Episode Transcript
[00:00:04] Speaker A: Yo, it's effective immediately.
[00:00:05] Speaker B: I'm DJ Head and it's your favorite homegirl, Gina Views.
[00:00:07] Speaker A: Special guest in the studio needs no introduction. Our homie. Your homie to the max. Big Ja's here.
[00:00:13] Speaker C: Cracking to the max.
[00:00:15] Speaker B: Finally.
[00:00:16] Speaker C: Whoa, whoa, whoa. Damn. Wait, wait, hold up. Damn.
[00:00:19] Speaker B: Finally. I don't know. I don't know nobody more busier as you or the president.
[00:00:23] Speaker C: Nah, y', all, y'.
[00:00:25] Speaker B: All.
[00:00:25] Speaker C: But look. Damn, she switched fast. She went like. We had a little bonding moment. Look at this. Yeah, finally, nigga. Oh, homie.
[00:00:33] Speaker B: After getting the character.
[00:00:34] Speaker C: Yeah, yeah, okay, cool. Yeah, I watch y' all can get it cracking with the language. I ain't going too crazy. But I, yeah, she said finally. Nah, nah. Hey, I just got finished shooting. I was, man, I was disappointed too. I was like, I promise you, I'm thinking this, like, I hope they don't bug me. Fuck this nigga then. Nah, nah. And it snatched me off the schedule altogether. And I was like, man, can I reschedule? Cause I was watching.
[00:00:53] Speaker B: We watching.
[00:00:54] Speaker C: I appreciate it.
[00:00:54] Speaker B: Yeah, we watching the show.
[00:00:56] Speaker A: Aside from the show, bro. Like you fam. Like, I, I, I actually it's not really people. It's not really many creators and like that I really with like, they content. Cause you know, like, some things can be funny on Instagram, but like, when you start to build out the world and do other stuff, like we done did stand ups and stuff together where it's like, hell yeah.
[00:01:12] Speaker C: Yeah.
[00:01:12] Speaker A: I actually fuck with your shit, bro.
[00:01:14] Speaker C: I appreciate it. Thank you.
[00:01:15] Speaker A: Welcome to the show.
[00:01:16] Speaker C: Thank you, man. I'm glad to be here. Yeah, this is dope. Hey, I watch y' all shit and I'm like, man, they'll be having fun up there.
[00:01:22] Speaker A: All right, look, it's fun.
[00:01:23] Speaker B: I've been like campaigning to play somebody baby mama in a music video or something.
So if you got like a little like burnt out, little extra dog, little baby mama roll.
[00:01:32] Speaker C: Damn. Where was you at? You know what? Shout out to my girl Courtney, though. Cause she. And for laughing, you don't ever want
[00:01:37] Speaker A: no smoke with women. You be like, hell, no. No. I always be like, let me throw
[00:01:42] Speaker C: the disclaimer before I say something. Yeah. Because I got an episode called Baby Drama where my character Carvel get.
My little ex chick is banging on my door in the morning to wake me up. And I come out and I'm like, what the hell you doing? I'm pregnant. You know what I'm saying? So we had that whole. That was a pretty popular episode too. So I Would have loved to.
[00:02:01] Speaker B: Is that the one where Ad's the daddy or not the daddy?
[00:02:05] Speaker C: Yeah, who's the daddy, huh?
That's up to Lord and Shaylisse.
[00:02:11] Speaker A: Yeah, I got hella questions too. Like that. Like what she just asked.
[00:02:14] Speaker C: But here's the thing. That's how the hood is. Like, you don't be knowing. You don't know what nady be nine years old. You be like. Like he's starting to look like Rayvon. No, not Rayvon. Whoa, whoa, whoa, whoa, whoa. Shout out to my nigga. Rayvon. Rayvon is in it though. I know, I know. Yeah, he is in it a different episode. But yeah, not Rayvon, but like Rayvon. You know what I'm saying? Like you don't know. And sometimes, for example, I found out I had a brother. I was in the eighth grade. I found out that you found out
[00:02:38] Speaker A: you had a brother. How old was the brother?
[00:02:41] Speaker C: 40?
No, no, 38. 38.
[00:02:44] Speaker B: But you was in eighth grade.
[00:02:45] Speaker C: Yeah, I'm the youngest.
[00:02:47] Speaker B: That's a long. That's a gap.
[00:02:48] Speaker C: Yeah, My oldest before him, the one I grew up with, my sister is 18 years older than me.
[00:02:55] Speaker B: Okay.
[00:02:55] Speaker C: And I'm the youngest. She's the oldest.
[00:02:56] Speaker B: Is this same parents, same mom, same daddy.
[00:02:58] Speaker C: Mom, different dad, all same father.
[00:03:00] Speaker B: Oh, your daddy got cracking.
[00:03:01] Speaker C: Yeah, yeah, super cracking. Clearly he found out he had another son other than my brother. My brother, who was the oldest boy my whole life. He found out he got a bigger brother. He don't want to claim that he ain't my brother.
[00:03:12] Speaker B: Your dad found out he had a 38 year old son?
[00:03:15] Speaker C: Yes.
[00:03:16] Speaker B: How old is pops?
[00:03:18] Speaker C: Well, rest in peace. But he was at the time, so my dad had his son that's 17.
[00:03:23] Speaker B: Oh, okay.
[00:03:24] Speaker C: He died at 78, so he had me at 44. So I'm the youngest. You know what I'm saying? So you got time.
[00:03:31] Speaker B: See?
[00:03:31] Speaker C: Yeah. Oh, yeah. I'm about to have my first child in March.
[00:03:35] Speaker A: Congrats.
[00:03:35] Speaker C: I mean, I'm sorry. May 4th. You sure? The game next month. Yes, yes. Next month. Next month.
[00:03:39] Speaker B: You sure?
[00:03:40] Speaker C: Yeah, finally. Yeah, finally.
[00:03:42] Speaker A: Like you ran paperwork and all that? Like.
[00:03:43] Speaker C: No, no, no, no, no, no, no. We went through. We went through. It's planned. It's planned, bro.
[00:03:48] Speaker A: Okay, okay.
[00:03:50] Speaker C: It's mine for show.
[00:03:51] Speaker B: They asked you if you trust bm.
[00:03:53] Speaker C: That's crazy.
[00:03:53] Speaker A: No, I'm saying that's wifey. I'm just saying, like I shout. I don't want no smoke either.
[00:03:58] Speaker C: No smoke? It's famous, nigga. Yeah, yeah, you Know what I'm saying?
[00:04:02] Speaker A: Me and wife done share it. We done. We done like, chopped it before. I'm cool. I don't want none of that.
[00:04:06] Speaker C: No, no, no. Yeah.
[00:04:07] Speaker A: But I will say you do a lot of storyline well. First of all, congrats on the show.
[00:04:12] Speaker C: Yes, thank you, man.
[00:04:13] Speaker A: Like, Laugh is a really good show, bro. And I was, you know, I'm always telling you the truth. I was looking for a reason to say it was whack. I was. And Dave know me too.
[00:04:23] Speaker B: Like, he's very hard to please.
[00:04:25] Speaker C: I'm not. I've noticed that.
[00:04:26] Speaker A: I was looking for it because.
One, I give you a couple reasons and I want your perspective. Yeah. The first thing is it's shot really well.
[00:04:34] Speaker C: Thank you, man.
[00:04:35] Speaker A: You know what I'm saying? The cinematography, it don't look like, oh, this is just some niggas doing some shit. It looked like you took time to get the certain shots, the B roll, the aerial footage. Like, I understand what that would come with that.
[00:04:44] Speaker C: Yes, sir.
[00:04:45] Speaker A: The second thing is the writing on it is really good.
[00:04:48] Speaker C: Thank you.
[00:04:48] Speaker A: Like, and Gina's a to be expert. Like, I'm not a to be expert. She'll tell you every movie, every character,
[00:04:52] Speaker B: I'm knee deep in Tubi.
[00:04:53] Speaker A: Yeah, she's that person. For me, following the. It's like there's a whole. The city is. The character is a character in the show as well as the characters. Right.
I appreciate the accurate portrayal of the city, you know what I'm saying? I know you've been here for a long time and whatnot, but niggas that don't necessarily be from here be doing certain things, and it's like, it's not portraying the way that we actually live our life as LA natives. Right. The other thing, though, not only was the writing good, the character development, man, the character development is fire, bro. Because now I'm wanna see certain characters in other episodes, even though they may appear on this episode or that episode.
[00:05:33] Speaker C: I.
[00:05:33] Speaker A: But now I want to see more of this character. The girl you went on a mission with.
Oh, Nila, the wallet. Yeah, yeah, T. T, I like that. And then. And then I think it was episode eight. The. That. What's the. That in the back seat? The. The that.
[00:05:48] Speaker C: You talking about Freddy?
[00:05:51] Speaker A: Yeah. And he went. He went to. He went to the car to get the.
[00:05:54] Speaker C: Out the truck.
[00:05:55] Speaker A: I want to see his character develop because he's kind of like a dumb.
He like a doofus.
[00:06:00] Speaker C: A doofus. That's kind of low key with it, though.
[00:06:02] Speaker A: But he from the hood.
[00:06:03] Speaker C: Yeah, yeah.
[00:06:03] Speaker A: And I know niggas like that nigga.
[00:06:05] Speaker B: You do.
[00:06:05] Speaker C: You went to school with him. They in your family. They one of your homies.
[00:06:09] Speaker A: He not a crash out. But he's a dumbass.
[00:06:11] Speaker C: Right, right, right, right.
[00:06:12] Speaker A: If that makes sense. But anyway, I want to know your perspective on first. How do you approach doing a show like this? Do you start with the writing? Do you start with the characters? How do you do it?
[00:06:20] Speaker C: Start with the writing? For sure.
So look, we had. It was me plus three other writers. No, two other writers. Me and my boy Ken, Edwin and my boy Dean. So we sat down, we was like, man, I'm gonna turn this into an anthology. Each episode gonna be different. Eight episodes. And let's come up with some ideas that we all know. Dean is from Houston, buddy, a hood nigga, you know what I'm saying? And so I'll talk about that soon. I'll talk about that next. And then my boy Ken from Pasadena, you know what I'm saying? So he Pasadena people from Compton. So we all. He know the culture. He knows I'm from here, you know what I'm saying? So I just. This is just events that happened. I wanted to get a bus. Cause I got a whole episode for the bus next season, you know what I'm saying? Cause we all know the Metro. Yeah, the rtd, you know what I'm saying? Yeah. So the RTD I'm talking about, I was. I never really rode the metro because by the time I got. By the time I was 17, I moved to the bay to go to college.
[00:07:14] Speaker A: Oh, word? Okay.
[00:07:15] Speaker C: Yes. You know what I'm saying? So I was the RTD, baby. The 105, the 110, you know what I'm saying? Going back and forth to school and shit like that. So having all my trials and tribulations, doing that shit, you know what I'm saying? So I want to talk about that, you know what I mean? And niggas can relate to that for sure. So it's about storyline. We all got stories from here.
Everybody got a word on wheels story if you old enough, you know what I'm saying? If I had to.
[00:07:38] Speaker A: Skate Depot.
[00:07:39] Speaker C: Skate Depot, for sure, you know what I'm saying? That's where you go when you trying to.
[00:07:42] Speaker A: On the east side.
[00:07:43] Speaker C: Oh, yeah. So you going that way?
[00:07:44] Speaker A: I go that way.
[00:07:44] Speaker C: Going to Cerritos and shit. Yeah, yeah, yeah, yeah, for sure. So it starts with those stories. First we just talking back and forth about this and the other. So behind Enemy Lines dealing with like two family members from different sides of the hood of the sets, you know what I'm saying? So that's super.
I went through that. I'm sure you, everybody knew, you know what I'm saying?
[00:08:05] Speaker B: Boom.
[00:08:05] Speaker C: And so we got to tell that story, you know what I'm saying, the best way we can. So in 20 something minutes, you know what I mean? So I would love to make a movie out of it, but right now we doing snippets. We doing. It's trying to make it as TV as possible as far as production value, hence the way it's shot and things of that nature. The performances. Trying to make sure that everybody can tell those stories. 90% of the people is from LA.
All the whole, the whole soundtrack, all the rappers and singers are from la, you know what I'm saying? There's a few people who are not who are from Detroit. What's Detroit remind of la, you know what I'm saying?
[00:08:36] Speaker A: When they talk, we first cousin.
[00:08:37] Speaker B: I know. I heard Daisy Lynn.
[00:08:39] Speaker C: Daisy Lynn, Yeah, she.
[00:08:40] Speaker B: And I heard her voice.
[00:08:41] Speaker C: Yeah, yeah.
[00:08:42] Speaker B: Oh no, she's actually on it. She's on the episode.
[00:08:44] Speaker C: Episode. The wallet.
[00:08:45] Speaker B: Yeah, yeah, yeah, yeah.
[00:08:46] Speaker C: Killed it too. She's a natural, man. She great to work with. Easy nigga followed her home. Yeah. I mean co worker knew where she lived because he got her at. He was doing a good deed, you know what I'm saying? He took her, he took her, her wallet back to her crib, you know what I'm saying? You know, Good. Yeah. I mean so that. And then. But she, but her, her brothers is essays. They like what the you doing up in here? Yeah. And so that was a good episode. I appreciate it, man. So yeah, it starts with the writing and then we start casting, seeing who we can get. I was blessed enough to have AD in it, you know what I'm saying? Compton Rick Rock, you know what I'm saying? Zo Sama, Rayvon, Nilla. Nilla. Hell yeah. Daisy Lynn Spank. She was down. Spank everybody, you know what I'm saying? So I'm trying to bring as many LA people together as possible, you know what I'm saying? And I'm blessed to have them rock with me so much, you know what I'm saying? So hey, that's what this is. And we gonna keep doing it, that's what I'm saying.
[00:09:36] Speaker B: I'm glad you mentioned that. Each episode is different.
Full transparency. I only watch it off the gummy, so I thought I was high when I'm watching the next episode and then the next episode, I'm like, oh, they're not connected. There's no continuity between the episodes and stuff. So I thought I was tripping.
[00:09:55] Speaker C: Nah.
[00:09:55] Speaker B: Was there ever a thought to do something that. Where the storyline is all connected per episode?
[00:10:00] Speaker C: It was gonna be a full elf show. Initially, the show was called LA Times, right? Like the newspaper, you know what I'm saying? But I was like my manager, a few lawyers, like you, you could do it. But if it does, if it does as good as you wanted to do, it might come back to bite you in the ass, you know what I'm saying? So I spent like years. I wrote the first episode of Laugh two years ago and I just put it out recently. I just shot it over like last year. So I went back and forth about how I was gonna title it and you know what I'm saying, make it an actual series.
I'm saying a secular series or anthology. And I was like, damn. I went back and forth for like a year and a half and I finally was like, damn, this is getting all these stories out, you know what I'm saying? As opposed to tying them all. I'm in every episode as a different character. So it's kind of hard to tie in the characters now because I can't be the same two, three, four different niggas, you know what I'm saying? But the goal was to make it this one show. But I was like, here's the thing. With one show, with a budget like what I got to produce a full out, eight episode season, you gotta have money to keep these people ready to come back to work every time. If you shooting the whole series with the same characters. If my baby mama's character, Shaylise is gonna be in the season, episode 1, 2, 3, 4, 5, I'm gonna need it for all that time. And usually Hollywood allows you to pay an actor that much money to basically have them sit down and be ready to be available.
[00:11:30] Speaker A: Yeah.
[00:11:30] Speaker C: And I can't do that right now. So I'm like, man, in order, for example, that's what I'm going through with the lesbian homie, you know what I'm saying?
Excuse me.
I mean, it's working out, but like, the hassle with that is the money is being spread so thin, you know what I'm saying? It's being spread so thin over 10 episodes. And I got such a large cast, so I wanted to do something different with Laugh.
Let me break it down. Episode this, the bundle of handful of characters for this episode. Handful of characters for this one and this one. And do it that way. Yeah.
[00:12:02] Speaker B: From your experience, is that the reason. Is that process. The reason why a lot of shows take so long to come back. It's another show I watch on Tubi called the Dirty D. And one of the fan critiques of the show is that it takes so long to come back. Like, sometimes it's like a year in between seasons, but the episodes are so short, you get so little, you know, from it, and then it takes so long to come back. But is that why? Because it's like how you said, like the money is just spread so thin
[00:12:30] Speaker C: and then keeping regulars that sometimes you gotta pay somebody extra. I can't speak for every production, but sometimes you got like, this actress is working on this show. She's a supporting character on this show, but she's the main character on another show on a whole different network. And sometimes they won't even let you do that.
[00:12:49] Speaker B: Scheduling conflicts.
[00:12:50] Speaker C: Yeah. You can't agree to do this show if you have other engagements, other contracts, or they can, but you can. Some people put. Like, if you gonna. If let's say Tom Cruise wanted to do a movie, a TV show, and he says, I'll do this TV show, but you gotta give me access to do that one too over there, and it's Tom Cruise they gonna like.
[00:13:08] Speaker B: Yeah, right.
[00:13:09] Speaker C: You know what I'm saying?
[00:13:09] Speaker A: So I have heard of an artist. I don't remember. I want to misspeak and misquote who it was, but an actor said that, like, my contract allowed me to shoot this over here, and then I would leave set and go shoot that over there.
[00:13:22] Speaker C: Yeah.
[00:13:22] Speaker A: So I was learning I was two different characters at the same time. It was
[00:13:27] Speaker B: the nigga Snowfall. We had him.
[00:13:30] Speaker A: Oh, Buckley.
[00:13:31] Speaker B: Buckley.
[00:13:33] Speaker A: I forgot.
I'm losing his name. But Officer Buckley from Snowfall.
[00:13:37] Speaker B: He was doing Snowfall and he was doing the Rookie.
[00:13:39] Speaker A: The Rookie at the same time.
[00:13:42] Speaker C: Brandon J. McClair, the doine officer. Is that who he was?
[00:13:46] Speaker A: Yes.
[00:13:46] Speaker C: Yeah. Bas head. Yeah.
[00:13:50] Speaker A: Yeah, he's cool.
[00:13:52] Speaker C: He was great. Yeah. I love Snowfall. That laugh is like.
Yeah. Oh, yeah. You know what I'm saying? On that powder, man. No, no, he. I think he was. He's supposed.
[00:14:02] Speaker A: He was on.
[00:14:03] Speaker C: He on a little bit. He was on a few things. He was on a few things.
[00:14:06] Speaker A: He was sauced.
[00:14:08] Speaker C: Yeah. Him and Wanda. Who was the worst? Wanda was the worst, though. Hey, bro, I can't wait for that. I can't wait for that to come back. That spin off. That's gonna be fire. I can't wait. You know what I mean? But yeah, so yeah, the laugh is basically Friday meets snowfall. You know what I'm saying? The best version, I'm talking about like that. The best version I can do, make it a dark comedy. Make it super silly, super funny, but super gangster or super hood if I can.
And a lot of the characters came to life, man.
[00:14:33] Speaker A: I wanna know. Okay, just from a plot standpoint, you got set up twice in the same season.
How the fuck do you allow that to happen? Cause in the first episode, you guys. You guys.
[00:14:46] Speaker C: Huh?
So I wrote season one. I wrote episode one. I didn't write the other. I wrote episode one and I wrote episode. I wrote Don't Snitch.
And I wrote Not Burnt Mission. I think I wrote Don't Snitch the Wallet and Jack in the season.
[00:15:04] Speaker A: Gotcha.
[00:15:05] Speaker C: So other niggas.
So I had them write it as if they were writing for it. Anybody to play that character?
[00:15:11] Speaker A: Gotcha.
[00:15:12] Speaker C: You know what I'm saying? So I just happen to be. At this point, I feel like. Well, not. I feel like experience has showed me that I got to be the forefront of my. Of my brand still.
[00:15:19] Speaker A: Yes.
[00:15:20] Speaker C: The goal is eventually not to have to be that. That. I mean, I think I'm working towards that.
[00:15:24] Speaker A: Tyler's still doing it.
[00:15:25] Speaker C: Right, right, right.
[00:15:25] Speaker A: Sorry, Mr. Perry. I don't want no smoke. Oh, yeah, I heard.
[00:15:30] Speaker C: Yeah, he wanted you to call him Mr. Perry. And that's fine. My bad.
But yeah, yeah, so I got set up. Here's. First of all, I know some that be getting set up more than once in their life. I'm like, how, how you come on, bro?
[00:15:45] Speaker A: I don't know many LA that gets. I know out of town get set up.
[00:15:50] Speaker C: Yeah, but. But unfortunately, bro, the ones. The ones that get set up more than once, they be like inside jobs. Like family go wrong. Like the homie. Yeah, you got it.
If you got a dope fiend cousin, you gotta either stay away from them or her. Cause they'll do some crazy shit.
[00:16:08] Speaker B: They keep setting you up.
[00:16:10] Speaker C: Yeah.
[00:16:10] Speaker B: Smoking family members.
[00:16:11] Speaker C: You love them. Cause you grew up with them and all that. And then. Yeah, but yeah, so plus, it's a show and these niggas is stupid. And my characters, I always play the dumb nigga, you know what I'm saying?
[00:16:21] Speaker A: Have you gotten any pushback from doing
[00:16:23] Speaker C: the lesbian homie, you know what? Nah, man.
[00:16:26] Speaker A: Let me cut my shit.
That's your water right there too.
[00:16:30] Speaker C: Excuse me?
Nah, I thought I would by now. But I mean, if I have, I haven't seen it. I don't really. I don't really read comments, but the people who approached me in person, I got approached by, like, a small batch of, like, old stud chicks.
[00:16:47] Speaker A: For real.
[00:16:48] Speaker C: Like, they was like. They fit.
[00:16:49] Speaker A: They wasn't fucking with it.
[00:16:49] Speaker C: They had gray dread. They loved it. They like, oh, we can't wait. Yeah, yeah. I was at the. At the Sofi stadium, man, and they pulled up on me. He love that shit, dawg. You know what I'm saying? And the pushback I get is, like, playful ones like sub. Like, nigga, we don't be fucking. No. What the fuck you talking about, bro? Like, what you doing? You doing the most.
[00:17:07] Speaker A: Like the lesbian homie sneaking, fucking niggas.
[00:17:08] Speaker C: Yeah, I said some of y' all do. Yeah. Cut it out now. The bonafide, the stop down stud that ain't never got they little box touched on them. Yeah, most of them.
Y' all done tampered in some pipe before.
[00:17:24] Speaker B: You gotta.
One of the. At some point in the future, you gotta do an episode with Fredo Bang.
[00:17:29] Speaker C: Oh, oh.
[00:17:31] Speaker A: Cause he got the kid.
[00:17:33] Speaker C: What's up with his kid?
[00:17:34] Speaker B: That's his bag.
[00:17:36] Speaker C: What?
[00:17:37] Speaker A: That's his bag. He fuck with that.
[00:17:38] Speaker C: He fuck with, like, studs.
[00:17:40] Speaker A: I mean, he has. Yeah.
[00:17:41] Speaker C: Oh, yeah.
I mean, what does the stud look like? What does she look like?
[00:17:46] Speaker B: Fine as fuck.
[00:17:46] Speaker C: Okay. Head. That's what I'm saying.
[00:17:48] Speaker B: There's two of them.
[00:17:50] Speaker C: Oh, he got a couple of them.
[00:17:51] Speaker A: He basically fathered the kid for lesbian homie.
[00:17:54] Speaker C: The lesbian homie.
Hey, hey. Y' all gotta watch season five.
Okay, but, yeah, I'm down. I'm down to work with people who. Who got some talent, who down to work and they got positive energy, man.
[00:18:06] Speaker B: Do you have stud homegirls in real life that be, like, what they call it? Sneak digging.
[00:18:11] Speaker A: So look.
[00:18:13] Speaker B: Is that what they call.
[00:18:13] Speaker C: I'm gonna say not the stud. I don't have too many stud homegirls. Like, like, close friends. I do got platonic homegirls, but they straight. But this is based off of a young. Well, part of the. This is a multitude of experiences I've had that came to me to make me have to make the lesbian homie. So in college, as a young lady. No. No names. Cause motherfuffs be watching y'. All. Yeah, she is cracking, y' all niggas cracking, man.
She started off super straight. Had a boyfriend. We all knew him. We all was homies. He broke her heart. She went to, like, a little Depression dipped off for, like a semester. Came back looking a little different. You know how he's. Like, she was looking girly, but then she came back looking still girly, but, like, more makeup. More. More. Not as natural as she used to be. And she had a whole girlfriend.
[00:19:06] Speaker B: Oh, she was a femme?
[00:19:08] Speaker C: Yeah, yeah. And she had a whole girlfriend. And she came back. It was cool. Then she left the summer. She came back the next summer.
Stud.
[00:19:16] Speaker B: With you doing that show, did you have to learn all of the terminology?
[00:19:21] Speaker C: I tried to do as much research as possible. I found out what a stem was. Stim.
[00:19:26] Speaker B: What's that?
[00:19:27] Speaker C: See what I'm saying? I thought that was it.
[00:19:29] Speaker B: They gave us during COVID right?
[00:19:32] Speaker C: You got a stud, you got a stem.
[00:19:35] Speaker A: What the fuck is that?
[00:19:36] Speaker C: A feminine stud.
[00:19:38] Speaker B: I thought that was a femme.
[00:19:40] Speaker C: No, a femme is a femme. A femme is like, for example. You could be a woman.
[00:19:44] Speaker B: I'm a femme?
[00:19:45] Speaker C: Yeah. You say, I don't like men at all. I like women. Oh, shit. You look like you like niggas.
I like niggas. I like women that look like niggas. You know what I'm saying? But.
But when it comes to. But a stem is like. You got the.
See, now how they. You see the memes? They be like the studs they sell. Like the Mannie Fresh, the Manny Fresh, or the Hurricane Chris. Hurricane Chris. Them the stud studs.
[00:20:11] Speaker B: Sorry, Hurricane.
[00:20:12] Speaker C: Wait, wait, wait. Hold on.
[00:20:12] Speaker A: I'm not gonna let you get that off. I love Mannie Fresh.
[00:20:15] Speaker C: No, no, wait, wait.
[00:20:16] Speaker B: No, no, no. Not like that.
[00:20:18] Speaker C: No, no, no.
[00:20:20] Speaker B: I was about to say they just look like them.
[00:20:22] Speaker C: No, no, no, no. Manny Fresh is a man, a great producer.
[00:20:27] Speaker A: I done told the homegirl before, she
[00:20:28] Speaker C: look like Manny Fresh, man.
[00:20:31] Speaker A: She ain't forgave me to this day, man.
[00:20:32] Speaker B: See how a nigga get you like that?
[00:20:34] Speaker C: Then. Then you.
[00:20:36] Speaker A: I did, but I thought you. I thought you meant.
[00:20:38] Speaker C: All right, go ahead. Nah, nah.
The man, the human being. This ain't got nothing to do with him.
This is a woman. They be looking. You know, a woman that look tough. No, you got. You got time. It's levels. My like.
[00:20:52] Speaker B: Wait, wait. So what's the Manny Fresh looking woman?
That's like stud.
[00:20:56] Speaker C: That's a stud, okay? You know what I'm saying?
Or if you white, they would call it a butch or like a bulldagger or something like that.
[00:21:04] Speaker A: You can't say that one no more.
[00:21:05] Speaker C: Okay, so beat me out. Bleep me out there. I apologize. I don't want to get.
[00:21:10] Speaker B: I say Dyke all day. Don't let him.
[00:21:12] Speaker C: You up?
[00:21:13] Speaker A: Yeah, say that all the time.
[00:21:14] Speaker C: I don't even say it, but, like, what's funny?
[00:21:17] Speaker A: My uncle said the bulldagger we was at. We was at a family funk. I'm like, I don't know if you can still say that.
[00:21:24] Speaker C: It sounds atrocious.
[00:21:25] Speaker A: Like, I don't know what.
[00:21:26] Speaker C: It sounds crazy.
[00:21:26] Speaker B: That's the white one.
[00:21:27] Speaker C: Yeah, he's like. Like the girls that be white. The. The girl chicks, the girl dudes, they be riding like the Harleys and shit. Like, the dudes.
[00:21:33] Speaker B: Okay, okay.
[00:21:34] Speaker C: They call them like, like bulldaggers, right?
[00:21:36] Speaker A: I don't know where that came from,
[00:21:37] Speaker C: but yeah, but yeah, so.
[00:21:40] Speaker B: And then what's the other ones?
[00:21:42] Speaker C: Stan is like a pretty ass thug. She tried her best to look like a dude, but like, she attracted.
[00:21:49] Speaker B: Yeah, I done seen her eyes. If I wanted to, I would have,
[00:21:53] Speaker C: like, went up over there, right?
Some of them follow me. Oh, she's here, beautiful as fuck. But she'll get slid. But, but, but she don't even like pipe, huh? But like, so people like, so I hate when they be like, oh, when you, like, you like masculine looking women or masculine women, what's that say about you? Nah, see, real niggas, real masculine men, they see I see a woman. And no, no disrespect to how you see yourself, but it's hard to put the. The wool. I mean, put certain goggles on my eyes. I see you as a tough tomboy. You still sexy as hell, you know what I'm saying? You wearing skinny jeans like the. Like the niggas do. And you got hella butt. So if you yammed up. So I'm gonna see. I see that. So you talking about. Oh, I don't do.
I don't do niggas, bro. Okay, okay. But niggas would do you if the opportunity came, you know what I'm saying? So. Yeah, and some of y' all do. In fact, some of y' all do.
[00:22:49] Speaker A: I know a nigga that do that. I ain't gonna put him shit out there, but I know mine as well. Nah, it's all good. Yeah, I know a. That do that, though. He like, that's what he. That's his bag. Like.
[00:22:59] Speaker C: Now here's the thing. Bruce, the character Bruce, it's not like he likes studs. He like women that look a certain way. And he does be looking the way he like.
[00:23:08] Speaker A: That's the same thing.
[00:23:10] Speaker C: No, no, no, no, no, no, no. Hold on, John.
[00:23:12] Speaker A: That's the same thing.
[00:23:13] Speaker C: Listen, listen, listen.
Manny Fresh that walk by. I keep saying, my bad, my bad, my bad, my fault.
Just like a. Give me a for example. You ain't never thought the brat was attractive, bro.
[00:23:29] Speaker A: The brat. Yeah, I remember she did a cover.
[00:23:32] Speaker C: Fucked you up. Didn't remember the.
[00:23:33] Speaker B: What do you like a whole lot of ball played right before Sheila.
[00:23:36] Speaker A: Nah. What do youo Like Video. Yeah, yeah, that would have happened.
[00:23:39] Speaker C: Oh yeah, for sure.
[00:23:40] Speaker A: Yeah.
[00:23:40] Speaker C: That's what I'm talking about. That not. And she could say, yo, bro, I'm a stud. I like dudes. I mean, I like chicks. Okay.
[00:23:48] Speaker B: That motherfucker still bleed, huh?
[00:23:50] Speaker C: Yeah, Come on now. And it's still. Nevermind I want to do you know what I mean?
[00:23:53] Speaker A: Yeah.
[00:23:54] Speaker C: But yeah.
[00:23:54] Speaker A: So it's up for negotiations now.
[00:23:56] Speaker C: If you're looking for. You looking for a young ma?
Come on, man.
No, and I think she would appreciate the fact that I say this. I'm not looking for a young ma who's not looking for a young. Even though. Even though. Even though back in the day before she went full boars masculine, she was rapping as like a little. Like a little Tom girl. She was a tomboy back in the day. She could have got slid. She could have got slid back there. But then she done got tatted up and she done changed her voice so much.
[00:24:28] Speaker B: Young as Mayor Smoke you.
[00:24:30] Speaker C: Probably so. Probably so. Well, look, but look, I'm saying she'll up it on you. Yeah, she would.
She would have to.
She would have to. Yeah. So. Yeah, man. So. But that's what I'm saying. The difference between like a brat and a younger man.
[00:24:46] Speaker B: Y' all remember that?
When she put the thing on her.
[00:24:50] Speaker A: Bro, I fuck with Ma, bro.
[00:24:52] Speaker C: She.
She.
[00:24:55] Speaker A: When I had Yegeme on my show, she says wild shit one day.
[00:24:58] Speaker B: You know what I'm saying, bro, I believe her.
[00:25:01] Speaker A: Me too.
[00:25:02] Speaker B: I believe.
[00:25:03] Speaker A: I believe everything she ever said. Huh?
[00:25:05] Speaker B: Whatever she say, I believe it.
[00:25:07] Speaker C: Oh, she said, mm, nah.
[00:25:09] Speaker A: Yeah, I talked to IMEI before Juski
[00:25:12] Speaker B: had her on that could have been love. Yeah. Uh huh. She don't play that shit.
[00:25:17] Speaker A: She not fucking around.
[00:25:19] Speaker B: For real.
[00:25:20] Speaker A: She not fucking.
You think you can slide?
[00:25:22] Speaker C: No, not me. Oh, so you talking about Jade or Ja? Yeah. Nah, I'm not into that. I'm not into like.
I'm not into. I like. I like women. You know what I'm saying? Like now if you hoop and you got body and you look good and you saying you gay, you straight, I'm still looking. Yeah, of course. But like, if I see a woman that's purposely trying to make herself look as masculine as possible. What up? What up, fam? What's going on, dog?
What's up, homie? Yeah, okay, but don't. But, but if you have some skinny jeans on or you got, you know what I'm saying, and you yammed up, then I might be like, oh, hold on, man. Yeah, yeah, yeah, yeah.
Let's negotiate. You know what I'm saying?
Yeah. Cause your frame ain't letting you be as gay as you want to be. You know what I mean?
[00:26:08] Speaker B: How is it for you shooting with actors who don't have much acting experience? Cause, like, one thing that I. Cause obviously I've never acted before, but when I've been asked, like, to do music videos and things like that, it's very awkward for me. Is it like eye contact and actually standing character and being cool? Like, it's hella awkward.
And then how people be kissing and stuff. Like, we had Joey on, and I had told him straight up I wouldn't be able to kiss a nigga.
We gotta get cracking, like, off camera. Like, I gotta leave him or something,
[00:26:39] Speaker C: but I'm leaving with something, you know?
[00:26:42] Speaker B: So it's like, I always wondered, like, as a new actor or something, like, is it as awkward as it feels? Or like, just the thinking about it, is it as awkward as. Like, that, like, on scene, on set?
[00:26:55] Speaker C: No, not for actors. I think for people who don't act, who are not experienced with the whole etiquette and all that, it might be awkward for them.
But, like, for example, at uba, you guys, or working in radio and being public figures in this lane, you guys have to ask questions. You might not like the answers, but you still gotta be able to respond the way a professional would respond, right? And you might throw a little bit of your energy in there, too. You know what I'm saying? But for the most part, you might be like, you can't stand this person that you talking to, but you still gotta do your job. Damn, my bad. I keep kicking the damn thing. My legs. My fault, y'. All.
But when it comes to acting, it's the role. If you love this and you passionate about performance and your character, for example, like, sometimes a character, if you and your girlfriend. You got a girlfriend in the show, and y' all got three folks episodes together, y' all gotta eventually show that y' all a girlfriend and boyfriend or husband and wife, y' all gotta kiss. Y' all gotta show some type of affection. Y' all ain't gotta tongue each other down. But like a forehead kiss only gonna matter. Only gonna happen only a few times in a real relationship.
So that's what I'm saying. If you know you getting. I'll let people know ahead of time. This role does require some kissing, light kissing, you know, and they be like, oh, most people. But okay, I'm cool with it. Actors. Actors ain't tripping. Usually. Now, there might be a situation where that's why I know if you're serious or not. Cause I'm not gonna ever put you in. I'm not gonna just have you in here boning and smashing and tongue kissing everybody just cause I'm a pervert. And I want that to happen. No, if the story. If the character allows it and it requires it, you know what I'm saying? If y' all wanted the first date and the date went well, y' all probably gonna have a good night kiss. You know what I'm saying? But if the date didn't go well, y' all ain't gotta kiss at all.
[00:28:37] Speaker B: Right?
[00:28:37] Speaker A: Right, Right.
[00:28:38] Speaker C: So this even in season, like the lesbian homie season two, my character is on dates with Reese, one of the lesbian homies, and we don't kiss at all because she's trying not to like me. The goal of her is just trying to go on a date. Cause I make her go on a date with me because she asked me to go on a date with her for her parents.
So. All right.
In return, you gotta do me a favor. You gotta go on a date and give me a real chance to date you.
[00:29:01] Speaker A: Facts.
[00:29:02] Speaker C: All right, bro? All right, cool. So now she had to date. We having a good time, but she's being standoffish on purpose so we don't have to kiss. It makes sense.
[00:29:09] Speaker A: Yeah.
[00:29:09] Speaker C: For the story. Season three, season four, season five. All right, Season five, the story didn't change into some.
Our personalities are starting to combine and our energies are starting to align. And she's starting to feel some things for him. Probably gonna have to kiss now. You know what I'm saying? So that. Because the story allows it. I mean, the story requires it. So that's what I mean when it says, like, as a actor looking at the script, you'll be like, oh, okay, this has to happen. If I'm playing this role, this is what's supposed to happen, you know? So that's what it means. So if certain people, certain. Especially women, I'll be like, are you comfortable with that? They might be. Nah, not necessarily. Cool. I gotta Give that role to somebody else. Am I mad at you? Not at all. You got every right to not want to kiss somebody that's not your man or somebody of interest.
[00:29:56] Speaker B: What about technique? Like, what's a good technique to memorize your lines?
[00:30:02] Speaker C: Repetition, repetition.
I like to a lot of times, because of how my production is set up, we don't have a lot of time and resources and money for like, a lot of table reads and rehearsals before we shoot. A lot of times it's, hey, I'm paying you for the day to pull up.
So when you pull up, while the gaffers and the crew was putting up lights.
Excuse me. We going over our lines. We rehearsing right there on the spot for the first time. Hopefully you've been at home looking at your script, and I've been at home looking at mine. When we get to set, we just start acting. If it's us four, boom. You got your script in hand. Your script in hand. Your script in hand. And boom. And we sitting down somewhere and just going over our lines and we just. We do it up until the time we.
Now, that's not the convenient way because obviously you want days with your script. I don't have that luxury a lot of the time to rehearse. Days before, so. To rehearse. I'm a listener, so a lot of time I like to listen to me say my lines. Listen to you say your lines so I can recite it back.
Think of it like this.
If I tell you a story that's super hilarious to you today, right? You go home tomorrow, tell your sister the same story I told you. You didn't write it down, you didn't read it nowhere. You heard me say it, and you remember the conversation.
I like to read my script out loud while we all doing it. And I'm basically going off of memory, off of reciting what I heard. And that's how I do it. Some people have different ways of doing it. Other ways too. I'm also take pictures with my eyes. I read it and I remember what's on the paper. So as I'm saying my lines, I'm looking at the. The script in my head.
[00:31:36] Speaker B: You have a photographic memory?
[00:31:37] Speaker C: A little bit.
[00:31:38] Speaker B: You're a smart.
[00:31:39] Speaker C: I hope so. I hope. I hope a little bit.
You know what I'm saying?
[00:31:43] Speaker A: I got. I got a random question for you.
Well, actually, not a random. A couple more things. But you. There was the whole crew. Stupid.
[00:31:52] Speaker C: Yeah.
[00:31:52] Speaker A: Is that still a thing?
[00:31:54] Speaker C: Of course.
[00:31:54] Speaker A: So there was one thing in particular I Always wanted to know about. And that's with the gooses and the geeses and the mices. And whose idea was that?
[00:32:02] Speaker C: Me. Mine.
That wasn't even the idea. That was something. The first episode was something that actually happened to me. I witnessed that. And I was 12 years old. I went to homie's house. His older. We 12. His older. His older brother's like 16.
And his older brother's cousin was like 16, 17. They arguing about that. They arguing about mice and mices.
It's real life.
I'm right there off of gauge, man. I'm right this. I'm 12 years old and I'm in school. I'm a good student. I'm like, these niggas are dumb as hell, but you can't say it cause they gonna put hands on you. And we just happy that we over here kicking it with the big homies, basically. And they yelling they going back. They really serious about this. Like, nah, niggas, Mice is cuz. It's mice. Mices. No, it's mice, stupid. Then one dude was like, no, no, it's mouses. If it's like more than one. It was like that type of thing. It's mouses. And it's. Nah, it's mice. No, it's mices. If anything, it's mices, nigga.
Yeah. And I'm sitting there, I remembered that conversation since I was 12 years old.
[00:33:02] Speaker A: So were you laughing?
[00:33:05] Speaker C: Me and his little brother, my homeboy, we like these niggas stupid. But we can't.
I got a joke on stage about that too. It's a different joke about rendezvous.
[00:33:15] Speaker A: Got you rendezvous.
[00:33:17] Speaker C: I heard somebody really talking. My cousin talking to a chick on the. He said rendezvous on me? Yeah. He said. I said, bro. And I actually. What he says, he said, trying to say a little rendezvous. But he said, randez vous.
He was dead ass serious. And she was like, what? You know how you a little kid and you went back on the phone? We had the phone with the long cord. Yeah. And he in the room and we picked the phone up from the other end, from another room just to hear his conversation and giggle and shit. And he said, randazzo. We was young, we were like probably 11.
And I was like.
I said, you mean rendezvous? And he got mad cause he was on the phone listening to his conversation. Of course he punched us up and shit like that. He didn't really whoop us, but. But yeah, this. He was. He was not grown. He was like about 19.
[00:34:03] Speaker A: I think that's one of that's one of my favorite, like, skits ever. Like, is that argument, like, I know that shit went hella viral.
[00:34:10] Speaker C: I didn't expect. I expected it to do well, but it turned into a whole brand.
[00:34:14] Speaker A: That shit was a whole thing.
[00:34:16] Speaker C: Yeah.
[00:34:16] Speaker A: Other thing is, yo, we had a conversation up here, me and her, about comedic actors, sitcoms and Stu.
Who's your favorite comedic actor?
[00:34:24] Speaker C: Comedic actor, Damn. When they get to that realm. I don't have favorites, man, because it's saturated with good quality content for me.
Comedic act, not comedians. Not stand up comics. You're talking about comedic actors.
Who's the best? Who. My favorite comedic actor.
[00:34:43] Speaker A: Well, I don't say the best. I say who's your favorite?
[00:34:44] Speaker C: Because the best is subjective.
[00:34:46] Speaker A: That's a whole nother hour argument.
[00:34:47] Speaker C: Damn.
I never.
[00:34:48] Speaker A: It took us two weeks to get our list together.
[00:34:51] Speaker C: Oh, my favorite comedic actor.
Race.
[00:34:56] Speaker A: It don't matter.
[00:35:00] Speaker B: You look at asking for permission to say a white man.
[00:35:02] Speaker C: No, no, no, no.
Because I categorize him. I break them down.
[00:35:07] Speaker A: Oh, white, black.
[00:35:08] Speaker C: Yeah, yeah, yeah. That's what he is for sure.
[00:35:11] Speaker A: Stud stem.
[00:35:12] Speaker C: Stud stem. Yeah, but the stems, the studs. If you attractive, you can't not be attractive. No matter how hard you try to make yourself look, sweetheart. No, you too beautiful. Your eyes too big and pretty. I'm saying, come on, cut it down. Yeah, but yeah, so I like what's his name? Seth Rogen. Okay, Seth Rogen. Will Ferrell. Probably on that side. I put him on that side.
[00:35:38] Speaker A: On that side.
[00:35:39] Speaker C: Cause most of the black actors are actually comedians. The Will Smith isn't. So I'll probably say Will Smith.
[00:35:45] Speaker A: No, it's the comedians that are actors.
[00:35:46] Speaker B: Oh, they tearing him up in our comments right now.
[00:35:49] Speaker A: Yeah, because I said Will Smith.
[00:35:50] Speaker B: I said Fresh Prince of Bel Air is.
[00:35:52] Speaker A: But. But I said comedian. We were. We were having a different conversation. It was a comedic comedian led sitcom. And I said Fresh Prince of Bel Air. I'm like, I know he's not a comedian.
[00:36:00] Speaker C: Yeah, he's a comedic actor.
[00:36:02] Speaker A: No, I know that's not. It don't matter. So, yeah, they whooping me for that. I don't give a fuck, nigga. I was first Prince of Bel Air. I'm standing on it.
[00:36:10] Speaker C: What's the comment saying in Martin, Those are comedians. Send them comics? Is that what you mean?
[00:36:17] Speaker A: Yeah, I'm asking, like, it could be anybody. Just an actor, somebody that's also an actor.
[00:36:22] Speaker C: See, I put them in categories. I say comedic actors. Of course. This nigga is hilarious. Eddie Murphy is hilarious. He's a stand up comic and he's an actor, so his comedic acting is probably top notch.
[00:36:32] Speaker A: Okay, so Eddie Murphy. Yeah.
[00:36:34] Speaker C: If that's the case.
And then.
Damn.
I would say Eddie Jamie Martin or Eddie Martin Jamie.
[00:36:44] Speaker A: They be interchangeable, depending on the project.
[00:36:46] Speaker C: For sure. Yeah, for sure. Yeah. But I thought you meant like comedians that act and actors that do comedy.
[00:36:53] Speaker A: Yeah, you just have them separated.
[00:36:54] Speaker C: I separate them.
[00:36:55] Speaker A: Okay.
[00:36:55] Speaker C: Yeah.
[00:36:56] Speaker A: And then the other thing is, I was. This is random as fuck, but I was doing flights and shit today. Right.
So when you get on the plane, do you sit? Have you ever sat in the middle?
[00:37:07] Speaker C: Have I ever. Absolutely. But I hate sitting in the middle, nigga.
Nah, they know. Give me that aisle seat. I'm not aisle.
[00:37:14] Speaker A: You aisle, nigga.
[00:37:16] Speaker C: Look at my shoulders, bro. You know what I'm saying? So the thing is, if I'm in the middle, then I'm not giving nobody no love. I'm like this.
Yeah, yeah. So, so. But if I'm in the window, I can't leave. I can't move over. So this is smushed up against the window. And then I'm in your seat.
[00:37:33] Speaker A: Shoulder wise. What's the. What's the furthest you flew in the middle seat.
[00:37:37] Speaker C: Oh, my New York, bro.
[00:37:39] Speaker A: You flew to New York in the middle.
[00:37:40] Speaker C: Oh, it get me dirty. Yeah, yeah, bro. Yeah. And, and, and, and you sleep. You be trying to like how you fall. Oh, I'm gonna land.
[00:37:48] Speaker A: Are you falling? The.
[00:37:50] Speaker C: I've done it before. I mean. Yeah. And I wake up.
Pause indeed.
[00:37:55] Speaker A: Thank you.
[00:37:56] Speaker C: Yeah, appreciate you.
I can tell you probably you don't give a fuck about pause.
[00:38:01] Speaker A: I don't give a fuck. She paused me all day.
[00:38:03] Speaker B: I ain't about to tell you what he asked me before you walked in here.
[00:38:06] Speaker C: Uh. Oh, that's crazy. See how she put it out there and then brought it back?
[00:38:10] Speaker B: You know who Kane is? Yeah, the baby bodyguard.
[00:38:13] Speaker C: Yeah.
[00:38:14] Speaker B: He asked, who do I think is bigger.
[00:38:17] Speaker C: You pause. He can ask you that, right?
[00:38:19] Speaker B: And then he said, I think Cain.
[00:38:21] Speaker C: Oh, somebody.
Me and him.
Oh, me and me. You talking about statuary, right?
[00:38:28] Speaker A: Just. Just in general.
[00:38:29] Speaker C: Oh, yeah, me and him shot before. That's the homie. Yeah, he was in a couple videos, I think a six. Nine.
[00:38:34] Speaker B: Are y' all six? Nine?
[00:38:35] Speaker C: I'm six' three, he's six' nine. I gotta look up. It's a video of a really.
I shot a sketch with a man and he played one of my homies.
[00:38:42] Speaker A: Cause Kane Loki funny.
[00:38:43] Speaker C: Yeah, nigga, funny.
[00:38:44] Speaker B: He be acting himself Too.
[00:38:46] Speaker C: He could act if he. I mean, I met him, he was already doing like Vines with other creators years before I met him. And then we met online. We was fans of each other and stuff like that. So we eventually shot a couple sketches together. And he did great. He dope. He did from LA and moved to Atlanta though, so he not as close as he used to be, so. But nah, the nigga six' nine, we about the same. I mean, he's probably leveraged weight. I'm a big dude. I'm heavy. But if I was his size, his height, I would be. Let's pause. Pause again.
And I would be probably as heavy as he is.
Pause. This is crazy.
Hey, man. Pause indeed. Pause. The whole last five minutes of this whole conversation. God damn.
But now the six, nine, though heavy.
[00:39:35] Speaker B: It's crazy.
[00:39:37] Speaker C: That's crazy.
Hey, man, up here.
[00:39:41] Speaker A: Oh, man. I always wondered that about. Because you know how like.
Okay, this last question of the airplane, right? It's okay because I'll be sitting in the seat and I see a like you. I'm like, oh my God.
[00:39:53] Speaker C: So look.
Hey, I be hot.
[00:39:56] Speaker A: Cause I remember this one, this one. This one particular time a like you sat in the middle. And I never forgot that experience of mine. I think. I think I was in the.
[00:40:05] Speaker C: You was in the lane with him, bro.
[00:40:07] Speaker A: I was on the window. There was a white lady sitting on the aisle.
[00:40:10] Speaker C: Small, huh?
[00:40:11] Speaker A: And she and this nigga come through. He had. And he had a nerve. Have a big ass backpack. It's always a nigga like, what.
[00:40:16] Speaker C: What the. You already got.
[00:40:19] Speaker A: Check that.
[00:40:20] Speaker C: Right?
Check that.
Put it up top.
[00:40:23] Speaker A: Keep pushing the down. That ain't going under the seat. My. Like, we got a problem.
[00:40:28] Speaker C: You know, I'd have been miserable, bro, driving. I mean, flying across the country in the middle seat.
As of recently, I might have flew in the middle seat maybe in the last five, six, seven, eight years. Probably maybe four or five times.
[00:40:40] Speaker A: Times. Yeah.
[00:40:41] Speaker C: And that's usually someone. If someone's booking me a flight, like if I'm doing the show. Yeah. And somebody forgot. Hey, man, I need that aisle.
[00:40:47] Speaker A: You need that aisle.
[00:40:48] Speaker C: Only be. I know I'm going get bumped. I know I'm going get bumped, but I'd rather get bumped. Yeah, yeah, but I'm used to that. But at least I know sometimes.
Yeah, but I time it. Sometimes I just lean in real quick, you know what I'm saying? I got more space in the. In between the bumps.
[00:41:05] Speaker A: You got the motion.
[00:41:06] Speaker C: You got to maneuver, man. Yeah.
[00:41:08] Speaker B: Do you fall asleep in the aisle
[00:41:10] Speaker C: sometimes until I get bumped.
I promise you, I'm a person. I nap. I don't really sleep on the plane. I nap because I'm gonna get bumped. Yeah, yeah. You know what I'm saying?
[00:41:18] Speaker A: You one of them niggas who go to the restroom a lot on the plane?
[00:41:21] Speaker C: Nah, nah, nah.
[00:41:21] Speaker A: Okay. I try to make sure them on my nerves, bro.
[00:41:23] Speaker C: That's right. Sometimes I'm like, damn, I gotta beam me what time.
[00:41:25] Speaker B: I've never used the bathroom on a plane ever.
[00:41:27] Speaker C: What?
[00:41:28] Speaker B: Ever.
[00:41:28] Speaker C: How often do you fly?
[00:41:29] Speaker B: Not that much. But I also didn't even know for a long time that it was a bathroom on a plane.
[00:41:34] Speaker C: Gina.
I think I found out on a movie,
[00:41:40] Speaker B: the first time I got on the plane was in 2019.
[00:41:46] Speaker C: Okay.
[00:41:47] Speaker A: Yeah.
[00:41:49] Speaker B: And I also didn't know that the seat pushed back, so I'm up on the plane the whole time. Like this.
[00:41:54] Speaker C: Back on stiff. Yeah, man. 2019.
[00:41:57] Speaker B: 2019.
And I also have a flight phobia too, though.
[00:42:02] Speaker C: Oh, so you wasn't trying to.
[00:42:03] Speaker B: I'm a Final Destination, baby.
[00:42:05] Speaker C: Why? Oh, you watched.
[00:42:06] Speaker A: Yeah, she should have been watching all them movies.
[00:42:08] Speaker C: I watched them. I watched them back in the day. The first one was dope. I stopped kind of like.
[00:42:13] Speaker A: No. Like, she makes a night out of it.
[00:42:15] Speaker C: Like, she'll sit and watch and ruin your whole mindset.
[00:42:18] Speaker B: Yeah, I'm part of the millennials who were traumatized by Final Destination.
[00:42:23] Speaker C: Nah, I was too grown once. It came out like that shit. Fake, man. Yeah, but it looked fake.
You saw when the Nicki saw the plane and he was like, nah, he decided not to get on. Right. And that blew up. You probably like, I know it. That's gonna be me.
[00:42:37] Speaker B: Yeah.
[00:42:37] Speaker C: I'm gonna stay off that plane.
[00:42:38] Speaker B: Oh, I have a dream every time, Gina.
[00:42:41] Speaker C: It's not gonna happen.
[00:42:42] Speaker B: And I wake up paranoid.
[00:42:43] Speaker C: You're not gonna die on a plane. No, no, it's not gonna crash.
You know what I'm saying? They happen. They do happen. But very, very soon.
[00:42:51] Speaker A: I'm on that.
We gonna make it. That's how I be looking at.
[00:42:54] Speaker C: Yeah, we gonna. As long as there's nobody important on the plane. I went to Miami, and this was like two years ago when it was like a bad hurricane in Miami in Florida, and that motherfucker was rocking. Ain't no point of being scared, man.
Being scared is a waste of time.
[00:43:10] Speaker A: Is there anything that you afraid of in life?
[00:43:13] Speaker C: No. Nothing I'm not.
[00:43:15] Speaker B: Roller coasters.
[00:43:16] Speaker C: No, no, no, no, no.
[00:43:18] Speaker B: You know how to swim?
[00:43:19] Speaker C: I Do? Well, my parents made sure I know how to swim. You know how to swim?
[00:43:23] Speaker B: I took swimming lessons when I was a kid, but another phobia I got dunked at. Jesse Owens.
[00:43:29] Speaker C: Woo. Jesse Owens though.
Man, if you couldn't swim, you was cute. If you a pretty girl, you gotta learn how to swim. Yeah, you gotta have strong lungs. Cause you gonna get dunked.
[00:43:43] Speaker B: They dunked me and I never.
I still to this day, I sit on the edge of the pool.
[00:43:51] Speaker C: I don't even know what it feels like. My wife is real scary. I mean, she's not scared of swimming and planes, but she's scared of spiders and bugs and horror films. Even though she's addicted to horror films, but she's afraid of them. She'll make me go to watch a horror film and watch it like this cover.
[00:44:07] Speaker B: Nice.
[00:44:08] Speaker C: Yeah, that's a waste of time and money, but that's her. But damn, you just. Your first flight was 2019.
[00:44:16] Speaker B: Mm, damn. Yep, yep. Only been out the country once.
[00:44:20] Speaker C: You gotta go two years ago. The world gotta see you.
[00:44:23] Speaker B: Yeah, I'm cool though.
[00:44:24] Speaker C: Mm.
[00:44:25] Speaker B: I'm cool at home.
[00:44:27] Speaker C: No, you gotta get outta. See the world, everything at home.
Hey, I used to think that. I used to think that every. Every dope rapper as a kid, I thought it was from la, right on the box.
I thought Paper Boy was from la. I thought Domino, he from Long beach, right? But I just thought everybody that's tough is hood. I didn't even know that it was a hood outside of LA for years until I started traveling. I'm like, oh shit, nigga, it's real over here too. Shit.
[00:44:51] Speaker A: Yeah, well, I think. Well, first of all, thank you for coming through.
[00:44:55] Speaker C: Second of all, it's my pleasure, man.
[00:44:58] Speaker A: Can we get the baby mama Gina on the third season? Cause the shoe was just shooting the second season.
[00:45:03] Speaker C: So second season is gonna be Laugh Houston.
[00:45:05] Speaker A: Oh, word.
[00:45:06] Speaker C: Yeah. But listen, so it's Laugh la. That was the first season. Laugh H Town. This next season, Season two, Season three, most likely will be Laugh Chicago.
But of course I'm doing Laugh LA again. But it might not be anthology. It might be a chapter two, Chapter three, Chapter four. Okay. You know what I'm saying? So. But Laugh is gonna be. Is the brand. It's the umbrella brand. It's gonna be Laugh. I'm trying to have laugh go all across the country.
[00:45:31] Speaker A: So that's what's up.
[00:45:32] Speaker B: Congratulations.
[00:45:33] Speaker C: Thank you so much. I appreciate it.
[00:45:34] Speaker A: I appreciate that. Yeah.
[00:45:35] Speaker C: But to answer your question, yes, I would love to.
I love your energy. So when you said that you was, like, awkward on camera, I'm like, I don't see it, but I guess so. I'm gonna try my best.
[00:45:45] Speaker B: Nah, I'm real bad.
[00:45:46] Speaker C: Okay, we gonna figure it out.
[00:45:46] Speaker A: She have a crazy poker face, too. Like, her heart will be pounding on her chest. You wouldn't even know. Yeah, like, really?
[00:45:51] Speaker B: I have bad anxiety.
[00:45:53] Speaker C: Damn.
[00:45:53] Speaker B: When the attention is on me.
[00:45:55] Speaker C: Really?
Okay.
Yeah. Well, shit, we gonna work something out. If you wanna. If you wanna, I'll have you play some closer to your character. You wanna play like a ratchet pregnant chick? We can do that. I got a baby buck.
[00:46:07] Speaker B: I got a fake I wanna, like.
[00:46:08] Speaker C: Yeah, all that.
[00:46:09] Speaker B: Where you. You bitch ass nigga?
[00:46:11] Speaker C: All that. Oh, yeah, I need that.
[00:46:12] Speaker B: I wanna bust a window out too.
[00:46:14] Speaker C: Ooh, ooh. Okay, I gotta go. You gotta go get that. It's a prop. A prop. Window.
[00:46:20] Speaker A: Sugar glass.
[00:46:21] Speaker C: Yeah, sugar glass. Bust that out. Yeah, yeah, I had a. I had the homegirl, I had the homie pull over the fucked up bumper, and I had a chick with a bat just go at.
[00:46:30] Speaker B: Bam, bam, the bumper. Bam.
[00:46:31] Speaker C: Yeah. I said, you can hit that. I can hit it. Yeah, it's already up. Go ahead.
And action. Yeah, so, yeah, we'll do something like that.
[00:46:39] Speaker B: I'll do a drive by too.
[00:46:40] Speaker C: Hey, I do got some girls. Oh. So look, I got. I don't want to say it. No, I'mma say it. I'll say it.
[00:46:46] Speaker B: Don't say it.
[00:46:47] Speaker C: I won't say. You know. Cause niggas watching this.
[00:46:48] Speaker B: Don't say it.
[00:46:49] Speaker C: Yeah, this would be all over the country. You know what I'm saying? So. But I got some ideas for, like, you know, some. I keep kicking. I'm sorry.
[00:46:55] Speaker B: That's all right.
[00:46:56] Speaker C: She ain't tripping.
[00:46:57] Speaker A: You are good. But. But no, when you. When that happens, though, definitely let us know because, like, I definitely interested in seeing that. For sure.
[00:47:05] Speaker C: For sure.
[00:47:06] Speaker A: I want the advanced copy again, you know?
[00:47:09] Speaker C: Yeah, yeah, you want a little cameo? I'll put you in there too, man.
[00:47:13] Speaker A: That's cool.
[00:47:14] Speaker C: Yeah.
[00:47:15] Speaker A: I appreciate you, bro. Is there anything else, though, that. That you have, like, significant that you want to. That you want to shout out right now?
[00:47:21] Speaker C: Laugh. Go check out Laugh on Tubi. Boom. Laugh. The first season is all out. All eight episodes are out right now to be type in Laugh. And it's gonna be there. Big J. Laugh 2G's lesbian homie. Season 5 is coming out, most likely.
I can't give y' all actual date yet, but it's gonna Be end of this month or next month. Okay, early next month. But, yeah, we finally wrapped it. Now we editing and getting ready for the next stuff. I got some old shit installed.
[00:47:48] Speaker B: What about any roles that you're doing for other productions?
[00:47:51] Speaker C: Oh, I'm doing something. I'm not sure if I can talk about it yet.
[00:47:56] Speaker B: You on Snowfall?
[00:47:57] Speaker C: I would love to. I would love to. I need to be on that. I need to be on the.
Not say need, for lack of a better word. Not need. No one needs to have me there. But, like, even supposedly, it's supposed to be like, a new Friday or last Friday coming out. Come on, man.
[00:48:12] Speaker A: Oh, yeah.
[00:48:13] Speaker C: Come on.
I feel like it only makes sense. I don't feel like there's nobody else.
Y' all know the kind of roles I'm talking about. For a Friday. The kind of role that I would play would be perfect.
[00:48:24] Speaker A: The Devo or the Damon.
[00:48:26] Speaker C: Exactly. And ain't nobody own this country. On this country. In this country that's gonna play the better.
[00:48:30] Speaker A: You flat earth nigga.
[00:48:31] Speaker C: You know what I'm saying? On this country. Yeah.
[00:48:33] Speaker B: Would you rather Debo or Damon Character.
[00:48:35] Speaker C: Oh, Deebo. All day.
[00:48:37] Speaker B: He threw it out there.
[00:48:38] Speaker C: I just had to. Hey, Damon. Be hitting that box, man. That fart box.
[00:48:41] Speaker B: Ah.
[00:48:41] Speaker C: You know what I'm saying? Name. It was one of them. One of them predators. Nah, but. Or a combination of both, you know what I'm saying? Meaning, like, not. Not the predator, but, like.
But just the hood shit. Like. But yeah, man, I would love to do that.
I can see that for you, indeed. For sure.
[00:48:57] Speaker A: Well, we here, bro. We support. We appreciate you for coming through.
Big Jaws here to the max.
[00:49:03] Speaker C: To the max.
[00:49:04] Speaker A: It's effective immediately.
[00:49:06] Speaker C: All day.
