Episode Transcript
[00:00:04] Speaker A: Yo, it's effective immediately. I'm DJ Head.
[00:00:06] Speaker B: What up, Hip Hop Nation? It's your favorite homegirl, Gina Views.
[00:00:08] Speaker A: All right. Special guest in the studio, one of the most infamous world renowned songwriter, producer, artist himself, actor now actor now. Put some respect on it, Partisan Fontaine.
[00:00:21] Speaker C: Hey, hey. How y'all, man?
[00:00:24] Speaker A: Welcome. Welcome to the show, bro. It's always good talking to you. I had you on my show one time when I was at another radio station and it was a good time then.
[00:00:32] Speaker C: So hopefully we get, you know, it's always evolved.
[00:00:35] Speaker A: It's always good to have you around. Congratulations on everything that's going on.
[00:00:39] Speaker C: Thank you, thank you.
[00:00:40] Speaker A: I've been playing the shit out of tooted up, you know what I'm saying? It's very DJ friendly. When you go in and make records, do you Autumn, is that something that you think about? Like, this is something that I want everybody to play at the same time. Because I could tell the difference between your introspective records and the joints.
[00:00:58] Speaker C: Yeah, we just knew this was gonna be a vibe, you know what I mean? And honestly, it was one of the joints we just had in the tuck. But we knew when making it, it was gonna be a vibe. We knew it had life to it. We knew it was a feel good record and both our fans kept asking for it, so we decided to let it.
[00:01:16] Speaker A: Well, you and the Carti click up is always.
[00:01:18] Speaker C: Yeah, yeah. Every time. Every time it's gonna be high energy, it's gonna be fun. It's gonna be some ass shaking going on.
[00:01:24] Speaker B: Yeah. Backing it up was like my good morning song for like two years straight. That motherfucker banged. But of all time, my favorite song. Just like in the world. You have one of my favorite songs in the world that's over every single song I've ever heard in my life.
[00:01:39] Speaker C: What song is that?
[00:01:41] Speaker B: You could guess. Cause I feel like you was describing me.
[00:01:44] Speaker C: I bout to say, yo, he was describing me. Underrated. Is that one for you? Right? You know what I'm saying?
[00:01:49] Speaker A: I feel like I love the fuck out of here. That's some real bullshit that I just know.
[00:01:53] Speaker C: I know like whenever somebody tell me, especially a woman, especially a black woman, tell me, like they connect with one of the records, it'd be underrated. Like that be if anybody ever made it to that album and listened that far in and got to underrated, it resonates with a lot of the good ones.
[00:02:08] Speaker B: And it was produced by one of our own me's.
[00:02:11] Speaker A: Yes.
[00:02:11] Speaker B: So literally, I fucking love underrated. Thank you for creating music that empowers women just on some fan shit. I need the behind the scenes story from that. Like how was underrated even created? Did you have a museum? Who was it about?
[00:02:25] Speaker C: Did I have a muse? I think it was the collector. The collection of experiences that I've had and just, and just women that I've admired. Like whatever time, whatever space we shared together, it was that impactful. And it's like. And we talk about women that they wasn't all at in high school, but then damn, they grew up and they was just a vibe like, you know what I mean? A lot of the ones that fellas be like, like, damn, she wasn't all that in high school. But look at her like, you know, look at her like, you know what I'm saying? She's amazing.
[00:02:55] Speaker A: And the ones that in high school.
[00:02:57] Speaker C: You know what I'm saying?
A lot of them peaked. A lot of them peaked in high school.
[00:03:01] Speaker B: That part wasn't about me because I've been cracking my whole life.
[00:03:03] Speaker C: You've been popping your whole life.
[00:03:04] Speaker B: You've been there.
[00:03:05] Speaker C: Niggas has never had you up. They was never sleeping on you.
[00:03:08] Speaker B: The only part when you said you.
[00:03:11] Speaker C: Should invoice them boys for all the time that they wasted, for all your.
[00:03:16] Speaker B: Patience, you deserve payment.
[00:03:17] Speaker C: Yeah, let them niggas know you ain't nothing to play with.
[00:03:19] Speaker B: Yeah, I felt the fuck out of that.
[00:03:21] Speaker C: It's like, damn, these niggas have me fucked up. Run me my money, nigga. Yeah.
[00:03:26] Speaker B: When you wrote that, just where, what space were you at that day? What did you go through that day? What was the studio session like?
[00:03:33] Speaker C: The funny thing is like me, I very rarely go to the studio, so I'll be in the crib writing. And so as soon as I'm a big Saunder fan, so it's a sonder sample in it and as soon as I heard the beat, it's like them shits flew off the page by itself, you know what I mean? It was like, it felt very like poetic. It felt like very endearing. And it don't even have a normal song structure. So it's really just me getting my shit off. It's just like an open letter to the shit that I appreciate and I wanted women to hear it and be like, feel sexy, be able to pop they shit to it like a lot of my music. But that was an open hearted letter for sure.
[00:04:14] Speaker B: Did you have any of your homies tell you that you was kind of.
[00:04:17] Speaker C: Dirty macking a little bit Dirty macking?
[00:04:18] Speaker B: Yeah.
[00:04:19] Speaker C: What did that mean?
[00:04:20] Speaker B: Because when like, you and Skrilla, baby, When y'all talk and empower us in Boston Richie, when y'all talk and empower us, it make other niggas look crazy because they not doing that.
[00:04:30] Speaker A: Like, me. She talking about he's a hater.
[00:04:33] Speaker B: He's a hater.
[00:04:34] Speaker A: I'm not a hater. I just don't. I don't spend money. I ain't got it like that.
[00:04:38] Speaker C: Nah, it ain't even about spending money all the time. It be. It'd be like uplifting resources.
[00:04:43] Speaker B: Yeah.
[00:04:43] Speaker C: It'd be like. It'd be like, yo, I just want you to be like. Like. Cause sometimes I'm a nigga. I got. I got niggas that ain't. You know what I'm saying? I got friends that ain't shit. Or like, you know what I mean? And niggas that just do ain't shit shit. And I be seeing some girls that be falling victim to some ain't shit shit.
[00:04:58] Speaker B: I'm like, listen, some ain't shit shit.
[00:05:00] Speaker C: Yeah, you falling victim to some ain't shit shit. Then I feel bad for you. You know what I mean? I feel bad.
[00:05:04] Speaker A: That's dirty Mackinon.
[00:05:05] Speaker C: I feel for you. What you mean?
[00:05:07] Speaker A: It's kind of like.
[00:05:08] Speaker B: No, it's experience. That's a Yelp review. Yeah, like, you see how he just Dirty Mac'd you though? You see?
[00:05:13] Speaker C: Oh, he tried to put the dirty mackin on you.
[00:05:15] Speaker B: That's what I'm talking about.
[00:05:16] Speaker C: For telling you you could be doing this. That.
[00:05:18] Speaker B: But telling females they can do better than the ain't shit shit.
[00:05:21] Speaker C: Yeah, you deserve better than the ain't shit shit. You know what I'm saying? Cause I feel right. You know what I'm saying? You shit. So you want a woman to have some sh. Like, hey, listen, I'm better than that. You used to.
[00:05:31] Speaker A: Have you ever told someone directly, like, a woman, like, hey, you know you could do better than this nigga?
[00:05:36] Speaker C: Nah, never. Okay, so that's not. I never. I never. That's Dirty Mac. I never ever bring the nigga up to me. I don't even be asking if you single or nothing. Like, I don't shit.
[00:05:46] Speaker B: Oh, you just slide.
[00:05:47] Speaker C: You gonna see the difference, and you gonna decide if you single or not.
[00:05:49] Speaker B: Hold on.
[00:05:50] Speaker C: I'm not. I'm not asking. I'm not. I don't even know. I don't even know this nigga exists. For real.
[00:05:54] Speaker B: Wait a minute. You just slide. You don't even say you Gotta.
[00:05:57] Speaker C: Unless. Unless it's like, yo, are you married? Anything other than that? Like, are you married? Open it up for so much, right? Are you married? It's like, no, I'm not married. Boom. Right then and there. Oh, I got a chance. You know what I'm saying? She's like, I got a boyfriend. No, damn, he ain't married you yet, cop. You know what I'm saying? I don't know this exists. No, I don't know this.
I don't know this at all. Like, you know what I'm saying? I don't know this at all. So, boom.
[00:06:20] Speaker B: That ain't my friend that.
[00:06:21] Speaker C: I'm just. I'm just asking. Oh, he. Oh. So you know, I got a chance. I got a chance. Boyfriend and girlfriend break up every day. I got a chance.
[00:06:28] Speaker B: Do you notice that when you get around women, they act single? Like, if you know they in a relationship?
[00:06:33] Speaker C: I don't be knowing when they in relationships, because I don't ask. That's not to the relationships. A woman going to decide if she's single right there on the spot. Hey, let me get your number. She going to decide whether she going to give you to you or not.
[00:06:44] Speaker B: It's the accent, though, or mine.
[00:06:47] Speaker A: Yeah, she have a thing for New York niggas, though.
[00:06:49] Speaker C: Oh, really?
[00:06:50] Speaker B: Yeah, y'all got some, like, type of.
[00:06:53] Speaker A: We both from la, but she love y'all.
[00:06:55] Speaker B: Yeah, yeah, yeah.
[00:06:57] Speaker C: Fab is your favorite. That's a good I with Fab. That's my guy.
[00:07:01] Speaker B: You have a new song called Little.
[00:07:04] Speaker C: Little.
[00:07:04] Speaker B: Define little.
[00:07:06] Speaker C: See, a little. That's your shorty. That's your boo. Like, you know what I'm saying? Like, that's still. That's the one y'all be hitting the group chat about, right? You know what I'm saying? Like, look at. Look at the Vaughn, whatever the case may be. That's what y'all be talking about. And mine is, you know, whatever I'm crushing.
[00:07:20] Speaker A: Have you called a woman directly, my little. And how'd she respond to that?
[00:07:24] Speaker C: She a little. Hey, you've been up. Y'all here. Nobody else, you hear me? Like, yeah, you smile.
[00:07:30] Speaker B: It's toxic.
[00:07:31] Speaker C: You know what I'm saying?
[00:07:31] Speaker A: It's a little toxicity, but toxic. That's mine right there because I just learned Little.
[00:07:36] Speaker C: Yeah, yeah.
[00:07:37] Speaker A: And that one already gone, right?
[00:07:39] Speaker C: That's my little bags.
[00:07:40] Speaker A: Okay.
[00:07:41] Speaker C: Smaller right there. It came from a joke from Cardi saying she didn't. She ain't like that lingo.
[00:07:47] Speaker A: So that really like which lingo she.
[00:07:48] Speaker C: Was like, don't call me a little. Don't call me a little nothing don't call me a little fart don't call me nothing don't call me little nothing. And I was like, watch, I'm gonna make that fire. And threw the song together.
[00:08:00] Speaker A: When you writing for this? Just thought. I thought about it. When you writing for other artists, are you. Do they ever give you direction on what they channeling for? They are. For their art or their albums?
[00:08:08] Speaker C: If they. If they. If they want me to come on board with and. And get on their frequency, I like to hear where they direction is. I like to hear what. What the rest of the project sound like. I like to hear where. You know what I'm saying? Where they want to go sonically and musically. So I can either take that and go with it or push it beyond what you already got, one or the other. So I like to. I like to do it that way.
[00:08:31] Speaker A: What's one of the times where you came up with a concept and your concept was better than what they was actually pitching you?
[00:08:41] Speaker C: I can't say it's better, but like, on Violent Crimes with. Yeah, he. He had. He had the instrumental already. He had. And he had, like, he had a verse. But then when I. When I heard. When I heard the instrumental in the chorus that they had laid, it just spoke to me different. Like, talk about, like, daughters and stuff like that. And in my experience of being a father and. And I knew he was a father as well, and he, like, he felt some of the similar ways, so that allowed me to just put my spin on it. And he heard it and was like, nah, that's. That's. That's the one right there. We going with that. Yeah.
[00:09:15] Speaker B: When you're writing for. Or just in the past when you wrote for a female rapper, have you ever said pause in your head?
[00:09:27] Speaker C: That's funny as shit.
Like, yo, it's funny. Cause I'll. I'll. If I. If I do got, like, bars and whatever and they get crazy, I just blank it. Like, you know what's supposed to go there? You know what I'm saying?
[00:09:38] Speaker B: What's something that you've blinked?
[00:09:40] Speaker C: Anytime. Anytime. You know, it's supposed to be a pause. It's just blinked. It's just. Yep, bro.
[00:09:46] Speaker A: Cause I just.
[00:09:47] Speaker C: She trying to catch me to get it and say it out loud.
[00:09:49] Speaker A: No, not to say it out loud, but I'm just like.
[00:09:51] Speaker B: I'm the pause police.
[00:09:52] Speaker A: Yeah, she paused me all day, but I'm just saying, like, she got a Point, though. Cause I'm thinking about some of the shit that you've been a part of on Bodak Yellow.
[00:10:00] Speaker B: Cardi said this pussy a lake.
[00:10:04] Speaker C: That's her bar. That's what I heard. Bars, like, like, so a lot of time, it's like.
It's like, where. Where can I bridge the gap? Or it's like, yo, especially with her, it's like, she got the bars, and I'm like, yeah, just say that reverse. Say, put that part first or whatever the case may be, a lot of times with her or some of the other ladies I work with, like. Like, what do the world want to hear you say? You know what I'm saying? It ain't even so much just a woman's perspective. You as an artist, what does the world want to hear you say right now? What shit are you trying to pop?
[00:10:35] Speaker A: What?
[00:10:35] Speaker C: You know what I mean? So that's. That's how I step in there.
[00:10:38] Speaker A: Do you find it easy? Do you find it, I guess, easier working with female artists than male artists from that perspective?
[00:10:45] Speaker C: No, not easier. It's just.
I think I. I think I found a niche in just speaking to that audience so well, like, even in my own music. So I think the. I guess the lines of communication right there is just. Is open and.
And I guess female artists just are more receptive to hearing, like, some. Some critiques or criticism some of the time. Some artists just already got, like, I know what I'm gonna say. I ain't about to fix this shit, so.
[00:11:18] Speaker A: But I would be a. Men are more, like, temperamental or, like, egotistical about this shit.
[00:11:23] Speaker C: I mean, not that they don't reach out. Like, you know, I'm saying a lot of. A lot of dudes reach out, and we. We work on this shit too. But I just. Females, like, it just became the thing. Like, oh, that's the nigga to go to if I need a hit. You know what I mean?
[00:11:35] Speaker A: Yeah.
[00:11:36] Speaker B: When you were casted for raising Kanan, did they tell you that you can write your own stuff? Or when you came, there was the lines already set for you?
[00:11:44] Speaker C: All right? So I wanted me being an artist myself. I wanted to get there and write everything and da, da, da, da. So when we first started. When we first started, I was like. They were sending me instrumentals, and I was just rapping. But the thing that got difficult was the character has an arc, right? And it didn't really. It didn't always align with what I saw for the artist in the. In the show or, like, me as an artist. Da, da, da. So it was a little. And then recording, getting it approved, shooting, fixing it. It was a little difficult. So shout out to DNA. DNA is an artist.
[00:12:20] Speaker B: The battle rapper.
[00:12:21] Speaker C: Yes, the battle rapper. DNA helped you with that DNA. He pinned most of those, like, you know what I'm saying?
[00:12:25] Speaker B: A lot of he was on last season.
[00:12:26] Speaker C: Yeah. So he had a lot to do with those records. Him big tank on the production side, like. So they was great. We went in there, we collabed, like, lines or whatever the case may be. But they did a lot of the.
[00:12:37] Speaker B: Heavy lifting on that DNA and party collab.
He don't know about battle rap. He don't fuck with battle rap like that. He don't know how crazy that is.
[00:12:44] Speaker C: He's so tough.
[00:12:45] Speaker B: Oh, my God.
[00:12:46] Speaker C: He was able to really channel and, you know, it's a timepiece, so it all has to make sense.
[00:12:51] Speaker A: All.
[00:12:51] Speaker C: Forever, all the time. Yeah. So the flow's gotta make sense, the references gotta make sense, the beats gotta make sense. So that's why it was such, like, just a master class of people coming together to make that work.
[00:13:03] Speaker B: I thought it was funny because when they come, when Uncle Lou comes in, get you from jail or come talk to you in jail, he asks you what you in jail for? You say, some shit I didn't do.
[00:13:13] Speaker C: Some shit I ain't do.
[00:13:14] Speaker B: But at the performance, you like, yeah, I'mma come in your house. I'm walking past the art on the wall, and I'm going to the safe.
[00:13:20] Speaker C: True, but.
[00:13:21] Speaker B: So you did do that shit.
[00:13:22] Speaker C: I didn't do that shit. You know what I'm saying? I ain't telling on myself. I ain't do that shit.
[00:13:27] Speaker B: You told on yourself on that stage?
[00:13:28] Speaker C: No, that's. That's art, man. That's what they be trying to do to us now. You know, they trying to take the art out of context.
[00:13:35] Speaker A: Do you think that lyrics should be used against you in court?
[00:13:37] Speaker C: No, it's like, hell, no. It's like a. A movie. Tom Cruise, his. We seen you steal it in. In Mission Impossible, Right?
[00:13:46] Speaker B: Is this your first role?
[00:13:48] Speaker C: My first role. It's my first reoccurring of the first one I did Shout out to Issa Rae and what's my other girl name?
Matter of fact, I can't remember her name. She's amazing, too, writing. And she wrote the new movie that they got out One of these Days. Yeah, she wrote on that. Sarita. Sarita's her name, I believe. Yeah. So shout out to them. They put Me on rap shit with the girls, and I was able to play on that. So that was my first taste of, like, Hollywood and acting. But Kanan has been my first reoccurring.
[00:14:20] Speaker B: How do you prep for a role being that you haven't acted before?
[00:14:24] Speaker C: It's been something that I really was. I really wanted to pursue for a while.
Funny enough, the first role that I ever read for was Unique was Joey Badass's part, like, during COVID and they gassed me up. All the producers, yo, listen, bro. Listen to what they did to me.
[00:14:44] Speaker B: You wanted to be unique.
[00:14:45] Speaker C: Listen to me. Listen to me. Listen to me.
I read, I read. The lady's like, oh, perfect. Can you just do it one more time? Just so we have two takes? You don't need to do it. I'll read it again, right? She's like, oh, I just love it. She's like, thank you. Thank you for coming. I get in the car. I'm headed on the tunnel. I'm about to hit the tunnel to go back to Jersey. And she's like, yo, I'm sorry. We got the producers here. Can you just come back? Can you just come back and do one more? I just want them to see it. I'm like, oh, I'm in here, right? We turned the car back. I do the reading.
They like, yo, we love it. You're definitely gonna hear from us. Two years later, gave that to Joy Badass, so you know what I mean? I was like, I was heartbroken. But after that, I guess another role came up. Shout out to Sasha. Sasha Penn. They kept me in mind. It's like, yo, we want you to read for this. I read, and it was, like, perfect.
[00:15:36] Speaker A: But. But I ain't gonna. I ain't gonna front. Like, I know Joey got the rap shit going on, but I don't know if anybody could be unique like Joey, bro.
[00:15:43] Speaker C: Nah, he's phenomenal.
[00:15:44] Speaker B: Not like that. I'm kind of glad you didn't get it.
[00:15:46] Speaker C: Yeah.
[00:15:46] Speaker A: Like, I.
[00:15:47] Speaker C: Up front, bro.
[00:15:48] Speaker A: Joey killing that Unique.
[00:15:49] Speaker C: He's amazing. Like, yo, look. No, he. No, I can't take that away from him. I'm just saying I wanted to be. You know what I'm saying? Yeah. No, you wanted it. Seeing him. Seeing him do it now, he's phenomenal. Like, second. Second to none. Like, shout out to him.
[00:16:01] Speaker A: Yeah, he's.
[00:16:02] Speaker C: He's bodying that shit.
[00:16:03] Speaker B: Are there any roles that you would like to do? Like, roles that already exist on power, that you would be like, oh, I could embody that outside of uni, Just the power universe.
[00:16:16] Speaker C: Um, let me see my son Lou be getting wild ass on the show. I probably could have been him, like, you know what I'm saying? Like, anybody that's out sexy. Anybody that's out here crashing, I feel like I could have been, you know what I'm saying, In the drunk. I could have.
[00:16:32] Speaker A: I could have been.
[00:16:34] Speaker B: You want to crash out?
[00:16:35] Speaker C: Nah, I'm just saying.
[00:16:36] Speaker A: He talking about females.
[00:16:37] Speaker C: Both, but both like, you know what I'm saying?
[00:16:38] Speaker B: Oh, you trying to get it cracking.
[00:16:40] Speaker A: Both, but listen, but here's the thing about the power universe. At some point, everybody is gonna.
[00:16:45] Speaker C: Everybody gets merged, huh?
[00:16:47] Speaker A: No, everybody gonna get some ass or like.
[00:16:49] Speaker C: You know what I'm saying? Yeah, but you asked me which one of them. You know what I'm saying? I feel like I like this character too.
[00:16:55] Speaker B: Who do you think is the better mother out of Tasha and Monae?
[00:17:04] Speaker C: Out of Tasha and Monet? Who is the better mother?
[00:17:10] Speaker B: And Rock. Tasha, Monae, and Rock.
[00:17:13] Speaker C: Rock is the best one for sure.
[00:17:15] Speaker B: Cause you on that show.
[00:17:16] Speaker C: Rock is the best one for sure.
[00:17:18] Speaker A: That's true.
[00:17:19] Speaker C: Rock is the best one for sure.
[00:17:21] Speaker A: I think she. Rock is a little. She grew with a iron fist. She kind of like.
[00:17:25] Speaker C: But she gonna do whatever for that boy, you know what I'm saying?
[00:17:27] Speaker A: Like, she gonna cut off Unique.
[00:17:29] Speaker B: So who's the worst one?
[00:17:31] Speaker C: Yo, I'm gonna keep it a buck, man.
I hate Tasha, bro. I hate Tasha.
[00:17:37] Speaker B: Tasha Monae killed her baby daddy.
[00:17:39] Speaker A: Why you don't fuck with Tasha?
[00:17:41] Speaker C: Because.
Because, bro, like, all this nigga wanted to do was get out the game, bro. That's all he wanted to do is get out of the fucking game. Ghost.
[00:17:50] Speaker A: You talking about ghosts?
[00:17:51] Speaker C: Yeah. You know what I'm saying? All he wanted to do was get out the game. And she was like, this is all you're ever gonna be. This is it. This is us.
[00:17:56] Speaker B: Y'all been holding that over Tasha.
[00:17:58] Speaker C: That n said, yo. The nigga said, yo, I don't know no old drug dealers.
[00:18:02] Speaker A: You know what I'm saying?
[00:18:03] Speaker C: I don't know no fucking old drug dealers. They either dead or in jail. She still looked that nigga straight in the face, said, well, nigga, this is you. And that nigga said, all right, I gotta get rid of this bitch. She want me to die. Like, and then. And then. And then she was fucking the driver.
[00:18:16] Speaker A: Like, nah, nah, nah, nah.
[00:18:18] Speaker B: I said, mother, not girlfriend or wife.
[00:18:20] Speaker C: Okay, yeah, well, I'm holding that against her. Fuck it. Fuck it.
[00:18:25] Speaker B: You have a soundtrack coming from Raising Canaan.
[00:18:28] Speaker C: That shit dropped. They dropped that shit without telling me. That shit is out right now.
[00:18:31] Speaker A: Yeah, I just listened to all of the tracks out there, all the whole.
[00:18:35] Speaker C: Album, out of anything that I had.
[00:18:37] Speaker A: And it's on your page.
[00:18:38] Speaker C: My page.
Who the fuck did y'all clear this with? Like, you know what I'm saying? I haven't heard one mix. Luckily, that shit came out good. It came out phenomenal.
[00:18:50] Speaker A: Well, you know, Michael Rainey found out, apparently, that the show was canceled. Same time we all found out the show was canceled. So you get. You find out.
[00:18:58] Speaker C: I found out.
[00:18:58] Speaker B: Lil Meech found out they wasn't having a season five on Instagram.
[00:19:01] Speaker A: Hey, that's just what it is.
[00:19:04] Speaker C: Power Universe. I woke up, niggas. I woke up to text like, you dropped the album.
[00:19:09] Speaker A: Like, what you fucking album.
[00:19:12] Speaker C: Oh, shit.
[00:19:13] Speaker B: Did you like when they redid the power intro with Trey Songz? Do you remember that? And Twitter went crazy.
[00:19:20] Speaker A: He put that out of his brain.
[00:19:21] Speaker C: Hold on, hold on, hold on, hold on. They switched the Joe one, and it was Trey Songz.
[00:19:25] Speaker B: Yeah. For one episode, and then everybody went.
[00:19:28] Speaker C: Crazy, and then it went right back. I'm gonna keep it a honey. I don't know if I seen the Trey songs. Was it bad?
[00:19:34] Speaker A: Yeah, it wasn't the one with Joe.
[00:19:36] Speaker B: It was fucking horrible.
[00:19:37] Speaker C: All right, we have been used to this Joe one for, like, what, two years already?
[00:19:40] Speaker A: Longer than that.
[00:19:41] Speaker C: Three years. And then they just switched it one day.
[00:19:43] Speaker A: Yeah.
[00:19:44] Speaker C: That's not even giving Trey a fair chance. Honestly, it's like, yo, what the fuck is this? What's happening? Yeah, they probably didn't give him a fair chance.
[00:19:51] Speaker A: Did you have any. Did you have any interactions with Fif, like, going into this, like, as far. Because I know, obviously, Kourtney is like, you know, the godmother of this shit, but did you have any interactions with either her or him, like, as far as, like, what the expectation is, the direction, like, encouragement?
[00:20:08] Speaker C: I didn't get to speak with FIT on this. We didn't speak prior to the role.
Not this one. And I think I met Kourtney sometime during the shooting, but everybody else, like Sasha, the writers, the writers, the directors, they got a phenomenal team, even down to the hair and makeup people. Like, it's a tough unit over there. I love them for sure.
[00:20:33] Speaker B: Do y'all get to keep any of the clothes?
[00:20:35] Speaker C: Did I keep any of the clothes? I think I clipped the 40 belows. I'm like, who else you gonna get these size 1340 belows to?
[00:20:42] Speaker B: Let me get these power cast is like. I just feel like the whole power universe is known for having the most flyest wardrobe.
[00:20:49] Speaker A: Best dress ever.
[00:20:50] Speaker C: Canaan, for sure. Like. Cause they got 80 shit. Like, you know what I'm saying? That shit is.
[00:20:54] Speaker A: You know what I never understood about the power thing to her point is, niggas would be like, man, I need to get this money. I need to get this money. But like, n. You got a Marion. Niggas got on full on, like, Chanel.
[00:21:04] Speaker B: And I'm like, that's real life, though.
[00:21:06] Speaker C: Yeah. Like, what the one good one. That means there was a good week somewhere in here. We had a good week one day, and this is what we wear now.
[00:21:13] Speaker B: I always see niggas posting cars and steering wheel. I mean, steering wheels. The cars they don't have.
[00:21:17] Speaker A: Touche. How do you feel about catfishing?
[00:21:20] Speaker C: Cap fishing?
[00:21:21] Speaker A: Yeah, without the reason. Actually, he. You know, cap fishing.
[00:21:24] Speaker C: What's the catfishing? Take your hat off.
[00:21:25] Speaker A: No, no, no.
Like, niggas is capping about what they got.
[00:21:32] Speaker C: Niggas do that on resumes. Yeah, but niggas do that on resumes. Companies do that about services. You know what I'm saying?
[00:21:39] Speaker A: So are you cool with a woman like, basically approaching you like, and she look a certain way, she presents a certain way, but she ain't really got it like that, bruh.
[00:21:48] Speaker C: I have taken off or seen women take off. Many a girdle, many a body shape. I don't give a. I'm tearing down whatever come out of these.
We already. We already here. I'm not. I ain't got time to be picky now. We already here.
[00:22:02] Speaker B: Do you rent it back?
[00:22:03] Speaker C: Huh? Maybe. Depends. You got me. I'm here.
I thought that she was sitting up. It's not. But here.
[00:22:11] Speaker A: Have you ever seen. Been in a situation where she took the wig off, peeled out of everything, and he was like, I'm good. I'm cool.
[00:22:17] Speaker B: Like on Fresh Prince of Bel Air.
[00:22:18] Speaker A: Yeah, I'm out of here.
[00:22:20] Speaker C: The wig. Who did that to him? Who did that to Will on French?
[00:22:24] Speaker A: Tisha Campbell.
[00:22:25] Speaker B: Yeah, it was Tisha Campbell character.
[00:22:26] Speaker C: Still going.
You see what I'm saying?
[00:22:28] Speaker A: Still going.
[00:22:29] Speaker C: Still going. Still going.
[00:22:30] Speaker A: But has that ever happened to you?
[00:22:32] Speaker C: Where the shit came off and I was like, I'm good.
[00:22:35] Speaker B: Bitch said she looked like Janet Jackson pulled up looking like Freddie Jackson Jackson.
[00:22:39] Speaker C: I don't think that I never been that same severe. It never happened to me that bad. I don't think I'm fortunate in that regard.
[00:22:45] Speaker A: You are.
[00:22:46] Speaker C: Yeah.
[00:22:46] Speaker A: Yeah.
[00:22:47] Speaker C: Not to where it's total opposite, I don't think.
[00:22:50] Speaker B: What kind of kid were you growing up?
[00:22:52] Speaker C: Oh, into everything, all why a why hey do this? Why like, yo, why is the sky blue? I was always asking questions, always inquisitive, always wanted to know what would happen if somebody did it differently or said something differently. What would happen if this. What? I was always just super inquisitive and wanted to know everything.
[00:23:12] Speaker B: Sagittarius.
[00:23:13] Speaker C: I'm Capricorn.
[00:23:14] Speaker B: Capricorn.
[00:23:14] Speaker A: Wait, what?
[00:23:15] Speaker C: Capricorn.
[00:23:16] Speaker A: When's your birthday?
[00:23:17] Speaker C: December 29th.
[00:23:18] Speaker B: It's two of y'all.
[00:23:19] Speaker A: December. He's not a real Capricorn, though.
[00:23:21] Speaker C: What do you mean? We are the Capricorn.
[00:23:23] Speaker A: No, no. December Capricorns ain't the real Capricorns. Them is like, over the counter Capricorns.
[00:23:28] Speaker B: Over the counter is crazy.
[00:23:29] Speaker C: That's OD diet Capricorn.
[00:23:33] Speaker A: I'm J. Orange, 12 light.
[00:23:35] Speaker C: Capricorn light.
[00:23:36] Speaker A: Capricorn Light. Yeah.
I have a question. So she has a card game called I'm Not Ready called Hofessions. It's about like.
It's the girl group chat shit you brought up earlier.
[00:23:49] Speaker C: Oh, shit.
[00:23:49] Speaker A: It's that shit, right?
My question to you is, I'm terrified of. I don't wanna say I'm terrified of relationships, but he's terrified of relationships. I have commitment issues. I blame on my childhood. You know what I'm saying? How do you go about what happened.
[00:24:04] Speaker C: In your childhood that made you scared?
[00:24:05] Speaker A: I don't know.
[00:24:06] Speaker B: Let me do it.
[00:24:07] Speaker A: I don't know.
[00:24:08] Speaker C: He said, fuck it. In my childhood.
[00:24:10] Speaker A: Let me cook.
Let me have. No, I'm just saying, like, how do you rationalize going public in relationships? Because I haven't figured that out yet.
[00:24:20] Speaker C: I don't know, like, you know what I'm saying? Like, when nowadays you go in public relationships, you on some yellow shit, you like, nigga, this who I'm fucking with right now.
I don't care. This is it. You are. You are one of those people who truly don't give a damn. Like, you know what I mean? And you are happy with that person. You want to express it, you know, all the power to you.
[00:24:38] Speaker A: Yeah, I don't. I'm not there.
[00:24:40] Speaker C: You don't subscribe to that?
[00:24:41] Speaker A: No, only because, like, I know we, like, we in a media and. And I just know what come with that. So I'm like. I try to keep my. Like, I'm like, you a father, right? And shout out to my dude, Chuck Dizzle. He like, the best Father. I know, like, you know what I'm saying? I commend niggas who, especially black men, who take pride in being a father because that's rare for us. Normally it'd be like, he's a deadbeat, he ain't around, he's this and that and whatever. But it's like, nah, nigga, I'm a father. And like you said, like when you brought up the yay shit, it's like, no, I want to channel this energy into the music and my art and like that. That. I feel like that bravado and that pride of being a father as a black man is missing because it's a lot of negative energy that come with that shit. Same thing with the relationships. I feel like it's always the that come with it, but would be like, no, this, me. It's like, damn, I don't have the confidence for that yet.
[00:25:28] Speaker C: Two things I feel like. I feel like most. If we really got down to. I feel like most black men want to or are and they on their kids life, but we, we. They perpetuate like, oh, no, ain't that. Or ain't doing that shit. You know what I mean? And it's bad. And they highlight the bad situations. You know, they getting outed on Instagram, somebody saying he not this or not that. So it's similar. It's similar in regards to relationships. Like is. We know that they can go bad and we know that sometimes they do go bad, but it don't take away the good stuff. You know what I'm saying? It don't take away.
[00:26:02] Speaker A: It's not tainted.
[00:26:03] Speaker C: Yeah, it just. It's just. It's just when it goes bad, people are more. More. Yeah, people. People like to like to see that more. Yeah, like to see the bullshit. So you know, when the bullshit occurs, you got to be ready for that.
[00:26:16] Speaker A: Okay. Oh, we gotta wrap up. Go ahead, go ahead.
[00:26:19] Speaker B: He got em.
[00:26:19] Speaker C: What you want me to do with these?
[00:26:20] Speaker A: Read them.
[00:26:21] Speaker C: All of them?
[00:26:22] Speaker B: Answer the questions.
[00:26:22] Speaker C: Yeah, okay.
[00:26:23] Speaker A: Just read them out loud and then just.
[00:26:24] Speaker B: And just answer.
If you don't know the answer, skip it.
[00:26:28] Speaker C: What was Lloyd's Player's Prayer?
Love. Please show me some love.
I'm sorry. He was trying to get his joint back, right? Like the Player's Prayer.
[00:26:41] Speaker A: His little shit.
[00:26:41] Speaker C: Yeah. He was trying to get his little.
[00:26:43] Speaker A: I'm learning. He trying to get his little shit back.
[00:26:45] Speaker C: He. I think he had fucked up and he wanted to be forgiven. It's the players like, look, I can't stop breaking hearts. Or some shit like that. Yeah, he was trying to get it together, Lloyd. We hear you, man.
[00:26:59] Speaker A: Yeah, we hear you.
[00:27:01] Speaker C: Who was Lil Meech helping with the groceries? His motherfucking cousin. Man, y'all tripping out here.
[00:27:07] Speaker B: That wasn't his fucking cousin.
[00:27:08] Speaker C: That was his cousin. What you mean?
[00:27:09] Speaker B: Her booty was too big to be anybody cousin.
[00:27:12] Speaker C: But look, this is. Listen, listen, in his defense, right? I wasn't there. You wasn't there? What woman? You know, right? Going in there, getting knocked down, walking him back out, same clothes she already had on.
[00:27:26] Speaker B: What cousin? You know, with a fat ass like that?
[00:27:29] Speaker C: Shit, it's 20, 25. Cousins is getting BBLS, too. Nah, but, like, if a nigga knock you down, you grabbing a robe to walk this nigga out, you grabbing something. You know what I'm saying? It feels crazy you not putting on your four leggings and bodysuit. You know what I'm saying? That was his.
[00:27:44] Speaker B: The act of. It was cheating. Being there is cheating.
[00:27:46] Speaker C: Being there was a cheating.
[00:27:47] Speaker B: Hell yeah.
[00:27:48] Speaker C: He just didn't cheat that time. Can we agree that he didn't cheat that time?
[00:27:52] Speaker B: We don't know. Like you said, we wasn't there.
[00:27:53] Speaker C: All right?
[00:27:54] Speaker B: He could have got some.
[00:27:57] Speaker C: He said it was his cousin, man. That's all. I gotta go with moaning out loud as me.
[00:28:04] Speaker B: Yeah.
[00:28:05] Speaker C: Ah, Ah. Yeah, I'm loud.
Post this card to yourself.
[00:28:13] Speaker B: Oh, skip that. Skip that.
[00:28:14] Speaker C: Skip that. One who was ushering LA with. He said in front of the Beverly center, not giving a damn who sees me. So gone, so wrong. His other little shit, the little side drone. That's who he was with.
[00:28:29] Speaker B: No, that's. You got that wrong.
[00:28:30] Speaker C: I got it wrong.
[00:28:30] Speaker B: He was with his ex girlfriend.
[00:28:32] Speaker C: Oh, every time. I was. Yeah, he was with his ex girlfriend. His other. Yeah. Ex is his other little shit. You're right. In the Beverly Center. Like, damn. Not giving a damn who sees me. What did Jody leave in Yvette's car?
Condoms. Only two in it. And you know, it's a pack of three. Up, up. I remember seeing that and I'm like.
[00:29:00] Speaker A: Damn, you gotta buy the big pack. And then just.
[00:29:02] Speaker C: It is like this. 36. I don't know. We lost one on the way. You know what I'm saying? You don't know how many times.
[00:29:08] Speaker B: Don't be giving gems like that.
[00:29:15] Speaker C: Name three side piece songs. Damn. Side piece songs.
Boyfriend number two. That count?
Oh, yo, it's another one. It's another side piece song.
Same girl. Did that count?
[00:29:39] Speaker B: Yeah.
[00:29:42] Speaker C: And you ain't even really gotta be My girlfriend say, I just want you. Rude name through and through. Cool. 100. Yeah. So he was saying, look, you could just be my little. You ain't even got to be all that. What's the most money you've ever spent on a significant other? Too much.
[00:30:05] Speaker A: What's the dollar amount?
[00:30:06] Speaker C: I don't know. I don't know.
[00:30:07] Speaker A: Yes.
What was it over?
Because you had to have make sense of it. You had to put it on the books. The accountant had to like something over.
[00:30:16] Speaker C: Over 30.
[00:30:17] Speaker A: 30 bands?
[00:30:18] Speaker C: Yeah. Over 30.
[00:30:19] Speaker A: On what?
[00:30:21] Speaker C: Like, so if it's a holiday in.
[00:30:24] Speaker A: Don't give a fuck what day it.
[00:30:25] Speaker C: Is, and The Hermes is 25. Like, you know what I'm saying? You know, you did more than that, so it had to be over 30.
Damn. Have you.
[00:30:34] Speaker B: Yeah, it's like that outside. I told you.
[00:30:36] Speaker A: I'm gonna stay inside.
[00:30:38] Speaker C: Have you ever fucked someone with a bad body odor? Yo, people say this happens. And I'll be like, damn, I must be pretty fucking fortunate. Like, you know what I mean? Like, I don't.
[00:30:48] Speaker B: You can smell.
[00:30:49] Speaker C: Y'all can smell.
[00:30:50] Speaker B: He can't smell.
[00:30:51] Speaker A: Damn. He didn't even ask you that.
[00:30:52] Speaker B: He don't know what the roots are like.
[00:30:54] Speaker C: I ain't gonna lie. That might be a superpower.
[00:30:55] Speaker A: My.
[00:30:58] Speaker C: Power back. You're like. You know what I'm saying? What you talking about?
[00:31:01] Speaker A: Yeah, I can't smell none of that.
[00:31:02] Speaker B: That's not a superpower with what you mean, to run into something.
[00:31:08] Speaker C: Hey, straight up. You be all right, bro. Let me see. Post this. Oh, yeah. This is the one we don't gotta do.
[00:31:13] Speaker B: You good. Thank you.
[00:31:16] Speaker A: Nah.
[00:31:17] Speaker C: What's the name of this game?
[00:31:18] Speaker B: Whole Fessions.
[00:31:19] Speaker C: Whole Fessions.
[00:31:20] Speaker B: Another show you could come on, you know, whenever you back in la.
[00:31:23] Speaker C: Let's do it. Hofessions.
[00:31:25] Speaker A: I do wanna commit. Oh, last thing. Last time I had you on the radio show, I asked you about who I asked you about. Can you be considered the greatest of all time if somebody else, like, party is in the background writing your shit and you said no?
Has your opinion changed with the development of everything going on in the world?
[00:31:43] Speaker C: Can you be the greatest of all time if somebody else is pinning your sh.
[00:31:47] Speaker A: Correct.
[00:31:47] Speaker C: And I said no the last time?
[00:31:49] Speaker A: Yeah.
[00:31:49] Speaker C: The greatest all time. What? Rappers, rapper, artist, rapper.
Damn. I don't know. Because think about R and B like.
[00:31:57] Speaker A: That'S why I know. But rap is usually judged differently than.
[00:32:00] Speaker C: True, true, true. The greatest of all time if somebody else is.
When I heard Nas say he got one mic from his brother, like, you know what I'm saying? When he was in this dude. And I feel like just me being in creative sessions, and they always coming, and it's always somebody having some type of influence and me being able to work around. Yay. And see, like, yeah, I come with lines, and I come with shit like that, but the is. Is the architect, right? The is telling me what the. What. Hey, I need this material here. I need this. That right there, I need. And I consider. I consider him to be, like, one of the. One of the best artists of all time, one of the best musicians, producers, and. And it's clearly that he brings in other thinkers and other creatives to work on his, so. And I consider him one of the best, so.
[00:32:53] Speaker A: For sure. Well, Partisan Fontaine, we appreciate you, bro. Thank you for coming through.
[00:32:57] Speaker C: Thank y'all for having me.
[00:32:58] Speaker A: You know, congrats on all of the things. And hopefully, you know, you get. You don't get killed.
I'm talking about on the show of power.
[00:33:06] Speaker C: Oh. I'm like, damn, nigga. I'm like, what the fuck? You know, out here?
[00:33:09] Speaker A: I'm sorry.
[00:33:11] Speaker C: God damn. They say, yo, I hope you don't get killed.
[00:33:14] Speaker A: Talk about power.
[00:33:16] Speaker C: That's tough. That's tough.
[00:33:18] Speaker A: I'm sorry. I'm sorry. I'm talking about power. But, yeah, no, thank you. That was crazy. I'm sorry. Thank you for coming through, though. We appreciate you, bro. It's effective.
