Episode Transcript
[00:00:04] Speaker A: Yo, it's effective immediately. I'm DJ Head.
[00:00:06] Speaker B: What up, world? It's your favorite homegirl, Gina View.
[00:00:08] Speaker A: Special guest in the studio in the building pulled up. Effective immediately, that new music is out right now. Ferg is in the building.
[00:00:15] Speaker C: What it do, y'all? How y'all feeling?
[00:00:17] Speaker A: You know what? Thank you for being here, bro.
[00:00:19] Speaker C: Man, thank you for having me.
[00:00:20] Speaker A: It's been a long time. You done did custom dub plates for me, and I ain't never had a chance to sit down and chop it up with you.
[00:00:25] Speaker C: Oh, man, that's love.
[00:00:27] Speaker A: I appreciate that. You know what I'm saying? I got, like, three custom ASAP Ferg dub plates. You know what I'm saying?
[00:00:33] Speaker C: Shout out to Puerto Rican Rob.
[00:00:34] Speaker B: Yeah.
[00:00:35] Speaker A: Shout out to Puerto Rico Rob.
[00:00:36] Speaker B: I'm a little jealous. What we talking about?
[00:00:37] Speaker A: You don't know what the fuck I'm talking about? Yeah, it's cool.
[00:00:39] Speaker B: There's some guy shit.
[00:00:40] Speaker A: No, it's some DJ shit.
[00:00:41] Speaker C: He was probably a baby back then.
[00:00:43] Speaker B: Yeah.
[00:00:46] Speaker A: But, yeah, thanks for being here, bro.
You know, the new music is rolling out right now. I heard from the team, like, you ain't turning down nothing. You wanna do everything. You excited to be back outside?
Why now? Why Ferg back outside right now?
It's been a minute.
[00:01:02] Speaker C: It's time. I think sometimes, like, us as artists, we gotta take a step back to just look at the game and figure out what we wanna say.
Because it's like, what's the purpose if you just doing stuff just to make money? So that's never been, like, my mission statement or my goal is just, like, being in this game to make money. If it was boring or if I didn't have anything to say, it's quiet, and I feel like it was a lot of people coming up. And during the pandemic was a weird time. And, like, after that, people coming out of the pandemic, they had to get.
They had to get back activated and figure out what life was for them in that particular time. So that's what I had to do. Like, during the Pandemic, I was working the whole time. Like, recording? Yeah, I was recording. Yep. So I dropped floor seats one and two before the pandemic. And then I wasn't even able to tour that music because of the shutdown.
And during the pandemic, me and Pharrell was working for two years on music.
[00:02:03] Speaker A: Liflex.
[00:02:04] Speaker C: Yeah.
Some of the stuff came out. Like, we released Green Juice, which was a video that I dropped that he's featured on, and a Song. And then also we dropped something on Nigo's project, Paper Plates, so we wasn't able to move that music around. So it was just like, you know, I did like, two awkward performances where I was performing for no crowd.
It's super awkward.
[00:02:31] Speaker A: Why is it awkward?
[00:02:32] Speaker C: Because it's like this.
[00:02:33] Speaker A: Well, you an energy person, too.
[00:02:34] Speaker C: I'm in the studio and there's a camera in front of me, and like, I'm performing Plain Jane and work in front of no people. Like, that's super awkward. So, you know, it was just like, all right, who are we creating this music for? Why are we creating it? And then, like, we just had to get in a mindset of, like, creating the music for when people get out of the pandemic.
So when people actually started getting out of the pandemic, it was a different story. Now it's new experiences, like the world moving different, and you want to capture that moment too. So, you know, we had to go back to the drum boards, and I went back to the drum boards and created from that aspect. And it took like a year and a half, two years to even just travel a little bit, see what people talking about doing, how people dressing, how people feeling, checking up on family in order to put that into the music. Because you want to make a current music. So.
Yeah. And then like. Yeah, that whole. That whole time period was like, very.
It was just different and weird. We never went through that. So, yeah, I just had to figure out what my purpose was and how I want to move forward with the artist.
[00:03:46] Speaker B: That's funny you said that. I don't think a lot of people realize that there are certain songs that you guys as artists made that kind of didn't get the love that it deserved. Because of the Pandemic. One of your songs that has went triple platinum in my house that I feel like it slept on is Fairy Tales.
[00:04:01] Speaker C: No, it's not Slept On. That's one of my highest streaming records. Really? Yeah, I think it's my biggest streaming record right now.
[00:04:08] Speaker B: It does really good as a favorite song by you.
[00:04:10] Speaker C: It's not Slept like I went to China and they singing that.
[00:04:13] Speaker B: Really? Okay, maybe I came across of it late.
[00:04:16] Speaker C: No, when you say. When you say slept on, I get what you saying, though. Cause we didn't shoot a video to it or like, we didn't like, give it like no radio push or nothing like that. But then again, it was a pandemic during that time. But, like, I guess it worked because everybody was in their house probably like with Their girlfriends or whatever that shit. Out that money, streaming that shit. Having babies, having pandemic babies.
[00:04:37] Speaker B: We a sucker for, like, R and B. A R and B song with a nigga rapping on it. Like, we love to hear.
[00:04:43] Speaker C: So I love hip hop and R and B. I work out to rb. I'm not the only rapper that do that. Wait, wait, wait.
[00:04:50] Speaker A: What you mean R and B? Like, you mean R and B or you mean.
[00:04:52] Speaker C: I'm talking about, like, shot a cash cope. I'm on the. The real rmb, listening to Zayn Johnny.
[00:04:59] Speaker A: Like, so how do you. That's a complete. Now I'm a dj, bro. So that's a completely different tempo, completely.
[00:05:04] Speaker C: Different dpn, Slow burn.
[00:05:06] Speaker A: Okay.
[00:05:06] Speaker B: It's a vibe. I gotta see my R B playlist.
[00:05:09] Speaker A: What?
[00:05:09] Speaker C: Oh, I got. See mine?
[00:05:10] Speaker B: Yeah, I'm really with this.
[00:05:12] Speaker C: Like, mine's called the Brown Lounge.
[00:05:15] Speaker B: The Brown. Okay. See, I'm a little vain. I got a picture of myself as the COVID Me too.
[00:05:20] Speaker A: Wait.
[00:05:20] Speaker C: Yeah. My R and B, My R B.
He a Libra, I'm a Libra, Yeah.
[00:05:25] Speaker B: His birthday on Sunday.
[00:05:26] Speaker A: Happy birthday, bro. Libras ain't shit, yo.
[00:05:28] Speaker C: What?
[00:05:29] Speaker A: The Libras are cool.
[00:05:31] Speaker B: They loyal.
[00:05:34] Speaker A: Bro.
[00:05:34] Speaker C: What are you?
[00:05:35] Speaker A: I'm Capricorn, bro. All logic.
[00:05:37] Speaker C: Cause you be capping and you corner.
[00:05:40] Speaker B: We gotta get into these lyrics on this song you just dropped. You said. I feel like Noah would have yap few them birds in the back.
[00:05:47] Speaker C: Oh, you caught that.
[00:05:48] Speaker B: Yeah, I'm.
[00:05:49] Speaker C: I'm glad nobody said even.
[00:05:52] Speaker B: You ain't airing nothing but a bnb. You ain't built like that.
[00:05:54] Speaker A: She break. She always breaking down the bar like that.
[00:05:57] Speaker B: Yeah.
[00:05:57] Speaker C: Damn.
[00:05:58] Speaker B: I love rap. Battle rap bars, all that come from battle rap. Yeah, yeah, yeah.
[00:06:03] Speaker C: I love Fab, too.
Wow. Yeah.
[00:06:07] Speaker B: Creatively. Where you at in this space when you writing that song, cuz? That is crazy.
[00:06:11] Speaker C: So this was like, I went through this whole time. Like, I read this book called the Artist Way. I'm not sure if y'all heard of it. The Artist Way, the Artist Way, the Artist Way. It's a spiritual guide for artists. So it's made to give you exercises to get out of your, like, I guess your stagnant box or funk or writer's block, if you may. Like, I wasn't feeling. I was like, recording mad music.
This is like, you know, me and Pharrell worked for two years and this pandemic called mad music.
And I'm like, yo, I'm not even feeling nothing. Like, I had to figure out how to get back to myself, but not realizing myself is a new self. It's like an elevated self. So how do you get to that elevated new self? How do you shed skin? And this book found me twice. One time, it was through my shorty at the time she got it for me. And then it was my cousin got it to me the second time. So I said, I gotta open this book.
And I read it and then I started doing the exercises. One of the exercises is you got a free write in the morning. Like three pages. Like, whatever you write, whatever come to mind, you just write it down. Then you gotta take yourself on a play date by yourself without people. And then you gotta, like. It's just these different things you gotta do, but it's all designed to get you out of your own way.
So I didn't even finish the book. I got the flow going. And then I had. For this album, I had to link four people that I wanted to link to figure out where I was at as an artist. One of them was Kanye, one of them was Jay Z. And one of them was Boogs that he works with. Ye. He does, like a lot of the production. And then it was Sycamore, Jay Z. I played all my music for him. And we got to the middle. He was like, oh, I understand where you at? You where I was at when I made Beach Chair.
I'm trying to figure out how to please the world, but at the same time, get off what's on my heart. So that's what he figured out. But you are anthem man, so you got to make the anthems. That's what he told me. Then ye said, everything sounds good. And we started working on Donda. And then what else? Bugs told me do low five beats. You got like a baritone voice like Biggie. And also you got nothing to prove. He said, me and ye, we just work on keeping. Keeping people moving.
So he gave me that advice, and Sycamore said, your music. I played him two songs off the project, and he was like, this sounds spiritual and tribal. He said he gave me homework to study. This group called Soul. And they got an album called Air. So I listened to that. So that was my homework.
[00:08:57] Speaker A: And your mentorship program is crazy. I point that out.
[00:09:00] Speaker B: It's Lex, though.
[00:09:01] Speaker A: Like, for real. Jay Z, Kanye, Sycamore. Like, what we talking about?
[00:09:06] Speaker C: Yeah, it's me seeking knowledge, man. I'm a student at the end of the day, so. Cause I wanna make the best product. Like, I'm like Frank Lucas going to get the Blue Magic. This Is what I like.
[00:09:16] Speaker A: I like the Harlem reference.
[00:09:18] Speaker C: Exactly.
[00:09:18] Speaker B: I like exactly barn shit up. Just me a convo is crazy.
[00:09:23] Speaker C: So bringing it back to where I was like, you know, during this whole process, I fasted, I juiced for 25 days.
[00:09:31] Speaker A: How long did you fast for?
[00:09:33] Speaker C: 25 days? Only juice.
[00:09:35] Speaker A: Oh, that was. Oh, okay.
[00:09:36] Speaker C: Like, only juice. This wasn't a part of the book or nothing. This is just like my own thing. And yeah, I believe, like, I had to clear my vessel out just to receive. So I juiced for 25 days. I went to Miami. I ran in the sun and sat in the beach water for, like, hour. Just talked to my peoples, ran back, recorded in the house. So this is me getting into my shit.
When I came to LA to work with E. Hudson, that's when I got my flow back. Because his beats is easy. I'm going, every time I go see E. Hudson, I'm going to get, like five joints off every time I see him. Literally, like five songs one day, like, in a couple hours. So I'm like, let me go to who I know gonna get that flow out of me. Cause he a vibe, he gonna bring the champagne, all of that stuff, right? So when I cleared the vessel and I was juicing and all of that and that whole thing, I was like, all right, now it's time to dirty it up. So I said, you can have fun. You. You did everything you. That was your initiation to, like, your higher self or whatever. And I'm like, I bet I'm going to.
I'm gonna go to Miami now. Now it's yacht time. Now it's like turn up time. It's the girls. It's the this and that. And like, you know, I wanted to see artists in a moment. I was like, I want to, like, go to Miami. I want to, like, see artists in a moment. And, like, that's what I got. Like, I went to a booby trap. And that night, like, everybody came. I was Lil Baby Nav Uzi. It was like a little baby birthday or something like that. And like, you just hear crazy, like, yo, they just do like 60, $80,000.
Like, I'm turning up. I just feel something on my back. Boom. I'm like, oh, what's that? That's Nav trying to get my attention with ones. He just throwing me up with money. Yeah, yeah. Like, with, like, hundreds stack, like, boom, boom. And like, I'm getting slipping on the money. I'm falling on, like, pillows of money. And so this is the moment. And then I go To Atlanta right after that. And I stay out in Atlanta for a week.
I could not record nothing for a week. And I got in with Mike Will and True.
I think Mike Will wasn't there at the time, but I got in with True. He's a part of the Eardrummers. And, like, I went to Onyx. I went to Allure after the night going to Allure.
I knew what I had to do after that. I came back on my last day and they played. That was like one of the first beats they played. And I just went in the booth and tore that shit up.
[00:12:25] Speaker A: You know what's interesting about that whole thing you just said is you seek exposure, experiences to put the mute. To do the music.
[00:12:32] Speaker C: Yes.
[00:12:33] Speaker A: Whereas most people reflect on experiences for the music.
[00:12:36] Speaker C: Well, I do both.
[00:12:36] Speaker A: No, I'm just saying. But that. That was a long ass. Like you int. That was intention. Intention, yeah, it was intention.
[00:12:42] Speaker C: That was my first time doing that too, though.
[00:12:44] Speaker A: Got you.
[00:12:45] Speaker B: So you really woke up with 30,000? You said we gotta double this before 9.
[00:12:50] Speaker C: Yes, yes. I woke up with 30,000 in a luau bag. And I'm like, yo, I gotta. I gotta. I still had the bands around, the money. It was still the money in the plastic bags. And I'm like, yo, we gotta. I gotta do something with this brand. Cause I can't travel with all this money.
[00:13:09] Speaker A: So do you. Okay, that's a whole nother conversation. But do you like, when it comes to the music, like, you talk like you are the anthem, man. I do agree. Hov told you that.
[00:13:20] Speaker C: Hov told me that.
[00:13:21] Speaker A: That's crazy. Yeah, that's another. That's a light flick. Yeah.
[00:13:24] Speaker C: Hov was supposed to get on a new level.
He was in the studio listening to what? Yeah.
[00:13:29] Speaker A: Wait, wait, wait, wait, wait. You can't.
[00:13:30] Speaker C: I hate that. I should never brought that up.
[00:13:32] Speaker A: No, I'm just saying still, though, like, that's a bar, bro.
[00:13:35] Speaker C: That's.
[00:13:35] Speaker A: People can't get that.
[00:13:37] Speaker C: Yeah, this is like Lenny that's telling me, like, yeah, he's in the studio.
[00:13:39] Speaker A: Even. Even the relationship that you have that for you even being able to be in close proximity like that, for him to even hear your music. This niggas got to pay their whole life savings just for him to listen to a song.
[00:13:50] Speaker C: Right?
[00:13:50] Speaker A: You feel me? Do you have that perspective when you looking at shit or you just look at them like the Uncs or the Homies or.
[00:13:56] Speaker C: So me and Hov got a different relationship. Yes, he is hov. He's Jay Z to me. Yes, but at the same time, I also did an internship at Rockaway when I was younger. Like, I was a teenager. So J's sister was like, aunt Michelle. She was paying, giving me money for per diem's and stuff to buy lunch and all of that. And I met Jay Z at an early age at a Christmas party that Mike, who owned Awful Dodger and rockaware with Jay Z, introduced me to Jay Z. Sitting at that table, my friend at the time was telling me, yo, give Jay your music. And I'm like, this is not the right time. He gotta discover me. And, like, so, you know, I would thank Jay, like, every now and then. Like, yo, thank you for creating an incubator, you know, to take in youngins to help nourish them and pour into them so we can grow and then possibly have a job. See, now I'm working with Roc Nation and all of these things like that. So I just look at it like, you know, he's definitely a big brother that I could get information from. And he got codes. Cause he been through it all.
[00:15:09] Speaker A: Facts. Go ahead. Go ahead.
[00:15:10] Speaker B: No, I was gonna say you've been a part of fashion, the fashion industry for a long time, for sure. Because even the whole y'all. The whole ASAP family, y'all kind of known as, like, being them niggas in. You know, in. On the fashion aspect of hip hop. What do you think is your most iconic fashion statement and your worst.
[00:15:29] Speaker C: My most iconic fashion statement?
Damn.
I don't know. I never really thought about that. That's a tough one.
[00:15:42] Speaker A: You ain't never put some. You like, Nigga, I'm one of them niggas today.
[00:15:45] Speaker B: Like, I gotta get a picture. Everybody gotta see me today.
[00:15:48] Speaker C: I feel like that now.
Nah, no cap. I feel like that. I feel like that in every era I'm in, whether it's the green hair Ferg. Whether it's, you know, the biker leather Ferg. But I really feel like I'm him now because I'm like, everything is intentional. Like, you know, everything that I have on, everything that, you know, you know, I got on Ferg Apparel. This is my brand. This is my dad's brand. Ferg Apparel was. He started it in 1994, and I just relaunched it. So maybe I feel like my fly is now because I feel like I got angel wings on me. Like, he's my guardian angel is with me.
[00:16:28] Speaker B: So have you looked back at any of your, like, looks? Like, just old pictures? Like, maybe like, 2015, 2016?
[00:16:34] Speaker C: Yeah, definitely. Flawless. Ferg. Era. I was like, whoa. Like, why?
Because I've grown so much from that. And I'm like, why did you do that and why? Like, what was you trying to do?
[00:16:49] Speaker B: This n a pulling it up?
[00:16:51] Speaker A: Nah, I just wanna see what he talking about. Like, specifically.
[00:16:54] Speaker C: So I had Dapa Dan. This is like super, like, legendary shit, though. Like, I had Dabbitan make me like, these.
So at the time, he had a deal with Gucci, where Gucci got him this brownstone building in Harlem, like, as his artillery to, like, make custom clothes for people. So I went and I ordered like, four, like, basketball outfits because, you know, the whole theme of it is floor seats, basketball. So I got like, these. This Gucci material.
Like, it's like dragons and shit all over it. Basketball outfits with Dapper Dan name in the back and. Well, my name in the back and Dapper Dan on the front. However it is, it's probably both.
Those is monumental. But not to wear because I just did, like, some things you just put in a box in a frame because it's just art, but it's like, to wear it was just a bit much.
[00:17:51] Speaker B: You also said you got Ben Baller to come out of retirement to make you a piece. What was that piece?
[00:17:56] Speaker C: Well, he said it. I didn't even know that that's what was happening. I was just calling him to make me a chain, and he said, like.
[00:18:04] Speaker A: You know, I ain't even doing this no more. Like, yeah.
[00:18:06] Speaker C: He was like, damn, Ferg. You know, I ain't even. I'm like, word. Oh, yeah. So that's what happened. Then Baller did the chain and. Yeah, I feel like that was a legendary moment as well.
[00:18:18] Speaker A: I think. I think I'm like, I've been shout out to my friend Casey. She calls me a fashion disaster, right? Because of how I dress. Right.
I don't. I don't know. I'm just. I'm a sweats and T shirt type of dude.
[00:18:30] Speaker C: That's cool. Red carpet, but that's fashion too now. Yeah. Somebody had to choose this.
[00:18:35] Speaker A: I'm not going to let you do this.
[00:18:36] Speaker C: No, no, no, no. Honestly.
[00:18:37] Speaker A: Honestly.
[00:18:38] Speaker C: It's a choice.
[00:18:39] Speaker B: Listen to the man.
[00:18:40] Speaker C: You chose that.
[00:18:42] Speaker A: Yes.
[00:18:42] Speaker C: You chose that.
[00:18:43] Speaker A: That's a choice. That is.
[00:18:44] Speaker C: That's a vibe. No, it's cozy, you comfortable, you like the way it fit, and that's what it is. It's a uniform that you don't have to put thought into that's always going to give. And then you can focus on everything else in your life, bro.
[00:19:00] Speaker A: I Love the spin on it. You should go into pr. But what I'm saying is, and you.
[00:19:05] Speaker C: Not mismatching or nothing. And even if you was, it's still your choice.
[00:19:08] Speaker B: You thought about something. What you.
[00:19:10] Speaker C: Yeah, you thought about that.
[00:19:12] Speaker A: So I guess my question is, so.
[00:19:14] Speaker C: Why did you choose Puma and not Adida or Nike?
[00:19:17] Speaker A: Because I was told when I wore Nike with the Puma sweats that I was out of pocket for that.
[00:19:22] Speaker C: Oh, I be out of pocket all the time. I ain't gonna lie.
[00:19:25] Speaker A: So that's okay to do.
[00:19:26] Speaker C: Cause in Harlem, we wear white air forces with everything, so.
[00:19:30] Speaker B: Okay, so forces is the only exception.
[00:19:32] Speaker A: No, now we move.
[00:19:34] Speaker B: Forces are the only exception. You can't put on no fucking Nike sweatsuit with some Puma shoes so I.
[00:19:38] Speaker A: Can put on so I can have white air forces on with a Puma sweatsuit.
[00:19:41] Speaker B: The forces are the only ones.
[00:19:43] Speaker A: Is that true?
[00:19:44] Speaker B: And maybe some white. All white shell toes.
[00:19:46] Speaker A: I'm sorry, Uptowns?
[00:19:47] Speaker C: Yeah, Uptowns.
[00:19:47] Speaker A: I could wear the uptowns with.
[00:19:49] Speaker C: Yeah.
[00:19:50] Speaker A: What about the all black uptowns?
[00:19:52] Speaker C: Negative.
[00:19:52] Speaker A: So those are out.
[00:19:53] Speaker B: You shouldn't be wearing all black. Nothing on your feet.
[00:19:55] Speaker C: Yeah, unless they.
[00:19:58] Speaker A: So you ain't never wore all black forces?
[00:20:00] Speaker C: I did.
[00:20:01] Speaker A: When?
[00:20:01] Speaker C: But not with a whole, like.
[00:20:05] Speaker A: Not when you was going to put in work. I'm talking about, like, I'm not talking about when you on a mission. I'm talking about, you know what I'm saying? Like how you just putting that on, allegedly. But I'm saying, like, I'm talking about, like, if you ain't never like, stepped out Harlem on Friday, Saturday night, in.
[00:20:21] Speaker C: An all black uptown, Harlem had a moment where we was doing black socks and black ups. It was a thing, like, it was a thing to do that in Harlem in a moment. And then we graduated to the Nike boots.
[00:20:36] Speaker A: So how long was the moment for the all blacks?
[00:20:39] Speaker C: I feel like I remember that for about, like two years.
[00:20:42] Speaker A: Okay, so now it's a no go.
[00:20:44] Speaker C: That's some super, like, nuance, like Harlem shit. Like Harlem, we wear like swimming trunks with like Tim's and tank tops.
[00:20:52] Speaker A: That's crazy.
[00:20:53] Speaker C: Yeah, it's wild. It's a wild place. It's a wild place to live.
[00:20:57] Speaker A: Yo, let me tell you something.
[00:20:59] Speaker C: It's nuanced.
[00:21:00] Speaker A: I fuck with Harlem. But I went. I stayed in it. I stayed in the BNB in Harlem one time, right? They told me, oh, you don't know how the white people put it on the white. On the website, like, scenic view. Just a short walk to this and all that. I was off of 135th and Frederick Douglass. Right.
It was not what they described it as. Like, what you mean? What you mean, what I mean? Did they had.
You know that it's ghetto. What?
[00:21:24] Speaker B: That's exactly where I'm trying to go.
[00:21:25] Speaker A: The chicken spot was on the corner, right? A nigga got stabbed out front. Yeah. The police came when I'm walking to get the chicken. Somebody got robbed. And then, bro, I'm not making this up. And y'all got the little.
[00:21:36] Speaker C: Who was you out there in the.
[00:21:37] Speaker A: 80S, like a few years ago and then, bro. And they got the police thing. The little police shit that go up in the air.
[00:21:45] Speaker C: Oh, yeah, the tower.
[00:21:47] Speaker A: The tower.
[00:21:47] Speaker C: Yeah.
[00:21:48] Speaker A: So. And they didn't even do shit.
[00:21:50] Speaker C: Hey, nah, listen. The youngest is wild and for sure. So that's probably what it is. I don't even know. But I be in Harlem all the time. It'll never be like that.
[00:21:59] Speaker A: It was like Gotham City when I was there.
[00:22:00] Speaker C: But I'm just used to it. I don't know.
[00:22:03] Speaker A: I mean, I'm from la. I get it. But it was just a different.
[00:22:06] Speaker B: Cause we got colleges. That's right smack dab in the middle of the set.
[00:22:10] Speaker A: Yeah, Harlem.
[00:22:11] Speaker B: The Harlems. Usc.
[00:22:13] Speaker A: Yeah, yeah. Usc.
[00:22:14] Speaker C: Man, I just want to go sit in somebody auntie house in Compton.
[00:22:19] Speaker A: Why?
[00:22:20] Speaker C: And get conversation, look at family pictures and eat food.
[00:22:24] Speaker A: So you need culture.
[00:22:25] Speaker C: I need culture because every time I come to la, it's like Hollywood.
[00:22:29] Speaker A: Yeah.
[00:22:30] Speaker C: It's like I never like, I told Kendrick that I'm like, yo, bro, I need to like go to your auntie's house or something.
[00:22:36] Speaker B: Like, well, I'll take you to the hundreds.
[00:22:39] Speaker C: Yeah, she'll take you. As long as I'm safe.
[00:22:41] Speaker B: Yeah, you're going to be good.
[00:22:43] Speaker A: Yeah, they gonna fuck with you. You a cool. You a cool ass dude. You know what I'm saying?
[00:22:46] Speaker C: People fuck with you because it's like, yeah, la. I never caught a real vibe of the real vibe of la.
[00:22:54] Speaker A: Like people from la, people always say, like, LA favorite. Like, you not talking. Like, me and her, we from here.
[00:22:58] Speaker B: You gotta come on 4th of July.
[00:23:00] Speaker C: Yeah, I wanna go to some lit shop.
[00:23:02] Speaker A: So I'll be at the homie. So I be in Compton at my boy Tim Henshaw. We be at his mom house. Tim used to run Amazon.
[00:23:07] Speaker C: Let's go to his mom's crib.
[00:23:08] Speaker A: So we'd be at his mom's house in the set, right. For fourth of July. That's a real like the potato Salad.
[00:23:14] Speaker B: We bring Disneyland to the hood.
[00:23:16] Speaker C: They playing Frankie Beverly and all of.
[00:23:17] Speaker A: That, all the old.
[00:23:18] Speaker C: Come on, man, we need all of that.
[00:23:20] Speaker A: You low key. 50 on the inside. Like, maybe even 75 years old.
[00:23:25] Speaker B: Your dog was stolen and then you just recently got it back. Can you tell us that story?
[00:23:30] Speaker C: So. So he wasn't stolen.
And I don't know what happened, honestly. We. We left him with the dog sitter and he ran away from the sitter, like, when he was a couple months years old. He used to, like, playing those games, like, run out the house, make you chase him, all of that. But he never, like, left the crib.
[00:23:47] Speaker B: What kind of dog is it?
[00:23:48] Speaker C: It's an Australian shepherd toy. And he ran away from the dog sitter and he disappeared for three and a half years.
So when a cop called us because he got the chip in him, but I guess they had to attain him to, like, read where he was at.
The cop found him on Connecticut. I mean, in Connecticut, just walking by himself.
And we got the call and, like, they was like, do you got a dog? His name is Crash, Australian shepherd.
And that's how he got covered.
[00:24:23] Speaker B: Did you cry?
[00:24:24] Speaker C: No, I didn't cry. I didn't cry. But I definitely was, like, I was worried about him and I was like, yo, what is this dude doing? Is he like walking in the wilderness or is he all right? Is he dead? Literally, this is on my mind for a couple years, but it kind of come and it kind of go and it's just kind of like one of them hurt things that it'd be like, I just gotta deal with it. Like, it's just what it is. But to have him back was freaky. I was just trying to understand it first. Like, just. I still be looking at him like, yo, you with me right now? Like, and I'm not even. Like, I've never, like, grew up with a dog. I got it for my girl at the time. Like, and, you know, we kind of shared the dog. But I never, like, grew up with a dog in my household. So for me to have him living with me and figuring out, like, how when he's hungry, he flips the bowl over and like, yeah, you know what I'm saying?
[00:25:20] Speaker B: He, like, dogs become a part of you Crazy.
[00:25:24] Speaker C: What I'm thinking about now is, like, I be so cozy just chilling with my dog. Like, I don't really care to, like, be outside like that. Like, I be chilling.
[00:25:34] Speaker A: She got this little ornery ass dog.
[00:25:36] Speaker C: A what dog?
[00:25:37] Speaker A: Little motherfucker, bro. Her little dog.
[00:25:39] Speaker C: What Kind of dog.
[00:25:39] Speaker B: Is he the toy Yorkie?
[00:25:40] Speaker A: He a little.
[00:25:41] Speaker C: Oh, a Yorkie.
[00:25:42] Speaker A: He's a little crip, bro.
[00:25:43] Speaker C: The nigga, he a crip.
[00:25:44] Speaker A: Right? Anyway, when you break up. Cause you said you got it for the girl. Do you. Who gets the dog is the person that paid for the dog, or do you take the dog back, like. Cause I always wonder how that politic works.
[00:25:57] Speaker B: Well, we parents now.
[00:25:58] Speaker C: Well, I have the. Yeah, we co parents, but I have the dog, like, most of the time.
[00:26:02] Speaker A: Yeah, but I'm just saying, like, so is that. So you just negotiate, like, who love the dog more? Or is it like.
[00:26:08] Speaker C: Nah, nah, nah. We both love the dog. Like, it's just, you know, we both got busy schedules. So, like, the dog stays with me.
[00:26:15] Speaker B: Do y'all have kids?
[00:26:17] Speaker C: Nah, I don't got no kids.
[00:26:18] Speaker B: See. Cause I refer to the person who purchased my dog as my baby daddy.
[00:26:22] Speaker C: Okay.
[00:26:23] Speaker B: You know, so I get the dog because it was for me. But I am gonna try to, like, tap in with you every now and then and say.
[00:26:31] Speaker A: And that's a woman's shit, though. She want. She want custody, but then she wants you to pay for the support of it. Like, you know what I'm saying?
[00:26:37] Speaker C: Right?
[00:26:38] Speaker A: That's some bullshit.
[00:26:38] Speaker B: We co parenting.
[00:26:39] Speaker C: It's the opposite for me. I wind up with the kid, like, I wind up with.
And it's so weird, like, calling, like, my dog my kid. I don't like to even do that because he's 4 years old. So it's like, really, like, if he was a human, he'd be 27. So I'd be like, people be like, all of that to the dog and the.
[00:26:58] Speaker A: You did that math? Fast as hell.
[00:27:00] Speaker B: I'm still doing it.
[00:27:01] Speaker A: Yeah, yeah.
[00:27:02] Speaker C: So he. So he would be. If he was a human being, he'd be 27 years old. But he's a 4 years old and dog years. So when people be like, oh, he's a little cute puppy. I'm like, yo, stop playing with him. He's a grown man.
[00:27:14] Speaker B: Like, I would like to know who got high and decided this dog ears meth because, like, just in the world.
[00:27:21] Speaker C: Yeah, yeah.
[00:27:22] Speaker B: Like, who just came up. We just gonna say that even, like, how cats have nine lives.
[00:27:25] Speaker C: We could Google that.
[00:27:26] Speaker B: I want to know who figure that shit out.
[00:27:28] Speaker A: Who theory is that so? I heard you talking to J1. I was eavesdropping. And you got. You got married the queen. You got Mary J. Blige on the project.
[00:27:39] Speaker C: Yeah, I got also two songs.
[00:27:40] Speaker A: But you got married On a song with your moms.
[00:27:43] Speaker C: Yes.
[00:27:43] Speaker A: Now, that got. First of all, that's a bar.
[00:27:46] Speaker C: Yes.
[00:27:46] Speaker A: You know what I'm saying? Cause anybody could do that for their mom. My mom loved Mary.
[00:27:50] Speaker C: My mother put me on to Mary.
[00:27:52] Speaker A: Word. So how did that happen? Or what was that about?
[00:27:57] Speaker C: So, yeah, like, we did the song. Mary loved it. She jumped on it, and I was like, you introduced me to Mary, so I want to put you on a record. And I just like that.
[00:28:10] Speaker A: Like, what was her reaction when you told her?
[00:28:13] Speaker C: Like, she was like, oh, for real? That's cool. That's what's up. My mother is, like, super, like, monotone with everything. Like, she doesn't get too high or too, like, she just, like, chill, like, until she see, like, the actual, like, thing happened. And she was like, oh, shit. Like, what the fuck? Like, this is a real thing.
[00:28:31] Speaker A: Yeah.
[00:28:33] Speaker C: I don't even think I played it for yet, because I was gonna wait for it to come out. But, yeah, my mother is. She. She's. She's definitely excited.
And I just went down the wrong bite.
[00:28:47] Speaker A: Damn, you need me. Drink me some water.
[00:28:52] Speaker B: Well, let me drink some water too, then.
[00:28:54] Speaker C: Yeah, I like to do stuff like that. Like, on my album Always Driving Prosper, I put Chuck D on a song called Beautiful People. I put Chuck D on a song with my grandma, Shout out to Mama Ferg. So I like to, like, take huge, like, celebrity goated people and put them on songs with my family members.
[00:29:14] Speaker A: Yeah, but your family still gotta earn that, though, too. Like, it ain't like. It ain't like your family.
I don't want to come across like you just doing your family side. Your dad is a bar. Your mom is some shit.
[00:29:25] Speaker C: Like, nah, they did. Because look at me, they raised me. So it's like, they already did it. They did the goaded shit already.
[00:29:33] Speaker B: Speaking of your parents, I went deep down your Instagram, like, 2019, I think it was, and you posted that you think that you are the baby in the bad boy logo. Was you ever able to confirm that?
[00:29:44] Speaker C: Well, I am, because, like, it wasn't no babies. Like, Christian or Justin wasn't born at the time. So, like, I was the only baby that my father had to look at. My little brother wasn't born at the time. So it's like, who is my father referencing as a baby to be? Damn, Tell the story. He was creating a logo. So my dad did the bad boy logo and he did the Uptown Cat logo for Andre Harrell.
[00:30:07] Speaker A: Facts.
[00:30:07] Speaker C: Yep.
[00:30:08] Speaker A: Did you.
[00:30:09] Speaker B: You need a biopic?
[00:30:11] Speaker A: Yeah. You got a lot of, like, layers to everything. And I think that it's like, it's worth that. Like, I think people will be fascinated by. I saw Travis do his shit on Netflix.
[00:30:20] Speaker C: Yeah. Yeah.
[00:30:21] Speaker A: I think you could probably get some shit off like that.
[00:30:23] Speaker C: Hell yeah, Defin.
[00:30:24] Speaker B: Because imagine too, like, being that you've had such a remarkable life.
[00:30:31] Speaker C: Yeah.
[00:30:32] Speaker B: Thus far.
[00:30:33] Speaker C: Yeah.
[00:30:33] Speaker B: Like, imagine what you gonna be doing once you hit 50. You know, like, you give me that. You're going to be one of those people we identify as a hip hop mogul.
[00:30:43] Speaker C: Oh, I appreciate that. That's strong.
[00:30:45] Speaker A: I appreciate that. Why is this most personal project for you? I know you said that. Your most personal self title or.
[00:30:53] Speaker C: Um. Because it was the album that I've always wanted to make. And I think that I've grown to the person in order to make this album. Like, it was like, certain, you know, I never wanted to come off preachy or like, you know, it was certain type of conversations and stuff I wanted to have with the world that I didn't know how to articulate, you know, when I was a Trap Lord or when I was a Ferguson or, you know, these different eras of myself. I think, you know, on the journey to becoming Daryl again, which is my first name, you know, not even asap. Ferg or Ferg or, you know, my nicknames, but, like, who I am. I think that it allowed me to just be like, all right, I'm all of these things all at once. And I don't have to, like, put this aside to do this, to put this. Like, it's the dynamics and the different dimensions of a person all at once that makes somebody super fire. Like, the fact that, I mean, R. Kelly might be a bad.
He might be a bad reference. But you already said most great reference, I think, because he was able to make. I believe I could fly. But it also, like, make filling on your booty, which is like the duality of it. Exactly. And we both accept them for. We accept them for both. So, like, that's the same thing. You know, I had trouble.
It was like, yo, when we was wearing, like, baggy jerseys and then, like, things started to get a little bit more tight on the clothes. It was like, what do I do right now? Do I fucking just get rid of all of this fucking shit that I paid mad bread for? Do I? So it was like, that was happening in my mind musically, and I think that I just figured, like, nah, it's like one day you wear the jersey, and then the next day you wear Diesel and Seven.
[00:32:44] Speaker A: And it's okay.
[00:32:45] Speaker C: And it's all right.
[00:32:46] Speaker A: Who would you. Who was somebody that you seen dressed and you like, man, I wanna stop. Like, pick a celebrity to style.
[00:32:53] Speaker C: Oh, damn.
To style them.
[00:32:56] Speaker A: Yeah, like you want. You address them.
[00:32:59] Speaker C: Well, first of all, I'm not a stylist, so I don't wanna style anybody.
[00:33:03] Speaker A: But I'm saying. But you are more fashion equipped than most people. Like, I'm like, she's one of them people who pay attention to style and stuff like that.
[00:33:12] Speaker B: I'm not, but maybe we should take. We should. You should take head out.
[00:33:17] Speaker A: No.
[00:33:17] Speaker B: And take head shopping. No pause. And then dress him up.
[00:33:21] Speaker A: We can make a cotton out of. I wouldn't buy a hat that he wears the hat hat. Probably my car. Note. I'm cool, bro. I want no smoke.
[00:33:28] Speaker C: N. This is a. This is a Dap Gap. Gap hat. Dap Gap, Yeah. This is probably like $30.
Not expensive. Your hat probably cost more than my hat.
[00:33:38] Speaker A: My hat was given to me.
[00:33:40] Speaker C: Mine was too.
[00:33:45] Speaker A: Nah, look, as far as this project, I think that for you saying that it's your most personal project, I think it's dope. I think it's time for that. Because you are the anthem. N, like, I'm a dj. I play your shit all the time.
[00:33:57] Speaker C: I appreciate that.
[00:33:57] Speaker A: You know what I'm saying? But I think for the people who fuck with you and fuck with your. Fuck with ASAP Meyer, but also just Ferg fans, they do want more from you. You get to a point where an artist's career was like, all right, but what does he think? How he feel about certain shit? And is that where you at now?
[00:34:13] Speaker C: Hell, yeah. Because, you know, as an artist, sometimes, like I said, you don't grow into that person that's able to articulate yourself in certain, like, yo, it's like mad pressure. Like, you say something wrong and then, like, you know, the media blows it up and make it something that's not. But one thing I learned from Kanye is like, you know, if you're wrong, it's cool because you could go on the next interview and correct it or go on the song and correct it or we're humans. We're not, like, trying out for a job. Like, you ain't gonna be right all the time. So I think I just got cool with, like, being wrong and being a person in front of people. Like, we, like, you know, you can't be perfect, and people don't want perfect. People can't identify with perfect. So I think with this album, I Wanted to dive into all my imperfections. I was able to do that, like, for, like, all my family and, like, getting in trouble by my family and my last albums for talking about family business and shit like that. But I'm like, man, who am I if I can't really do that for myself? So that's really, like, you know, what I'm doing now. And I think that I, you know, I'm at an age where it's like, what am I saying? Who's listening? And what am I trying to convey? Because money is cool, but at the same time, money, it can't really.
It can help people in a financial sense. But when it comes down to, like, what Jay Z does for me, like, I could go back and listen to a Jay Z album and be like, oh, shit, maybe I should invest in Dumbo or maybe I should do this or listen to, like, the Evils or all of these songs. It's like Bible, you know, it's like reading the Bible. Like, you're gonna read these different stories that's gonna, like, enhance your life. And that's what I want to do for sure.
[00:36:02] Speaker B: You are second guest recently. Well, second guest in a row that's had, like, some sort of connection with hoes. Remember Rotimi said that he was in a group when he was a kid. I don't know if God talking to Jay Z right now, but you can pull up to Hip Hop Nation.
[00:36:21] Speaker A: I think it's important. Like, everything you be saying and, like, people are paying attention. You right? Like, even when you think they not they paying attention and the kids is paying attention, they paying attention.
[00:36:30] Speaker C: The kids is not stupid.
[00:36:31] Speaker A: They not stupid.
[00:36:32] Speaker C: I purposely like Dee Dee Osama's on my album as well. Like, young drill rapper. I don't even call him a drill rapper because he's so much more than that. He got so much more music and different styles to offer that the world hasn't heard yet. Because I heard his music, and I played him the more introspective songs on purpose just so I could get his reaction. He's like, I played him to join with me and Mary casting spells. And he like, yo, Ferg, my heart, yo, the world need this. The world, yo. Nobody talking to us like this. On God. On, bro. Like, nobody talking to us like this. And that's exactly who I want to get it to, like, because I want to be able to morph their minds and let them know it's all right to, you know, speak truth. And they are speaking their truth, but it's Very one sided. And they think they got to be aggressive all the time to get that out. You know what I'm saying? Like, I mean, the hood is a tough place to come up and we gotta be like strong to, you know, make it through. And, you know, I wouldn't say make it out cause I'm still very much a part of the hood. It's just like, I just feel like, you know, it's all right to show different parts of yourself because that all helps. And Tupac was great at that as well.
[00:37:49] Speaker A: You got Dear Mama and then you.
[00:37:50] Speaker C: Got Come on Dear Mama. That hit him up and then.
[00:37:53] Speaker B: Yeah, it's called range.
[00:37:55] Speaker A: It's range.
[00:37:55] Speaker C: Yeah, it's range. And he was okay with that. He had to let himself go.
[00:37:58] Speaker A: He was flawed and he was okay with Kid.
[00:38:00] Speaker C: He was okay.
[00:38:00] Speaker B: But it's also too just being transparent within your music. Like, if you talking about how you get inspired by your own personal experiences, they need to know that every day is not. Not to say this, what you going through, but every day is not a shootout.
[00:38:15] Speaker C: Right.
[00:38:16] Speaker B: Like, exactly. Some days it's conversations with Mary J. Blige, some days it's because we only.
[00:38:21] Speaker C: Dealing with heightened situations. And that's not real.
[00:38:25] Speaker B: Right?
[00:38:26] Speaker C: That's not a real thing that people can relate to. Like, that's why, like, you know, I got a bunch of rich friends and stuff like that. We chat and everything like that. But I mostly hang out with like my family and like, you know, my friends that's still in the hood. Because that's the people that, you know, I want to make the music for. Like, that's the stories that's, you know, going out to them. And then like, I go back to my other friends and we figure out how we can spread the message amongst the world because they're scientists when it comes to that, like, monetizing and spreading and, you know, that whole thing. But this is all for the people.
[00:39:06] Speaker A: Like, my last thing is your style. You kind of. You still. You give us variations of Ferg, like you said. But you've been gone for like four years, but. Right, but you give us different variations of Ferg. Like you'll do an iteration. I noticed the Weeknd does that. Like he'll transform into a character for the whole period. Right. So you can be green haired Ferg and then you'll be, you know, whatever. Right?
[00:39:27] Speaker C: Yeah.
[00:39:28] Speaker A: I guess what I'm asking is how do you maintain that and not get caught up into the trends or the wave or the hype? Because a lot of people who have their own style, they became drill rappers, or some people became, you know, this type of, like, how do you stay away from that? Have you thought. Have you. Have you conformed to a style at some point? Lost yourself?
[00:39:48] Speaker C: Definitely. You gotta lose yourself. Define yourself.
And when I say lose yourself, define yourself. It's like, lose who you are today to become who you are or you're meant to be tomorrow. So it's like, you gotta be all right with that. Like, I've done a drill song with Axel and Lil Wayne, but it's not who I am. It was just, like, something fun that I did is not my style, but that's what makes it cool is that, like, Ferg usually wouldn't do that, but I did it. And I've, Like, I've never really been one to follow trends and get caught up in what people do, because I listen to God, and, you know, that's like, the little thing that's in your mind. Like, yo, go this way. Or, like, you'll pick that color. Or like, yo, even if that don't make sense to you, like, it feels right. Like, do that. Like, I.
The cow print bag with the leather jacket and the. Like, ain't nobody dressing like this right now. But I listen to the inner voice. Like, I don't want to follow what everybody else is doing because that's not fresh. And I'm not trying to be a part of what you're doing. I'm a world builder. Like, I'm no different from, like, Ralph Lauren, Kanye, Pharrell, Tyler, the creator.
[00:41:06] Speaker A: I'm Disney.
[00:41:07] Speaker C: Yeah. Walt Disney, George Lucas. You know, these. You know, these people create worlds. And that's what I do. Like, whatever I'm giving to the world, I don't know exactly what it is, but that's what I'm creating. It's not nothing that I'm picking up from and seeing somebody doing, like, oh, I need to copy that. Cause everybody say they like that on them. That's on them.
[00:41:34] Speaker A: You said the voice of God. We had an argument up here on the radio about what God's voice sound like. I said James Earl Jones. She said God sound like Morgan Freeman.
[00:41:45] Speaker B: Now, though, I think it's the nigga voice from Friday after Knicks who remember the intro to Friday after Knicks twice the night before Christmas, right before daddy and Craig got robbed.
[00:41:56] Speaker C: I gotta look at that.
[00:41:57] Speaker A: What do you think?
[00:41:58] Speaker B: What do you think?
[00:41:59] Speaker A: What do you think? If you had to pick a voice, what do you think God would sound like?
[00:42:03] Speaker C: It's not even A voice. It's just like a.
It's an intuition that says things.
So it's not a voice. It's like a five dimensional way of tapping into the voice.
[00:42:16] Speaker A: The voice high enough for this?
[00:42:17] Speaker B: He too smart for this.
[00:42:20] Speaker C: Yeah, well, I don't even get high. Me either. Yeah, I don't smoke or nothing.
[00:42:24] Speaker A: I don't smoke or drink or nothing.
[00:42:26] Speaker C: Yeah, that's.
[00:42:26] Speaker A: But I'm. I'm. I, I. When you say it's fifth dimensional, you saying. You saying it's an intuition, but you have to hear something. How do you hear if it's inaudible?
[00:42:36] Speaker B: When God speaks through us, though, we hear our own voice.
[00:42:40] Speaker C: Mm. Mm.
So I'm gonna add to that KRS1. He did a seminar. It's on YouTube. You could just type in KRS1 Rockstar, close your eyes and say rockstar without saying Rockstar.
[00:43:02] Speaker A: I said it exactly, but I said.
[00:43:05] Speaker C: It in a voice that's Vince. That's fifth dimensional. Because we didn't hear what you did. That's in your mind's eye.
[00:43:12] Speaker A: All right, bet.
[00:43:14] Speaker B: Have you and Fergie ever met?
[00:43:16] Speaker C: Yes. She used to send like wines and shoes to my mom all the time.
[00:43:21] Speaker B: Have you ever had a conversation with your names too, huh?
This nigga need a movie.
Have you ever had a conversation about your names?
[00:43:32] Speaker C: Yeah, I think I was trying to, like, I was trying to copyright some stuff and I couldn't because she got the company.
[00:43:39] Speaker A: Yeah, yeah, yeah, yeah. Oh, well. Hey, man, shout out to Fergie.
[00:43:45] Speaker B: Unless you want to play a game, I'm here.
I don't think he gonna play it, bro.
[00:43:53] Speaker A: So listen, the project is titled Darryl. Yes. Congratulations. You back outside.
I know you can't wait to hit that road. Cause you didn't get to scratch that itch four years ago.
[00:44:05] Speaker C: Yes.
[00:44:05] Speaker A: You know what I'm saying? And I've seen Ferg perform before. It's definitely a sight to see, man.
And I appreciate showmanship. A lot of niggas walk back and forth and grab they crotch just do they look cool like you? Not a cool like you perform?
[00:44:21] Speaker C: Yeah, I'm going sweat.
[00:44:22] Speaker A: And I think the. I think that that's another lost art is showmanship. People leaving it on the stage. I saw Busta with him at 50 and I was still going hard. Busta and Spliff is like, I can.
[00:44:33] Speaker C: Nobody fuck with still go hard.
[00:44:35] Speaker A: Them and Missy, you know what I'm saying?
[00:44:37] Speaker C: He might be like the best performer in the world. Facts like Busta. Nobody could do what Busta do.
[00:44:42] Speaker A: I was gonna ask you that. Cause that's where I was going with the last question as far as like, who do you take your showmanship from? Like, where do you get that from?
[00:44:49] Speaker C: Definitely Busta is like one of them for sure.
Jay Z, when he calm and collective and he rockin Tupac with the slacks. The white slacks.
Who else?
When I first went on tour with Drake, Rocky and Kendrick Lightflex paradise tour, this is like Rocky. I was, I was just, I came out of there, I did my song Kissing Pink with Rocky, but I was able to watch Kendrick. Kendrick is definitely one of the guys as well. And Drake and seeing what they did as far as like the crowd and crowd control and how Drake like pointed different people out in the crowd and highlighted like the whole like arena. Like at that time it was like we was doing.
He was doing like gyms and like it was still big shows, but we was.
Yeah, he would like highlight these different people and like point them out and like acknowledge everybody. And then like with Kendrick it was like, it was like he was like a accurate M16, giving like headshots, like words, everything, like super on point. And then with Rocky, it was like organized chaos and it was like, you know, when you go to a Rocky show, you will understand what I'm saying. It's hard to explain, but it's like, it's just so much going on from like the visuals to like, you know, the, you know, the us coming out and mosh pitting and crowd surfing on certain parts of the songs. So I kind of like, I got my style from that experience and just like how I seen people rocking.
[00:46:46] Speaker B: All of those people possess like amazing crowd control.
[00:46:49] Speaker A: Yeah, but, yeah, no, I appreciate you, bro. I'm glad you get up out of here, but you welcome anytime. You know what I'm saying, man?
[00:46:56] Speaker C: Yeah, we're going, we're going to take this over to.
[00:46:58] Speaker A: Don't do another four years though. Like.
[00:47:00] Speaker C: No, no, no, no, I can't do that. I don't, I don't, I don't need to do. I don't want to do that. I don't need to do that. All right, but I'm going to say we need to do this again at your auntie's crib, at your boys.
[00:47:09] Speaker A: Oh yeah. I mean, if you want to, you can pull up.
[00:47:11] Speaker C: Yeah. Hell yeah.
[00:47:12] Speaker A: You know, we can go to the neighborhood.
[00:47:13] Speaker C: She can take you to her neighborhood live from Compton.
[00:47:15] Speaker A: We can do it. It's all good. Asap. Fergus in the building is effective immediately.
[00:47:20] Speaker C: Yes.
