Episode Transcript
[00:00:04] Speaker A: Yo, it's effective immediately. I'm DJ Head.
[00:00:06] Speaker B: What up, Hip Hop Nation? It's your favorite homegirl, ginaviews.
[00:00:08] Speaker A: Yes. We have a special guest in the studio with us. No stranger to us, a friend of the family, friend of the show, True Car.
[00:00:16] Speaker C: I appreciate y'all for having me for show. For show.
[00:00:18] Speaker A: I be trying to say it how you say it. Say it True Car. Okay. I'm not gonna say true Cor. I try to say it fast, though. Cause you don't have no space in between your name on purpose. Is that on purpose?
[00:00:27] Speaker C: Yeah, I mean, I was kind of confused when I did it too. So.
For real, Was it an accident? It was an accident. And then people already put it one way. I'm like, man, just put it like that. It's good.
[00:00:37] Speaker B: Was it because you was trying to get a username?
[00:00:40] Speaker C: It wasn't the username. It was when I was dropping the music. Now you feel me? So now when I'm dropping it, it was probably either put the space or the gap. I mean, the space or no space.
[00:00:49] Speaker B: So no relation to the building that we see on the 405.
[00:00:51] Speaker C: No relation. But I did just hit them up and get. I'm trying to get some point promo something. We got the same name, so you feel me? It kind of, like already correlate with. I think.
[00:01:00] Speaker A: I think you should probably not hit them up. I think they probably have more paperwork in order than you.
[00:01:05] Speaker C: Yeah.
[00:01:06] Speaker B: What would you want from me?
[00:01:07] Speaker C: Honestly, though, I already got my name.
[00:01:09] Speaker A: Like, you got everything. Okay. For sure. So then you probably go get some paper then.
[00:01:13] Speaker C: N. For sure. Not even on that type of note, but we could just go in on some promotion. I promote whips. You feel me? Do something for me too. You did?
[00:01:19] Speaker B: What was your pitch?
[00:01:20] Speaker A: Yeah, pitch him right now. Look into that camera and let them know.
[00:01:23] Speaker C: I kind of didn't even pitch nothing yet. But my pitch is like, you feel me? We got the same name. You feel me? Let me promote your cause. You feel me? What you want me to do? We gonna promote it over here. We gonna promote over there. We just gonna. You feel me? Make some content or something. You feel me? Cause they don't got no content going on. So we really.
[00:01:38] Speaker A: They don't got no content.
[00:01:39] Speaker C: We gotta put it in their face.
[00:01:40] Speaker A: You want to be the content manager?
[00:01:41] Speaker C: Yeah, I'm gonna put it in their face. They need some entertainment going on, so I'm gonna go be over there and be the entertainment. You feel me? Add some sauce to the sauce.
[00:01:48] Speaker B: Do you know what Kind of company they are.
[00:01:49] Speaker C: It's a car company.
[00:01:51] Speaker B: What are they, like rentals?
[00:01:52] Speaker C: I think it's rentals, but like I said, it ain't really like a popular car company. And I really don't know when they started they company.
[00:01:59] Speaker B: Yeah. You just looked up one day on the freeway.
[00:02:01] Speaker C: You feel me? What if they just got it off of me?
[00:02:05] Speaker B: Yeah, yeah.
[00:02:06] Speaker A: Nah, I'm not gonna let you do that.
[00:02:08] Speaker B: How long that building been right there?
[00:02:10] Speaker C: That's what I'm saying.
[00:02:11] Speaker A: I don't know how long the building been there, But I don't know if they listening to, like.
I don't know if they listening to hip hop. Yeah, they might. If they Armenian, they for sure got it from you. But if they white people, they did not.
[00:02:25] Speaker C: I'm gonna say if it's a rape thing, I'm just say this specifically. I don't know who came up with the name first.
[00:02:31] Speaker A: Where did you get the name from?
[00:02:33] Speaker C: My last name. Really? Car. And then I couldn't name myself. Real car or 100 cars. I was like, true. And then off of that, I was just like, man, I'm gonna just steal the truth. And whatever I say, tell the truth.
[00:02:44] Speaker A: So there's no cap in none of your raps?
[00:02:45] Speaker C: Nah, it's probably a situation I really happen. I'm talking about a situation that I seen got you for sure.
[00:02:51] Speaker A: Have you ever been tempted to cap in your rap?
[00:02:53] Speaker C: Nah. I be having people in the studio, they be like, man, stop that cap in.
[00:02:59] Speaker B: So you ain't never rapped about a car you didn't have?
[00:03:01] Speaker C: No, we don't do that.
[00:03:02] Speaker B: I'd be lying if I was a rapper.
[00:03:04] Speaker A: Yeah, I think. I think. I don't know. I haven't. I gotta go down your lyrics and look at a lot of them to see. Cause I'm gonna find some cap.
[00:03:13] Speaker C: Go ahead.
[00:03:14] Speaker A: I'm gonna look for the ones.
[00:03:15] Speaker C: I ain't never said nothing. You feel me? That you can't like. You feel me? Ask me about right now for sure.
[00:03:20] Speaker B: Well, you ever pick cotton?
[00:03:23] Speaker C: No.
[00:03:24] Speaker B: You said you be in the field.
[00:03:28] Speaker C: I was in a different type of field at that time.
I might have played football. Playing soccer, baseball.
[00:03:35] Speaker A: What position you play football?
[00:03:37] Speaker C: Corner. When I was in youth football, I was playing quarterback and receiver and corner.
[00:03:41] Speaker A: So you fast?
[00:03:42] Speaker C: Yeah, and I'm hitting, too.
[00:03:43] Speaker A: You don't see myself. You think you could be? Have you seen Cat Williams run in the foot race? You seen him beat niggas in the foot race?
[00:03:47] Speaker C: Cat Williams fast. He ain't got me Though he ain't got me. I'm the baby kid, bro. You know, we run with our no shoes on our socks.
[00:03:56] Speaker A: You think you could beat anybody in a foot race?
[00:03:58] Speaker C: Not just anybody. There's some people out here that be running.
[00:04:00] Speaker A: Has anybody beat you? Like, I know that's a thing in.
[00:04:03] Speaker C: High school, like, you feel me? When we was doing that like, type of stuff. But I ain't raised nobody else. I was gone. Matter of fact, when I get on Instagram today, I might have asked somebody who want to race. It ain't even on Instagram. I'm a race somebody that's in a parking lot and we just going to race and see how I'm doing.
[00:04:16] Speaker A: Just see how you doing.
[00:04:16] Speaker B: You can race head. We can do that right after this, bro.
[00:04:18] Speaker A: We not doing. I'm not racing this new shoes you got on, man. I'm not with you.
[00:04:22] Speaker C: Matter of fact, he probably ain't even trying to run today. He just came in with the sharp soap on. He got the hardest smelling soap in the world right now.
[00:04:28] Speaker A: I worked out, I took a shower. I'm already dealing.
[00:04:31] Speaker C: He got an excuse. He already worked out. So he gonna say tired facts.
[00:04:36] Speaker A: So you think you could beat Cat Williams though?
[00:04:38] Speaker C: Yeah, for sure. Come on now. I'm the big, big kid.
[00:04:40] Speaker B: Okay, but give me. Let's do this though. Give me like three rappers. LA based that you know you could beat in a race right now. You can low key. Just call them out. Cause we can set that up. Summer coming.
[00:04:51] Speaker A: Don't fuck around. Don't say like Pac man the gunman or.
[00:04:54] Speaker C: No, no, I know that's like so obvious, you know what I'm saying? Don't say those shit like, let me see.
[00:05:00] Speaker B: He just catching straight like the fuck y'all be.
[00:05:02] Speaker C: No, no, no, no.
[00:05:04] Speaker B: He said that's obvious. I could be him. Like, goddamn.
[00:05:06] Speaker C: Then you like how the fuck Pac.
[00:05:08] Speaker B: Man just catches straight like this.
[00:05:10] Speaker A: I know Pac Man. I was just talking. I was just DMing Pac man. So he's fresh on my mind. Like Pac man ain't finna race nobody.
[00:05:15] Speaker C: And that's obvious, though. Nah, matter of fact, it's some big dudes out here that got wheels.
[00:05:20] Speaker B: Yo, I'm gonna name the athletes. I'm gonna name the N that I knew was athletes before music. All right, go ahead, Kalen.
[00:05:27] Speaker C: I'm faster than Kalen for sure.
[00:05:28] Speaker A: Blue Face, you more aerodynamic than Kaylin.
[00:05:31] Speaker C: Blueface fast. I. I ain't never really trying to really. I think I'm faster than Blueface for sure. Nah, he probably got a long stride, but that don't mean nothing.
[00:05:42] Speaker A: Strive is.
[00:05:43] Speaker C: Yeah. Ain't no pause in a. A. Would you lift your leg up?
[00:05:48] Speaker A: I know what I.
[00:05:49] Speaker C: Matter of fact, skip that.
I'm talking about that, though, man. I'm talking about the long. The long distance when you. When you kicking your legs.
[00:05:59] Speaker B: Yeah, right, right, right, right.
[00:06:01] Speaker C: Don't be trying to do me. But you think you could.
[00:06:03] Speaker B: You could whip both of them?
[00:06:04] Speaker C: Yeah, Heck yeah. Blueface Kaylin, who else? Who else was an athlete?
[00:06:08] Speaker B: Who else was an athlete?
[00:06:10] Speaker C: One take J was. I think he played football.
[00:06:12] Speaker B: He give like he. He would play. Pop Warner.
[00:06:14] Speaker C: Yeah, I think I beat him too, though.
[00:06:16] Speaker B: Yeah.
[00:06:16] Speaker C: Yeah. Roddy Ricch. I think I faster than Roddy Rich.
[00:06:19] Speaker B: Roddy Gibbs that he played for some Compton Pop Warner Jeep.
[00:06:22] Speaker C: I'm faster than bro, though.
[00:06:23] Speaker B: So all of them.
[00:06:24] Speaker A: Is there anybody that you think you not faster than rappers or artists, man.
[00:06:29] Speaker C: Who working out right now? Who got stamina? I ain't gonna cap. You gotta have your stamina up if you're trying to do something with me.
[00:06:34] Speaker A: I think game be working out a lot, but I don't know if he faster.
[00:06:36] Speaker C: Yeah, I don't think he got. Well, he probably strong, but he ain't really like, probably too fast. And then he already like.
[00:06:42] Speaker A: You know who I think might beat you in a race? For real. I'm not even bullshitting. Maybe D smoke like, he. Like, he might be able to beat.
[00:06:49] Speaker C: If he ain't doing no drinking. If you're doing any type of drinking, I'm killing you.
[00:06:53] Speaker A: Nah, he not. He disciplined, bro. He do martial arts and all that.
[00:06:56] Speaker C: Oh, yeah, yeah.
[00:06:56] Speaker B: See, that's a different type of. I wouldn't even race. The nigga that know how to speak all them languages, he's thinking a whole life.
[00:07:04] Speaker C: Super in tune, though. Yeah, like, he well grounded. Once he put his feet on the pavement, he already.
[00:07:09] Speaker A: But you willing to race? Whoever. It don't matter.
[00:07:11] Speaker C: Heck yeah. Whoever want to set up a race, let's race.
[00:07:12] Speaker B: We gonna set up.
[00:07:13] Speaker A: How long? Like, what's the. What is it normally? What's the distance? 40 yards.
[00:07:16] Speaker C: I say like, yeah, 40 yards. We ain't gonna do no hundred yard. Come on now.
[00:07:19] Speaker A: So you not a distance nigga. Like, you don't. You couldn't do a marathon?
[00:07:22] Speaker C: Nah, heck nah. Not right now. I do like a 40 yard and we up race like that sprint. Other than that. Other than, yeah. Heck yeah.
[00:07:27] Speaker A: Did you do track when you was in school?
[00:07:29] Speaker C: I did track a couple times, but, you know when you was a baby kid and stuff like that, you know, I kind of got sidetracked, you feel me? And got off the team and stuff like that.
[00:07:38] Speaker B: It's people out there who watching this right now who don't really know what you mean when you say you was a bebe kid and you was outside and stuff. Define the type of or explain the type of activities that we did as bebe kids. Drinking from the water holes. Ding dong ditch.
[00:07:52] Speaker C: Ding dong ditch. High go seat like or just like, you feel me? You ever play high? Go get it. The other thing. Yeah. High and go get it. I never played that sideline pop. You ever played sideline pop?
[00:08:02] Speaker A: Yeah, I played.
[00:08:02] Speaker C: That's the reason why I chipped my tooth.
[00:08:04] Speaker B: Wait, what's sideline pop?
[00:08:05] Speaker C: Football.
[00:08:06] Speaker A: Street.
[00:08:06] Speaker C: You.
[00:08:07] Speaker A: You could.
[00:08:07] Speaker C: And then whoever on the sideline, like when you get by the curb, you feel me? You can tackle them on the curb, but you can't tackle nobody in the.
[00:08:13] Speaker A: Middle of the street.
[00:08:15] Speaker B: I was fucking bored.
[00:08:16] Speaker A: It's some ghetto shit.
[00:08:17] Speaker C: I broke my tooth though. I fell right into a car, like, tried to catch the ball. Pow face. First tooth was all in my nose, all in my lips. Had to go to school like that. Yeah.
[00:08:26] Speaker B: Did you need stitches?
[00:08:27] Speaker C: Nah, we just had to like, well up.
[00:08:30] Speaker B: You shoved. Your tooth was in your nose.
[00:08:32] Speaker C: It was. It, damn it. Like, it broke off and then you got no insurance.
[00:08:35] Speaker A: What?
[00:08:35] Speaker C: I was just messed up. You know when you just messed up and you just gotta sit it out for like. And then I was a kid, so I don't even think I was caring about the wound that was on my face. Like, damn, I'm walking around.
[00:08:43] Speaker B: We never care about stuff like that.
[00:08:45] Speaker C: I was a baby kid, you feel me? I didn't really care. But what else? What else we did?
You ever got on the back of the chain? Like when. When a chain slide past the block? Everything, It's a chain on the block.
[00:08:54] Speaker A: We used to throw rocks, Throw rocks.
[00:08:56] Speaker C: At the chain, jump on the chain. Until one of my old folks.
[00:08:58] Speaker A: You ever jump off the roof and.
[00:09:00] Speaker C: We used to do flips off the roof. Doing flips off the chat can. We flip the chat can on the side. Skateboard, flipping the grass. And we used to do everything.
[00:09:06] Speaker B: I was in the house watching 106 in park.
[00:09:08] Speaker A: Nah, we used to do that too.
[00:09:11] Speaker C: At nighttime though. Like, I didn't have kids when the nighttime was fully over. And the only reason why we was really like baby kids. Cause you gotta understand at random time, like when you in the trenches and stuff, like that your mama or your daddy or your uncles and aunties and always gonna tell you, like, hey, get outta grown folk business. Go outside. We doing this. We talking about this. Go outside right now. So we'll be outside all day and you feel me? Not like that. If we ain't got no supervision, we just doing baby kid stuff.
[00:09:32] Speaker B: Do it. Surprise you seeing that. Kids don't really play outside like that anymore, man.
[00:09:36] Speaker C: Hey, kid, a tablet is a mother effing out.
[00:09:38] Speaker B: Yeah, yeah.
[00:09:39] Speaker C: It's really, like, taking over, like, the fact that the kids not even being, like, too much active. Cause they stuck on, like, one thing. But then again, it's a cool thing too. Cause you can learn something off of it. But it's a lot of the situation where the YouTube ain't really teaching or they ain't on there for the teaching reasons. They on there because they want to watch what's going on. I be trying to tell, like, my son and my daughter, like, man, forget watching this stuff. Do y'all want to do that? You feel me? Because we can set this up and you feel me? We got to start being the people that's going to get watched or something. If you want to just watch this stuff, you can watch your own YouTube.
[00:10:10] Speaker B: I just want to know, do your kids know your music, man?
[00:10:12] Speaker C: Yeah, for sure. My daughter know my voice off the Bennett, but she already know the songs for sure. But when she just hear my voice overall, even if it's slightly, like, kind of sound like me on the radio, she gonna still think it's me. My son, he already know everything. That's.
[00:10:24] Speaker A: You got two kids?
[00:10:25] Speaker C: I got three. One of them rip.
[00:10:27] Speaker A: Three kids? Yeah.
[00:10:28] Speaker C: Jeremy.
[00:10:28] Speaker B: Oh, I'm sorry to hear that.
[00:10:29] Speaker A: Yeah, that's good.
[00:10:30] Speaker C: It's the motivation right now. So you ain't no sad stuff. We ain't gonna do none of that.
[00:10:33] Speaker B: How long ago was that?
[00:10:35] Speaker C: 2016.
[00:10:36] Speaker B: Oh, wow.
[00:10:37] Speaker C: But that's my motivation, though. That's what keep me going and stuff like that. So I don't really take it as, like, no sad stuff. It really, like, give me the push that I gotta get up and go do whatever I gotta do. I start thinking, like, damn, my daughter's still watching me, so I ain't about to feel myself or my daughter. Cause she was. When she was here, I was doing so. So now that she gone, I'm gonna still keep on. You feel me? Doing whatever I gotta do.
[00:10:56] Speaker A: She was born, and then she. And then she passed.
[00:10:59] Speaker C: She was here for, like, I don't even know, four months. I down there did, like, four months in the hospital, though. I never had. She couldn't even leave the hospital. You know that little thing where they call, like, an incub? Yeah, yeah. She was, like, in that. And then she had, like, a grade four hemorrhage. Know what that is? Damn. Like, when. Brain hemorrhage, Bleeding all over your head. She was just born like that, though. I don't know what the fuck happened. She had to go, like, through, like, 11 surgeries in that little four months.
[00:11:20] Speaker A: Damn.
[00:11:20] Speaker C: So it was like a kind of. Kind of time. Like, we left the hospital and they called me back like, hey, now y'all gotta come back up here. You feel me?
[00:11:26] Speaker B: But, yeah, 2016, you was a baby too, right?
[00:11:29] Speaker C: Yeah.
[00:11:29] Speaker B: How old were you at that time?
[00:11:31] Speaker C: I think I just turned. Damn.
How many years? That was nine years ago.
I was 20. I was 19 when I. When she was born. Then I was 20 when she was, like, actually got here type, then she.
[00:11:44] Speaker B: Was the first one.
[00:11:45] Speaker C: Yeah.
[00:11:45] Speaker B: Oh, wow.
[00:11:47] Speaker A: What's your. What's the. Like, how do you. I mean, I don't even know what to even say. Like, how do you. When did you get out of grief and go into. Like, this is my motivation.
[00:11:59] Speaker C: When I seen everybody break down crying, like, it was a lot of females. Like, she already got it. Like, the girl had a lot of females around her. You feel me? Like, female family members. And then at that time, I just had my female family members right there. My brother and my uncle, and they was, like, in jail or doing whatever they was doing. So me being the only dude that was right there, I was like, shit, somebody gotta be strong in this motherfucker. Ooh, I'm a cry. I can't even cry at the time. So I was just, like, on some strong shit at that point in time. I was like, man, I gotta keep moving so I don't get sitting stuck and start thinking overthinking about the situation and make me want to crash out or some shit. So I just stayed motivated. That's what automatically gave me the motivation. Like, even the next day, like, probably, like, two days. I ain't gonna say the next day, but two days after that, it was like a show going on. I went to the show, too. On everything stopped. The whole show. Like, hey, man, y'all give it up for my daughter. Are we gonna do a little prayer real quick?
[00:12:46] Speaker A: Two days.
[00:12:46] Speaker C: Two days after. Oh, my mama. I don't care. I'm like, man, I'm about to give it up. We doing prayer because, like, I Said I was already taking it in my head, like, man, I'm doing whatever I'm doing for this situation, Any situation I'm doing, I'm about to give it up for you. Feel me? So I got the tattoos, all that st. You feel me? I was like, man, forget that. I'm about to damn near go to these shows and start saying that too. You feel me? So now people starting to feel for me. Yeah, and I like that. But it was like, now people can gravitate to me more or whatever, because they probably feel some stuff like. Or feel like that way because they probably lost a family member.
[00:13:13] Speaker B: You did at this point, is outside already out?
[00:13:17] Speaker C: Outside wasn't out.
[00:13:18] Speaker B: Okay, so it's like your early career.
[00:13:20] Speaker C: Yeah, I was still trying to find a song for sure.
[00:13:22] Speaker B: What was that song? What was that single?
[00:13:25] Speaker C: I think it was like, get that Feeling. Around the time I had a song called, like, get that Feeling, I really thought that was the outside. And then when I did outside, I was like, get that feeling. Not really too much of a Cali beat, but when I did outside, I was like, man, I just already was going back and forth to clubs and stuff. I'm like, man, that's the vibe out here. So I'm about to just do put my voice on that. Because they already feel like, man, you sound like you're not familiar. So when I jumped on that beat and did that, it's like, oh, shit. It's something different with his voice that come to la. So it was like, it's something distinctive, I guess. So it really, like, to me, it was something simple, right? But when I dumbed it down or really got on the track, that was like, more so the vibe or whatever was going on in the city. I noticed like, damn, this, like, is.
[00:14:06] Speaker B: This early Cash Money west era or what was like, the process, the order.
[00:14:11] Speaker C: Of how that came about 2019, I made the song, I dropped the song. And then probably, like, later that year, Blueface hit me, and he wanted to get on the song. Matter of fact, at like 500,000, I think I shot the video with Da Boy. Yeah, I shot the video with Da Boy. And then after a while, like, it hit a million views fast. So Blueface hit me up. And then his people was already telling me, like, yeah, I think this, bro, favorite song. Cause we get in the car every day, we just slapping the song. I'm like, man, that love. One day, he was just like, come to the studio. I went to the studio, he got on the song, and then I meet Wack. You see me Whack. Discuss whatever type of business you can discuss them. A lot of people think I'm in a label deal with Whack. I'm not in no label deal with Whack. We in a management deal. Management meaning like, you feel me? Anytime I got a situation going on, broken, go handle that for me. Walk inside the door. It ain't no situation where I'm stuck in a situation where I'm fucked up or bad. Nah, hell no. If you really want to tell the truth, it's like, I really got a dog in a position to go do whatever I gotta go do, you dig? But in the sense of that. That came apart to the point where it was like Blueface had me to come to the studio. When I came to the studio, I start chopping with Whack. He start, you feel me? Putting me on game with what can happen and how things can go. And I was like, yeah, let's do it. And then. Yeah. So it was like, it's not really like a cash money west. I was gonna go that way. We was gonna do it like that. But then again, Whack had just started the Honey D and T thing. So he was like, man, what you wanna do? Sure, we could do the cash money west, or you could be the first one.
On my own thing. You feel me? And we could just run it like that. I'm like, man, I'd rather, like, do it Nuke. Cause I don't. He already had stuff going on on the other side. Like, Blueface was already there. The main priority of the cash money west thing. Cause that's the first thing that they started with Birdman for the west coast, she did. So if it was a way for me to go start my own thing, and I'll be the first like, hey, let's do it. Let's run. You feel me?
[00:15:55] Speaker B: With the success. Congratulations on Outside.
[00:15:57] Speaker C: Appreciate that.
[00:15:58] Speaker B: I feel like that's one of those songs that's gonna forever be one of our bangers. Classic.
When the other Outside came out, the Lil Deuce one, was it ever any internal talks? Like, you should be on the remix? Cause you got a song called Outside, or did you fuck with the song at all?
[00:16:15] Speaker C: Yeah, I was just in the club with bro yesterday. I was actually going up to the song. I don't Ever feel no way. Yeah, I'm a humble dude. And then I. And then even if it's something like, not even like that, we can name the same the song thing. You feel me? We can even Be wearing the same thing. I'm always gonna be different because I got a different type of aura or a different type of energy. So I don't care if the next person got, like, the same. That don't ever bother me, you feel me? Like, to the point where it'd be like, yeah, they could have did it, but I did it different. Or if they did it, I'm not the same person as them. You feel me? I bring a different you feel me love to it. But when I heard that, I was like, ah, damn, I ain't gonna cap. That wasn't even, like, the only thing I heard. Like, a couple people, like, I ain't gonna cap. When I dropped outside, the whole world started saying they was outside.
If you really want to be the truth, hell yeah. I started hearing Cardi B.
[00:17:01] Speaker B: What's the Chanel West Coast?
[00:17:03] Speaker C: Chanel West Coast. Everybody just all starts saying that they outside. I'm like, damn, it's going crazy. And then when I noticed that, I'm like. At the point. At the time, it was like, I ain't even really had too much of a bigger platform to even get to these people to be able to just be popping that shit. So I was like, man, I'm gonna just play. Let it play out. I don't really care.
[00:17:18] Speaker B: But do you think you are the originator of that slang?
[00:17:21] Speaker C: Yeah. Cause before that, what was people saying? They was off the porch in traffic.
[00:17:26] Speaker A: In traffic.
[00:17:27] Speaker B: In traffic, yeah.
[00:17:28] Speaker C: All right. Get out the porch. Until then, we was outside, especially because Covid, they didn't want us to come outside. But it's like, man, we outside. What you talking about? And I'm about to go outside. Where you going? All right, then. Bet.
[00:17:39] Speaker B: And there's even multiple definitions for it now. Cause sometimes, like, if, you know, you talking to a dude or something, like, I ask, like, what you doing? You fucking with bitches? Or, you know, like, you outside, like, that could be a hoe.
[00:17:51] Speaker C: You know what I'm saying? It could be all type of terms.
[00:17:53] Speaker B: It's multiple terms.
[00:17:54] Speaker C: I really want to see the definition now. They got for it right now.
[00:17:57] Speaker A: What was your intention for the definition? Like, define it. Give us the actual true car definition of outside.
[00:18:04] Speaker C: Basically meaning like, you feel me?
I'm outside thugging, like, whatever you're doing in your day of life. You feel me? I'm outside having at it. You feel me? That's what I was going off of. Other people might be like, they might be with their homegirls. Oh, we outside. We outside clubbing. Oh, this person might be like, man, we outside. We working. You feel me? This person might be like, man, we outside. We doing this or we outside. You messing with a thousand females. Yeah, you be outside. Yeah. So you be outside. To some people, might mean like, damn, you messing with this person. This person. You really be outside. For real.
[00:18:33] Speaker B: That's all I hear. When a nigga say he outside.
[00:18:35] Speaker C: You get what I'm saying?
[00:18:37] Speaker A: The interesting part about this is so right now, as a noun, the external side or surface of something. The external appearance of something or someone. Now used as.
Used as an adjective, though, it gets interesting. Situated or situated on or near the exterior or external surface of something. Here, here, Come. Here, come. Not belonging to or coming from or within a particular group.
[00:19:05] Speaker B: So what Urban Dictionary say.
[00:19:09] Speaker C: That's kind of what that. That's gonna put it in the.
[00:19:12] Speaker B: Yeah, slow it down. We gotta see what. Urban Dictionary ain't to slow it down.
[00:19:16] Speaker C: Yeah, I kind of got that, though.
[00:19:17] Speaker A: You kind of got that?
[00:19:18] Speaker C: Yeah.
[00:19:19] Speaker A: All right, let's see what outside.
[00:19:20] Speaker C: Think about it slower. Urban Dictionary, like, having a bar.
[00:19:22] Speaker A: All right. Urban Dictionary defines outside.
It says it's uncomfortable. Oh, wait, hold on, mama, you gotta.
[00:19:32] Speaker C: Be uncomfortable if you really wanna get to that next spot, though.
[00:19:35] Speaker B: For real.
[00:19:36] Speaker C: You feel me? If you getting too comfortable, you gonna stay right. Stay right there. You might fall asleep right there.
[00:19:41] Speaker A: Some huge kind of room which contains all other rooms.
[00:19:45] Speaker B: Man, keep scrolling.
[00:19:47] Speaker A: That ain't it either.
[00:19:48] Speaker C: The adjective.
[00:19:49] Speaker A: Hold on.
[00:19:49] Speaker B: So let me find out if they made it to Urban Dictionary yet. We might have to put a. Ooh. Yeah, we might have to throw it up.
[00:19:55] Speaker A: Oh, no, it's five pages.
[00:19:58] Speaker C: Oh, it's different meanings.
[00:19:59] Speaker A: Oh, it's. It's five pages and we ain't got time.
[00:20:03] Speaker C: It's too many different meanings. Like people that made up their own meaning. Like, yeah, you could say you outside and you inside.
[00:20:09] Speaker A: Technically, yeah, you not outside, but figuratively, you outside. Cause you got people. You got pulling up.
[00:20:15] Speaker C: Exactly. Exactly that type of point. Yeah, you might be at home.
[00:20:19] Speaker A: Because our woman has said that to me before. Like. Like what? You like, what's up? You outside, you outside? And I'm like, I know what she mean. But I'm literal. So I'm like, no, nigga, I'm at the house.
[00:20:29] Speaker C: She's like, well, there's people there.
[00:20:35] Speaker B: Every time I call head, if I hear I gotta tell him something, I'm like, you outside? Yeah. All right. I just know that mean you not at home. You can't talk right now.
[00:20:41] Speaker C: Yeah.
[00:20:42] Speaker A: You know what? You right. People have made up their whole.
[00:20:45] Speaker C: Everybody got their own meaning.
[00:20:47] Speaker B: It's been redefined.
[00:20:48] Speaker A: Cause she does say that every time she call you outside, you outside. How about.
[00:20:51] Speaker B: Because then we got the same manager. So we call our manager, we be like, you outside? And then he be like, yeah. And then we be like, no, is you outside? He be like, oh, no, no, no, no.
That mean it ain't no bitches around, you know? Like, I gotta know if you kicking it with a bitch or not. You outside or you outside?
[00:21:07] Speaker C: Nah, nah, that's good.
[00:21:08] Speaker B: Yeah.
[00:21:08] Speaker C: Yeah.
[00:21:09] Speaker A: That ain't got nothing to do with her.
[00:21:10] Speaker C: No kidding.
[00:21:11] Speaker A: Yeah. That's crazy. Five pages of. It'd be interesting to see how many pages of definition there were on Urban Dictionary before yo song.
[00:21:18] Speaker B: Yeah, but only niggas would break this down. Yeah.
[00:21:22] Speaker C: Nah. No. Cap.
[00:21:23] Speaker B: Congratulations on Ghetto. Appreciate that with Eke. Like, I was just telling when I was just seeing you the other day, that bang went through the roof. How did that come about, bro?
[00:21:32] Speaker C: You was in my video. Like, two years ago, I had a video shoot called, like, Championship. When I got on Instagram, I was telling everybody like, hey, bring whoever get on, whoever want to pull up to my video shoot. You can pull up. You just gotta have a. A basketball jersey. Or if you're a female, you gotta come in some cheerleader outfit. So when I told everybody that I had a couple hit ups, but it was a PR that I was working with. She had brought him to the thing and told him, like, bro, the Birds basketball jersey or whatever. You feel me? So when he come, I meet everybody that day. But, you know, when I'm working, you feel me? I just get everybody Instagram. I'm cool with everybody, but I ain't really do too much talking to him. So I meet him that day, and then after that day, I, like, kind of see him, like, through the years and stuff like that. I probably run into him. I'm like, man, I keep seeing you. I know you from one of the parties. I'm standing on top of one of these, like, little bar things, and I'm like, hey, bro, come here. Check it out. Where I know you from, bro? Like, bro, you don't remember? I was in your video, like, two, three years ago. I'm like, yeah, all right. Bet you supported me. All right, it's good. Send me a song. Send me whatever song tomorrow, whatever. And he's like, all right, bet. I tell him, give me your phone. He said, his phone dead. So I give him my phone and I told him, like, make this video. Like if you was recording it off of your phone, I'm gonna just send it to you so. Because you could post it on your Instagram. So he make. I told him to climb on the thing. He make a video like, yeah, I wanted you car or whatever I get, I'll send it back to him. And then the next day he sent me the song. I think I was like in Atlanta hard doing something like that. I was already like doing like some two car stuff or whatever. And then it took me a minute, but I had to come back out to the city. I probably like in August. And then when I went back in August, I had made the song and left back to Texas. When I was in Texas, it was his birthday in October. I didn't know he dropped the song. But in October he told me he wanted me to pop out to the club because it was hard for him to play the song because they wasn't trying to play it. Because he wasn't like, you feel me? Too much of the artist that was.
[00:23:12] Speaker B: Known that same song or other, the ghetto song. What?
[00:23:15] Speaker C: They wasn't trying to play it. Like nobody was trying to play it.
[00:23:17] Speaker B: That's an instant banger though.
[00:23:19] Speaker C: But they wasn't even. You know when that. When you walk up to some DJs and they don't know you or you don't got no name to yourself. And you feel me? He want to know what he was supposed to do. He was supposed to be breaking some people off, like, boop, boop, you feel me? Because that's what I was doing when I ain't really care. I knew people was gonna do that for me in the beginning. So I was like, man, I ain't even trying to hear it here. Go to money already. You feel me? Play this game. You feel me? Now they gonna just jump. You feel me? But being at that situation, it was like that he wanted me to come to the club. So when I get to the club, I didn't tell the dj. I don't know which DJ it was, but we was at I don't even know Ballot. It was that ballot. And he already was like a promoter at the club. So being that he a promoter, he already got females in the section. So they gonna go crazy because they with him. But then again now it's like, hey, you brought your car here. Yeah, you feel me? Now we going real crazy. And then I walk up to the dj, they play outside and then I tell them like, hey, play this too. When he played, the DJ even said, it that same night, he like, damn, what's this? You feel me? He even saying all those like, two car, you got another one? I'm like, hey, bro, stop saying my name. It's little bro song. You feel me? You know, I'm being a real dude. You feel me? At the situation. And then after a while, I'm like, I just seen how that went. I'm like, hey, look, check me out, bro. You about to go. I'm about to take you everywhere, and I'm gonna help you break the song. You feel me? So I started taking them to club to club. And that's when we went to the TDE thing. I put them on the TD thing because you feel me? That was these people at the beginning, they just hitting me like, hey, true car, come in. All right, bet. Hey, little bro, I'm about to take you to this. We about to go do this. Hey, we about to go do Draco show. We about to go do this. So everything that was looking big for me, hey, I'm about to go take you to. I'm taking him to no Jumper. I'm about to go take him to back on Fig. Or just. You feel me? Just go talk to people. You feel me? Even if it's like, not necessarily, like, for me. So I'm still trying to put the light. Or not necessarily for him. I'm still putting the light back on him. You feel me? Because it's like, it's your song. I ain't gonna. You feel me? But then again, now it's like, it's both of y'all.
[00:24:59] Speaker A: Song.
[00:24:59] Speaker C: Yeah. Because I didn't put the work behind it. Who do you think.
[00:25:03] Speaker B: Who do you think broke it with dj? Like, what was the one that really.
[00:25:06] Speaker C: Like, shout out to DJ Charisma? I can say that first and foremost, club wise.
D.J. mark the spot. He was going crazy. That was the first DJ that played it for us.
[00:25:17] Speaker A: Shout out to Mark.
[00:25:18] Speaker C: DJ Mark the Spot.
Damn. It's a rapper name.
He be with K Line. For Real, For Real. He was on song with that K Line. For Real, For Real, dude.
[00:25:27] Speaker B: DJ get yout Money.
[00:25:29] Speaker C: No, he owned a song with K Line. For Real, For Real.
[00:25:31] Speaker B: And he a DJ.
[00:25:32] Speaker C: Yeah. Chris O'Bannon.
[00:25:33] Speaker B: Oh, okay.
[00:25:36] Speaker C: Mark the spot. DJ Charisma.
And then I ain't. I think, like, off of those right there. Other people just like.
[00:25:45] Speaker A: All right, start with it.
[00:25:46] Speaker C: Yeah.
[00:25:46] Speaker B: Now that out of here.
[00:25:47] Speaker C: Who was that other dude that be with DJ Charisma? You got, like, color eyes.
[00:25:51] Speaker B: DJ Wavy.
[00:25:52] Speaker C: Yeah. DJ Wavy. He Always show love.
[00:25:53] Speaker B: Shout out to Wavy and Charisma.
[00:25:54] Speaker C: Shout out to Wavy.
[00:25:56] Speaker A: Yeah, that. I think it's. I think it's a testament just being dedicated. Like, not, you know, you gonna consistently get another one and another one and another one.
[00:26:04] Speaker C: Yeah, yeah. Especially when you putting that energy out.
[00:26:06] Speaker A: There, just staying in the game type shit. Also, you said earlier, you said that you'd have your own label deal outside of. Or you have your own. You do your own. You distribute your own music.
[00:26:17] Speaker C: Yeah.
[00:26:17] Speaker A: You're not signed to a label, so you can do pretty much whatever you want to do, right?
[00:26:20] Speaker C: Yeah, correct. Like, so you know how when people, like, be getting stuck on standstill, that's because they be, like, working with some of these people. I ain't gonna say it like that. You feel me? Because your situation could be better than the next person. But they be stuck in a situation where. You feel me? They gotta move according to the agenda. If the agenda ain't right now, then that agenda ain't right now. You feel me? It might be later in the future. Yeah. You feel me? Being the fact that it's gonna be later in the future, then you're gonna have to be on standstill. And if you're on standstill and you ain't out here putting in no footwork or doing stuff or even networking for people to know you or figure out about you, then you gonna be stuck where you at forever.
[00:26:52] Speaker A: Would you take a label situation like.
[00:26:54] Speaker C: Yeah, if it's in the best benefit. But I'm not in no rush to do that. I already did that before. I feel you right now, I feel like I. I could put the work. I just did it right now for little bro. You see me? I got him signed. I got him signed to qc. Facts, Big true car on everything. You feel me?
[00:27:08] Speaker A: Facts. Congrats on that, dog. And I remember you like you did. Was there a problem with you and Whack before, or was it not a problem?
[00:27:15] Speaker C: It was a problem. But, you know, we grown luckily. You feel me, man?
[00:27:18] Speaker A: So you took ownership. He took ownership. Y'all like, yeah, hell yeah. Gotcha.
[00:27:22] Speaker C: We top. You feel me? But, yeah, we had a problem, you know, baby kids crash heads all the time, but, you know, we always gonna. You feel me? Get over.
[00:27:29] Speaker A: And did you call, like, who called who? Like, to make sure, like to, like, you know, we need to have a conversation.
[00:27:34] Speaker C: So when bro was. You just called me out then. It was on some can't put the pride to the side type ego. I was like, man, all that. But bro Was telling me, like, to pull up to certain stuff. You feel me? Like, all right. Come out of the business. I was, like, still doing it. I probably was like, nah. You feel me? But then again, now it's like, man, my bad. I ain't gonna cap.
[00:27:53] Speaker A: You know, I was tripping.
[00:27:54] Speaker C: I was tripping. Yeah.
[00:27:55] Speaker B: I always thought y'all used to be trolling.
[00:27:58] Speaker C: Nah, hell no.
[00:27:59] Speaker A: Oh, you know what? When that was, I did think it was.
[00:28:01] Speaker B: I always thought y'all was trolling. I never thought Blackburn.
[00:28:03] Speaker A: Yeah.
[00:28:04] Speaker C: You know what I'm saying?
He be playing. I ain't playing. He was playing. I ain't playing.
You wanna joke people and stuff. Stop playing stuff. People think people playing. Feel me? Take me serious. If y'all see this, take me serious. Yeah.
I don't do.
[00:28:21] Speaker B: Is it difficult to not clash with somebody like Whack, having somebody like Whack manage you?
[00:28:27] Speaker C: Nah. Cause you could just. You gotta be communicative. You can't be scared to say something. You feel me? If you scared to say stuff, then you gonna always be. You gonna clash with anybody if you're scared to say stuff.
[00:28:36] Speaker A: That's true.
[00:28:36] Speaker C: Feel me? You gotta be. Not A lot of people might be intimidated from a phone call, anything, or just. Cause the voice or the size or what he do. You feel me? Me, we already from the environment. Like, I got uncles that's burnt out.
He normal.
[00:28:53] Speaker B: That regular.
[00:28:54] Speaker C: I'm like, you feel me, Unc, what's up? You feel me? It's regular, bro.
[00:28:58] Speaker A: People called me from all over the country about whack.
[00:29:01] Speaker B: Yeah.
[00:29:01] Speaker A: And I really like that. And I be telling them the same. I'm like, bro, bro, Y'all be tripping. I'm not tripping.
I was like, the. I know three like, whack, man. The used to manage me. Like, whack, for real.
You know what I'm saying?
[00:29:16] Speaker C: Like, understanding.
[00:29:18] Speaker B: Have you ever had to take on, like, any of his beefs or got any backlash from him being your manager?
[00:29:25] Speaker C: Not really.
Slightly. You know, you got. You gonna get them Instagram comments and stuff like that, but.
[00:29:30] Speaker B: Right, right, right.
[00:29:31] Speaker C: I don't pay attention to that. If it ain't nobody, like, in person. Like, I don't pay attention to it. So I ain't never really got no. Hell no.
[00:29:37] Speaker B: Give me.
You know, just give me your, like, wildest, craziest, untold Whack 100 experience.
What's some wild shit that you done been right there? They like, all right, this nigga don't.
[00:29:51] Speaker A: Have one of those.
[00:29:51] Speaker B: Damn.
[00:29:53] Speaker C: We was In Miami.
I ain't gonna say anything that happened. But I just. When we was in Miami. Damn. Hold up. How can I put this? Damn, this nigga crazy.
[00:30:07] Speaker A: Hey, look, this nigga really. He having a moment.
[00:30:09] Speaker C: This how it go.
[00:30:10] Speaker A: Why did he set that car on fire?
[00:30:11] Speaker C: Just know. BS Going on at the spot. You feel me?
[00:30:16] Speaker B: In Miami.
[00:30:17] Speaker C: In Miami.
[00:30:18] Speaker B: What spot?
[00:30:18] Speaker C: We was in a hotel. I don't know what kind of hotel.
[00:30:22] Speaker A: Just don't say the hotel. Just say a hotel.
[00:30:23] Speaker C: We was at the hotel.
Goddamn.
It was some BS that happened inside the hotel. You feel me? We was with some other people.
Me and my people. Was with some other people. Wag Light, man, hold him there, man. I'm about to be up on my way. I'm like, it's about to get.
It's about to get dangerous on Mama. So when you tell us the people, like, down there trying to, like, spin off on us, like, you feel me? Because we was up in there. You feel me? Doing some other. You feel me? So, bro, they try to spin off on us. As soon as we get to the. As soon as they get to the door, though, whack already up in there. Like, whack already, like, at the door. The front door. So say they walking out and we. I mean, whack. Walking in. We get to the front door, whack on full press. It's like a little pit bull. Like, what y'all think? Y'all going sit down.
He orchestrating the whole thing. He's like, blood. So what we doing? You feel me? So I'm really 100 with you after that, you know, if you really know whack and you know it's real. You feel me? He gonna grab you up. You feel me? And lift me up. Put them all up. Then it went to the extra. But I can say he stand on business. So if anybody come playing outside of all the Internet, like, you feel me? Whenever y'all around, bro, if y'all see him, don't think that he's not gonna play or take it serious with y'all. Like, you feel me?
[00:31:41] Speaker A: And I'll be telling people. Like, people think that he's stupid and, like, he just reckless. I'm like, bro, Wag is smart.
[00:31:46] Speaker C: He's smart as hell, too, though.
[00:31:48] Speaker A: People be dropping. I was like. And he be. He called me, like, man, stop telling niggas I'm smart. Here. Let him think I'm a crash out. I'm like, bro, I'm not no nigga. If nigga call me, I'm gonna Tell him the truth. That nigga's smart. Leave him alone.
[00:31:58] Speaker B: He's very strategic.
[00:31:59] Speaker C: Yeah, he know what he doing.
[00:32:00] Speaker A: He know exactly what the fuck he's doing, bro.
[00:32:02] Speaker C: Like, I ain't gonna catch him. He picked dude up off his feet in that hotel. I was like.
I'm like, yeah, it's over with.
[00:32:09] Speaker B: Was it a rapper he picked up off their feet?
[00:32:11] Speaker C: No, I wasn't a rapper.
[00:32:12] Speaker A: Oh, okay.
[00:32:13] Speaker C: Association.
[00:32:14] Speaker B: Okay. Was it somebody from out there?
[00:32:18] Speaker C: I don't know what state they from. I think we was all out there for Rolling Loud.
[00:32:21] Speaker B: Oh, okay.
[00:32:22] Speaker C: So you know, it could have been anybody.
[00:32:24] Speaker B: Yeah. Oh, okay. So how did you and T. Fly link up to do that project?
[00:32:30] Speaker C: Somebody had said a comment on Somebody had said a comment on the. On Instagram and just tagged him. I'm like. They was like, hey, I think true car T Fly should do a song. I'm like, I looked at the comment. I sat on it for, like, an hour. I'm like, damn, T. Fly. I just ran into bro too. Huh? Then it happened to be, like, the same day I went to a event, and then I seen him again. I'm like, hey, bro, let's get in the studio. I went to Vegas, though. And he was like. And as a matter of fact, before I went to Vegas, I was telling him, like, I'm about to go to Vegas. He was like, man, I'll slide with you. I'm like, come on, man. About to hop on the wheel, y'all.
[00:33:07] Speaker A: N just drove to Vegas on a random.
[00:33:09] Speaker C: On a random. You feel me? Next day, we drove to Vegas. You feel me? I'm not in the studio. We stayed in the studio for, like, that's out. You ain't doing no right away chips.
[00:33:18] Speaker A: No.
[00:33:18] Speaker C: Why not?
[00:33:19] Speaker A: Cause I don't know what you got.
[00:33:20] Speaker C: He gotta pack all five of his soaps.
He can't forget no soap. He need all his soaps. He like, you think I'm about to leave my soaps?
[00:33:28] Speaker A: I'm not getting nobody random car on a random to go nowhere across state line.
[00:33:31] Speaker C: Ah, so he know. He already know what true car is. It is goddamn kind of random.
[00:33:36] Speaker A: You know what I'm saying?
[00:33:37] Speaker C: Like, imagine like, we knew each other. Music.
[00:33:39] Speaker A: Hey, bro. Hey.
[00:33:39] Speaker C: True.
[00:33:40] Speaker A: Like, get in the car, nigga. We finna go to Miami.
[00:33:42] Speaker C: Like, we about to beat that road up. That's how you gotta tell Miami.
[00:33:45] Speaker B: Hell no.
[00:33:45] Speaker C: All you gotta tell me is we about to beat that road up, and if the plan sound right at the end, we gonna go. Yeah. You feel me? I Ain't asking no questions. None of that.
[00:33:51] Speaker A: Nah, nigga, I'm asking.
[00:33:52] Speaker B: I'm not getting in the car with you.
[00:33:53] Speaker A: Hell no.
[00:33:54] Speaker B: So how did one song turn into. What was it, 14 tracks?
[00:33:57] Speaker C: Yeah, man, it's more than that. One song turned into 14 tracks because the first song, we made it automatically. He even felt like, dang, bro, you making me feel like my old self again. I'm like, so a lot of people I get in the studio with, I get told that, like, dang, you give me that energy, bro. Like, I don't know what it is.
[00:34:13] Speaker B: You re inspired them.
[00:34:14] Speaker C: Re inspired people. So it be like that for a lot of people. So to the point where it be like, I don't know how he think that, but I guess he felt like he wasn't having the same energy around people or wasn't uplifting him. So he can even be how he usually is. But when we did that, we seen, like, all the, like, I could say, like, the. What is it called? Like, when people re. Or the reaction to it.
[00:34:36] Speaker B: Yeah, yeah.
[00:34:36] Speaker C: The feedback is like, man, I'll do a tape with you. I'm like, shit, bet. I'm not gonna turn that down. You feel me?
[00:34:42] Speaker A: A lot of ones from out here.
[00:34:43] Speaker C: You feel me? Exactly. And then you a legend from the city, and people don't even really, like, take that serious. But you feel me that it's the truth, bro. A legend.
[00:34:50] Speaker B: Kids these days will never know.
[00:34:52] Speaker C: They'll never know. But then again, they don't know. Like, they know.
[00:34:55] Speaker B: They know the songs.
[00:34:56] Speaker C: Exactly.
[00:34:56] Speaker A: They know the songs.
[00:34:57] Speaker C: They know the songs. But that it's still stuff that he got to do too. Just like how I said put in work. We still got to put in work. Especially when you understand, like, Instagram wasn't busting, like, how it was back then. You feel me? So it's for sure stuff he got to go do, like putting in his face card back on. You feel me? He could go perform all the oaths I'm about to hit, bro, today.
[00:35:16] Speaker B: Did you have any. Being that. Cause T Fly is one of the ones from out here. And especially if you even think about the era that they dominated, like, not just him, but, like, you know, YG. Yeah, exactly.
Ty$sign, I'm Kennedy. Like, exactly. They were very influential in that era, you know, that time. Did you have any fan out moments when you, like, was actually in there working with them, just being that that's somebody you grew up on?
[00:35:42] Speaker C: Yeah. I ain't gonna cap. When we was in the studio, and like when he doing like some of the. Not like that, but when he doing the vocals, it's like, damn, bro, you really get off like that. Yeah, that's dope. So it really even gave me that back, the energy to the point where it'd be like, damn, man, this nigga really going hard. I gotta. I gotta lace my boots. Fuck all the bullshit. I can't just have them like, you feel me? But then again, they really like, how can I see it?
I can't even say it's. We just bounce off energy. For real, for real. And then like, I ain't gonna say I was starstruck about it, but it just is like a dope thing, like to see. Cause I'm an artist, so you gotta understand, like when I see people, I sound just like how I rap. When I go up in there. I don't like nothing on my voice. I don't want no auto tune, I don't want nothing. No. My EQ gotta be exactly like how I sound right now. So when I heard him do that, I'm like, damn, you really dope. You talented. You feel me? So why is you playing?
You feel me?
[00:36:35] Speaker A: This is my last thing before we let you get up out of here and we gotta. You gotta do the whole fessions cards. But is there anybody that tapped in like with you that surprised you? Like, damn, this person fuck with me or fuck with my music or know who I am?
[00:36:48] Speaker C: Sweetie, just hit me up. Shout out to Sweetie.
[00:36:52] Speaker A: Shout out your dm.
[00:36:54] Speaker C: Yeah.
[00:36:54] Speaker A: Oh, shit.
[00:36:55] Speaker C: I don't like that though.
[00:36:56] Speaker A: No, I'm not saying like that.
[00:36:58] Speaker B: We gonna make it look like that though.
[00:36:59] Speaker A: Well, I mean, you know what I mean, you know. See what's up?
[00:37:04] Speaker B: Was she trying to hop on something?
[00:37:05] Speaker C: Yeah.
[00:37:06] Speaker A: Pause, pause, pause.
[00:37:08] Speaker C: That ain't nothing wrong with that. Don't pause me.
[00:37:12] Speaker A: That nigga not turn it down.
[00:37:14] Speaker C: Press play.
[00:37:15] Speaker A: Wait, hold on.
[00:37:15] Speaker C: Press play.
[00:37:16] Speaker A: I'm open to any and all possibilities.
[00:37:20] Speaker C: Press play on everything. Don't pause the movie. It ain't even no commercials.
[00:37:24] Speaker B: Is there a track you already got for her or you gonna hop on something she got?
[00:37:27] Speaker C: Either or. But I can go make some new stuff. I feel like I give her some new swag.
[00:37:31] Speaker B: Yeah. One of my favorite Sweetie songs is that track she got with Draco. You also a song with Draco?
Kind of close to like. Yeah, before he passed away. What was that session like? And even shooting a video with him.
[00:37:46] Speaker C: You gotta understand, Drakeo is like a creative player. Like, creative player meaning, like, you really kinda gonna get like, if you feel like it's like a superhero, basically, like, not my superhero. I'm just saying, like, he like a superhero. So working with bro is like, you gonna get like. He got his different, like, type of. What is it called? Like, somebody got their different, like, little niches about them. Like, you feel me? That, like, bring quirks, that bring like, they swag or different out of characteristics. The characteristics you gotta understand. Draco is a person that, like, you feel me? He always lit. So a lot of the times where you think he not paying attention or he not on point, a lot of times bro on point. And then when he go in the studio and when you thinking he not thinking, like, as big bro thinking big, like, you feel me? A lot of stuff that he say, and he might be like. Like, he just put on. He put a bar on the song. What did he say? He said, I talked to God. He said he got no more chances for me. Like, stuff like that. When he's saying stuff like that, he'd be like, damn, this person getting too deep. Like, so you working with him.
[00:38:46] Speaker B: It was like, damn, what was y'all last conversation?
[00:38:54] Speaker C: Man is weird, bro. You gotta watch these weird, man. I'll be with all these niggas, man. I'm telling you true. These niggas, man. These niggas. You with them.
Hey, bro, just keep on grinding. Whenever you want to make a tape, I promise. We was supposed to make a tape. I got like four or five songs that I ain't dropped with him. But he was like, man, whenever you want to make a tape, we can do the tape. You feel me? Because you got to understand, that's my. His son is my little cousin.
[00:39:15] Speaker A: Word.
[00:39:16] Speaker B: Oh, okay.
[00:39:17] Speaker C: So that's when I say, like, that's like down there family. Because he not no recordings or nothing like that. But when we got family going gatherings and stuff like that back in the day, bro, it's like in the backyard posted like, you feel me? With my family, like, type stuff. So that's like family. For real? For real. So he always was like on some motivation stuff with me. Like, when he right I got out of jail, he was hitting me and telling me like, man, just standing there stuff. I was hearing you all the time when I was in jail. You feel me? They was playing it all on the radio. People was like, going up. I'm like, yeah, that's my baby mama cousin. You feel me? I'm like, yeah, you feel me? Stuff like that.
[00:39:45] Speaker B: Were you at the concert?
[00:39:46] Speaker C: The last one. He just at yeah, yeah, we just went crazy. That's the one I brought Eka to.
[00:39:52] Speaker B: Is that the one he passed at?
[00:39:54] Speaker C: Oh, at that one. Yeah, yeah, I was there. I performed there too.
[00:39:56] Speaker B: Oh, wow.
[00:39:57] Speaker C: Yeah, wow.
[00:39:58] Speaker B: Okay.
[00:39:58] Speaker C: I was at that concert. They actually tried to shut it down, get us, but being that the fact that Whack, you know, to all the people he got us through up there, he got us out.
[00:40:06] Speaker B: Were you there when it still happened or did you.
[00:40:07] Speaker C: Yeah, I was there when it happened. They then there, like tried to close all the gates, but. You feel me, we wasn't doing that.
[00:40:14] Speaker B: Rest in peace, Draco.
[00:40:15] Speaker C: Ah, peace. Draco on everything.
[00:40:18] Speaker B: So right next to you, you know, don't. Don't look. Don't read all the cards yet. Don't read them all yet. You familiar with the podcast Hofashions? Some cool people over there. I don't know who running that or nothing, but it's cool people here. So I heard old girl that hosted the show dropped a card game, so we went and copped it on hoefashions.com.
just go ahead and flip the cards over and read them. Some of them gonna say, take a shot. Obviously we don't got no shots for you, so you don't gotta do the shot part. But just answer the questions on the.
[00:40:46] Speaker A: Cards then read the question. Yeah, flip one and read it.
[00:40:51] Speaker C: What planet did Chase owns want to take a chip to make love on?
[00:40:54] Speaker A: What? What?
[00:40:57] Speaker C: What planet did Chase owns want to take a chip to make love on?
[00:41:01] Speaker A: Oh, it's a trivia question. I don't fucking know.
[00:41:05] Speaker C: The.
[00:41:05] Speaker A: Yep. Planet.
[00:41:07] Speaker B: Just guess. A planet.
[00:41:09] Speaker C: Yeah, it was Jupiter.
[00:41:11] Speaker B: Yeah.
[00:41:12] Speaker C: Hey, Love Faces. Who is Love Faces?
[00:41:14] Speaker B: Yeah.
[00:41:15] Speaker A: Pick another car.
[00:41:16] Speaker C: Love Faces.
[00:41:17] Speaker B: That's Trey song.
[00:41:18] Speaker C: Yeah. I'm gonna get another car. Take a shot. If you ever heard sex at a party or a social setting. If you ever had sex at a party or a social setting.
[00:41:28] Speaker A: Have you ever engaged.
[00:41:29] Speaker C: Shut up.
[00:41:30] Speaker A: Yeah, you say you what?
[00:41:31] Speaker C: Yeah, take a shot. If you ever had sex at a party or social setting, I said, yeah, where at?
[00:41:37] Speaker A: Like what?
[00:41:38] Speaker C: At a party?
[00:41:39] Speaker A: Like it was a house party, nigga. Rolling loud nigga kind of party.
[00:41:43] Speaker C: Mansion might be at a motherfucker. I don't know. It's all type of different places. I step outside, I step outside.
Studio might be in a lab.
Damn. Well, listen. Location, location, location.
[00:41:59] Speaker A: Just give us the location.
[00:42:00] Speaker C: The booth.
[00:42:02] Speaker A: While you was recording?
[00:42:04] Speaker C: Yeah, while we recording what?
[00:42:06] Speaker A: Song, nigga.
[00:42:08] Speaker B: Outside.
[00:42:10] Speaker C: So look, this is. What song was you recording? I actually had to like take off some like, you Know when you recording and you got like, oh, I did.
[00:42:16] Speaker A: Hear a girl voice on that song.
[00:42:18] Speaker C: Nah, that's the stuff you keep in the background over. That's what I'm saying. I got a song like that, though.
[00:42:21] Speaker A: What song?
[00:42:23] Speaker C: It ain't out yet.
[00:42:24] Speaker B: Oh, you was like, smacking something in the studio on the mic, but nobody.
[00:42:27] Speaker C: Was in the studio type shit.
[00:42:28] Speaker A: I don't care. I want to know the record. Send you a record. I want to know.
[00:42:31] Speaker C: We want a real. What is it called? Real.
[00:42:34] Speaker B: Real audio.
[00:42:36] Speaker C: Yeah, real audio. We don't want no captain about to get up on here and play with.
[00:42:39] Speaker A: He don't cap in his rap.
[00:42:40] Speaker B: Right, right.
[00:42:41] Speaker A: All right, go to the next one.
[00:42:42] Speaker C: No cap and a rap.
Who was ushering that LA with? Damn. Who was ushering that LA with Every time I was in his. His ex girlfriend. Yeah. Yeah, man, why you with her, bro?
That's why you have. That's why you going through. You going through the same thing. Cause you keep doubling back, bruh.
[00:43:06] Speaker A: You don't ever double back.
[00:43:08] Speaker C: I double back, Tyson. Probably like one time you double back just to check the temperature, though. Feel me?
[00:43:14] Speaker A: If it's hot, you run it.
[00:43:17] Speaker C: Probably stay if it's cold.
[00:43:18] Speaker A: Nah, you run it.
[00:43:18] Speaker C: I gotta go.
[00:43:19] Speaker A: You run it every time.
[00:43:20] Speaker B: You gotta spin the block sometimes.
[00:43:22] Speaker C: If it's hot, I might stay. If it's cold, I gotta get on. How you doing? You acting chilly.
Why did Stoney fuck Nate?
Why did Stoney fuck Nate? I don't know who Stoney is.
[00:43:35] Speaker B: Set it off.
[00:43:36] Speaker C: Set it off.
[00:43:39] Speaker B: I'm in a bind, Nate.
[00:43:41] Speaker C: Oh, she. Oh, that one. That what she was trying to. I think the son. Somebody had to go to college.
Somebody had to go to college.
[00:43:49] Speaker B: Her brother.
[00:43:49] Speaker C: Her brother had to go to college. Yeah, yeah, I know the movie. They was sitting on the house getting high, high, high. Oh, yeah. Dang. Hey, baby, take a shot. If you ever had sex with more than one person, went to 24 hours, a threesome.
[00:44:04] Speaker A: Okay, where was that at?
[00:44:06] Speaker C: In a room.
In a room. You feel me?
[00:44:14] Speaker B: Is that your shit or is it, like, too much energy to, like, popping, like, you know, like, bottle.
[00:44:20] Speaker C: What you mean? Like, that's my shit. Like, as in saying, like, do I like to do that all the time? Yeah, you could do a couple times out of here. I ain't really tripping off of.
[00:44:28] Speaker B: Okay, do. Do you do it with your girlfriend or do you do it with, like, with randoms? Like, how. What's the ideal scenario?
[00:44:36] Speaker C: So I ain't had a girlfriend at the Time. So I'll be doing it with a. And her friend.
[00:44:44] Speaker B: Do you ask or do she invite them?
[00:44:45] Speaker C: I ain't asking nothing. I ain't pressing. You feel me? Yeah. I let somebody else bend out upon me. You feel me? So she brought you out? Yeah.
[00:44:52] Speaker A: She was like, hey, I'm gonna bring my homegirl.
[00:44:54] Speaker C: Yeah. Now if it's somebody I with, I ask them.
[00:44:57] Speaker B: Okay. Have you ever been dating a girl and thought her friend was cute and was like, see what's up?
[00:45:03] Speaker C: Oh, no, I ain't gonna try nobody friend. I ain't gonna try to be friends.
[00:45:06] Speaker B: No. Okay.
[00:45:07] Speaker C: Unless she talking crazy, like, talking like that to her, I'll be like, what's she on? Yeah, I don't be trying. I ain't that type of thing.
[00:45:13] Speaker B: What's. What's been your wildest night as a rapper, man?
[00:45:17] Speaker C: I just said it. I was in the studio one day.
I think we just left the club, bro.
Squirted all on my fucking clothes.
[00:45:27] Speaker A: Yeah. Go to the next card.
[00:45:28] Speaker B: All right.
Thank you so much for pulling up to effective immediately right here on Hip Hop Nation, bro.
[00:45:38] Speaker A: What?
[00:45:39] Speaker B: What? Cause you skipped a lot of shit. You just went straight to the squirt like.
[00:45:43] Speaker C: That's what I'm saying.
[00:45:44] Speaker B: Yeah.
[00:45:45] Speaker C: That was the wildest studio session. That was the wildest rap shit.
[00:45:49] Speaker A: All right, look, bro. The five star plug. The five star shit.
[00:45:55] Speaker C: Five star man's out right now. I need y'all to go crazy. DJ Cash NYC going viral. Don't play with it. Have your way with it. True club.
[00:46:01] Speaker A: We outside plug Ghetto.
[00:46:02] Speaker C: Ghetto just drop. I need y'all to. No, it didn't just drop. Ghetto been out, man. I need y'all to clock in 25. 8. Keep turning us up. Go crazy. For sure.
[00:46:10] Speaker A: Yep. And then also that. What's the song that's coming that you recorded while you was engage when you.
[00:46:17] Speaker B: Were smacking that ass?
[00:46:18] Speaker A: Is that coming on a new project?
[00:46:19] Speaker C: New project? New project. I ain't really named it. Well, it is named. It's called baby. It's some hard, though. It's on a damn. What's. It's on the Usher track.
[00:46:28] Speaker A: Okay.
[00:46:28] Speaker B: Is that a sample?
[00:46:29] Speaker C: Yeah, it's on the Usher track.
[00:46:30] Speaker A: So when we getting that?
[00:46:32] Speaker C: I might have dropped that. I was supposed to drop it for Valentine Day.
[00:46:36] Speaker A: So you gonna drop the whole project.
[00:46:37] Speaker C: Or I ain't gonna. What you think is smart? I don't think it's part of just a project. Nah.
[00:46:42] Speaker A: Give us a song.
[00:46:42] Speaker C: Yeah, I'm gonna just keep on delivering singles.
[00:46:44] Speaker A: Okay. Bet all right.
[00:46:45] Speaker C: For sure.
[00:46:46] Speaker A: Well, now, I appreciate you for pulling up, bro.
[00:46:48] Speaker C: I appreciate you for having me, man.
[00:46:49] Speaker B: Did y'all shoot a video today?
[00:46:50] Speaker C: Nah.
[00:46:52] Speaker A: With the song. I'm just asking, what's the video? That's the treatment for that.
[00:46:58] Speaker C: What's the treatment for that?
You know what I'm saying? It got the steam, Booth.
[00:47:04] Speaker B: We didn't talk about it on whole fashion. Yeah, I mean, with the girl over there.
[00:47:07] Speaker A: Oh, you gonna take the girl with you the whole fashions?
[00:47:10] Speaker B: No, I'm talking about the girl on whole fashions.
[00:47:11] Speaker A: Oh, okay. Hey, you be. Hey, you should go on the Hofessions podcast and bring the girl from the song with you.
[00:47:18] Speaker C: Yeah, we can talk about it.
[00:47:19] Speaker A: That's some player shit.
We gonna get your card. We gonna get your car key.
[00:47:23] Speaker C: I'm talking about nothing about me. You asked a female.
[00:47:26] Speaker B: Yeah, yeah.
[00:47:27] Speaker A: We gonna get his car key for sure. True car right here on effective immediately. Make sure you like, comment, subscribe and go check out true car. It's effective immediately.
