna put ice in your shirt. [01:01:54] Speaker B: And I'm gonna raise my hand again. [01:01:56] Speaker A: For five hours. [01:01:57] Speaker B: Yes. I' ma accidentally drop some crumble. Some Bisco. Them Bisco. [01:02:04] Speaker A: You gonna start a fool fight on the airplane. Yeah, they gonna have to make an emergency landing in Texas. [01:02:09] Speaker C: I think they would just switch your seats with somebody. [01:02:11] Speaker B: That's what I'm saying. Once you tell on them, at the end of the day, the flight attendants is gonna see what's going on. Somebody gonna start whispering and figure out like, oh, that's the ra. That's the Rah. These niggas is fucking celebrities, you know? [01:02:26] Speaker A: Okay, here's my perspective. This is why I told the homie, I'm getting off the plane. Fuck the flight. I'm not worried about the flight. You ain't finna do nothing that's finna be catastrophic to me at 30,000ft in the air. You got five and a half hours to text everybody in Queens that I'm finna land. And where I'm finna be, oh, I gotta leave the airport. And I just got off the plane, so, you know, I ain't. I'm naked. I'm not fucking with that shit. [01:02:58] Speaker B: You don't think it's been times, though, where they've had the drop on him? [01:03:02] Speaker A: I think that there's been plenty of times. Cause I've heard. I got a couple of stories of people having a drop on a couple of people. It's just that people are not willing to jeopardize their own shit just to get to you. That's how you know how real it is. If you willing to get on a no fly list for me, it must be some real shit going on, right? I think if 50 was there, it would have been different. I think 50's willing to take it as far as it needs to be taken, because 50 doesn't care. And this is the thing we was talking about amongst My friends, is that here's what people don't realize. If you don't get. I don't know how it works, actually. Let me just look at it real quick. If you get on the no Fly List, can you still fly private? [01:03:51] Speaker B: Oh, great question. Dang. I don't know. [01:03:53] Speaker A: Google, right? I'm looking at. Right. If I get. If. [01:04:00] Speaker B: Oh, you ain't got Felicia. [01:04:02] Speaker A: No. So. Usually no. Being on the no Fly List usually blocks private flights, too. The no Fly List applies to all US Airspace travel, private jets, charter flights, corporate aircraft, flight schools, helicopters, et cetera. Right. Possible exemption, Pops. Possible exception. Very narrow. Is there have been rare cases where someone was misidentified, successfully appealed, or had restrictions lifted temporarily. But there is no legal loophole that says commercial. No private. Yes. So now that I know this, the take that I had was 50 would just fly them niggas private everywhere. [01:04:56] Speaker B: So why he not doing that now? [01:04:58] Speaker A: Because they're not on no Fly List. [01:05:00] Speaker B: Oh, so you're saying if it happened if. [01:05:04] Speaker A: I'm not saying that he would order them to do anything or order anybody there. 50 is the type of nigga that would be like, bro, what it costs to get y' all private jet everywhere. Nigga, just. I'm not telling y' all to do nothing, but if you do and you put on no Fly List, I'll just fly y' all private everywhere. Yeah. You know what I'm saying? Like, to me, he's that type of person. [01:05:25] Speaker B: Yeah. Yeah. [01:05:25] Speaker A: So that's how I looked at it at first. Now that I know this. Nobody trying to. Nobody want that. You don't want to be stuck in fucking New York. [01:05:31] Speaker B: It almost felt like too. Like they just wanted to troll. [01:05:34] Speaker A: They were super trolling. [01:05:36] Speaker B: Because if you remember from what they posted first, it looked like they. Like, he just got up and left. [01:05:43] Speaker A: Yeah. And they cut the video and shit. If y' all saw that, then you. [01:05:45] Speaker B: See the video and it's like, no. Y' all was getting into it. [01:05:48] Speaker A: Yeah, yeah. It was loud. I would have got off the flight, too. It's not even about being. I'm not one of them people who, like, I'm finna. I'm finna die right here where I stand. And I'm not fucking with none of that. Like, nigga, if I got an option, I'm going to take the B. [01:06:03] Speaker B: Did you see 50 DoorDash commercial, bro? How about I didn't even pick up all of the shade until somebody else said it on Twitter. [01:06:12] Speaker A: You didn't? No, I sent it to the group chat. [01:06:15] Speaker B: Yeah, you sent it to the group chat, but you didn't send the breakdown. [01:06:19] Speaker A: When I said that I saw that door, first of all, was that super bowl that they ran that door. He ran a Super bowl ad before Super Bowl. It was before the super bowl, right? [01:06:31] Speaker B: Yeah. [01:06:31] Speaker A: When I saw that doordash commercial, I was like, bro, I don't think that now we gotta redo our list for Petty. Yeah. Cause was he number one? [01:06:39] Speaker B: Two? I think. No, he was one. [01:06:42] Speaker A: He was number one. I think so. [01:06:43] Speaker C: Yeah. [01:06:43] Speaker B: Yeah, he was one. It was him. Then Trump. [01:06:46] Speaker A: Then Trump. [01:06:47] Speaker B: Hey, as of right now, though, our list still is 50. Trump, Nikki Cameron. [01:06:53] Speaker A: Yeah, we on point. [01:06:54] Speaker B: Yeah, it still stands. [01:06:56] Speaker A: The doordash commercial, fool, was like one of them things. It was one of them moments where, you know that I forgot where the reference came. It's a hip hop run. But it was like, should have never gave you niggas money. [01:07:05] Speaker B: Yeah. Oh, yeah. [01:07:07] Speaker A: I was like, Bro, 50 is different. How do you get them white people to agree to that commercial is insane. [01:07:14] Speaker C: They was back there laughing. [01:07:15] Speaker A: They was prepared, the production, niggas. [01:07:17] Speaker B: It was funny, though. [01:07:19] Speaker A: It was hilarious. It was funny, but it was just like, damn, you just not finna like, he not stopping. He's not gonna stop. And I don't know, it's very. It's very on brand for 50 Cent. I enjoyed the doordash commercial. I wish we. I wish we weren't here. [01:07:35] Speaker C: Oh, now he acted with TI now and the coach. [01:07:38] Speaker A: Yeah, didn't you know, the tip and. [01:07:39] Speaker B: TI Clapping back too. [01:07:41] Speaker A: Yeah. Tim not going for the. [01:07:43] Speaker B: He not playing. [01:07:44] Speaker A: Yeah. [01:07:45] Speaker B: You know what? I had a culture shock this past week. That's what I should have talked when you asked me what I did. [01:07:51] Speaker A: What? [01:07:51] Speaker B: I watched Clueless for the first time. [01:07:55] Speaker A: Okay, bro, you know, she 12. [01:08:02] Speaker B: Okay. [01:08:02] Speaker A: So you got to. Okay. And you have thoughtness like, what the fuck? [01:08:06] Speaker B: Yeah, so it kind of just obviously social media and, like, technology was already a thing when I was in school, so I don't know a life without social media and cell phones and things like that. Like, I was on MySpace early, you know, so. But I was watching, I was like, they don't know anything but this. Like, they didn't know anything but what was happening within their family and their inner circles. You did not have the. The. The luxury to get on the Internet and see how somebody else spent their day. [01:08:41] Speaker A: Yeah. [01:08:42] Speaker B: How I can, like, go and, like, watch your story and see what you did last night and not being with you. You get what I'm Saying, like, they were coming to school, telling the other students, telling their peers stories about things that happened in our era, in our generation. We just gonna post it on our story. People gonna react, and we probably not even gonna talk about it. You know what I'm saying? She. They was using. They was using maps. [01:09:05] Speaker C: Oh, my God. [01:09:06] Speaker B: They was using physical maps to get to parties. [01:09:08] Speaker A: Yeah, fool. [01:09:10] Speaker B: They had to call information to get phone numbers. [01:09:14] Speaker A: Yes, 411. Yes, I know. [01:09:17] Speaker B: It fucked me up, Gina. [01:09:19] Speaker A: I used to print out maps. [01:09:20] Speaker B: It fucked me up. [01:09:21] Speaker A: I used to print. You had to print out your map before you left the house or you was gonna get lost, bro. [01:09:24] Speaker B: They had no access to. [01:09:26] Speaker A: Let me see if MapQuest is still. [01:09:28] Speaker B: A thing to DIY videos. They couldn't get on the Internet and figure out how to do stuff. [01:09:34] Speaker C: Have you ever had, like, a physical map? Like, seen, like, a physical map of Southern California? [01:09:38] Speaker B: No, girl, I don't even know the last time I seen a globe, bro. [01:09:43] Speaker A: MapQuest.com still works, bro. This is what we used to use. It's hella like ad Google. They trying to get some money. We gonna send them a couple. [01:09:52] Speaker B: It was almost my favorite. It was like, almost my favorite 90s movie. Like, it was about the, like, be added to my group of like, you know, like best films from the 90s or whatever. [01:10:03] Speaker A: Yeah. [01:10:03] Speaker B: But then it got weird because Cher was. Cher. Her name. [01:10:10] Speaker A: Yes. Is Cher And Dion. [01:10:12] Speaker B: Okay, Cher. [01:10:13] Speaker A: Dion was Stacey Dash. [01:10:15] Speaker B: Cher had a crush on her stepbrother that was in college. [01:10:18] Speaker A: Yeah, I know. [01:10:20] Speaker B: What the fuck is this, bro? [01:10:22] Speaker A: It was different world. [01:10:24] Speaker B: Y' all was letting all type of shit pass in the 90s. [01:10:26] Speaker A: What you mean? Oh, go watch. And Living Color. [01:10:30] Speaker B: I'm not going that far back. [01:10:31] Speaker A: Hey, bro, it's some shit. [01:10:33] Speaker B: They had cell phones without caller id. [01:10:36] Speaker A: Yeah, yeah. [01:10:37] Speaker B: They had to pick up their phone and say, who is this? [01:10:39] Speaker A: I remember the cell phone, nigga. I remember when caller ID came out. [01:10:43] Speaker B: Head they was paging people. [01:10:46] Speaker C: They gonna think you Gen Z, look. [01:10:50] Speaker A: Gen Alpha, look. [01:10:52] Speaker B: I don't remember when caller ID came. Cause for all I know, we had caller D. I did have a house phone. Now, yes. Like, I'm old enough to have a house phone. [01:10:59] Speaker A: Did you have the one with the circle? [01:11:01] Speaker B: Okay, no, hell no, I didn't have that. [01:11:03] Speaker A: My grandma had one of them. [01:11:05] Speaker B: That's not. I didn't have that. [01:11:06] Speaker C: Have you been in somebody's house that did have that, though. [01:11:08] Speaker B: Nuh. [01:11:09] Speaker A: Really? [01:11:09] Speaker B: I haven't seen that one. I haven't seen that one. I mean, I know what it looked like, but I didn't have that. [01:11:15] Speaker A: She might see one and be like, what the fuck is this? [01:11:18] Speaker B: But they. It was like. They was like, oh, oh, da, da, da. Just paged me. Let me, you know, let me call. And it was just like, oh, it. Now, obviously, like I said, I know where we came from as far as, like, technology is concerned, but it was just crazy to me to look at this. It didn't feel like. It didn't feel like I was watching one of those, like, how raising Canaan is back in the day. You know what I'm saying? Like, obviously, like, that's kind of like, not the same thing, but like, as far as, like, the evolution of communication and stuff like that. But it literally felt like I was watching some old shit from back in the day, and it just was just like, we really have a luxury. Imagine, just imagine this. Imagine if you was born in an era where horses was driving people around, riding people around. [01:12:05] Speaker A: Okay? [01:12:05] Speaker B: Think about how privileged you are to be existent in this era that we're in. [01:12:11] Speaker A: Yeah, that's how I feel about. That's how I feel. [01:12:13] Speaker B: Imagine if you had to run to the hut next to you. You have to run to the hut next to you with your candle. Cause I had just got to Exodus. [01:12:24] Speaker A: In your Bible journey. [01:12:25] Speaker B: I finished Genesis. I got to Exodus, and they had some weapons up over there. Moses was talking to the burning bush. God told Moses, I need you to deliver a message to these people. Moses said, all right, I'm going to go get on my goat or my camel. He got on an animal. He rode an animal to go pull up on his brother to see. To go. To deliver the message. Imagine if you was born in an era where you had to ride an animal. Yeah, a animal. Yeah. [01:13:00] Speaker A: That's how niggas got around. [01:13:01] Speaker C: She needs to watch Game of Thrones. [01:13:03] Speaker B: I'm not watching that shit, bro. I'm not watching no Game of Thrones. Yeah, I'm not watching. [01:13:08] Speaker C: It was. [01:13:09] Speaker B: Yeah. He said, I'm gonna go get my donkey. That's what he said. All right. He said, all right. He told the Lord, like, all right, I'm gonna go get my donkey. I'm gonna pull up on my brother and see what's going on. Like, I just couldn't imagine being in that era. [01:13:20] Speaker A: Yeah, well, no, there's no lashes. Ain't no bundles. Ain't no. None of that. [01:13:25] Speaker B: But imagine just. Just follow me real quick. I know I be high, but I'm not high right now. [01:13:31] Speaker C: Okay. [01:13:32] Speaker B: I did get high. After I finished Exodus, because it had just messed me up so much, I had to chew my gummy. But imagine you don't even know what's to come in the future. So imagine in 3028, it's gonna be stuff that exists that we just didn't even know could go that far, when all you know is a donkey as transportation. [01:13:53] Speaker A: Yes. [01:13:55] Speaker B: That's not crazy to you? [01:13:56] Speaker A: No, man. No. Ain't none of this crazy to me. I remember. No, it ain't none of this crazy to me. Okay? I remembered all of that. Not donkeys and shit, but I remember a lot of that. [01:14:12] Speaker B: Imagine being born in that era. We are really privileged. [01:14:16] Speaker A: We are super privileged. We privileged, and I'm grateful. But I do remember printing out directions before you leave the house. I was one of them people. And if you didn't have a printer at the house, it was quiet for you. [01:14:27] Speaker C: No, you had to write them down. [01:14:28] Speaker A: You had to write it down. [01:14:29] Speaker C: You got a sticky note or, like, printer paper. Okay, so back in Gina. [01:14:32] Speaker B: No, no, no, no, no. Y' all not finna act like y' all was driving during that time. [01:14:36] Speaker A: No, y' all didn't do it. You would tell your mom. Your mom would tell you, go right there. So you get on mapquest.com and you see how to get there. You write it down on paper and she follow it while y' all driving, or she. [01:14:46] Speaker C: You reading it to her, so she's like, what's next? [01:14:48] Speaker B: I know what the fuck a map is, y'. All. I am just wowed of how far technology has gone and how privileged we are that you can just type an address in on your phone and you can head there. You can even call another car to come get you and take you to your next destination. [01:15:07] Speaker A: Yeah, we extremely privileged. [01:15:09] Speaker B: Oh, it fucked me up, man. [01:15:13] Speaker A: I want to. It's a couple of things we need to get to. Oh, we gotta go. Yeah. Number one is Baby Keem. Shout out to Baby Keem announced his album. It's coming out February 20th. It's called Casino. The track list got released. He dropped everything the same day. Fuck the rollout. Fuck your formula. Fuck the algorithm. [01:15:34] Speaker B: I like the way 2026 and stuff. [01:15:36] Speaker A: Me too. 2026 is cracking already. [01:15:39] Speaker B: It started cracking. [01:15:40] Speaker A: It's already cracking. It's been cracking since Cat Williams dropped a special. [01:15:43] Speaker B: And Mike Epps. [01:15:44] Speaker A: Mike Epps dropped a. I laughed. [01:15:46] Speaker C: Okay. [01:15:47] Speaker B: Like, I. I hope so. [01:15:50] Speaker A: Fuck with. I ain't never really laughed at Mike Epps specials. [01:15:53] Speaker B: Really? [01:15:54] Speaker A: Not really. I like this one. [01:15:55] Speaker B: When you do that walk. [01:15:57] Speaker A: That's funny. [01:15:57] Speaker B: What about that? When he talk like a old nigga from like the 80s when he was. [01:16:03] Speaker A: Like, nah, this special was good. I haven't watched Cats yet. But Baby Keem, he announced everything the same day. The website, the album, the album date, the track list, and the tour. Okay. Announcing the. This is what I was talking to the homie about. And I want to get your perspective. Do you think that it takes, like, it takes confidence to drop your album release date? Not the album. Here's the date that the album's coming out two weeks from now. But here's the dates. I'm going on tour. [01:16:31] Speaker B: Yeah, I'm like that. I'm like that. Yeah, put some respect on it. That's hard. And that's how you know. Because that's the one thing when albums drop, fans be like, all right, when the tour. Niggas been begging Wale, when you going on tour? When you going on tour? [01:16:44] Speaker A: He just announced his tour. [01:16:45] Speaker B: Yeah, he just announced his tour with. [01:16:49] Speaker A: Shout out to, you know, Baby Keem. He also dropped a. It was like a nine minute. I guess it's like a little mini doc type video about his life and you meet. You meeting the characters in his life. So I think this is going to be more based around, like, family, if I had to guess. I don't know any information. Okay. But I'm guessing that's what it's going to be. There's one Kendrick feature on there, a couple other ones, but I just thought it was a different approach where it's like, here go the album, here go the tour dates. But the album not out yet. It's like, damn. All right, bet. And then the other thing that I wanted to talk about or mention is somebody posted Baby Bash, who's a legend, him and Frankie J had a song that was a hit back in the early 2000s or 2003, I think it was called Sugar, Sugar, sugar, sugar, sugar. [01:17:35] Speaker B: Sugar, how you get so fly. [01:17:38] Speaker A: And they posted the clip and Baby Bash actually responded to them and said, and I quote, we actually got sued by UPS for using that uniform on her. The girl in the video. Then she went on to join the Pussycat Dolls. True story. My question is, if you benefit positively from exposure, do you still have an issue with it? [01:18:03] Speaker B: We probably look at it different now because we're in the era of social media and just like marketing and just free. Cause now social media is essentially like. It's basically the number one thing for marketing. It's not really billboards like that no more buses, radio ads and things like that. Like it's what you're doing on social media. So probably now we probably would have seen a collab post with a UPS and baby bash collab post, you know, it would have been like a whole. The girl probably would have been. It would have been like I 50 cent with the doordashing, you know what I'm saying? Like it would have been a whole. They probably would have been how Cardi B. How Cardi B did the doordash drop offs with the album and stuff. Like it would have been something like that. But with ups, you probably would have got girls knocking on people doors, giving them baby bash album, you know what I'm saying? So in that time. Cause what was that, 2003, 2002 or something? In that time it was probably more of a, like you're sexualizing our brand and that's the con there, you know what I'm saying? Versus right now, everybody need that promo. Everybody, everybody need it. Especially with a hit like that. [01:19:08] Speaker A: I could see FedEx running that up. Like they would be like, oh, they don't want it running there. Like I could see FedEx eeetin' UPS. Oh, we'll take it. [01:19:18] Speaker B: Yeah. [01:19:18] Speaker A: You know what I'm saying? Like some shit like that. [01:19:20] Speaker B: I don't know if back then, I mean, shit, I wasn't there for the. I didn't print out no maps before, so. But you know how like now you get the sweetie meal because I heard crazy food concoctions. [01:19:31] Speaker A: Oh, the McDonald's. [01:19:32] Speaker B: You know what I'm saying? The offsetting cardi B.1 Meg Thee Stallion with Popeyes and what's the Dunkin Donuts and stuff like that. You know, I don't know how much like corporate branding, like was a thing back then. Today we got Homeland Security clapping back at Cardi B, bro. [01:19:51] Speaker C: Oh, Cardi posted her reply. [01:19:53] Speaker B: Click the link. [01:19:54] Speaker A: Bro, here's Cardi's hitting. Okay, so look, Cardi says, hold on, let's go back to the. Hold on, hold on. [01:19:58] Speaker B: Cardi says some shit. [01:19:59] Speaker A: So Cardi B jokingly. So first of all, shout out to Cardi B. The Atmont of drama tour is started. It's in full swing. The first night happened, the second night happened. It's all good. But during her performance, she was like, you know, basically if ice run up in here, we packing him out. You know, I don't play about my fans. [01:20:20] Speaker B: Yeah. [01:20:21] Speaker A: And everybody was cheering her and stuff. Obviously she wasn't serious. But you know, Cardi B really, from The Bronx. [01:20:26] Speaker B: Yeah. [01:20:26] Speaker A: Yeah. So home. Let me say this right. The government agency, the Department of Homeland Security's official page, quote, tweeted Cardi B and said, as long as she doesn't drug and rob our agents, we'll consider that an improvement over her past behavior. That's crazy coming from an official government agency. [01:20:53] Speaker B: This all. This Homeland Security, right? Yeah, this all. I want to know where was Homeland Security when we was on Twitter asking, what the fuck y' all found that Diddy house. Where we've been asking, what y' all find over there? [01:21:09] Speaker A: Yeah. [01:21:09] Speaker B: Cause it wasn't just. Only just the guns. [01:21:11] Speaker A: No. [01:21:12] Speaker B: In the bottles. Yeah, we've been. I want to know what's on them tapes. [01:21:16] Speaker A: Cause they was. I remember when they. When they had Justin and them hemmed up in Beverly Hills and Homeby Hills. I'm sorry. Here in la, we was watching on Sky Fox, nigga, they was carrying hella boxes out that house. Like, it was just boxes coming out. That motherfucker they had. They're like, where y' all taking all the boxes? It's like when the government went over and took all the ballots out of Atlanta. Like, nigga, y' all just gonna take everything and not tell us nothing. [01:21:35] Speaker B: They told us it was a rico. [01:21:38] Speaker A: They did tell us it was a rico. [01:21:39] Speaker B: We thought. We thought Tupac murder was about to get solved. [01:21:43] Speaker A: Yeah. [01:21:44] Speaker B: We thought Biggie murder was gonna get solved. [01:21:46] Speaker A: Yeah. [01:21:46] Speaker B: We thought they was gonna reinvestigate Kim Porter death. We thought we was about to find out a whole bunch of shit. We thought we was gonna find out who, you know, was on these tapes. If his tapes, quote, unquote, tapes. Who he been. What's the word? Blackmailing. Y' all clapping back at Cardi B. Cardi B. This gotta be a part of what I was just saying. UPS collabs. This gotta be something like that. [01:22:11] Speaker A: Like Trump collab, or. [01:22:12] Speaker B: This has gotta be a collab or a part of, you know, like. [01:22:15] Speaker A: So Cardi B responded. She said, if we talking about drugs, let's talk about Epstein and friends drugging underage girls to rape them. Why y' all don't want to talk about the Epstein files? Question mark. This is. Okay, I just want to put this. I don't want to conceptualize this for people. This is Cardi B, who's one of the biggest female rappers of all time at this point, going at it on a social media platform with a. The Department of Homeland Security. [01:22:44] Speaker B: In the words of my favorite dj, a brother by the name of DJ Head, America is a Tubi movie. [01:22:54] Speaker A: This shit ghetto. [01:22:55] Speaker B: That's ghetto. The Homeland Security. Who the fuck is managing y' all social media? Homeland Security is clapping back at Cardi B on Twitter. [01:23:05] Speaker A: Yeah. [01:23:06] Speaker B: Is this where we at? Who managing it? [01:23:08] Speaker A: Who? [01:23:08] Speaker C: Nicki Minaj? [01:23:12] Speaker B: Say that a little bit lower. I do not want to beef with them barbs. [01:23:17] Speaker A: I'm cool. [01:23:18] Speaker B: Damn. Do you think it's a Barb? [01:23:20] Speaker A: Oh, running the account. Hey, yo, okay, hold on, hold on. [01:23:24] Speaker B: Look, Nate with the conspiracy. [01:23:26] Speaker A: Hold on. So look, let's play it out. What if she, like, on the low? What if she's like, hey, you know, I got somebody that can help you with your social running. You don't get your numbers up. It's like my. Yeah, you know, Nay run our. She run my social. She could help you over your. First thing. First thing you say, oh, shit, we got one. [01:23:45] Speaker B: You know what really fucked me up, though, was that the tweet was still there, right? It wasn't a press release. You know, we found out. You know, we're internally. We're doing an internal investigation to find out how this tweet was composed and sent out. This is not a part of our practices and our culture and our norms. You know, the press releases that these companies put out when somebody does something. This not the first time that something like this done happened. Homeland Security is crazy. Like, we done seen it at Wendy's. Wendy's getting into it with a Popeyes, you know, Chipotle and all of them. Who was it? We was just talking about Chili's and Fridays. Chili's and Fridays, you know? Y' all got anybody on the Homeland Security account? [01:24:27] Speaker A: There's somebody right now watching baddies getting cracking. It's so funny. She watching baddies right now. She laid up. She got. She in her bonnet. Oh, okay. Cardi, bitch. I got time. [01:24:46] Speaker B: Nigga. The tweet still. [01:24:48] Speaker A: This shit is ghetto as fuck is ghetto. [01:24:51] Speaker B: America is ghetto. [01:24:53] Speaker A: But I don't expect nothing different out of this administration, though, because, I mean, look where we at. And then also, here's what you gotta think about, too. The person that's running the whole world ain't no better. You know what I'm saying? He getting off his tweets. [01:25:08] Speaker B: Yeah. [01:25:08] Speaker A: Why did the department. I bet you somebody. [01:25:10] Speaker B: Wait, wait, wait, wait, wait, wait, wait, wait. I just want you to catch up to my. What I'm me right now. Just catch up to me real quick, okay? You ain't got up yet. Neither one of y' all caught it. The email we got? [01:25:30] Speaker A: Mm. [01:25:30] Speaker B: Mm. [01:25:31] Speaker A: Oh, well. [01:25:40] Speaker C: We'll talk. [01:25:42] Speaker A: We could wrap it up. [01:25:43] Speaker B: Yeah. [01:25:43] Speaker A: Oh, yeah. [01:25:45] Speaker B: But it's a. [01:25:47] Speaker A: But this ain't nothing. Oh, look, anyway. Anyway. So here's the problem, right? Shit roll downhill if your boss is on bullshit. Nigga, you could be on bullshit. If your boss always late to work, why would you be on time? [01:26:13] Speaker B: Yeah, yeah, yeah. [01:26:13] Speaker A: So that's how I look at it, too. It's a Tubi movie. The shit ghetto. [01:26:17] Speaker B: So, okay, so with that, with the thought process of leading by example, do we expect more or less out of our fellow Americans? [01:26:34] Speaker A: Michelle Obama said, when they go low, we go high. [01:26:40] Speaker B: Charlamagne said. [01:26:41] Speaker A: Charlamagne said, I think that this is what we need in order to get better, we gotta get worse. And I don't like that ideology. I don't agree with it. But this is where we at with it. They playing dirty, whoever they is, to you, nigga, it's time to get. It's time. You know what I'm saying? [01:27:03] Speaker B: You know what I feel like that's. [01:27:05] Speaker A: Why I fuck with what Gavin Newsom is doing. He using memes. He talking shit. He cursing in interviews. I heard Karen Bass curse. They cussing. They cussing now. [01:27:15] Speaker B: Gavin Newsom, what cuss word he say? [01:27:17] Speaker A: He said. I forgot what he said. I pull it. I get. I'll show you the clip. [01:27:21] Speaker B: And Karen Bass. [01:27:22] Speaker A: No, Kamala. [01:27:23] Speaker B: Kamala. Kamala ain't cussed. [01:27:26] Speaker A: Auntie cussed. [01:27:26] Speaker B: Kamala ain't cussed. [01:27:27] Speaker C: She did an interview. [01:27:29] Speaker A: Auntie was cussing on stage. These motherfuckers was crazy. Yeah, Auntie was getting the shirt shit off. Come on, let's say, motherfucker, she not. [01:27:36] Speaker C: Something like that. [01:27:36] Speaker A: Yeah, this is where. But this is the thing. [01:27:38] Speaker B: See, Mama. [01:27:39] Speaker A: Yeah, Kamala. [01:27:41] Speaker B: Why my mama telling me I need to stop cussing? [01:27:43] Speaker A: Yeah, Kamala getting cracking. [01:27:45] Speaker B: The first black vice president, female vice president. Cuss. I could cuss. [01:27:49] Speaker A: So my point is, this is where I think. I think people are starting to be. And I saw one of the whites was on the thing, and she was talking about, like, how something is corrupt or ghetto and there's so much crime in Culver City. And the actual lady, that one of those council people or one of the administrators got on TikTok and was like, what crime? She was walking around Culver City. She was like, oh, yeah, it's a crime that the coffee is so good over here. It's a crime that this. And she did a whole. And these is, like, government people. [01:28:22] Speaker B: And this why. This is why I know that my Lord is about to come shut all. [01:28:29] Speaker A: This down, shut everything down. [01:28:30] Speaker B: Because the last time they played in his face, he flooded us with water. They doing all type of shit now. [01:28:37] Speaker A: All type of shit. [01:28:38] Speaker B: It's all type of shit going on and how many years it's been since the flood, girl. A lot. A lot. Yeah. We is literally playing in God face, everybody. We playing in God face. [01:28:53] Speaker A: Yeah, we gonna get regulated. It's gonna happen, but just I hope. Okay, Can I be honest with you? Then we can finish, we can get out of here. [01:29:02] Speaker B: What? [01:29:03] Speaker A: I kind of want a 48 hour head up. [01:29:06] Speaker B: With who? [01:29:07] Speaker A: I want a 48 hour heads up. [01:29:08] Speaker B: Like, oh, oh, you want a warning? [01:29:11] Speaker A: I would like 90 days. Cause why am I paying my mortgage? [01:29:17] Speaker B: This what I want. [01:29:18] Speaker A: No, I'm not on some real shit. [01:29:20] Speaker B: Though, let me tell you. [01:29:22] Speaker A: Give me a text. Like, I just want stop paying that mortgage. [01:29:25] Speaker B: I just want God. I just want God to make me his favorite. Like, he made Noah just come down here and tell me to build the ark. [01:29:34] Speaker A: I don't think you gonna get tasked with that. [01:29:36] Speaker B: You don't think he gonna. God believe in me. Yeah, but God believe in me, bro. I just interviewed Fabulous. [01:29:46] Speaker C: Came from a Staples center, right? [01:29:48] Speaker B: From the Staples center to SiriusXM and. Oh, I can't. I don't even know if I could. [01:29:55] Speaker A: Talk about it, bro. You. [01:29:57] Speaker B: You know what I'm talking about. I think. [01:29:58] Speaker A: So you gave up on putting wallpaper in your living room? [01:30:02] Speaker C: What that mean? [01:30:03] Speaker B: Do you know? [01:30:05] Speaker A: You talking about building an ark. She gonna get a splinter and like, oh, this is some bullshit. [01:30:14] Speaker C: Hell no. [01:30:16] Speaker B: You gotta walk by faith, not by sight. [01:30:21] Speaker A: Hey, fuck that. [01:30:22] Speaker B: If God tell me to build. If God come to me about. That's why we gotta get that bunker. [01:30:28] Speaker A: What the fuck the bunker gonna do? [01:30:30] Speaker B: I text my cousin because they say the next time he gonna destroy the world with fire. [01:30:34] Speaker A: So you think the bunker gonna survive? We gotta breathe, fool. [01:30:39] Speaker B: The ark made it. Ooh wee. The ark made it in the water. [01:30:47] Speaker A: I'm looking at you for help, nigga. [01:30:52] Speaker B: Y' all sound like the people that didn't believe and they said Noah was crazy. [01:30:57] Speaker A: No, I sound like these people who have lungs and the lungs turn oxygen and oxygenate our red blood cells and so we can't breathe in carbon, just pure carbon dioxide or monoxide. [01:31:10] Speaker B: From the fire I'm picking up, what you putting down. [01:31:14] Speaker A: So if everything on fire and you underground, how you get oxygen? [01:31:18] Speaker B: I don't know, because God haven't put it on me yet to tell me how to defeat the flame. [01:31:25] Speaker A: All right, well, I Don't want to reign on your parade. I don't think you gonna get that text. I just don't think. I don't think you on that email blast. I just get up. You know what I'm saying? I don't. I just don't. [01:31:41] Speaker B: You know what I'm saying? [01:31:42] Speaker A: I don't know. Disrespect. [01:31:44] Speaker B: You gonna get an easier task. [01:31:45] Speaker A: Yeah, you get an easier task. Like, yo, you good. Pull up. [01:31:48] Speaker B: Why y' all not believing you? [01:31:50] Speaker A: Plus three, you good. Desiree, bring Tally. And one more. Whoever you want to choose. You know what I'm saying? [01:31:54] Speaker B: I gotta procreate with somebody. [01:31:56] Speaker A: Okay, bring him. But other than that, if you have. [01:31:59] Speaker B: To pick somebody to procreate with right now for the world end. [01:32:02] Speaker C: Oh, God. [01:32:03] Speaker B: Yeah. If the world ended. And God. If God. If God said, Aaron Drake, I need you to. I need. I need. I got a task for you, my brother. I need you to build this arc, and I need you to bring somebody aboard to procreate with. [01:32:17] Speaker A: I have to name the person? Yeah, okay. Procreate with right now. Fuck you, Avery. Everyone paying attention to the whole show. He over in the glass. This nigga all in the glass. [01:32:32] Speaker B: He said, I need you to repopulate this. [01:32:34] Speaker A: Repopulate the earth. [01:32:35] Speaker B: Yeah. [01:32:41] Speaker A: Like a soft launch. [01:32:43] Speaker C: Oh, my God. [01:32:44] Speaker B: Oh, you would go get somebody you already fuck with. [01:32:46] Speaker A: No. [01:32:47] Speaker C: Oh, he's saying, whatever name is gonna look like a soft launch. [01:32:52] Speaker A: Oh, Chencia. [01:32:55] Speaker B: Okay. [01:32:56] Speaker A: Yeah, not without her. Not without her permission. Yeah, exactly. [01:33:09] Speaker B: I'm going to get a owner of one of these somethings. [01:33:12] Speaker A: Like Jeff Bezos or Elon. You a program with Elon? [01:33:16] Speaker B: They say he black. [01:33:18] Speaker A: He from South Africa. He not black. [01:33:20] Speaker B: Oh, we got the same descent. [01:33:22] Speaker A: No, nigga. See what nay is like. Nigga, wrap this shit up. [01:33:29] Speaker B: You don't want nobody that smart. [01:33:32] Speaker A: I want someone. [01:33:34] Speaker B: I'll go get Akon, then. What? The world is ending. You gotta pick a person to procreate with. Like, come on. God said, I need you to repopulate the earth. I'm about to wipe all this shit out, bro. [01:33:48] Speaker A: It's like she playing spin the bottle. Akon. What the fuck? Are you Italian? Akon. What the fuck? Anyway, check this out. [01:34:08] Speaker B: We got shit to do. [01:34:10] Speaker A: Make sure you go get the card game. I don't know what you did with it. [01:34:13] Speaker B: Hofashions.com for the card game. And then go over to Ginaviews LA for the new Valentine's Day merch. Your merch is in transit. [01:34:25] Speaker A: Make sure you go get all of that. We appreciate you. And yeah. [01:34:29] Speaker B: Oh, we are 39, 000 subscribers. [01:34:32] Speaker A: Oh, hit that subscribe button. And I'm not joking, bro. Press the subscribe button. You know what I'm saying? I hate that 39 just sitting there looking at me like I'm a stupid ass nigga. You know what I'm saying? Help me not be a stupid ass. Hit the subscribe button. It's effective immediately.