Episode Transcript
[00:00:04] Speaker A: Yo, it's effective immediately.
[00:00:05] Speaker B: I'm DJ Head and it's your favorite homegirl, Gina Views.
[00:00:10] Speaker A: Oh, you want me to wait?
[00:00:11] Speaker B: We in this? No, we here now.
[00:00:13] Speaker A: Okay.
[00:00:14] Speaker B: Welcome back.
[00:00:14] Speaker A: Welcome back. Welcome to another week of effective immediately. We're gonna. I'm gonna be transparent. I'm gonna start the show with this. If you looking for a Drake review, it ain't happening yet. You know what I'm saying? We are doing our show, and the Drake Iceman album is coming out tonight. And we all look forward to that.
So you'll get our POV and our perspective on things that we haven't heard yet next week.
[00:00:36] Speaker B: We gotta talk about them leaks, though.
[00:00:37] Speaker A: Yeah, we do gotta talk about those leaks.
So.
But, yeah, thank you for tuning in. Hit that subscribe button.
Make sure that you support us on all platforms. Make sure you follow our socials, because Nay tells me our TikTok is going crazy.
The effect of immediately TikTok. So thank you for that as well.
[00:00:55] Speaker B: Period. Shout out to TikTok.
[00:00:56] Speaker A: Shout out to TikTok. All the TikTokers this week. Gina Views and I have been outside.
We've been peopling a lot.
[00:01:05] Speaker B: Yes.
[00:01:06] Speaker A: So from your perspective, how was the week for Gina?
[00:01:09] Speaker B: I had a good week during our peopling experience.
[00:01:13] Speaker A: Yeah.
[00:01:14] Speaker B: We went to two premieres.
[00:01:16] Speaker A: Yeah.
[00:01:17] Speaker B: One of them was I love Boosters, starring Keke Palmer. Some other actors. Actors and actresses that I don't memorize their names.
[00:01:25] Speaker A: Yeah.
[00:01:27] Speaker B: And then what was the other one? We went to a Netflix premiere for Nemesis.
[00:01:32] Speaker A: Yeah.
[00:01:33] Speaker B: Which is now available on Netflix. All episodes, I believe.
So I'm about ready to, like. After we get up out of here. I need to go home.
[00:01:42] Speaker A: I want to give me. I'm gonna heat up my meal prep.
[00:01:46] Speaker B: Cause that first episode, boy.
[00:01:49] Speaker A: Yeah. Go get you a bar. Oh, I don't wanna overlook.
You did mention Boosters. Shout out to Boosters. They did a great. The acting was good in that movie. Support a black Woman, Kiki Palmer.
[00:01:58] Speaker B: It reminded me of, like, Adult Swim.
[00:02:01] Speaker A: It did. It was a little too different for me specifically, but I did like the fact I did like the actoring, the acting in it. And I did like. It was like. It's kind of. It was done. I don't wanna ruin the movie, but there was some special effects where they didn't do special effects. And I know that was intentional. Yeah, it looked very intentional in a way.
[00:02:21] Speaker B: The animation was real good.
[00:02:22] Speaker A: Yeah. Dude named Boots Riley. I don't know if you familiar with him, but he's a filmmaker. And he put that together. So shout out to them. I don't want to overlook that, but, bro, Nemesis.
[00:02:32] Speaker B: Nemesis is crazy.
[00:02:33] Speaker A: Nemesis cracking on Netflix. Okay, shout out to Courtney Kemp. Courtney Kemp.
[00:02:40] Speaker B: She gave us another one.
[00:02:41] Speaker A: If you don't know who Courtney Kemp is, she's the brains and the beauty behind power. Her and 50 Cent Co executive producer, the entire power universe. And this Nemesis, I could tell that they building out a Nemesis universe.
And it's cracking like I'm in.
[00:02:56] Speaker B: Yeah, I like it. I like it a lot. And one thing I respect is that both her and the co producer, or was he co writer on it when he said that. We got two people that are from the east coast making a show about the west coast and we have to make sure that we cover all, you know, like, aspects of the city or whatever. So I like that. Like, I don't wanna spoil it for anybody. But the music. 10 out of 10. Nah, for sure, the music is us.
[00:03:24] Speaker A: Yeah.
[00:03:25] Speaker B: Shout out to Rance. 1500 and nothing.
[00:03:27] Speaker A: Rance is one of the music producers on that. And then also Scott Verner.
I always fuck his last name up, but our manager Salas put me up on Scott. We follow each other on Twitter like 10 years ago. And he was like, you need to know who this dude is. He's the shit. He was the music supervisor on Nemesis.
Amazing television series on Netflix. Go, go peep Nemesis. If nothing else, watch the first episode and then you gonna be like me. When it went off and everybody was like around talking. Big boy. Shout out to big Boy. He moderated the panel with the cast and stuff. It was like, so what do you think? I'm like, I'm in, bro. Yeah, I'm in. Like, I'm finna go watch the whole season. It's all good. Like, we in there.
[00:04:07] Speaker B: You know what I like is that the first episode and I haven't saw the duration for the rest of the episodes, but the first episode, it wasn't too short and it wasn't too long.
[00:04:17] Speaker A: Yeah.
[00:04:17] Speaker B: Cause it's like you kind of leave it feeling like you watched a movie.
[00:04:20] Speaker A: Yes.
[00:04:20] Speaker B: But then it's like, wait. Cause it was like right when you probably ready, like, dang, when is it going? Like, you know, when is it going to end? And boom, it cut off or whatever. But they did a good job of the length of the episode of that one. Like, you know, and then it's like they gave us enough to hold us to the next episode. But then they gave you enough that make you want to hurry up and go Watch the next episode because how
[00:04:41] Speaker A: the first episode end. You looking like, what the fuck?
[00:04:44] Speaker B: What?
[00:04:45] Speaker A: Yeah, it's fire though. Go check out Nemesis. What else about your week?
[00:04:50] Speaker B: I saw a fight.
[00:04:52] Speaker A: You saw a fight? Like a fist fight?
[00:04:53] Speaker B: Yeah, I saw a fight at Starbucks.
[00:04:56] Speaker A: Word?
[00:04:57] Speaker B: Yeah, I saw a fight at Starbucks.
[00:04:59] Speaker A: This is my first time hearing about this. You didn't put this in the group chat or nothing?
[00:05:03] Speaker B: I tried to record it.
[00:05:05] Speaker A: Then you world starred the fight.
[00:05:06] Speaker B: I tried to.
[00:05:09] Speaker A: You gotta yell effective immediately when you.
[00:05:11] Speaker B: I tried to, but them niggas don't
[00:05:12] Speaker A: need no more branding.
[00:05:13] Speaker B: I was so excited because I was at the red light and then I just heard commotion. And you know, I live in the. I live. I live in the Valley.
[00:05:22] Speaker A: Ain't really too much commotion.
[00:05:23] Speaker B: Ain't too much commotion where I live.
[00:05:25] Speaker A: You ducked off a little bit.
[00:05:26] Speaker B: So I hear commotion. I'm like, what the heck? Like, what was that? And I look and I see like a bunch of like the moment I hit the like turn left, I saw a bunch of like. Which it was ice on the floor. But when I first saw it, I thought it was glass.
So it looked like somebody like threw they drink or like, you know, like something like that. So I just seen it, but I thought it was glass. I'm like, oh, shit. So you know, like something just broke. And then I looked over a little bit near the glass and I just seen three white men scrapping.
Like in these. They was white and they looked like.
They looked like peaceful white men. Like family men. Like minivan, like soccer game and you know, like white, like white. Like not Al Bundy white, but like, like Trump not Trump white.
[00:06:14] Speaker A: Okay. Cause I'm not.
[00:06:15] Speaker B: Not Trump white, but like even Steven's Daddy White.
Lizzie McGuire Daddy White.
Like that white.
[00:06:23] Speaker A: Danny Tanner. Danny Tanner white.
[00:06:25] Speaker B: Danny Tanner white.
[00:06:26] Speaker A: Yeah.
[00:06:27] Speaker B: Danny Tanner white.
[00:06:28] Speaker A: Yeah.
[00:06:28] Speaker B: But that nigga was up there locking like he was motherfucking Crip Mac. I think he was like, oh, oh, oh, oh, oh.
[00:06:35] Speaker A: On hood.
[00:06:36] Speaker B: I was.
And they was just punching him. It was, I'm telling you.
[00:06:40] Speaker A: Oh. It was a two on one.
[00:06:41] Speaker B: I was looking for Zeus. I'm telling you. They was like, mm, mm. They was. They got cracking.
So I'm watching, I'm trying to take my phone. I'm like, ooh, ooh, ooh. I'm trying to record, but I'm also at the light and shit, man. So I put my phone out and then boom, the light, the light turned green. So I'm like, I'm about to go up in there and See? Cause it looked like they was packing one of them out, but then the one I was getting, it was like two of them. They boom, boom, boom. Like, beating them up. And then at some point, I don't know, they was all white. But somebody broke it up, like, within the squabble. Like somebody broke it up or whatever. But I was confused. I don't know. I couldn't tell who was with who. So I pull up in there. Boom. The nigga pick a chair up, throw it, throw a chair. Boom. So then the other he, like, run a little bit.
[00:07:23] Speaker A: Oh, there was some wiggies in there.
[00:07:24] Speaker B: He was trying to get off. Yeah, but like, Danny Tanners, though, right? Like Danny Tanner. So.
So then.
So then the one who, like, kind of, like, ran, he started to, like. He was trying to bone out, get in his car. So he get in his car. The other one's still talking shit.
Whatever. Boom.
[00:07:42] Speaker A: So then I was waiting on you to say, boom. A story.
You ain't say boom.
Now it's okay.
Now we there. Come on, J. Cole, let's go. So, boom.
[00:07:52] Speaker B: I think I hit him up. I did hit one of them.
[00:07:54] Speaker A: Yeah.
[00:07:55] Speaker B: So, boom. So he was like,
[00:08:00] Speaker A: yeah.
[00:08:04] Speaker B: So they go into the car, and then I swerve up and hit the. I'm in a drive through to, you know, order my drink.
So I get the order in. Well, I don't even order yet. The girl come on the thing. The girl come on the thing. And she go. She say, hello. She didn't say, welcome to Starbucks. Hi, my name is Sasha. Nice to meet you. Can I take an order? She said, hello?
[00:08:25] Speaker A: I said, hello.
[00:08:27] Speaker B: I said, y' all are right in there.
[00:08:30] Speaker A: You whispering into the box like, stupid ass.
[00:08:37] Speaker B: I was like, y' all all right in there. She said, ooh, girl, did you see that? I said, yes. She said. She said, you saw the fight? I said, yes. She said, let me tell you how it started.
[00:08:45] Speaker A: Oh, on the box.
[00:08:46] Speaker B: On the box. So she started telling me how it started. When I look at my rear view, the two niggas is getting in the car, and they walking, but they right behind my car. So I was like, sh.
So she was like, okay, what can I get you?
[00:09:01] Speaker A: Oh, she went back to, yeah.
[00:09:03] Speaker B: So then I ordered my freaking drink. She supersized me. Whatever the largest one was. It was one I never get. No, it was bigger than vintage. A Trenta.
[00:09:12] Speaker A: What the fuck is a Trenta?
[00:09:13] Speaker B: You never got a Trenta size, Nate.
[00:09:15] Speaker A: I'm not that fat. I don't.
[00:09:16] Speaker B: I never had nothing like that. Before. I'm trying to see what that. What I'm trying to get a tha. Through the. Tha.
[00:09:22] Speaker A: Tha n you gotta have. I had that Trenta. How many gallons is that?
[00:09:26] Speaker B: I don't know.
That big.
I'm telling you.
[00:09:31] Speaker A: You went to Starbucks, got a big boy.
[00:09:32] Speaker B: I'm not playing with you. It's like this low key. Yes. She had me one of these.
[00:09:37] Speaker A: You do not need that much caffeine, sugar.
[00:09:40] Speaker B: Oh, I got a.
I got a fruity. Yeah. A refresher. A refresher.
[00:09:46] Speaker A: All sugar.
[00:09:47] Speaker B: And then they fuck my drink up.
[00:09:49] Speaker A: Yeah, all of that, bro, they had shit going on in there.
[00:09:52] Speaker B: All that. They fucked my drink up. It was so tart. She was in there gossiping.
[00:09:56] Speaker A: Yeah, she put you on mute. Went back to the group chat.
[00:09:59] Speaker B: What? Then I tipped her. And that's why I'm done tipping through the drive through too. Because I've been tipping through the drive through and they don't even say thank you.
[00:10:09] Speaker A: I don't think they know Jersey Mike's be knowing.
[00:10:13] Speaker B: I think it pop up when you tip at Jersey Mike's. They be like, doo, doo, doo.
[00:10:16] Speaker A: Is it the one that you reach out and you put the. And you tap, or is it the one that they turn around and hand it to you and you tap?
[00:10:23] Speaker B: Yeah.
[00:10:24] Speaker A: Cause the one that they hand to you through the window, they know. But the one that you punching in yourself, they don't know you.
[00:10:30] Speaker B: No, no, no, no, no, no. The one in the drive through, they hand it to you. And at Starbucks, they be like, it's gonna ask you a question.
[00:10:36] Speaker A: Yeah.
[00:10:37] Speaker B: They be like, it's gonna ask you a quick question.
[00:10:39] Speaker A: Yeah, you want some bread?
[00:10:41] Speaker B: It's gonna ask you a quick question. Give me a say thank you.
[00:10:44] Speaker A: Yeah, I feel you.
[00:10:45] Speaker B: But I be like, dang. Cause I like.
I like when they be like, phew.
You know, like, you ever donated to the children's hospital? And they like blow the little. They blow the horn.
[00:10:55] Speaker A: That's how I used to crack in when I went to Cold Stone. When you tip, they sing a. Huh.
[00:11:01] Speaker B: That's how it.
[00:11:02] Speaker A: What it used to crack off. When you go into Cold Stone, you tip em and they do a jingle. That's how I used to be back in the day when I was going to Cold.
[00:11:09] Speaker B: What was the jingle?
[00:11:10] Speaker A: I remember the songs. It was some fat shit that was like,
[00:11:16] Speaker B: cold stone's cool. I think I might go over there after this.
[00:11:19] Speaker A: Cold Stone used to go crazy.
[00:11:21] Speaker B: Cold Stone's cool.
[00:11:22] Speaker A: Can't do it no more.
[00:11:23] Speaker B: So then I Did some airhead shit.
[00:11:25] Speaker A: What?
[00:11:25] Speaker B: Oh, this might be.
This might be 10 out of 10.
Oh, no, I did another air. Oh, me and Quan was. Oh, I'm trying to think of which one worked. I did two airhead things.
[00:11:39] Speaker A: Hold on, hold on. So we're at. I want to back up a little bit. So Gina and I are at the Nemesis movie premiere or TV screening. Premiere, whatever it is. Netflix premiere. And was homie Quan is there. We all at the table just chopping it up on some LA shit. We making fun of people, whatever, right?
And then I go to the restroom. I think I went to the restroom. I came back, and Quan is just. He doing one of these.
I'm like, what's going on? Like, it. Like, you know how you walk up and you miss something? And Quan was like, I ain't gonna lie here. She did some ghetto shit. Like I said, what? And you was like, I'm not telling you. So what? You still not gonna tell me?
[00:12:15] Speaker B: So, I mean, obviously, you know, I was high.
So I had my pen.
So my pen was in my purse. So I'm like, I might just hit my pen real quick.
But in my mind, I can hit my pen and I can blow the smoke in my hair because my hair is so big.
So.
So I ended up being.
Oh, my God, I can't breathe.
[00:12:56] Speaker A: I know you.
You better not tell me what the fuck I think you're gonna chose.
[00:13:01] Speaker B: Why I'm crying right now. I'm crying right now.
[00:13:04] Speaker A: You better not say what I think you're supposed to say. Oh, my mama, man.
[00:13:08] Speaker B: So I hit the pee, and then I turned my.
I turned my mouth into my hair.
And then when I looked up, it was a smile.
[00:13:25] Speaker A: Oh, my God. Legend. That's ghetto, right?
Nay, talk to her. You better talk to her.
[00:13:32] Speaker B: I'm crying.
No, she's so lucky I wasn't there.
Cause I couldn't imagine. The smoke.
[00:13:41] Speaker A: The smoke just came out your fucking skull.
[00:13:43] Speaker B: My hair's so big.
My hair's so big that I thought I could have just. I thought.
I don't know why I thought that. I don't know why I thought that.
[00:13:54] Speaker A: But you blew the smoke into your hair.
[00:13:56] Speaker B: Yes.
[00:13:56] Speaker A: And the smoke came out of your head like stone cold Steve Austin, bro.
[00:13:59] Speaker B: I look so stupid.
I look so stupid.
[00:14:05] Speaker A: That's ghetto as fuck.
[00:14:07] Speaker B: Okay, so then the other thing I did.
So last week when we came and did the show, when I got ready, I got ready for the show, did my makeup, all this whatever, boom. Took a shower.
So I just hear this Loud, like in my bathroom. But I'm thinking like, oh, they must be doing construction in the unit next to me. So whatever, I mind my business, did my makeup. I'm still hearing the noise the whole time. So I left last week. We came up here early. I think I was up here like 11am or something like that.
So I get back home at like 11pm the sound still going on in my bathroom. So I'm like, dang, they still doing construction. Maybe they draining something or something. Like maybe it's a plumbing issue or something like that. So I closed the bathroom door, turned my TV up loud so I can go to sleep because that's how loud it was. So then the next morning I wake up real early and I hear it. So I'm like, fuck this. My rent too high for me to be hearing this loud ass noise. Like I'm about to complain. So I go to the neighbor's thing to see if it's like something going on in there. And I didn't see nothing. And then I went out the other way to see if it was something going on and I didn't see anything. So I'm like, oh my God. Like, I can only hear this inside of my unit. I can't hear it on the outside.
So I called the leasing office and they come right up. We're sorry, we hear. So then he come in, he recording it. He like, that is a loud noise, blah, blah, blah. So he like recording it.
So maintenance come up. So maintenance come up. So they start flickering stuff. They turning everything off. They feeling on the wall, all this. Why the whole time?
So she do all of that. And then they come out, they come to me, they say, well, I found the problem. It was my freaking electric toothbrush leaned on the damn wall.
It was my toothbrush leaned on the wall.
[00:15:59] Speaker A: You know what this is telling me? You getting too high.
[00:16:02] Speaker B: Like
[00:16:04] Speaker A: your electric toothbrush.
And who's the human that came to your apartment and said, yeah, that is a loud noise, nigga, it's a toothbrush.
[00:16:14] Speaker B: And he told me, he was like, I think that's the hot water heater fan or like something like that.
[00:16:19] Speaker A: The hot water heater fan.
[00:16:21] Speaker B: That sound like he made that up.
[00:16:22] Speaker A: He definitely made that up.
[00:16:24] Speaker B: He said something like. He said it must have busted or broke or something like that. So you didn't turn your toothbrush off? My toothbrush was running the whole time. So you never turned it off? Mm. Mm.
You just got the impression and just set it down.
[00:16:36] Speaker A: Oh, you just set it down.
[00:16:37] Speaker B: I just Set it down.
[00:16:41] Speaker A: You didn't. But when you said it that it wasn't like water or nothing. Flick like, you didn't.
[00:16:46] Speaker B: I don't remember.
[00:16:47] Speaker A: That's crazy.
[00:16:48] Speaker B: I don't remember that.
[00:16:49] Speaker A: That's crazy.
[00:16:50] Speaker B: I don't remember that. Like. And you know, we got our thing, so.
[00:16:54] Speaker A: Oh, yeah, yeah.
[00:16:54] Speaker B: We got a brush all the time. I use the one in my purse.
[00:16:58] Speaker A: Yeah. So I just started. I used to have two fancy toothbrushes. I just went back to regular, original OG toothbrushes. Cause it's too much going on for.
[00:17:06] Speaker B: I just recently switched to an electric one. This is my first one, like, switching back. So I be so used to the one in my purse that it's like. Cause it's so. It's regular, you know, and it make you feel, like, normal.
[00:17:18] Speaker A: Yeah.
[00:17:18] Speaker B: You know, like it make you feel normal. But yeah. So that happened. Oh, I got a new couch.
[00:17:24] Speaker A: Okay.
[00:17:25] Speaker B: I got a new couch. I officially know what it's like to
[00:17:29] Speaker A: lay on a cloud and on the new couch. Oh, the new couch. Like that.
[00:17:34] Speaker B: It's like that.
[00:17:36] Speaker A: Yeah, I remember your last couch. I need to get. I need to get over there because I remember we recorded a radio show on your couch one time.
So I gotta come. I gotta come see what that new couch hidden for.
[00:17:47] Speaker B: That couch is more comfortable than my bed.
[00:17:49] Speaker A: For real.
[00:17:50] Speaker B: That couch is like the big comfy couch from that show when we was kids.
[00:17:55] Speaker A: What show was that?
[00:17:57] Speaker B: You. You didn't have a big comfy couch?
[00:17:58] Speaker A: Hell no.
[00:17:59] Speaker B: The girl with the clock, she. She got. She lay on the floor and then she do her clock. Like the hands. I think I know what you're talking about. I can't remember the name. And she used to read the big book and she had the little puppy sitting next to her. And then she used to have pull all the stuff out the couch. Yeah, that's how that couch is. I don't know that that couch. Let me show you this couch.
[00:18:19] Speaker A: Okay.
[00:18:19] Speaker B: Let me show you this couch. This couch.
[00:18:21] Speaker A: How'd you pick it though?
Because I'm pretty sure you went in like.
[00:18:25] Speaker B: I went to living spaces. Look how tiny Roland is.
[00:18:31] Speaker A: Damn it.
[00:18:33] Speaker B: Take up my whole living room.
[00:18:34] Speaker A: Yeah, I can see that. This is. That's way bigger than the other one.
[00:18:41] Speaker B: Mom, I can't wait to come over.
It's one of them couches that, like, you gotta binge watch something like the rain. Cookies, ice cream, like. Yeah, it's one of them. Like, I'm not getting up and leaving all day.
[00:18:56] Speaker A: Well, I'm glad That you're still doing the home improvement thing. Cause I remember when you was working on the wall and you gave up on the wallpaper.
[00:19:02] Speaker B: I painted it now.
[00:19:03] Speaker A: Okay.
[00:19:04] Speaker B: So now it's black. And then I'm gonna put some. Like. I got some things coming this week that I'm gonna put on the.
[00:19:09] Speaker A: The redesign is in full effect.
[00:19:11] Speaker B: Yeah. New ho fashion set. So shout out to Tru. Tru told me that true is for everybody. That's the one who films all whole Fashions and the cyphers and all of that. She said it's been too long since whole fashions has been gone. We gotta come back by summer.
[00:19:27] Speaker A: Oh, okay.
[00:19:27] Speaker B: So she gave me a date.
[00:19:29] Speaker A: There you go.
[00:19:29] Speaker B: To get back.
[00:19:30] Speaker A: Shout out to Tru.
[00:19:31] Speaker B: Yeah, Shout out to Tru.
[00:19:32] Speaker A: You have a lot. You had a lot going on this week.
[00:19:35] Speaker B: Yeah, I did.
[00:19:35] Speaker A: What else is it? Something else.
[00:19:37] Speaker B: What else did I have going on?
Well, still on the couch.
I got two sets in my living room in my house right now.
[00:19:47] Speaker A: Two living room sets.
[00:19:48] Speaker B: My other set is in the kitchen.
[00:19:54] Speaker A: You planning to keep it there or.
[00:19:56] Speaker B: Nah, I gotta get it out. Cause I got big plans in my house this weekend.
[00:19:59] Speaker A: Okay.
[00:20:00] Speaker B: But. So I made a post that I wanted to give it to someone in need. Give my old living room set to somebody in need.
And the person who hit me up, they was, like, responding slow.
So I haven't got the address yet to send it to her. But I'm waiting so I can just get it delivered.
[00:20:18] Speaker A: Yeah, just delivered to the house.
[00:20:20] Speaker B: It's just sitting in my kitchen.
[00:20:22] Speaker A: That's good. That's nice of you.
Kudos to you.
[00:20:25] Speaker B: It is. It's officially prom season.
[00:20:28] Speaker A: Oh, what does that mean?
[00:20:32] Speaker B: These prom dresses look so good that it look like they going to the Met Gala.
[00:20:37] Speaker A: The Met Gala?
[00:20:38] Speaker B: Grammys. Like, they look. These girls look good.
[00:20:41] Speaker A: I always hated prom season. I don't think that's a surprise to anyone. But I didn't. Cause I don't like to get. I don't like getting dressed. I don't like the whole production of it.
And then I went to two proms. I went to my prom and then I went to. I went with.
[00:20:54] Speaker B: Look at you.
You went to two proms.
[00:20:57] Speaker A: I went to two proms. And yeah, I don't even. Man, that girl and her family, they still don't fuck with me to this day.
[00:21:05] Speaker B: What school?
[00:21:06] Speaker A: Garr High School. And Cerritos.
[00:21:09] Speaker B: What was the other school I went to?
[00:21:10] Speaker A: Cerritos Prom.
[00:21:12] Speaker B: Oh, Garr is one school in Cerritos. I thought you said Garr and Cerritos.
[00:21:16] Speaker A: Yeah. So I went to both proms and I didn't like neither. I was cool with the second one I went to. I didn't really enjoy mine like that. Just cause the situation, it was kind of rocky. But the pictures. No one to this day, if I give you $100, you can find a prom picture for my prom. It's two pictures that exist. One is in my vault and the other one, my mom got it and I just couldn't do that to her to destroy it. But it's two prom pictures total, all in.
[00:21:50] Speaker B: Why you don't want nobody to see it.
[00:21:51] Speaker A: I'm just not really. I'm not there anymore. I'm not in that space.
[00:21:57] Speaker B: What does that mean?
[00:21:58] Speaker A: Just, you know, uh.
I hate the whole production of it. I didn't want to get dressed. I didn't want to wear a suit. I did. Most of the things that went with the prom came with me doing shit against my will.
[00:22:09] Speaker B: Okay.
[00:22:10] Speaker A: Like, including the way we did it, the date, the what we wore. Like, I didn't want to do none of it.
[00:22:15] Speaker B: What color did you wear?
[00:22:18] Speaker A: It was, you know, I was around some Crips.
[00:22:22] Speaker B: Oh, you wore a blue suit.
[00:22:23] Speaker A: It was like blue accent.
[00:22:25] Speaker B: Blue accent? Yeah. You were like a white one?
[00:22:27] Speaker A: Nah, it's black.
[00:22:29] Speaker B: Oh, black with blue accent. Yeah. Okay. And you had a date?
[00:22:32] Speaker A: Yeah.
[00:22:33] Speaker B: You had the same date to both or didn't you?
[00:22:35] Speaker A: Nah, I ended up going with my, like, she technically, I guess, my cousin. She didn't have nobody to go with. And she was like, I don't wanna go with none of these niggas. So she was like, just come with me.
[00:22:43] Speaker B: You took your cousin to prom?
[00:22:44] Speaker A: Yeah, it was like, she ain't my real cousin. It's like, you know, we grew up together.
[00:22:47] Speaker B: Oh, okay.
[00:22:48] Speaker A: Yeah, but it's like she just. She didn't really wanna go. Her mom was kinda on her go and she was like, just take Aaron. Like, he'll go. And then I guess that's how they came up. Like, nigga here, not nigga here. Like, she wasn't comfortable with a lot of the dudes that kind of, I guess, was around.
And you know, prom people be like, pressured up.
So she wasn't really comfortable to my understanding. So I was like, yeah, I'll go. It's all good.
[00:23:11] Speaker B: Then how did you end up going to a second prom?
[00:23:13] Speaker A: That was a second prom? The first one was with somebody from my school. And, you know, we kind of was beefing.
[00:23:21] Speaker B: Is that the one that you did the prank on?
[00:23:24] Speaker A: Yeah.
[00:23:25] Speaker B: Are these girls black?
[00:23:26] Speaker A: Yeah.
[00:23:27] Speaker B: Okay.
[00:23:28] Speaker A: Yeah. So shout out to the prom season queens and kings. Do you. Okay, let me ask you a question.
When you look at these prom. I be looking at the prom videos, and I look at the pictures.
When you see the prom, it seem like the production is. I know the champagne party is the thing. Everybody come over for the champagne to see you off the prom.
How do you decide whose house that's at? Is it the man or is it the woman? I'm not the. Is it the guy or the girl's people's house?
[00:23:56] Speaker B: It's just really, if you think about it like a repass or something, like, who has the house that a lot of the family can be at? Like, who has the house?
[00:24:03] Speaker A: Who has more space?
[00:24:04] Speaker B: Yeah. Who has a house that's aesthetically pleasing in a good area, good parking?
That looks the part, you know, and then that's a decent enough size to fit both the.
Well. Cause, you know, sometimes they don't just do a girl and a guy. Sometimes it's like they whole friend groups and they all going together. So you'll need a location that everybody's family, you know, could fit in. So it's not like a wedding, like, where the grooms or the Gotcha. The bride. You know how the rules are that the dad pays for the wedding or whatever.
[00:24:37] Speaker A: What about asking a guy to prom? Is that out?
[00:24:42] Speaker B: I don't think. I don't think so. I don't think it's off the table.
[00:24:47] Speaker A: Nate just adjusted her seat.
[00:24:49] Speaker B: I mean, I'm over the prom combo.
[00:24:52] Speaker A: Okay. We old. Yeah, well, I'm just saying that's what's going on right now.
And I personally, I'm with you. I think that if you want to go with somebody, nigga, shoot your shot.
[00:25:05] Speaker B: Yeah.
Cause it's like, well, what you doing? Like, who you want a prom with? You know?
[00:25:10] Speaker A: Is that a big thing? Do that, Ma. Because I don't think it matter now. Like. Like, to Nate's point, at this point in my life, it don't. I don't even give a fuck about that shit.
[00:25:17] Speaker B: No, they doing big. They doing big, like signage and, like, going to the classroom with the cheerleaders and stuff. Like, they're doing it up to ask
[00:25:27] Speaker A: a girl to prom.
[00:25:28] Speaker B: Yes, Yes.
[00:25:29] Speaker A: Y' all losing today.
[00:25:31] Speaker B: Look on TikTok. Like, they. They have some very, very creative ways.
[00:25:34] Speaker A: So it's kind of like gender reveals and shit.
[00:25:36] Speaker B: Yeah, it's like production into it and everything. Like. But that's why I'm saying the.
There are people are going, like, way out with this year's champagne parties. I saw where somebody did a whole reconstruction of like the front of their house where they got like a big, big, big, like, billboard design, like, basically will cover the whole house. Think of it like when they put up the step and repeats behind us.
[00:25:59] Speaker A: Yeah.
[00:26:00] Speaker B: Like at the. But you know how it's some hard, hard ones.
[00:26:02] Speaker A: Yeah.
[00:26:03] Speaker B: So it's like a really, really big thing, but it's a design or whatever. And if I'm not mistaken, it was like the city. It was like the nightlife behind them. But they had like the sparkler things and stuff like that. The stage.
[00:26:14] Speaker A: So it looked like a Drewski skit.
[00:26:16] Speaker B: Yes.
Yes.
[00:26:19] Speaker A: That's crazy.
[00:26:20] Speaker B: And they in the Rolls Royces, like, they got the fire cars and everything. Like, it's a big thing this year. And I think it's actually beautiful to see it because it's like, if you think about it, the parents of this class, this year's graduating class, are millennials, you know, so it's like, it's the millennials that are like. Cause champagne parties was big for millennials, you know, like, if I'm not mistaken. And I mean, I don't want to just believe the parties, but I think that champagne parties was like, they not really too old.
Like, it's like kind of, you know, like, came like within the. Like I said with like, millennials are probably maybe the parents of millennials.
[00:27:00] Speaker A: Probably.
[00:27:00] Speaker B: Yeah. Cause my parents, they didn't have champagne parties.
[00:27:02] Speaker A: That wasn't a thing for my mom.
[00:27:05] Speaker B: So it's like, imagine if a champagne party started in your era, you know, like you growing up, and then you double it for your kids, you know, like that they look freaking good.
[00:27:16] Speaker A: Yeah. I would definitely lose. In this era of social media and production. I'm glad that. Cause I would.
[00:27:21] Speaker B: If you had a kid right now,
[00:27:22] Speaker A: it'd be a text like, you trying to go to this dance in June or damn. Like, that'll be my. That'll be my shit weak ass daddy. Yeah, I'm not really. I'm not really on that, but. Oh, I did want to bring up something that happened this week so randomly.
And this is. This is just completely left. But it's a lot that's been going on and we'll have some announcements shortly and whatever, but I woke up. I forgot what day of the week it was. It wasn't the weekend. It was like during the week. At some point I woke up and I was just Filled with so much gratitude. And I was just like, yo, I just feel amazing. I feel grateful and I don't know. And I. And so I was riding my bike and I was praying, and I'm like, this. This prayer ain't really hitting. Like, it ain't. It ain't. It ain't. Like, I don't feel like it's hitting the way it should. It should hit.
So I ended up calling.
[00:28:16] Speaker B: What, like your delivery?
[00:28:17] Speaker A: No, like, just energetically.
I was just expressing gratitude to God. I'm like, man, thank you, God. Like, you are, like, moving in our lives, right? Not even just me. Like, the team and everybody's getting opportunities and we doing shit, and it's just a lot of going on. So I was like, this. My gratitude, I didn't feel like was being translated the way I needed to. So I reached out to one of the pastors that I know. His name is Shout out to Pastor Brandon Bolden, a church right here in la.
And I called. I just cold called. I was like, hey. He's like, what's up, brother? Like, I'm like, look, I'm gonna keep it a buck with you. I don't even know how this go or the protocol for this, but I need you to pray with me. And he was like, what you mean? Like, you. What's that? No, no, no, no, no, no, no. This ain't one of them calls. Like, ain't nothing wrong. I ain't trying to save nobody. Ain't no cancer or none of that. I'm in gratitude. I want you to try to get this. I need you to make. Help me help this hit.
So he literally went in.
[00:29:18] Speaker B: It was like, you phoned in the ghostwriter.
[00:29:21] Speaker A: Facts, Facts. I had to get the ghostwriter in. So he got in and he started doing his thing. We was like six, seven minutes in to the prayer, and he was like, amen. I was like, amen.
And we got off the. And he was like, you know, before I go, like, is that. Did that. I'm like, no, you did.
You did the big one. Like, that's what I needed. You know what I'm saying? I just wanted to. And then I wanted to express my gratitude. He don't know, but I went and, like, made. I think I went on a website and made like a donation to the church or whatnot.
[00:29:49] Speaker B: But that was nice.
[00:29:51] Speaker A: But I was like. I was just so grateful with everything going on. I was like, damn. It's like a really good. I know everybody ain't going through their own thing, but for me, this is like a season of, like, oh, this is thriving. This is a season of abundance.
And so I just wanted to. I was like, man, I just wanted to express my gratitude. And I think that the point of me bringing it up is I think that even in our turmoil, the idea is to get more grateful. I think you said that before, like, even while you're going through stuff, the more grateful you get, the better things are. And I think that people miss that. So if you're going through something, get more grateful for the things that you. Cause if you watching this, you still have the ability to watch this, which means you have some kind of means, which means you should be grateful.
So that's it.
[00:30:33] Speaker B: Come on, brother Drake.
[00:30:36] Speaker A: Yeah, exactly.
[00:30:37] Speaker B: That's what I'm talking about with that revelation.
[00:30:40] Speaker A: Shout out to the revelation. Where are you at in your.
[00:30:42] Speaker B: In your revelation?
[00:30:43] Speaker A: Where you at in your Bible right now?
[00:30:44] Speaker B: I am in.
I don't know where I'm at. I'm not in numbers.
[00:30:51] Speaker A: I'm gonna see where I'm at.
[00:30:53] Speaker B: I don't know. I don't know where I'm at. I think I'm in numbers.
[00:30:56] Speaker A: I'm in.
[00:30:58] Speaker B: I wrote it down, actually.
[00:30:59] Speaker A: Yeah, I'm in Privacy policy.
Okay. I'm in Isaiah right now. Oh, no, no, no. That's not. That's Cap. I'm in judges.
Judges 18 is where I'm at.
[00:31:11] Speaker B: All right. I didn't write it down.
[00:31:12] Speaker A: Oh, okay.
But, yeah, shout out to everybody getting they study on and living in gratitude. Okay.
[00:31:20] Speaker B: Somebody gonna tweet me and say, uh, where you at in that Bible? You ain't slick.
[00:31:26] Speaker A: Yeah. Getting that book. You know what I mean?
[00:31:28] Speaker B: Where you at in that Bible?
[00:31:30] Speaker A: So you want to talk about these leaks? Cause I know that's why people are listening.
[00:31:33] Speaker B: Yes, I want to talk about these leaks.
[00:31:35] Speaker A: Shout out to the dude rapping. He rapping.
[00:31:38] Speaker B: Okay. Okay.
[00:31:41] Speaker A: You happy?
[00:31:42] Speaker B: What did I say? We got old Drake back. Yeah, we got old Drake back. So I haven't heard 1am in Albany. When I got to it, it was already removed or whatever.
[00:31:53] Speaker A: And just so you know, if you clipping this, include the fact that this is not including the album. Okay? Cause I know how they gonna. They gonna probably clip our shit up.
[00:32:01] Speaker B: Oh, yeah. Cause we don't. We filming this before the episode before
[00:32:04] Speaker A: the album come out.
[00:32:05] Speaker B: How do I pronounce this track A. That the leak?
[00:32:08] Speaker A: I have no idea.
[00:32:08] Speaker B: So I would say hasta la vista.
Hasta la vista. Hasta la vista.
[00:32:14] Speaker A: There you go.
[00:32:15] Speaker B: Okay. That is old Drake.
[00:32:17] Speaker A: Yeah.
[00:32:18] Speaker B: And if these leaks.
If these leaks are anything of similar to what we're going to get on the album, I think Iceman is going to be a great project.
[00:32:29] Speaker A: Yeah.
[00:32:30] Speaker B: So this is old Drake.
[00:32:33] Speaker A: No, I'm fucking with. I'm fucking with what I've heard, you know, without hearing the album.
[00:32:38] Speaker B: What's the other one? When he was like, what's her name? Tasha? Was her name Tasha?
[00:32:43] Speaker A: Let me see which one. Because I. I don't wanna say. I sent two of them, so I still Keisha. He was saying twin souls.
[00:32:51] Speaker B: I guess that's that one.
[00:32:52] Speaker A: Yeah, yeah. Twin souls. Yeah.
[00:32:54] Speaker B: So the one where he's referencing. He referencing somebody named Keisha. And then the other one where he says, will the real some shady please stand up when he say that in the beginning? Both of those 10 out of freaking 10.
[00:33:09] Speaker A: I think what's dope is it's like, this is kind of. I was looking forward to, like, we've already. We've been talking about this for the last two years. We just want him to rap, like, get back to doing you. I really want some bops.
[00:33:20] Speaker B: He. Fuck that. He rapping.
[00:33:22] Speaker A: He rapping.
[00:33:22] Speaker B: He is rapping.
[00:33:23] Speaker A: He rapping. I really want some records. Cause I'm a DJ and I want to play some records. But yeah, I, like, I'm appreciative of the raps as of right now. Like I said, I really looking forward to hearing. And people think I'm being like.
I was talking to the homie earlier, and it's a notable homie, and he was telling, not that homie. I shouldn't even say that.
But I was talking to someone that's not Kendrick Lamar. How about that?
[00:33:50] Speaker B: You already too deep in bloodbath.
You already.
[00:33:55] Speaker A: I was talking to somebody and I was telling them, like, I know it sounds facetious when I say it. I really want this to be good. Like, I don't. I don't. I'm not being, like, malicious. I just really hope it's good. Not even for his sake, but for people like yourself. Like, people are fans of you. Like, and people want to hear some good shit.
[00:34:11] Speaker B: Yeah.
[00:34:12] Speaker A: Like harping on things and, like, spending too much time on it. Okay, you want to get one record off cool. But don't talk tough. Just get your shit off cool. But you can't.
You can do whatever you want to do, but that's not really how things go typically where we're from, is all I'll say.
[00:34:30] Speaker B: I'm not mad at him venting, though, about his experience because we haven't gotten an album from him outside of the collab album with Party. But, like, we haven't gotten an album from him since the battle, so, I mean, since before the battle. So I'm not mad about him talking about his experience and things that he's gone through within, you know, the last two years, like. Cause it is essentially like the rappers are rapping about their life and art, you know? So I'm honestly not mad at if he's still getting stuff off and letting us know things that maybe we didn't know or maybe he's still venting. Like, we allow females to give us two, three, four albums about the same nigga.
[00:35:11] Speaker A: But what's the key word you just said?
[00:35:15] Speaker B: It's still something, an experience. Yeah, it's still an experience. That's something that you went through.
[00:35:19] Speaker A: I feel you, you know.
Yeah, I understand that perspective. I just don't agree with the way things are. But nonetheless, he was rapping, and I fuck with that.
[00:35:31] Speaker B: That nigga can rap.
[00:35:32] Speaker A: That nigga can rap.
[00:35:33] Speaker B: He can rap.
[00:35:34] Speaker A: He can rap. Niggas never said he couldn't rap.
[00:35:35] Speaker B: Niggas never said he couldn't rap.
[00:35:37] Speaker A: Niggas never said he couldn't rap. But also, why do. I guess. I don't know if it's taboo for me to talk about this, but stop holding Gina accountable for things I do or say.
[00:35:47] Speaker B: Oh. Oh, yeah.
They thought they was clocking my teeth.
[00:35:51] Speaker A: Yeah, they was whooping you on Twitter for. I forgot what you said.
[00:35:55] Speaker B: They was when I said Drake, my favorite rapper.
[00:35:57] Speaker A: Yeah.
[00:35:57] Speaker B: But I'm like.
I've never said that he wasn't like, I. And that's the thing that I don't understand about people. And it's funny because I was gonna tweet something, but I just thought it was so fun, like. Cause I seen. I saw other people defending me.
[00:36:10] Speaker A: Yeah.
[00:36:11] Speaker B: Like, I seen somebody say, like, she. She been saying. She's been saying this, you know, about him, whatever. Like, this not new. And then it's like, even down to I'm not. It would be. It would be fake of me to lie about what album my name is after, you know? Like, that would be fake of me to not admit that. It would be, like, how we was having a bias conversation, how, like, people. The people on the west coast want me to have west coast bias. But, like, the bias will really come in with me lying and saying that I think that he won with that still being my favorite, you know? Like, Kendrick is not my favorite anything, and I'm not About to lie just because you know of, like, what's going on and I'm from here and stuff like that. The nigga is my favorite. That's my top four.
Drake is my top four. I've been saying it for a long time, but I don't know what the fuck. But, yeah, people think I don't. You know, people be coming up to me like, you and Head gotta take it easy on Drake. And I'm like, what?
[00:37:09] Speaker A: You don't even say nothing about. Well, no, you know what it is?
[00:37:11] Speaker B: You said some shit.
[00:37:12] Speaker A: No, no, no. It's probably because when he was doing all of the extra shit you like. Nigga, I don't.
[00:37:17] Speaker B: Bro, if it's goofy, I'm gonna say it's goofy. Like, period. I'm not gonna lie just because I like your music. Like, if it's goofy, I'm gonna freaking call it out.
[00:37:26] Speaker A: Yeah, I just don't.
I don't like that people be, like, hitting you with the shit. Because stuff that I said, like, that's crazy to me.
It almost seemed like people avoid talking to you about stuff.
I don't know. It's weird. But.
[00:37:44] Speaker B: Well, the other thing is, in this climate of hip hop, you aren't allowed to be a fan of both.
So it's either like, literally, like, you tweet. You got your tweet off today, and people said, stay on that side.
[00:37:56] Speaker A: Yeah.
[00:37:56] Speaker B: So there's something about the fan base to where when anytime that they.
Anytime that someone. Anytime that someone who is on the opposite fan base compliments the other opponent, it's you trying to dick ride or you backpedaling, or it's like, oh, stay on that side. Like, it's possible to be a fan of both.
[00:38:18] Speaker A: Yeah. And I'm a fan of rap. I'm a fan of hip hop. I like when I just. It's certain. It also is certain ways and nuances of things that you don't want to hear from certain people. That's just a fact.
I forgot who I heard. I don't want to fuck it up and misquote. But I remember somebody talking about Sexyy Red and they were saying that they don't want to hear, like, church music from Sexyy Red. Like, they wanna hear that shit from Sexyy Red. Right. So it's certain, like what you said. I forgot what song or what came out, but you was like, oh, when he did the sexy songs, you like, I want you to rap. I don't wanna hear all this other. I wanna hear some rap.
It's no different than that. So when I say, like, yeah, the man could rap. Nobody said he couldn't rap, but I want the N to rap. However, there are stipulations on what I would like as a fan to hear you rap about. Because now you put yourself in a position where I don't think you can take the position of power. Or it's like what we had the conversation about J. Cole. It's the same thing. It's like, are you the best nigga ever?
I don't know. That's subjective. Can you feel like that? Absolutely, 100%. But as a consumer, I'm allowed to decide how and what I consume. And if I don't want to consume, you talking tough after you've done X, Y and Z, I'm allowed to do that as a consumer. So that's all. That's. That's my position on it. So when I heard the. What was it? The 1 8, what was the shit called? What was the timestamp record? Nay. 1:00am In Albany, 1:00am When I heard that, and I don't again, all this could be AI for all we know, based on shit that's happened in the last two years, this shit could be A.I. we don't know.
[00:39:56] Speaker B: But nah, nah, I know that Drake. Yeah, that's old Drake. Yeah, I know that Drake. That's the Drake that I was downloading off Limewire. And all of that facts. That's that Drake. I know that Drake.
[00:40:07] Speaker A: So based on what I've heard and taken it as gospel, it's like, do I like, do I want to hear your perspective? Yes. But it's also now, to me, as a consumer, there's a stipulation on it where I don't like the playing victim card of something that you willingly participated in. That, to me, is weird behavior. But that's based on where I'm from and what I've been through in life.
That's weird behavior to me.
To your point, though, I do like the bars. Like, I like, you know, like you said, that's old him. I like him getting back to the bars. So that's it.
[00:40:42] Speaker B: Well, you kicked up some dust.
[00:40:46] Speaker A: Oh, yeah.
[00:40:46] Speaker B: Earlier today, you got a tweet off. There's an alleged second album that's supposed to come out after Iceman.
[00:40:53] Speaker A: Yeah. And I could be wrong by the time people see this. It could not. He could not drop it. But from what was shared with me, I already shared the fact that there is this future song, so we gonna get the reunification.
And people think I'm being facetious with that. I really. What a time to be alive was dope.
Like, that's not folklore. That's not fake. That was dope. I went to that concert. That was a dope, like, joint body of work.
Cool.
Them getting back together. I don't necessarily think they need each other. Like, I remember. I don't know. Is that what you said?
[00:41:28] Speaker B: I don't know.
[00:41:29] Speaker A: But I don't think they necessarily need each other. I do think that.
[00:41:33] Speaker B: Nah. Cause I don't even believe that.
[00:41:34] Speaker A: Okay.
[00:41:34] Speaker B: I think we're talking about everybody being better off together.
[00:41:37] Speaker A: Oh, you talking about Ross? Yeah. Okay. So I do think that they do make good music together, so. Okay, cool.
Like I said, I do think it's a little weird that. Cause when Future is the one who kind of kicked a lot of the stuff off or whatever. But nonetheless, if it's just music, then it's just music.
So I did talk about the song coming out. I didn't know the name of it. I didn't have that information.
But then I got word of, okay, this is for sure gonna be on the album with that. With the. With the female Molly. And then the second part of it was like, there may be a second album coming called man of Honor. I'm like, that's interesting title.
Let's throw it out there and see what stick. You know what I'm saying? It was just like that also, you know.
Yeah, it's not an. It's not like a rage bait thing, but I definitely think I know that it's antagonizing of, like, people who think they have this and that and they not in the loop like that. So I definitely. I'm aware. I'm not unaware of that, that that's a thing. But, you know, it is what it is.
[00:42:46] Speaker B: So the men of honor thing, was that, like a surprise? Was that public?
[00:42:50] Speaker A: That was supposed to be.
Well, I don't know. It could still happen. It could not happen. From my understanding of the situation, we're gonna get the Iceman project and then surprise, 30 minutes, an hour, however long, later we get another. Another body of work.
[00:43:03] Speaker B: Why you step on his surprise?
[00:43:08] Speaker A: Just want the people to know.
[00:43:10] Speaker B: Why? Why, though? Like, why you do that? Why you do that? Why would you step on his surprise like that? Like, why did you do that?
[00:43:17] Speaker A: There was not. There was no, like, rhyme or reason.
[00:43:20] Speaker B: You just was like, I'm about to step on this nigga's surprise.
[00:43:23] Speaker A: Like, I'm just throw it out there.
[00:43:25] Speaker B: But, like, why, though?
[00:43:26] Speaker A: Like, that's why?
[00:43:29] Speaker B: Just fuck it. Like, I'm just stepping on this nigga's surprise. Like, fuck your. Like, fuck your fork, little nigga. Like that.
[00:43:34] Speaker A: Oh, yeah. No, no, no.
I think. Well, part of it, if I'm being honest with you, part of it is.
What?
[00:43:42] Speaker B: Sorry, what? Nothing. Go ahead.
[00:43:46] Speaker A: Part of it is it does come from other things that have happened.
[00:43:49] Speaker B: What?
[00:43:51] Speaker A: They're like, the things that have happened behind the scenes and things that I know about that are happening. It's like, hey, bro, that's kind of not cool. So it's like, all right, I'mma just throw this out there.
[00:44:03] Speaker B: What? What you mean, like, what's kind of not cool?
[00:44:05] Speaker A: There have been things that have happened behind the scenes that were not cool that I don't believe. Now, mind you, these are things that didn't necessarily happen directly to me, but I also don't like bullying and stuff like that.
[00:44:16] Speaker B: No, but, like, I'm saying the surprise, though, like, why you step on his surprise like that?
[00:44:22] Speaker A: That was just.
I didn't even give it a second thought, to be honest with you.
[00:44:27] Speaker B: Damn.
[00:44:28] Speaker A: But we looking forward to it.
[00:44:31] Speaker B: So now what if you ruined the surprise?
[00:44:37] Speaker A: I think it'll still be dope if
[00:44:38] Speaker B: we get it, but we not surprised now.
[00:44:43] Speaker A: Would it have made a difference?
[00:44:45] Speaker B: Yeah, because we don't know what type of rollout was coming with it. Like, it's like, as a fan, it's like, ooh, like, he might deliver it a little bit different. But now that you said it, I'm kind of expecting something. It's like, oh, so that's what that countdown is. That's his story ten minutes after the album came out.
[00:45:01] Speaker A: Oh, I see what you're saying. Yeah.
[00:45:03] Speaker B: I already know what this is. It's another.
[00:45:04] Speaker A: Well, to my knowledge, it wasn't gonna be none of that. It was just like, this is gonna come out of nowhere.
So I was just like, hey, let's build up some anticipation for this.
[00:45:13] Speaker B: So. So, like, how long have you been withholding Drake news for me?
[00:45:18] Speaker A: I just found out.
I literally just found out.
I think so. When? The two songs that I sent you, I literally got those in real time.
[00:45:29] Speaker B: Mm. Okay.
All right.
[00:45:33] Speaker A: But, yeah, I really hope all of it is good. I do, honestly.
[00:45:36] Speaker B: You. Speaking of Twitter, you got another tweet off.
[00:45:39] Speaker A: I did.
[00:45:40] Speaker B: You did. You got another tweet off?
[00:45:42] Speaker A: What's this other tweet?
[00:45:43] Speaker B: You've been very handsy lately. What's the other tweet that Chris Brown's album is not a piece of?
[00:45:48] Speaker A: Oh, man.
[00:45:49] Speaker B: What's up with Pitchfork.
What the fuck is up with Pitchfork? Why would they tweet that?
[00:45:55] Speaker A: You know what's crazy? Hold on. Look, I'mma go to the.
[00:45:58] Speaker B: What the fuck would they tweet that?
Why would they tweet some shit like that out of pocket?
A piece of shit.
Why would y' all tweet some. Why would you say.
And then. And then this was.
[00:46:12] Speaker A: As a brand, As a company.
[00:46:13] Speaker B: As a company, and this was really fucked me up is that once I saw the reports of it, I said, nah, let me go to they page and see if it's on there. I went to their page and it was still there. Like, it wasn't even that this tweet has been deleted or like it was still there. Did you open the article? I didn't get a chance to open the article.
[00:46:31] Speaker A: Yeah, I looked at the article.
[00:46:32] Speaker B: I didn't. Fuck, I didn't even need the article. It's on they Twitter. Yeah, that's. Oh, you talking about when they rated them? Yeah. No, no, no, no. I saw that they gave him a one, though.
[00:46:40] Speaker A: 1.4. Well, 1.3 overall on the album, bro.
[00:46:46] Speaker B: To double down to, like, think about this.
To do a review on the album, give it a rate, and then double down on Twitter and say, this album is a piece of shit. Y' all already rated it in the article.
We can go read it. Y' all didn't have to get that tweet off, bro.
[00:47:05] Speaker A: I'm finna. So hold on. I'm about to.
[00:47:07] Speaker B: I think they wanted to say Chris Brown is a piece of shit.
That's what I think they wanted to say.
[00:47:14] Speaker A: So this guy. And I don't. I don't. I'm a butcher. His name. He's a senior. He's a senior.
He's a senior writer for Pitchfork. His name is Alphonse Pierre.
Okay?
And he's accredited on this article.
And the article does go down, basically, you know, and kind of like, you know, nitpick or not nitpick, but, like, break down each thing as far as why and the rhyme and reason. I scan. I didn't read the entire article. I ain't gonna lie.
But to say that someone's album is a piece of shit is very egregiously disrespectful as a brand, as a personality. Hey, man, all day. I done heard streamers say worse all day. You know what I'm saying?
[00:48:03] Speaker B: As a brand.
[00:48:04] Speaker A: As a brand, it's kind of. Kind of crazy.
[00:48:06] Speaker B: And not just as a brand, as a credible Brand.
[00:48:09] Speaker A: Yeah.
[00:48:10] Speaker B: That's Pitchfork.
[00:48:11] Speaker A: I know.
So hold on.
[00:48:13] Speaker B: And this is how I know that times have changed. Because if this was like, 2008, 2007, or something like that, this would have been breaking news all over the news.
[00:48:24] Speaker A: Yeah.
[00:48:25] Speaker B: Like, for a company of that magnitude to say something like that about an artist like Chris Brown.
[00:48:34] Speaker A: So according to this.
And I thought this was interesting, I wanted to bring this up when we talked about it.
The parent company for Pitchfork is also the publisher of Vogue, the New Yorker, and gq. And apparently GQ got folded into.
I'm sorry. Apparently Pitchfork got folded into the GQ magazine as part of the restructuring that they did in 2024.
So in my mind, when I. Cause I was so curious when I saw that tweet, I thought it was fake, right? I'm thinking, like, this is AI. And then I go to it, and then I started going. I had to click it a few times. Cause you never know. I'm thinking grok on bullshit.
So when I finally went and looked into it, I'm like, oh, this is literally a legit tweet. Yeah, okay, bet.
So the parent company who owns it's like, it's Nast. I don't know the first name of it, but they own Vogue, New Yorker, and gq. And I was thinking to myself, you would never see a tweet like that from any of those brands.
Like, I would never see GQ magazine post anything. You could be a piece of shit, but they wouldn't post it.
[00:49:45] Speaker B: That's why I'm saying it might be deeper than that. Like, y' all don't like him.
And that's why I'm saying it was probably really meant, like I said, not the album. Chris Brown is a piece of shit, you know? Like, it's no way that something, like. And then think about how long it was up and everything. And I don't even know if it's. If it's deleted right now. But I know that when I looked, it was there for a long time.
[00:50:09] Speaker A: No, they left it up.
So all they did was.
[00:50:13] Speaker B: It's also unprofessional.
[00:50:15] Speaker A: All they did was make me go run the album back again.
And I was. Cause now I feel like I'm tripping, right? So I run the album back again. Let me pull this album up. I run the album back again. And I'm like, this is a Chris Brown album.
It's not like.
It's not, like, great, but it's not a piece of shit.
That's crazy.
So there are songs on here. Hold on. Chris Brown.
I wanted to highlight because.
And then I have another conversation. I want to ask you about Chris Brown. So there's a couple songs on here. Obviously it depends with Bryson Taylor. Every girl's made a video to that song at this point in life. Right. But the one with Vibes, Cartel Effin Party. That one was good. I even liked the one with him and Youngboy was cool.
Was it? It's not me, it's you. It's not you, it's me. That one was good. The one with Tank Bodygoes. That one was kind of cool. And then there was another one. I think it's called Theme. Yeah, Theme song.
Now, his personal song, that's where he got his shit off.
That's when he was talking like, hey, you know, he kind of like. We never really heard Brown really address how the industry treats him. He kind of just take like. He just take it on the chin and keep him and keep moving whatnot. On his personal record, it was like, oh, okay, this is how the N feel. I'm glad he was able to get that off. I'm not saying that that had something to do with how people felt about this album, but I'm glad that he was able to do. Oh, Skin to Skin is dope too.
So my point being, and the thing I wanted to ask you about is, are people ever gonna move on and give Chris Brown his adieu in this game or is he forever the black sheep of music?
[00:51:59] Speaker B: No, I don't think it's ever gonna happen.
And I think, you know, sorry to say, knock on wood, but it's probably not gonna happen while he's here. It'll happen when he's gone, after he's long gone.
[00:52:10] Speaker A: That's crazy, bro.
[00:52:11] Speaker B: That's what I think.
[00:52:11] Speaker A: Cause Brown is one of the best to ever do it, hands down. And I'm not just talking about R and B. Yeah. I'm talking about he's one of the best entertainers, dancers, writers, producers, rappers, music, whatever you want to call him.
Chris Brown is one of the best entertainers to ever do it.
And for him to be still succumb to these types of things, I just feel like really bad for him. One and two. I think that at some point we got to move on.
[00:52:40] Speaker B: Yeah, no, it's not going to happen. But I haven't listen to the album in its full entirety. I'm still on season one, but for those first eight songs, I think it was that I heard I did have like one or two from that that I like, were more in favor of. But I do understand what people are saying that they don't like the album. Like, I do get it. And my bar is set so high because Chris Brown's first album is one of my favorite R and B albums of all time. So that's where my bar for him already is at that album. And I'm as a fan, expecting you to give me that again, you know, and we haven't got anything that's like, come close to it or whatever. But to answer your question, no, I don't think that that's. That's never gonna.
[00:53:30] Speaker A: That's so crazy, bro.
I really think that Chris Brown deserves a lot of ado and he don't get it, and that's terrible to me.
[00:53:41] Speaker B: I also saw he was being critiqued for.
It was like, a content piece that dropped the night of the. That the album came out or a little bit before the album came out. That was, like, it was clearly AI generated and it featured all of the artists that were on the project. And, you know, people was complaining, saying, like, why would you do an AI version of this when you could have just shot it in, you know, in real life with real people, with real equipment and things like that, with real creators?
What are your thoughts on that? Do you think that that makes the artist lazy? Or is it just.
[00:54:15] Speaker A: I think it's just embracing of the times.
[00:54:17] Speaker B: Yeah.
[00:54:17] Speaker A: Like, we went, who dropped that AI video? Was it 50?
Remember that was it. It was 50, right. When he dropped that AI video. Him. And was it him and Max B. Max.
[00:54:30] Speaker B: They was trolling Jim Jones and they
[00:54:31] Speaker A: was trolling them, no less.
[00:54:32] Speaker B: Yeah.
[00:54:34] Speaker A: It's just the times that we in. We gonna be watching movies and you're not even gonna know that it's AI like it. That's just where we're at.
[00:54:40] Speaker B: So I can tell Michael has some AI up in it.
[00:54:43] Speaker A: Yeah, Michael and Low Key. I just seen.
I seen on the Boys. They had Samuel Jackson as a shark and shit.
[00:54:51] Speaker B: Yeah.
[00:54:51] Speaker A: But, like, anyway, so where do you think.
[00:54:54] Speaker B: Where do you think creatively will be the limit? Like, okay, we can accept AI for music videos from artists, but we don't want AI for artists to create music from.
[00:55:06] Speaker A: Oh, you're saying that the Creating the actual songs.
[00:55:08] Speaker B: Yeah. Like, we can't move. Like, why we move the goalpost where it's where it is. Okay. And not okay for them to use AI.
[00:55:14] Speaker A: I think it's always okay to use it as long as it's being used as a tool and not a Replacement.
Like, if I'm using AI as a. Like, auto tune is AI that's been used for decades. Auto tune is AI. It's taking a frequency and automatically changing it. It's AI.
So I don't look at it like this or that. As long as it's being used as a tool and there's still a human being at the forefront of the creation, I'm okay with AI being used and
[00:55:41] Speaker B: whatever, but not diss tracks.
[00:55:44] Speaker A: No, I'm okay with AI being used with whatever, but that was weird.
[00:55:51] Speaker B: Why?
[00:55:52] Speaker A: To me, it was weird because you're using someone. It's almost like the conversation we've had. Well, not you and me, but I've had offline with other people about using people's names and stuff like that. It's like that person's still walking around.
It's like.
And I don't know, to me, that's just a little weird. I wouldn't use someone's voice in a diss record to diss this nigga as this nigga and this nigga is over there with them, but he's also alive and didn't approve this.
[00:56:23] Speaker B: It was with the times, though. It's the times we in. That's what you said.
[00:56:27] Speaker A: Yeah, but again, there's still different things. There's nuances to it. It's not a one size fit all for me.
I think that AI could be used though. Now, don't get me wrong, if Dawg was in on it, go crazy.
[00:56:41] Speaker B: So.
But you're talking about how it happened versus the actual product of it.
[00:56:46] Speaker A: Yes.
[00:56:47] Speaker B: That shouldn't have nothing to do with us, just the product, the end product of it.
[00:56:50] Speaker A: Well, the end product was affected by the process.
[00:56:53] Speaker B: All right.
[00:56:56] Speaker A: That's just how I look at it.
[00:56:57] Speaker B: All right.
Also, so if you found out that Leon Thomas, Sexyy Red and all these people didn't approve of being in Chris Brown video, then it wouldn't be okay?
[00:57:07] Speaker A: Nah, that wouldn't be okay.
[00:57:10] Speaker B: So again, what about the final product of it?
[00:57:13] Speaker A: Not just the art of it, you're
[00:57:14] Speaker B: saying just the art?
[00:57:15] Speaker A: Yeah, yeah. It depends on. To me, it depends on how good it is. Like, some AI is like, to Nay's point, some AI is like cheap. You know what I'm saying? You could tell, like the movie we was talking about, I think that was intentionally done. But like, some AI do look like. Like we've seen AI shit of us and it just look. You could tell it looked weird.
[00:57:33] Speaker B: Yeah, I can tell.
[00:57:34] Speaker A: AI, do you think you can spot it?
[00:57:35] Speaker B: I Can spot? Yeah, I can spot AI a mile away. The only thing that I have difficulty being able to tell if it's AI, I can't really identify AI on music.
[00:57:49] Speaker A: Like, if it's an AI artist.
[00:57:50] Speaker B: If it's an AI artist, I'm not able to identify it. So in those moments where songs leak, but then we find out later on that this is not even a real song, there was an amazing 50 cent song where he was dissing everybody.
Joe played it on his show. That shit was so freaking good that I wanted it to drop. Did you hear the Lazy Bone diss to Finesse two times? No, it was AI, but it was hard as fuck. No, I was bad. It wasn't real. Like, apparently, Lazy Bone and Finesse two times started beefing or whatever. Then they started, like, making songs or whatever. Somebody made an AI Lazy Bone diss track. Lazy Bone, like, back in the day. Like, bone, thumb, thugs and harmony. Yes.
[00:58:34] Speaker A: Nah, I didn't know about that one.
[00:58:35] Speaker B: It was AI. He said it wasn't real, but it was good as fuck. I'm gonna send it to you. It was fire, man. Yeah, this 50 Cent one, when I tell you it's so damn hard, it's like, I really like with the rappers. I can't tell.
I can't tell.
[00:58:50] Speaker A: So, like, let's say we got a fabulous song.
Would you be able to tell if it was AI?
[00:58:55] Speaker B: It might depend on the setup and the way that he's rapping. The way that he's actually like, if I can't pick up the fab swack, then, like, from it, then probably. But depending on how good it's done, I probably wouldn't be able to tell.
[00:59:09] Speaker A: Okay, another Cypr question. If we got. Let's say you got a Fab Leak record and it was so good, that Fab was like, yeah, I'm putting it out. Which we all know it's AI. But he was like, it's so good, it became a hit record. He like, all right, I'm putting it out as fabulous. Would you have a problem with that?
[00:59:26] Speaker B: I don't think he should put it out because he didn't create the it's an AI of him. But, like, that shouldn't be added to his catalog. If he made, like, a AI.
If he, like, started to build an AI catalog or something like that, and then it was like a separate entity versus it's under his Apple Music, under his profile and all of that, then no. Okay, like, if it was like a cartoon fab or like a virtual A virtual fab or something like that. Yeah, like that would be a way that I would fuck with that, but not him just releasing it and performing it like it's his.
[00:59:58] Speaker A: That's fair.
That's fair. I with that.
Okay. I can't see the. The thing no more, but go ahead.
[01:00:05] Speaker B: Well, bro Rilla dropped a diss track.
[01:00:07] Speaker A: Oh, my God, bro.
Bro, really? Bro.
[01:00:14] Speaker B: And she put a wig on, and I don't know if that was AI.
[01:00:16] Speaker A: You know why this is your fault.
[01:00:18] Speaker B: Who you talking to me?
[01:00:20] Speaker A: Yeah.
Cause you telling everybody to rap.
[01:00:23] Speaker B: I ain't said that shit in like two years.
[01:00:26] Speaker A: No, I'm saying. But niggas are still seeing them clips. You still viral, man. Everybody don't need to rap.
[01:00:32] Speaker B: She need to sat down.
[01:00:35] Speaker A: And the other thing that I will speak on, I'm not in they family. I don't know they business. I don't want no smoke. I don't want no diss records, bro Rilla, I don't even know if that's your real rap name.
Whatever.
[01:00:47] Speaker B: Cause is that disrespectful?
[01:00:49] Speaker A: That's what the Internet is.
[01:00:52] Speaker B: Cause we really be saying, bro. Really?
[01:00:54] Speaker A: Like, well, hold on. We didn't say nobody name. So if she take it as her,
[01:01:00] Speaker B: that girl know she been checking people.
[01:01:04] Speaker A: Nah, I didn't see that.
[01:01:05] Speaker B: But speaking of this real quick, Gina, read this.
[01:01:08] Speaker A: My point is, it's like, if.
If you gonna put out diss records.
What? What happened?
[01:01:15] Speaker B: They want me to read this tweet.
[01:01:16] Speaker A: Let's say read it.
[01:01:18] Speaker B: This is not me saying this. I want to repeat. I repeat, this is not me saying this. I repeat. I repeat, this is not me saying this. You could put that 225h said, do they got dykes in Mexico?
[01:01:37] Speaker A: I mean, I don't know if I can say yes or no.
I don't know.
[01:01:44] Speaker B: You know what I'm saying? Well, you gotta ask Big Ja.
[01:01:46] Speaker A: I don't know.
[01:01:51] Speaker B: I need a top out time.
[01:01:52] Speaker A: We need to ask Big Ja. It's crazy.
[01:01:54] Speaker B: I'm sorry. The bro really conversation just made me think of it. Anyway, why is.
And then you didn't see the wig.
She had put like a wig on. But again, I don't know if that's AI. That could be AI, but it was like. It's just too much.
[01:02:09] Speaker A: I don't necessarily know if everybody shouldn't be rapping, let alone making diss records. On top of the fact that I just think that sometimes we better off not knowing what's going on with you and your people.
[01:02:21] Speaker B: Damn. What if it's AI?
[01:02:23] Speaker A: What, the. The record?
[01:02:24] Speaker B: Yeah.
[01:02:26] Speaker A: I thought you said you could spot AI a mile away.
[01:02:29] Speaker B: Oh, so you didn't hear what I said then? What I said when it's rap. I don't know.
[01:02:34] Speaker A: What about the wig?
I'm just saying
[01:02:41] Speaker B: y' all sound like old people. Like, everything AI. Now give him an AI overview of what I'm talking about.
[01:02:48] Speaker A: Everything is AI.
[01:02:48] Speaker B: I'm talking about the song I know, not the wig.
[01:02:52] Speaker A: So if somebody in your.
[01:02:56] Speaker B: What the fuck was that?
[01:02:58] Speaker A: Something was on my lip.
[01:02:59] Speaker B: You had the camera on him.
What the fuck was.
[01:03:02] Speaker A: Something was on my lip.
[01:03:03] Speaker B: But why was you just gonna. Just speed past it, though?
[01:03:05] Speaker A: Like.
[01:03:06] Speaker B: Like, you just.
[01:03:07] Speaker A: Cause I was in the middle of talking.
[01:03:08] Speaker B: I know. That's what I'm saying. Like, you.
And then you just gonna keep talking. You blowing your.
[01:03:14] Speaker A: It was just like this. I don't know what it was.
[01:03:17] Speaker B: All right, continue.
[01:03:18] Speaker A: I grew up with bugs, so I don't. You know.
[01:03:20] Speaker B: Oh, my God. Anyway, you just swallow that motherfucker. You thought it was a bug on your lip, and you was just gonna keep moving like that after you thought it was a bug on your lip? Yeah. He might have planted an egg, peed on your lip,
[01:03:36] Speaker A: maybe.
My question to you is, if you going through something in your life and a relative of yours, a cousin of yours, tries to get clout off of your name, do you respond, I cut
[01:03:51] Speaker B: my granny off if she don't see it how I see it.
Hmm.
[01:03:55] Speaker A: Okay.
All right. But I'm in the same boat with you. Cause I don't. Cause I remember Glo really did respond at one point, like, she was like.
And it was like, what are you. Like, basically, I don't owe you nothing.
[01:04:07] Speaker B: I be at Thanksgiving dinner, like, Tupac at the end to hit him up.
Fuck my cousin.
Fuck your daddy. Fuck my.
[01:04:17] Speaker A: You'll give it the energy.
[01:04:18] Speaker B: But I. I be tripping, but not
[01:04:20] Speaker A: on the Internet, bro.
[01:04:22] Speaker B: I don't know what's up with, like.
I just. I don't know. It's like.
It's so crazy. Cause now I'm starting to want to have these conversations with these rappers. Like, what is your experience like with your family once you become successful? Like, are people entitled to you? Do people believe that they deserve your, you know, like, the fruits of your labor, you know, like. And I do want to know, like, from. But I could be so far separated from that time of, you know, that era of my life that I'm not on the side of the family member that would Be looking for that. You get what I'm saying? I'm more of the family member that they would be looking to.
So I do wonder, though, from that aspect, like, would I also feel entitled?
You know? Like, would I also feel entitled?
[01:05:11] Speaker A: Oh, like, would you feel entitled to somebody else's.
[01:05:13] Speaker B: Yeah. If I was on the other side of the coin. That's what I'm saying. Like, we so far removed.
[01:05:17] Speaker A: No. Cause you could feel that way now and you don't.
[01:05:20] Speaker B: Yeah, but I don't have anybody. Like, it's not nobody that is just, like, doing just 10 times better than me that I feel like, oh, you. I wish you could. Yeah, you could do that. Like an actual family member. Somebody that was actually close, that I grew up with and stuff like that in a household, you know, like, it's nobody. I can't relate to that. I can only relate on the receiving end of it to where it's, eugenia, you owe me. You know what I'm saying? But it's like, I don't know what it's like to be in that predicament to where I might do. I might would feel the same way. Like, you can give me this or you can pay for this. And these are. Is not. These are like, she's a mega star, you know? So, I mean, I don't know. I don't know how much money she getting and stuff, but I still, at the very end of the day, feel like nobody owes you shit.
Like, don't nobody owe you nothing. But that could be me being oblivious to you get what I'm saying? Like. Cause I'm not on that side of it.
[01:06:15] Speaker A: Yeah, you in a different space.
[01:06:16] Speaker B: But the diss tracks and. Cause now the cloud is crazy.
[01:06:19] Speaker A: Diss track is crazy.
[01:06:20] Speaker B: The cloud is crazy. And then, if I'm not mistaken, I might have dreamed this. This might have been AI. I don't know. But I think she's on the upcoming season of Baddies.
[01:06:29] Speaker A: Bro Rilla.
[01:06:31] Speaker B: I think I saw her name.
[01:06:33] Speaker A: You saw Bro Rilla?
[01:06:34] Speaker B: I said I think I did.
[01:06:36] Speaker A: I don't know. I just wanna make sure I'm understanding.
[01:06:38] Speaker B: Cause I think.
I think I did.
Allegedly.
[01:06:44] Speaker A: Allegedly.
[01:06:45] Speaker B: Allegedly. You just gotta. If you throw allegedly out there, then it's cool. But yeah.
[01:06:50] Speaker A: Nah, Bro Reala gotta chill, bro.
[01:06:52] Speaker B: Man, please.
[01:06:53] Speaker A: It's a phone call.
[01:06:55] Speaker B: This is crazy. So have you seen the report that parents who owe over 2,500 in child support will have their passports revoked?
[01:07:04] Speaker A: Yes, I did see this. And I went to the. I went to the United States Government website. Because I wanted to make sure that this wasn't some AI, which is the theme of this show.
But I'm not opposed to this.
However, I don't necessarily. Okay, I have split brain on this one, is yeah, nigga, take care of your shit, handle your business. The other part of me is don't involved in people in your business.
[01:07:35] Speaker B: Right?
[01:07:36] Speaker A: So I don't know.
I guess it depends on. It's a case by case basis who I would apply this to, which I know it don't work like that.
[01:07:45] Speaker B: But why do my child support payments?
Like how is my child support payments and my passport mutually exclusive?
[01:07:53] Speaker A: Well, they already affect with your. They'll suspend your license for back. For back. Back child support.
[01:07:58] Speaker B: Why y' all all in my shit?
[01:08:00] Speaker A: It depend on how.
[01:08:02] Speaker B: Okay, the kid out of town.
[01:08:05] Speaker A: So look, I can't speak for everybody else. I know we global. But hip hop, I mean, I'm sorry, in the United States of America. I mean, I'm sorry, In California. I know that in California.
[01:08:17] Speaker B: I know Hip Hop Nation fucked you up, huh, bruh?
Hip hop. And the United States is a hip hop nation.
[01:08:23] Speaker A: United States of Hip Hop Nation. I'm on the radio.
So look, so in California, I believe when I last researched this, if you have two kids, that's automatic 50% of your income before you get to even do anything. I'm talking about like if you own paperwork and blah blah, blah.
So if you don't pay and you owe all this back child support, let's say your baby mom put you on paper. Or I'm just using it as a man. Cause everybody likes to. Now I've seen the opposite where the woman has to pay child support to the man. But I'm gonna just use the stereotype.
[01:08:58] Speaker B: My daddy was trying to get child support on my mama.
[01:09:00] Speaker A: For real. He filed papers?
[01:09:03] Speaker B: Yeah, yeah, he got cracking.
[01:09:04] Speaker A: He filed papers.
[01:09:06] Speaker B: Yeah, yeah.
[01:09:06] Speaker A: What happened now? I wanna know what happened.
[01:09:08] Speaker B: I don't remember. I was a kid, but I remember being in that office.
[01:09:11] Speaker A: Damn.
Okay, so Pete, that's crazy.
[01:09:16] Speaker B: So nobody gonna call me?
[01:09:18] Speaker A: If your mom ain't getting no child support from your pop and he on papers, it goes so long, they'll suspend your license. They'll just start revoking things from your life that you probably need day to day to just live life and move around, et cetera. So them doing the passport, I'm thinking, is another incentive to the people who are just flagrantly disrespectful with they shit. They in the Bahamas, they in the Maldives. With the side chick, you know, or with the side nigga or whatever. And they ain't taking care of their responsibilities. I'm assuming that's where this has come from. In addition to things that people never pay attention to is there are government initiatives that happens where they'll do things to stimulate their own economy on some, like, oh, we need to find some extra money. It's kind of like how they'd say at the end of the month, if the cops ain't making a quota, they pull you over, give you tickets for stupid shit. Similar.
[01:10:09] Speaker B: I think they should just start giving out fines to people who own their child support. And they keep having kids.
[01:10:18] Speaker A: Mm.
[01:10:19] Speaker B: Make it illegal for them to have another baby.
[01:10:21] Speaker A: Okay. But now we getting okay.
[01:10:23] Speaker B: That got too many kids.
[01:10:24] Speaker A: It get tricky, though, because.
Are you gonna start. Like, what. You gonna. You gonna start castrating niggas?
[01:10:30] Speaker B: You gonna get a fine.
[01:10:32] Speaker A: How much is the okay? If I knock a girl up and I got, what, two kids?
How much is the fine?
[01:10:38] Speaker B: I don't know, but. Cause I thought of that, like, as I was saying it, like it was coming out of my mouth in real time.
But to make it make sense, whatever. Like, let's say instead of. Instead of revoking a license, whatever it costs to get it. To get it reactivated, whatever that fee is just fine. If they. Yeah, just find them, just give them a fine.
[01:10:57] Speaker A: I can see that.
[01:10:58] Speaker B: Because that'll make people stop.
Because what are you trying to stop them from driving? I need to go make money so I can pay for the child support. If they not paying child support, though, are they gonna pay the fine?
[01:11:07] Speaker A: No, that ain't gonna stop no motion.
[01:11:09] Speaker B: But they might not have kids, though.
[01:11:11] Speaker A: Yes, they are.
[01:11:13] Speaker B: One thing is you just got fines, and then eventually you get arrested.
[01:11:17] Speaker A: I think 1. So how they used to do it back in the day is they do wage garnishment so they'll garnish your check.
[01:11:24] Speaker B: All right. Cut your nuts off.
[01:11:26] Speaker A: So you just start neutering niggas.
[01:11:29] Speaker B: Cause I know a nigga that need to be first in line.
[01:11:32] Speaker A: You do. How many kids he got?
[01:11:34] Speaker B: 12.
[01:11:34] Speaker A: He got 12 kids? Nah. That's crazy.
[01:11:37] Speaker B: Five women. This what they need to do. This one, they need to do 12 kids is crazy. Fuck the fines. Fuck the fines. Once you do too much, you gotta go in a system that when you make facial recognition somewhere, it need to pop up. He need to go be neutered.
Like, anytime you go to the doctor, the dmv, or anything, it need to pop up. Please go get neutered. Like, oh, my God. Like they calling you to come to
[01:11:58] Speaker A: the doctor to get neutered?
[01:12:00] Speaker B: Yeah. You just go get neutered.
[01:12:02] Speaker A: That's crazy. Wait, so you can't even have no more kids? What's the kid limit?
[01:12:08] Speaker B: Damn. We gotta give him a kid limit.
[01:12:10] Speaker A: It's your rules. You just made it up.
[01:12:12] Speaker B: All right, all right, all right, all right, all right. If Gina was president.
If I was the president of the United States.
[01:12:18] Speaker A: Kid limit. For a guy.
[01:12:20] Speaker B: Kid limit.
[01:12:21] Speaker A: And then for a woman, too.
[01:12:23] Speaker B: It depend on your income.
[01:12:25] Speaker A: Okay.
[01:12:26] Speaker B: How much money it's in the kid limit. Income basis.
[01:12:29] Speaker A: How much per kid.
[01:12:30] Speaker B: How much per kid now? Like, how much you gotta make? Like a year. Yeah, whatever. What's the thing you said that it takes? Oh.
[01:12:37] Speaker A: To raise a kid.
[01:12:37] Speaker B: Whatever that is.
[01:12:38] Speaker A: 250,000.
[01:12:39] Speaker B: Damn. Per kid. Nah, that's too. That's too high. That's too high.
[01:12:43] Speaker A: That's from birth to 18. No amenities.
[01:12:45] Speaker B: That's too high. That's too high. But I don't know what the. Because I can't just put a price on a baby. That's crazy.
I don't know. But income based, so.
[01:12:55] Speaker A: Income based.
[01:12:56] Speaker B: Yeah.
[01:12:57] Speaker A: Also that could be per state, too, because there's different income brackets and tax brackets, but per state, per county y' all got.
[01:13:03] Speaker B: We gotta start slowing them down.
[01:13:05] Speaker A: We are, though.
[01:13:05] Speaker B: Shit. Yeah. Let's put that in play. Because they over there regulating our abortions.
They regulating our abortions.
Yeah. Start cutting off some balls. The birth rate's already declining. Shout out to the women millennials.
[01:13:21] Speaker A: Yeah. Birth rate is declining.
[01:13:23] Speaker B: We're contributing to the declining.
[01:13:25] Speaker A: The birth rate is declining.
[01:13:26] Speaker B: Absolutely.
[01:13:27] Speaker A: Yeah.
[01:13:27] Speaker B: Well, let's make it decline drastically. That's what we're doing. Yeah. Yeah. Let's start neutering niggas.
[01:13:33] Speaker A: Well, we don't need.
[01:13:33] Speaker B: Let's start neutering niggas that's not taking care of their kids.
[01:13:39] Speaker A: I think that.
[01:13:40] Speaker B: Let's start neutering deadbeats.
[01:13:41] Speaker A: Here's the thing, though. I think that's gonna backfire.
[01:13:44] Speaker B: On who?
[01:13:45] Speaker A: Women.
[01:13:46] Speaker B: Why?
[01:13:47] Speaker A: Cause now ain't no.
I can't even have kids. So I think I'm waiting for you to land. I think the passport, bro, is gonna be outside.
Cause you done neutered these niggas. That ain't cutting. That ain't stopping no motion. They just gonna be outside more. Cause they can't have more kids.
[01:14:06] Speaker B: But how does that backfire on the woman?
[01:14:08] Speaker A: Because now the man don't have a reason to be around like that what the kids. Most of the time, the niggas be around because. Oh, me and. Me and the old girl having a baby.
[01:14:19] Speaker B: Not really. Niggas don't be around. Just cause it's a kid there don't mean he around. Yeah, they still go, you ain't no baby. Keep no nigga.
What are you talking about?
[01:14:29] Speaker A: Okay, what's your kid limit to date both of y'? All?
[01:14:32] Speaker B: She of, like, what I would date up to.
[01:14:34] Speaker A: How many kids, like, date?
[01:14:36] Speaker B: Seriously?
[01:14:37] Speaker A: Like, okay, play and serious.
Since we gotta be specific.
[01:14:43] Speaker B: You do.
[01:14:44] Speaker A: Okay. Bet. Nay for play. Up to how many kids? And then serious up to how many kids for play?
[01:14:51] Speaker B: Max, Three.
Serious.
[01:14:56] Speaker A: I wanna say no. Not what you want. No tolerate, not preference.
[01:15:00] Speaker B: Seriously, what? I would tolerate nothing.
[01:15:04] Speaker A: So. Okay. Gina, why you look like that? Uh, a what?
[01:15:12] Speaker B: Kid?
[01:15:14] Speaker A: A kid.
[01:15:14] Speaker B: Yeah. That's the limit.
[01:15:15] Speaker A: For play or serious?
[01:15:17] Speaker B: All the above.
[01:15:18] Speaker A: Gotcha.
So you got one. If you got more than one, you can't even come over here.
[01:15:24] Speaker B: Yes. However, I have compromised.
[01:15:27] Speaker A: So then that wouldn't be. That's not a. That's not as hard compromise for that person.
[01:15:32] Speaker B: Yeah.
[01:15:33] Speaker A: Okay. Got you.
[01:15:33] Speaker B: It's a compromise, all right. Because also, children are, like, situational. So it could be a situation where, like, he's so far removed. Because the only reason why we say no to kids is because either it might be too much. Like, if you got too many and too much going on. So many baby mamas. But another reason is because of the thought that you might be still active with your baby mama. Like, you guys might still be intimate.
So if you're, like, so far removed from your child's mother, then I can be confident in knowing that you're not gonna leave me or, like, you know, like, still be messing with your baby mama and be messing with me.
[01:16:11] Speaker A: I had a conversation, this conversation came up with someone I know, and she said, no kids under three because you automatically still involved with your baby mama to some degree. Whether it's trying to figure it out, like, how we gonna make this co parenting thing work, or it's up.
She was like, that's my hard line. I'm not drawing. No. Like, I'm not making no compromises moving forward. I thought that was decently fair. It wasn't, like, crazy to say. You know what I mean? I would say two, but three is okay.
[01:16:41] Speaker B: So two is too many for you?
[01:16:42] Speaker A: No, I'm saying two years old, removed away.
I don't have a. That's not true. I'm lying.
A kid limit, probably. Bitch.
[01:16:52] Speaker B: Pull up on you with a football team.
[01:16:54] Speaker A: Shit, nigga, I buy him a football.
2.
[01:17:00] Speaker B: 2.
[01:17:02] Speaker A: 2's my limit.
[01:17:03] Speaker B: Okay, now, could you like, seriously date someone and adopt their children?
[01:17:09] Speaker A: 2. Yeah, I've considered that. I've been in a situation where she had to.
[01:17:13] Speaker B: Would you want another kid?
[01:17:15] Speaker A: Nah.
[01:17:16] Speaker B: So you wouldn't even need your own?
[01:17:17] Speaker A: Nah, I'm okay with long term leases. I don't need to purchase.
[01:17:25] Speaker B: Referring to kids, ladies and gentlemen, DJ Head.
Long term leases?
[01:17:33] Speaker A: Yeah. You're about 67 months. You know, at least this one.
[01:17:38] Speaker B: Okay. So speaking of children, Latto tweeted that this next album that she's about to drop is going to be her last album as she is retiring.
[01:17:48] Speaker A: Isn't that. What's the album? It's called Big Mama. Big Mama, the album.
[01:17:53] Speaker B: Oh, it comes out tonight.
[01:17:54] Speaker A: No, no. May 29th, I believe.
Yeah, May 29th. Big Mama is supposed to come out.
We still got a week or two.
So I don't know when you seeing this or listening to this, but yeah, Big Momma will be out May 29. She's saying it's her retirement album. I personally think it's Cap.
I think it's how she feel in the moment. But she's also pregnant. Very pregnant.
And one thing I learned about the female anatomy is I don't take nothing personal. I don't even take nothing.
When everything is going on with a woman. I. I don't internalize nothing. Not that I don't. I take it serious. But I also know that women reserve the right to change their mind.
You know what I'm saying? At any point, depending on what's going on biologically, I don't think. I think she really believes that this is her last album. But I think when the dust settle and she get into her bag and she.
I think she gonna be a good mom.
Cause I've seen her be nurturing and stuff, even publicly. I think he's gonna be a great mom. But I think once all that. Once her hormones and everything settle out and that passion that she. That come back from when we known Latto, when she first got in the game, I don't know if she. I don't know if she'll be able to sit on the sideline.
[01:19:11] Speaker B: Well, I believe her.
And I believe her because I feel like maybe this is how I feel like, okay, so now that she's become a mom, that she's a mother, for all we know, Lotto this, all that she wanted was to do music, you know, get her man, get in a relationship. Have a baby, raise her family, and don't have to work or do music anymore, you know? So even if it isn't her last album, I believe that that's the choice that she's making right here, right now. Nas and Jay Z done said they was retiring 50 times, you know, like, so Drake has said he was retiring before. We've heard this a lot of times from greats.
[01:19:52] Speaker A: J. Cole just said he's done.
[01:19:54] Speaker B: Exactly. So rappers say it a lot. And then they, you know, they come out, they come back. But I feel like Latto, like, right now, this is probably just how she sees her life fit. Like, and the album could be that good that we allow artists go years without giving us new music anyway.
You know, it's like, what if she. What if she just wanna go on maternity leave forever?
Some people. People maternity leaves last for a long time.
[01:20:23] Speaker A: I agree with you. I just.
I'm not even taking it as you're right. I don't know what her desire is from life. She could just want a family and just want to chill. Cool.
But the way Latto be rapping, I think she got a lot of gas in the tank still. And I just don't. I don't know if that level of passion can just be, like, subdued.
[01:20:46] Speaker B: I see it as, she is too good of a rapper. She is too good of a rapper to retire at this age.
So like you said, it probably is still some gas in the tank.
And in that case, I do think that we'll still get features here and there.
[01:21:02] Speaker A: Okay.
[01:21:03] Speaker B: Or maybe like, freestyles and stuff like
[01:21:05] Speaker A: that, but not an album.
[01:21:06] Speaker B: Yeah, like, oh, y', all, the baby sleep right now. Let me. Oh, y' all just made a bottle. Let me. You know, like. But she's stepping into a new chapter of her life. Like, she's a fully, like, officially, like, grown woman. Like, you're a mother now, you know? So I think that she just preparing for this next chapter of her life. But in her mind, you know, what I just want for myself is just to be all hands on and all attentive to my baby, you know? Like, that's honestly what I think it is.
[01:21:33] Speaker A: I can see that.
[01:21:34] Speaker B: I think that it's gonna be a time where she's just gonna end up, like, missing it. Like, it's gonna be a time where she gonna end up missing it. And she has a solid core fan base who I don't think that will allow her to take too much time away from.
[01:21:45] Speaker A: So you think we'll still get, like, one offs but not at all.
[01:21:48] Speaker B: I think we'll get one offs.
[01:21:49] Speaker A: Yeah, I think we'll still get features. But I mean, I don't know, maybe I'm just being hopeful or optimistic. I think that Latto is like, way too early in her career to just hang it up. But also not her. And I don't know what she wants out of life. So either way, I'm a supporter. It's just that.
Not that we don't have a lot of female dope, female rappers. Cause we got a lot over the last few years, but she wanted them ones.
[01:22:15] Speaker B: Well, we don't have enough to lose Latto.
Like, if I'm being honest with you, like Latto. You know, I always say, like, she, to me, she like top five of the women.
So I feel like when I listen to Latto music, you know, you can tell when artists are running out of things to say.
[01:22:31] Speaker A: Yeah.
[01:22:31] Speaker B: When I listen to Latto music, she doesn't make me feel like she's run out of things to say. She makes me feel like this woman knows how to say this creatively multiple different ways and say more other things, you know, like in such a creative way that keeps my attention. So I feel like she is too good to go. And that's why I think that at somewhere, somehow, some form, we're still gonna get, like, you know, she's still gonna be. We're still gonna be hearing her.
[01:22:57] Speaker A: Yeah, I'm gonna go back and.
Let me see. I wanna see real quick before we move on her albums. Okay, so the big mama comes. Oh, 17 songs. That's why I wanted to see the track list. Okay. That is a lot of songs. I was thinking, like, if it was like 13 songs, 12 songs, then, you know, whatever. But yeah, 17 on here. And all her albums, I think got 17 or 16 songs on it.
[01:23:20] Speaker B: Yeah, I like that lotto.
She got that Black Truck music.
I'm doing the playlist right now called Black Truck Music. But it's for when you in a black truck with your homegirls, like, and y' all just going up. I gotta send it to you. We all collabing on it. Okay.
It's a collaboration playlist.
[01:23:40] Speaker A: So she got one, two.
So she has one, two, three, four, five, six albums so far. And then this will be her seventh album.
That could be. I mean, she could also be over the business, too.
[01:23:54] Speaker B: That too.
[01:23:55] Speaker A: You know what I'm saying? That'd be a thing too.
[01:23:58] Speaker B: And she probably rich as fuck. Her nigga rich. I don't gotta work no more. Yeah, Take care of my little one.
[01:24:04] Speaker A: Shout out to Lotto, man.
[01:24:05] Speaker B: Shout out to Lotto.
[01:24:05] Speaker A: I also wanna shout out to randomly Coi Larray. I went back and listened to that Coy album. That. That is good, man.
[01:24:11] Speaker B: The stuff that Coy be teasing.
I wanna talk to Coy so bad.
[01:24:16] Speaker A: Yeah, she's supposed to come up here last time, but she gonna come. She gonna come up here and fuck with us. Coi Leray is so dope.
[01:24:22] Speaker B: Coi hard head. The stuff she be teasing, like she really could rap. She knows how to rap. She has the look, she got the swag and she has the voice, bro,
[01:24:33] Speaker A: that I went back and I think I ran. I think I ran it back twice. That Coy album that came out in 23, that shit hard. I don't know why people. Because I remember when it first came out, she got a lot of backlash. Cause it was like, it kind of reminded people of Nicki, the pose on the COVID and then her being from the east coast. But then also there were songs on there like with David Guetta and like, it was like big. I guess she makes pop sounding, pop leaning music, but it's. Cause I think she's versatile and it didn't get the. I just don't think that Coi album got the. Got the credit it deserves. Before we move our female rap. Shout out to Coi leray.
[01:25:08] Speaker B: Shout out to Coi.
[01:25:09] Speaker A: Okay, so this is something I wanted to talk to you about.
Cause I wanna get your firsthand experience or your thoughts, but shout out to Mac Fame, I guess. Okay, so Mac Fame. I don't know where this took place, but I'm guessing based on his verbiage and things that transpired, that he's from here, Los Angeles or Los Angeles adjacent. And the area looks familiar to me, but I moved past that. So McFame basically records himself pulling up to this restaurant. And the caption basically explains that his 16 year old daughter calls him and says, dad, there's a weird dude up here trying to talk to me. And he won't leave me. He keep harassing me. He won't leave us alone, he won't leave, et cetera. So like a good father, McFame is there. He pulls up, right, and he's recording. And I don't know if he's recording. I'm assuming he's recording for his own safety. Cause people could say anything these days.
So he's recording. He walks up to the guy's still standing outside the restaurant where his daughter work.
She keep telling him, apparently I'm 16.
Like, leave me alone. I'm 16.
I guess the dude wasn't letting it go. Dad pulls up, he dude's still there. He confronted him in front of the rest. He's like, hey. He didn't. He wasn't disrespectful. I could actually play a little bit of audio, but he wasn't disrespectful or nothing, but he was just on some like, hey, bro, like, like, what's up? Type. And I'm gonna just play this real quick.
Hey, bro, me. I'll let you.
Real respectful. Let me holla at you. The waitress that works in there is my daughter. Yeah. I'm not getting out of there, okay? If I find out that you're approaching her, speaking to her any kind of way, it's gonna be a problem.
Stay away from my daughter. Get your food and get go.
So it wasn't like he was turned up. He didn't call him out his name, you know, just kept it a solid with him. Like, hey, bro, my daughter's 16. If I find out you pressing her, it's gonna be a problem. Boom. So the guy goes in the restaurant, gets his. Whoever he came with, and they're leaving the restaurant. At that point, the people who work in the restaurant was like, oh, my God, thank you so much. I was kinda watching her back and he was like, oh, no, that's my daughter. And they were like, oh, my God, we're so happy that you pulled up. Thank you for coming. Like, he was just not leaving her alone. And we just. The team at the restaurant kind of rallied around her or whatnot. And it led me to think about this, like, damn. Because, I mean, I don't think I've. I mean, maybe I maybe be wrong, but you can correct me if I'm wrong. I don't know if we've had to do things like that on your behalf, but I have had to do things like that on the behalf of other women in my life. Right. And it. It made me think about how many people don't have that.
[01:28:04] Speaker B: Yeah.
[01:28:05] Speaker A: How many women, specifically black women, don't have that. Or I'd say women of color. Cause also, one of the Latin homegirls, we had to do some shit like that before too. But it made me think about the women in my life, I mean, that are outside of my life, who don't have that tribe.
And also, if she didn't have her father in her life, which most of us don't, who's that person to do that? Sometimes it's the homies, it's the streets, it's whatever the case may be. But it made me think about, like, damn, we really, like, kinda gotta do a little bit more to help protect the women in our lives or whatnot. And I just wanted to get your one. Your opinion on how this went down. And then if something like that ever happened to you or can you relate?
[01:28:51] Speaker B: I love everything about that clip. So I think that's how I was supposed to be. And to answer your question, who's supposed to be the one to protect the women? I just think by default, if a man is around or in proximity, and you see a woman in distress and is due to another man, then you're supposed to step in, if you can, without harming. You know, without putting yourself in harm's way. But that has happened to me before. You know, I got that stalker.
[01:29:18] Speaker A: Oh, yeah. Oh, yeah. With that. Yeah, with us. Okay.
[01:29:22] Speaker B: Yeah. We've had three incidents. So I had an incident at Rolling Loud where the event staff had to step in. And then I had the same person. The incident, obviously, you know, he came to our show, and then me and Nay Nay had to hide me in the bathroom at the Bigger Picture.
[01:29:41] Speaker A: For real?
[01:29:42] Speaker B: Yeah.
[01:29:42] Speaker A: Damn.
[01:29:43] Speaker B: And then I had an incident, too. I was actually in a club, and Desiree was right there, and she just, like, stood in front of me. So for the most part. Well, I've had a guy. I've had a guy actually attempt to attack me at this park in Inglewood. He like. We was at an event. I forgot the. It's that park right there. It's like. I want to say it's, like, right by the cemetery, but I was at an event, and then he just started cussing me out. Like, he just was going up on me, and I was just walking away from him. And then he, like, charged at me. And before he can, like, get, like, close to me, I turned her. Cause I was just walking away from him. And, like, it was like. I turned around, and it was like six or seven dudes just start whooping his ass. They start fucking him up.
[01:30:21] Speaker A: Did you know them?
[01:30:22] Speaker B: No.
[01:30:23] Speaker A: Wow.
[01:30:23] Speaker B: But that's what I'm saying. It's just by default. Cause I was by myself, and I was walking away from him, but everybody is seeing, you know, like, what's going on or whatever. Cause it was, like, from the stage down to, like, the. Like, the back. Like, he just followed me, like, the whole way. So as he's doing it, everybody is, like, you know, like, looking or whatever. But we definitely need that. Like, we definitely need that. And for the most part too, like with my friends or with situations like they can see it in my face like that, like it's something weird or they'll see, like, they'll see somebody. Like it's been times where like my friends, they'll move me out the way. Like this nigga keep. Every time you scoot over, he scoot over too. Like it's been situations like that where like they done just like stood. So like they'll be watching and seeing what's going on around me and shit that I'm not even like really noticing, you know. But we, I feel like we're all supposed to protect each other from creeps.
[01:31:17] Speaker A: What about you?
[01:31:18] Speaker B: N same situation.
I didn't been assaulted by random, like random ass dude. A random man. Like, and we at like Juneteenth for real. And they just drunk and just feel entitled. Like. Yeah. And like Gina said, it's up to anybody, any other man that's in the proximity and you see that, like it's up to you for sure, for sure. It shouldn't have to be like your homie or any man should wanna protect, especially a black woman.
So yeah, we all done been through it. Damn, we all done been through it. Absolutely.
[01:31:53] Speaker A: Damn, that's crazy.
So the dude also, like in the clip, the dude didn't look like he was all there anyway. And then they kind of said so I didn't wanna. I mean, I don't need to get into the. This already went viral, so it ain't like news or whatever. But in the caption I'm gonna read this part, he said after he stood outside his car talking shit from the lot for a few. They all drove off. I heard him multiple times say on hood a couple times. And the big and the lady in the wheelchair yelled out slob from the car too. So if any of my neighborhood homies notice, nigga, please instruct this grown ass man to stay away from my daughter or put me in contact with him and I'll handle the rest.
[01:32:35] Speaker B: Oh yeah, they from the city.
[01:32:37] Speaker A: You know what I'm saying?
[01:32:37] Speaker B: They from the city.
[01:32:38] Speaker A: But I also respect it because it's like to me, this is some LA shit and I don't even know, I don't even gotta know where everybody from or what's going on. But I just respect, I respect how he handled it as a man and as a father. And I just wanted to put that out there that I've seen one incident in my life Where I didn't do anything, and I don't regret it because it wasn't, like, a dire situation. He was just degrading the fuck out of his girl outside the club.
I also don't know what happened. So I think it becomes a tricky situation when you don't know what. Especially being out here.
[01:33:17] Speaker B: Relationships is tricky.
[01:33:19] Speaker A: It's tricky.
So this. Totally understand. I'm with him 100% creep shit. I get it.
But I just want to provide some nuance to that.
[01:33:29] Speaker B: I think it also sets a precedent, too, for the daughter, that this is what a man is supposed to do.
[01:33:34] Speaker A: Correct.
[01:33:35] Speaker B: Because it's great knowing, like, as a female, that there are men that will protect you and come to, you know, the rescue if you need them. I remember when I was in sixth grade, this boy. I fought, a boy in sixth grade, and he, like.
It was like we was fighting, but he, like, overpowered me, and I just couldn't even, like, hit him no more. So he just on top of me. Like, he, like, just like. Yeah, just on top. I mean, my daddy came up there tripping.
Like, I mean, slamming shit, cussing people out, causing a motherfucking. He, like, walked in my mouth. Where the fuck is he at, Gina?
And like, he was. They called the police. Like, it was crazy. It was fucking crazy. He was raised. My dad was having a meltdown, right? He was like, this is not a crash out. It was a motherfucking meltdown. Like, what? Yes, but it's like. And that let me know, like, oh, that's what the men are, you know, are supposed to do. I even got. I'll tell you a story.
Shout out to Kells. So Kells is the one who went to jail with Drago.
[01:34:43] Speaker A: Oh, okay.
[01:34:44] Speaker B: Kells. So when we were in 12th grade, this dude called me a bitch, and Kells got his prom taken away from him for defending me.
He called me a bitch. And he took the.
They was, like, playing a dice game. And I think I said something like, security coming. Like, I said something like that, whatever. And security wasn't coming, though. So then the dude, like, they got scared, like, thinking security is coming. So he was like.
He said something like, you play too much or quit playing. Or, like, stop playing. Like, something like that. And. But it said.
And then Mike. We call him Mikel, but the world know him as, you know, it's Kels. But he was like. Mikel's like. He said, what you say? And he was like, I told that bitch, need to stop playing. He was like, oh, okay. And then he, like, stood up, he straightened his pants off, he took his backpack off, and he just took off on him like, don't you ever disrespect my homegirl. Word. And he beat his ass and they took his prom.
[01:35:39] Speaker A: Wow.
[01:35:40] Speaker B: But it's like, that's what. I'm not saying it's supposed to be to that, you know, degree, but after that, n. S knew not to play with me no more. You know, like, oh, the hunted to. Cause he from hunting. Yeah, but like, it's like, you know, but yeah, it's. It's. We need people like that because n Do be getting out of line. Yeah, niggas get out of line.
[01:36:00] Speaker A: That's crazy. Well, shout out to the men that do, man. Shit.
We appreciate you.
[01:36:05] Speaker B: Real niggas do real things.
[01:36:07] Speaker A: Make sure you hit that subscribe button and do all the things we're trying to. We'll be back next week with our review of all the Iceman things. I know people are probably here for that.
[01:36:17] Speaker B: If it come out. Hopefully it come out.
[01:36:20] Speaker A: Oh, my God. Please don't say.
[01:36:22] Speaker B: Cause you know how it goes.
[01:36:23] Speaker A: I know, but I.
[01:36:24] Speaker B: We've been here before.
[01:36:25] Speaker A: I really hope this album drops. I hope it's great. I'm not.
[01:36:27] Speaker B: Predictions. Let's predict.
[01:36:29] Speaker A: Okay, let's predict. Go ahead.
[01:36:30] Speaker B: I think it's gonna be a good masterpiece of work. What do you say? A compilation of mental thoughts that I never know. Like, I think it's gonna be so good. I think we're gonna get him telling us what his experience has been in the past two years after everything, Losing friends, you know, business changing and things like that.
Yeah, I think. And. But if I can base it on the leaks, if there's anything like the leaks, I think we getting around. Like, maybe like a.
Maybe like a. Nothing was the same.
[01:37:07] Speaker A: Okay, how many songs was how many tracks?
[01:37:11] Speaker B: Or Take care.
[01:37:11] Speaker A: How many tracks?
[01:37:12] Speaker B: I think we could get like a maybe like a take care tracks.
Maybe like 12.
[01:37:23] Speaker A: I think we gonna get 15.
[01:37:28] Speaker B: It's not out the track list. Not out?
[01:37:30] Speaker A: I don't think so.
[01:37:30] Speaker B: I don't think the track list out.
[01:37:32] Speaker A: I don't think they put it.
[01:37:33] Speaker B: I thought that was fake.
[01:37:35] Speaker A: Oh, you talking about the unofficial one.
[01:37:37] Speaker B: Yeah. Where like, the songs is, like blurred out, but you can see how many it is.
[01:37:40] Speaker A: Nah, it ain't on his streaming.
[01:37:43] Speaker B: It's not even up yet.
[01:37:44] Speaker A: Nah, this is gonna come just boom.
So I'm gonna guess so if you. Okay, let me go back. So.
[01:37:51] Speaker B: Well, according to Genius, it is.
Well, this is 4141 song according to genius. And that says as of May 15,
[01:38:04] Speaker A: 2026, certified lover boy had 21 songs on it.
These are solo albums. I'm just going off of the solo. Not the joint albums, the rap albums.
Scorpion had 12 songs, disc one, 13 songs, disc two.
And then I guess if you count honestly, Nevermind, that's a solo drake project. It's 14 songs on there. I'm gonna guess it's gonna be 14 to 16.
[01:38:31] Speaker B: What's views?
[01:38:32] Speaker A: Views is. It was a lot on views. I remember 20. The same views is 20. And nothing was the same. It was 15.
Let me look at. If you're reading this 17. I think we'll get 14 to 16 songs.
[01:38:51] Speaker B: I think it's gonna be short.
[01:38:52] Speaker A: Short.
Okay.
Well, we hope that everything works out. More Life was a lot. I remember that was a. More life was 22 songs.
Hey, man, my prediction is.
[01:39:05] Speaker B: Oh, what about. Dang, we don't talk.
I got the name wrong. What's the name of the one with all the babies on the album that
[01:39:13] Speaker A: was Certified Lover Boy.
[01:39:14] Speaker B: Okay, you looked at that one?
[01:39:15] Speaker A: Yeah.
[01:39:15] Speaker B: Okay, okay.
[01:39:16] Speaker A: Certified Lover Boy was.
[01:39:18] Speaker B: That's the one with Too sexy on it.
[01:39:20] Speaker A: 21 songs.
[01:39:21] Speaker B: Why we don't. I don't feel like people don't talk about that one.
[01:39:23] Speaker A: Way too sexy.
[01:39:24] Speaker B: Where is that? No, the. Like the album. I wonder where is that? If you know, he's.
He was just. I just saw him being congratulated for having.
For being the only or first artist to be on to chart for 10 years straight.
[01:39:41] Speaker A: I don't know if that's the right one. Cause Good Kid Man City been on Billboard this whole time.
[01:39:45] Speaker B: But it was like all of the
[01:39:48] Speaker A: albums, like it was something like that.
[01:39:49] Speaker B: Every album.
[01:39:50] Speaker A: Okay, got you. That sounds about right.
[01:39:52] Speaker B: But I don't know, I just. It was like. I just remember it was more than one album that was on there and that was the milestone.
[01:39:58] Speaker A: That makes sense.
I like actually take care had 20 songs on it.
Okay, well, my prediction is the song. Well, my prediction unbiasedly is that we'll get some good raps on this one. I think we're gonna get some good raps. I think we're gonna get a couple of good joints that N can play as a radio station, as a DJs.
From what I've heard is sonically, it's a bunch of different stuff. That's what I heard. So hopefully the stuff that's different is playable in different spaces. Like how you say, oh, get ready with me or the black truck or, you know, whatever the case may be, I'm not being facetious. I really hope that the album is good. Hope we can all just move on, get some good bops, some slaps and some dope raps.
[01:40:46] Speaker B: So the next time you'll see us, we will be giving our opinions on
[01:40:50] Speaker A: the album, reviewing the album, reviewing the album next episode. So stay tuned for that and take it easy on us. It's effective immediately.
[01:41:00] Speaker B: Pause for you.
[01:41:02] Speaker A: Pause.