Rick Ross Verzuz French Montana, Complex's Hip-Hop Media List + Druski Black British Actors Skit

[00:00:00] Speaker A: Foreign. [00:00:04] Speaker B: Welcome to Effective immediately. [00:00:05] Speaker A: I'm DJ Head, and it's your favorite homegirl, Gina Views. [00:00:08] Speaker B: Welcome to another week of the show. Thank you for subscribing and listening and paying attention to us on the radio. That SiriusXM app, all the things greatly appreciate it. If you hit that subscribe button and if you're in the chat, share the link to someone that you care about or somebody you don't fuck with or somebody that don't fuck with us, that's even better. You know what I'm saying? If you know somebody, don't fuck with us, share the link with them. [00:00:29] Speaker A: Send it to a hater. [00:00:30] Speaker B: Yeah. [00:00:31] Speaker A: Send it to somebody I know that don't. Yeah, that's like. When I see cats, my friend's scared of cats. [00:00:36] Speaker B: Yeah. [00:00:37] Speaker A: So every time I see a cat, [00:00:38] Speaker B: you send cat video. [00:00:39] Speaker A: I send it to her every time [00:00:40] Speaker B: I need to start doing it. [00:00:41] Speaker A: Cause I don't know why I do it. Cause I'm not trying to scare her. But every time I see a cat, I think of her. [00:00:47] Speaker B: Yeah. [00:00:48] Speaker A: Cause she's scared of cats. [00:00:49] Speaker B: Yeah, I need to start doing that. I need to figure out niggas, phobias, anything interesting, and it's a lot going on. [00:00:57] Speaker A: Play with me if you want to. I'll be in here with a bag of buttons. [00:01:00] Speaker B: You don't have a phobia. [00:01:01] Speaker A: You do, though. [00:01:02] Speaker B: No, I'm saying I don't know. [00:01:03] Speaker A: I have a phobia. [00:01:04] Speaker B: You do? What's the phobia? [00:01:05] Speaker A: The fuck? Why would I tell you? [00:01:07] Speaker B: What's she scared of, Nay? [00:01:08] Speaker A: I don't know. [00:01:09] Speaker B: Scott, turn her Nay's mic on, please. I don't know if it's Oda. [00:01:12] Speaker A: My mic is on. I don't know what she's scared of. [00:01:14] Speaker B: Okay, all right, all right. It's a lot to get to, but let's start with our weeks. It's been a lot going on. [00:01:21] Speaker A: How was your week? Cause you've been outside, man. [00:01:24] Speaker B: Shout out to our homegirl. Sadae. Big Sadae. Not the little one. [00:01:27] Speaker A: Shout out to Sadae, fellow Leo. [00:01:30] Speaker B: Netflix is a joke. Festival took over the city this week, and it was insane. I figured out how much I really do love comedy. And it made sense because comedy was one of my first loves when it came to entertainment. Because you grow up, you watch movies. I watched Chris Tucker. I watched, like, all of these different comics that shout out to AJ Johnson and, like, Arnaz and, like, all these different comedians. Bernie Mac, rest in peace. I love comedy. I used to get in trouble for staying up late watching Def Comedy Jam because we were stealing cable, you know, from the homies. But anyway, they. They had Netflix as a joke festival. And I was outside going to all of the comedy shows. Our homie Chico Bean, D.C. young, fly, and Carlos Miller. Shout out to Cat Dog. They had the 85 South Show. They had Slink Johnson came out on that show, which was dope to see Slink. And he came out in true LA fashion and did all this LA shit. And it was dope to see that on that platform. So shout out to Slink. I went to go see our homie, Nate Jackson. He did like four. He did four days, I think, at the Laugh Factory. Two shows a day. Nothing but roasting niggas. That was fire. I went to. I saw. I saw like a show and a half of him just roasting people. And that's a true talent, being able to sit with a microphone and literally just go in there with no material and just roast a crowd. I mean, we saw him do it live, but go check out. [00:02:57] Speaker A: He's the best at roasting. [00:02:59] Speaker B: Yeah. [00:02:59] Speaker A: And you know, like, just real quick. Cause you said, like, how much you, like, realize you like comedy and stuff and the people you grew up on. I don't think that we talk enough about how. Like, just the comedic camaraderie in families. [00:03:13] Speaker B: Oh, yeah. [00:03:13] Speaker A: You know, like, I don't have a serious side of my family. No, like, both. But I wonder. Cause I always wonder, like, when I date guys, like, do you be dating serious females? You know what I'm saying? Yeah. Like, all my homegirls are funny. Like, we all funny. So it's like. But I know that, like, that's not common for people, for girls to be, you know, like, funny like that. But it just made me wonder, like, when. Like, how are other families funny? [00:03:40] Speaker B: Facts. No, I think. I think it's important to real, to understand. I think comedy is a language. And I think we all. It's like math. It's a universal language. Everybody can laugh at something in their life. [00:03:52] Speaker A: Yeah. [00:03:52] Speaker B: And it's dope to see that. I'm excited to go see Bill Burr next week. I think he's my favorite right now. As just the old white man who just be complaining. I love that he got a black wife. It's fire. But the other part about the comedy thing, though, is when I was watching Nate Jackson, it was like a way to bring people together. [00:04:13] Speaker A: Yeah. [00:04:14] Speaker B: Because it's all walks of life. You got old people in there, you got young people in there, you got People on dates. You got gay, lesbian people in there. You got like. It was just so many mix. And what I love about comedy. And I can say this about Nate Jackson, I can say this about Andrew Schultz. I could say this about Bill Burr and a couple other ones that I'm spazzing on right now. Everybody can get the jokes. [00:04:35] Speaker A: Yes. [00:04:35] Speaker B: Nobody's above the jokes. You could be gay, straight, trans, handicapped. It was a nigga in there in a wheelchair. It was a big old lady in there. It was a skinny lady in there. Like, nobody's above the bars. And that's what I really appreciate about comedy. That's the last to me. And maybe you can give me your opinion. Comedy is the last place of free speech. People still get in trouble for the things that they say, but I don't see anybody getting quote unquote canceled for the things that they say on stage in comedy. [00:05:07] Speaker A: Well, that's a good point because, like, you saying that, like, comedy is like the last place for free speech. I look at that kind of, this might be like a false comparison. But how girls, they say, like on Mean Girls. On the intro to Mean Girls, she said. I mean, not the intro, but on Halloween, she said, what she say it's the one day of the year that you get to be a slut and nobody can judge you. [00:05:31] Speaker B: Right? [00:05:32] Speaker A: Because. Because of what you have on and stuff. So I feel like how you saying that's the last space for free speech or whatever? That is the only. That's the caveat to where you like, oh, but she just being funny or it's a comedian said it or some shit like that to where there was the back and forth about Drew Ski. With the white face. [00:05:54] Speaker B: Yeah, with the white face. [00:05:55] Speaker A: And when people were saying what's his name, the rapper? Streamer boxer. [00:06:04] Speaker B: The streamer boxer. [00:06:05] Speaker A: His brother was in the ring at wwe. [00:06:09] Speaker B: Oh, Logan Paul. You talking about Jake Paul? Jake Paul, Yeah, the boxer. [00:06:12] Speaker A: Okay, so when Jake Paul was saying, like, well, I'm about to do blackface, right? I'm about to do blackface. And the difference with him saying that he's about to do blackface is he's not funny. [00:06:24] Speaker B: Right? That. That's important point that you bring up. It gotta be fun. [00:06:28] Speaker A: You have. It has to be funny. So that's why I'm saying like. Like how you saying, like, that's the last space for freedom of speech. But comedians, they have that. And I don't want to say like, like they trying to, like, you know, get up, get up out of it. Or like, something like that. But I just feel like they have. That's just a space where they can be funny and it can be accepted. They can. They don't have to be. They won't get judged or anything, but. But if Andrew Schultz said it or did it, we might have laughed at it. Cause he's funny. [00:06:59] Speaker B: Yeah. He would have made it funny. [00:07:00] Speaker A: Yeah. If he did what Drewski did in reverse, we might've laughed. Maybe. If it's funny, maybe it has to be funny. And I feel like black people. We're very tough critics of comedians. [00:07:12] Speaker B: Yeah. [00:07:13] Speaker A: My stomach damn near got to hurt for me to. Look how long it took for you to fuck with Drewski. [00:07:18] Speaker B: I took me a long time to fuck with Drew, but now Drew Ski shit funny as hell to me. But, yeah, I just want to shout out to all of the comics and the comedians. I mean, all of the comics and everybody putting the shows together, because I didn't realize also, like, how much production goes into these shows. It was like, hell, I didn't even stay for the whole 85 south. It was so many comedians on that show. And shout out to them dudes because they share their platform. You've seen 85 South. They'll go out there and do hour and a half, just them three. But they like, we want. And I don't know if I'm saying too much, but when we were backstage before they started the show, they have a prayer for Everybody. [00:07:57] Speaker A: That's nice. [00:07:58] Speaker B: D.C. and Carlos and everybody and Chico, they pray for everybody. And they like, look, we can go out here and do two hours by ourself. That ain't what we trying to do. We trying to empower y' all and put y' all in a position that, you know, give you opportunities that we kind of never got. You know, if it wasn't for these platforms sharing they platform, we wouldn't be here. So I really appreciate the camaraderie and the comedy like that. [00:08:19] Speaker A: Yeah. [00:08:20] Speaker B: But, yeah, also not to skip over Drew Ski. He's hosting the BET Awards, and I just saw the skit that he did with the English. [00:08:29] Speaker A: Yes. [00:08:30] Speaker B: That shit was hella funny. I ain't gonna lie. [00:08:32] Speaker A: And I love, like, obviously, like, there are actors who we are fans of, and we know that they're. They're not American actors, you know, but we love. Damson is one of those. One of the most iconic shows that we've ever, you know, that we ever got. Snowfall, Idris Alba, you know, like, we love them and we rock with them. We fuck with Them. But we do see that Hollywood keep hiring these actors that are not American. Not from here. Not like literally to get. To get somebody. Where you from? [00:09:06] Speaker B: England. [00:09:08] Speaker A: To get an England actor to play a drug dealer from the 80s from South Central. [00:09:14] Speaker B: Yeah. [00:09:15] Speaker A: And he's young. It's not like he grew up here to experience and see. I don't think that I can. I mean, I'm not an actor, but I wouldn't. I don't know how much faith I would have in somebody who's not from somewhere to do that. And it's not like a regular role. That nigga sound like he from la. [00:09:35] Speaker B: I remember talking to. [00:09:35] Speaker A: He sound more LA than yg. And YG got the most yg and Vince Staples got the most LA accent. [00:09:40] Speaker B: Yeah. I remember talking to Dub C. I talked to Dub C and I talked to Amen Joseph. Amen Joseph. He played Uncle J on Snowfall. And I remember them talking about it being a trip with Damson being on the Snowfall set. Cause they be like, yeah, you know, we gonna go get this money. Woo. Woo. And they yell cut. Be like, how's that? Like, it'd be like. [00:10:02] Speaker A: And that's why Drew Ski. [00:10:03] Speaker B: What the fuck just happened? [00:10:05] Speaker A: That's why Drew Ski did such a good job with his last skit. Because he showed both sides of it. He showed how they are on TV and then he showed when the camera's cut and then he's showing like post interviews and stuff like that. Like, that is fire. [00:10:17] Speaker B: Nah, it's a great skit show. [00:10:19] Speaker A: The production, amazing. And it's like, I like. I mean, obviously we all came up with. We all saw skit iPhone virtual comedy. Like, we was all introduced to it together. But to see the elevation of Drewski to come from iPhone type skits to large production skits, like, you putting all this money behind it. I don't see no ads. [00:10:42] Speaker B: No. It gotta be something. I don't know. I don't know his business and I don't know how it works. [00:10:49] Speaker A: But even he linked on the skit on Twitter. He linked a link underneath and it was just for the Coulda Been Love reunion. [00:10:56] Speaker B: So he just built an IP then. Well, that being said, I am anxious to see, like. Cause I know what Jesse Collins does as an entertainment company and production company. So I'm really looking forward to these Drew Ski skits for the BT wars. [00:11:10] Speaker A: But I feel like there's a chance and I hope they do this. This is my idea. If y' all listening. If he do skits copying all of the hosts from previous BET Awards. [00:11:25] Speaker B: That'd be hard. [00:11:28] Speaker A: Or performances like. Stuff like that. Yeah, I think that'll be dope. [00:11:35] Speaker B: That'll be hard. [00:11:35] Speaker A: That'll be dope. [00:11:36] Speaker B: Yeah. I'm looking forward to it. Okay, before we get to, like, the [00:11:42] Speaker A: verses, you didn't ask me how my week was. [00:11:44] Speaker B: Okay, how was your week? Sorry, sorry. [00:11:48] Speaker A: Go ahead, if you don't care. [00:11:50] Speaker B: Of course I care. [00:11:51] Speaker A: Okay. I had a good week. I went to Pilates for the first time. [00:11:57] Speaker B: Which one is that? That's the one with the. That's the one where you rolling on the thing or. Which one is that? [00:12:04] Speaker A: That. Okay. They have different type of Pilates. [00:12:06] Speaker B: Oh, shit. I already know. [00:12:07] Speaker A: So you've been watching the bitches roll on the ropes? [00:12:09] Speaker B: Yeah, the way they pull the little [00:12:11] Speaker A: sled, it's like it come down and they wrap their legs around it. [00:12:14] Speaker B: Nah, that's. No, that's the. The trapeze. I'm talking about the one where they pull with the straps. [00:12:19] Speaker A: That's still Pilates. [00:12:20] Speaker B: Oh, okay. [00:12:21] Speaker A: Yeah. So I did floor Pilates with Ethica. Shout out to Ethica. You know, I'm an ethical girl. Discount code Gina20. But yeah, I did Pilates. Me and Desiree went and. Oh, they're dropping a new. They dropping some new Pilates gear. [00:12:35] Speaker B: Okay. [00:12:35] Speaker A: So that's why. Yeah, So y' all can go. Go go check that out on the ethical website. And what else did I do? Oh, I got new tires. [00:12:43] Speaker B: Adulting. Big. [00:12:44] Speaker A: I'm adulting. I got new tires. I got two new tires. New, not used run flats. [00:12:50] Speaker B: Oh, you got the James Bond tire. [00:12:53] Speaker A: Yep, yep, yep, yep, yep. And I hop straight on the shoulder to go to Versus. [00:12:58] Speaker B: That's it. Straight, like in. So. Okay. [00:13:02] Speaker A: Sitting through the fast lane. [00:13:04] Speaker B: Let me ask you a question. When you get. If you got new tires, do you drive like you got new tires? Like, are you. Like, are you driving the vehicle differently? [00:13:14] Speaker A: You should. [00:13:15] Speaker B: Cause when I got new tires, I'm different. [00:13:17] Speaker A: You should. But I was late to Versus. [00:13:20] Speaker B: I know. [00:13:21] Speaker A: And we were invited by one of the teams of one of the people who was, you know, on the thing. So I wanted to make sure I got there. But I got this new hair. I went and bought new makeup. Like, I was doing girl stuff on top of me. Living far af. [00:13:41] Speaker B: Yeah. [00:13:42] Speaker A: So I actually tried to outsmart my gps. [00:13:48] Speaker B: What? [00:13:49] Speaker A: Well, I did it before I did it. I did it yesterday going somewhere else, and it worked, and it, like, knocked me down, like, 10 minutes because GPS was telling me to do something else. [00:13:58] Speaker B: Yeah. [00:13:58] Speaker A: So they was telling me to get. I was on the 405 and they was telling me to get on the 10. We was going to Culprit City, though. Yeah. So there is an exit off the 405 that would take me to Culver City, but there's an exit on the 10 that would have me in. Directly in Culver City, but it was red. And the 10 don't have a carpool lane. [00:14:19] Speaker B: Facts. [00:14:20] Speaker A: Oh, I'm a carpool warrior. [00:14:22] Speaker B: Oh, yeah. [00:14:23] Speaker A: Dolo. Well, I have a teddy bear. [00:14:26] Speaker B: Okay. [00:14:27] Speaker A: But I got out the carpool lane and then they told me to get on 10 and I just said, that don't make sense. Cause they don't have a carpool lane. And then I thought about the other lane that the 405 have the shoulder. [00:14:38] Speaker B: That's an emergency lane. [00:14:41] Speaker A: I was in a panic. [00:14:42] Speaker B: I don't think that's how it worked. [00:14:45] Speaker A: It was an emergency. I had to get there. What's an emergency? [00:14:49] Speaker B: I don't know. A car crash? [00:14:51] Speaker A: No, give me the definition. [00:14:55] Speaker B: An emergency is. An emergency is a sudden, urgent, and usually unexpected occurrence that possesses the immediate. This don't apply to you. I don't give a fuck what this. This. That's not what it say. That's a sudden, urgent, and usually unexpected occurrence that poses an immediate risk to health, life, property, or the environment, requiring immediate action to prevent a worsening of the situation. [00:15:26] Speaker A: Mm. Worsening. I could have got there later. [00:15:30] Speaker B: She said. Mm. Yep. That applies right here. [00:15:34] Speaker A: That applies right here. [00:15:35] Speaker B: Yeah, but. [00:15:36] Speaker A: Yeah, I rode the shoulder and then I rode the bus lane. [00:15:39] Speaker B: You was in the bus lane. [00:15:40] Speaker A: You see, I got there around. Well, I got there like round four. I got there like round four. [00:15:45] Speaker B: I don't remember what time you got. No, you got there after. They was French and Ross was on stage. They was supposed to. [00:15:51] Speaker A: Round four. [00:15:52] Speaker B: I don't. Oh, round four. Okay, round four. [00:15:54] Speaker A: Stop saying around four. You wasn't even there at four. [00:15:56] Speaker B: No, no, no. [00:15:56] Speaker A: It is show. It is showing starts at 6:30. [00:15:59] Speaker B: Right, right, right. Nah, nah, it was. Yeah, it was traffic getting over there. [00:16:02] Speaker A: For sure it was traffic. They need to figure out. I know y' all not from LA, but like a Thursday, 5pm Doors open at 5pm they always doing the verses on Thursdays. [00:16:15] Speaker B: Maybe it's because they. Maybe cause the artist is dropping music at nine o'. Clock. Well, for us it's nine. For the east coast, it's midnight. I don't know what the math is on that, but I'mma for sure ask. I'MMA ask Ebro, see what's up with that. [00:16:28] Speaker A: So versus did happen. [00:16:30] Speaker B: Yes. [00:16:31] Speaker A: Takeaways. [00:16:32] Speaker B: Shit, I felt like they set me up. Okay, let me back up. [00:16:36] Speaker A: Charts start, go in order. [00:16:37] Speaker B: All right, so it was dope. It was a dope setup. It was really smooth and easy to get in, shout out to the plug. Not gonna put you out there. Cause you know, we protect our people up here. But you know who you are. [00:16:49] Speaker A: Pause real quick, though. You know that people don't like when we do that. [00:16:53] Speaker B: What? [00:16:54] Speaker A: So we. I'm not gonna say. I'm not gonna say who. You probably don't know what I'm talking about, though. But, like, when they. Certain people, when they tell us stuff, you know how. Like, you know how people don't have to tell me and you? Like, between me and you, we just not gonna. [00:17:06] Speaker B: Yeah, we don't say that. [00:17:07] Speaker A: We don't do it publicly. Cause we got some tea right now that we can drop. [00:17:10] Speaker B: Right. [00:17:10] Speaker A: But you know how we be trying? Like how you said we protect our people and stuff. So I had got a phone call, and n. Like, yo, like, I fuck with you. I support you. I gave you that. So, you know, to help y'. All. But shout me out, too. [00:17:27] Speaker B: Oh, for real? So this person the same way? [00:17:31] Speaker A: No, not this person. Oh, well, me and this person never had a conversation, but I've honestly never had a conversation with anyone about that type of thing. Literally, nobody never hit me back and was like, hey, why you? You get what I'm saying? [00:17:47] Speaker B: Yeah, I've had a couple conversations with certain people, certain individuals, and they don't even have to tell me off the record. I just assume any private conversation we have, I'm not gonna go on the air with. [00:17:58] Speaker A: It's off the record. [00:17:59] Speaker B: Yeah. So, like, I'm never gonna go on the air with a private conversation that I have, especially when it comes to some inside information. Some. Now I'll ask, hey, do you care if this information is out there or whatnot? And then if they be like, nah, I'm not tripping, then I'll go out with it. But I'll never say, so and so called me and said, this nigga's on future album. You know what I mean? Or so. And so I'll never call. I'll never say those types of things. Other people do those types of things. To me, that's not. That's tasteless. You know what I mean? Because then it'll protect the source. [00:18:31] Speaker A: I don't like it, but go ahead. [00:18:33] Speaker B: I'm sorry. The point is, shout out to you. You know who you are. The people that always look out for us. Thank you for the experience or whatnot. But when I got to Versus, I go in and I see the homies setting up, like, shout out to my dude, DJ Nasty. He was. DJ Nasty's a Miami legend. He out there at 99 Jams. He was Rick Ross's DJ. And then I see. I didn't. French DJ wasn't there yet. So when French DJ walks out, I'm like, oh, it's DJ Holly. That's the homie. So he say, what's up? We dap up. He was like, you want something to drink? I'm like, hell no, I don't drink. So he's like, all right, all good. So then I'm just standing there to enjoy the show. They kicked the show off fairly on time. Like, it started really, like almost promptly on time. I thought it was going to run late because I was asking my people at Apple, like, are they going to run behind, whatever, because I know you still on your way. And they were like, nah, we probably run right on time. And it was on time. [00:19:30] Speaker A: They were. They're very prompt. [00:19:33] Speaker B: They're prompt. [00:19:33] Speaker A: Yeah. The aversives is not. And I don't know if that's on Versiv, if that's on Apple, if that's on Complex, I don't know. But everybody involved, they are professional. [00:19:43] Speaker B: Yeah. And that's because. I think it's because they live stream it and it's advertised at a certain time on the stream. Because I remember when we did the pop out, everybody was stressed at Amazon because it was like, yo, this is gonna be live streamed across the world to everybody at the same time. It's not like we pre recorded and we got do overs and all that kind of stuff. Anyway, when they started the show, I was like, boulev. Kev was standing behind me and he was like, yo. Cause me and Silas, me and our manager, Silas, me, Silas and Boule, Kev are all in a. We were in a group message arguing about what's going to happen, who's going to win, stuff like that. And Kev was like, hey, you and Silas might have a point. Like, I don't think that. I don't think that Ross has. I mean, I don't think that French Montana has the catalog to run with Ross. So as I'm looking at French come out, he's confident. He come out extra confident. And I'm like, okay, French might get in his bag. It's all good. Then Ross come out, and he's playing it cool. He's chilling. He leaning up against the wall. He got his microphone. He not really stunting nothing. Then as the show progressed, French over there hollering at Holiday like, Boulev got photos and video of French reracking his. He got. French's whole set was re rocked. You know what I'm saying? The first half of French set was like, nah, I knew what I was gonna do. And then that second half of that set, that was re Rock because Ross was dropping records, and French was like, ooh, hold on. And then I see him over there hollering. He was like, you know what I'm saying? And I was like, ooh, French. And then at one point, that's what [00:21:27] Speaker A: let you know how real Versus is. [00:21:28] Speaker B: That's what I was gonna say. Everybody think that it's. That's the benefit I think of being there. I'm glad that you like. Gina's the one who petitioned for us to go to Versus. Cause I would've been like, no, we coming to work. But salute to you. [00:21:44] Speaker A: Damn. Today is Friday, huh? [00:21:45] Speaker B: Yeah. Salute to you. Because those are types of little things that you get to see being there in person that you don't. They wouldn't. I'm pretty sure they didn't show this on the stream because Rick Ross was performing. So while Ross performing, French is over there, like, re rocking his set. And it's those little things that I'm like, damn. Because I had that perception too. Like, oh, versus just one big production. They all backstage, they go over what's gonna happen. You gonna do this record, I'm gonna do this record. And it's like, no. French didn't know what the fuck Ross was finna do. And Ross didn't know what French was gonna do. The only thing that they probably knew that they were gonna do was pop. That and the closing weeks in Miami. Yeah, the other song, they did, like, two or three songs together. Those are the only songs that I feel like they knew that they were gonna do at some point. I don't think that they knew when they were gonna happen, though, so. So I thought that that was really dope to be there. And then after the show. Well, we'll get to that. What was your thoughts on the actual verses? [00:22:41] Speaker A: Okay, so I have notes. They said that this was a night of anthems, club anthems, assignment. Understood? Yeah, 100%. And what I noticed here, like, with this verses, I still give it to Rick Ross that Rick Ross won But one thing that I took away is that we don't give French Montana the credit for being another one of those radio people like Tyga. Like, blast. Who? Some other people. It's other people that they like throwing that radio pot. Ty. Dollar Sign. Jeremiah. Yeah. [00:23:17] Speaker B: Jeremiah. [00:23:18] Speaker A: Yeah. [00:23:18] Speaker B: Yeah. [00:23:19] Speaker A: So you get what I'm saying? It's like. Like, I don't think we talk about French in. Or give him the credit that he deserves for that. Another thing is, once I had. Once we got all the way through the catalog, you know, a lot of people saying it was going to be a Drake show, what I noticed. And we'll get to Drake in a minute. But French Montana. Of all of the people who have collabed with French over time, I mean, that have collabed with Drake over time, whose they say, like, careers that, like, Drake has boosted and all that type of stuff. French Montana might be the only one who can survive or. Ooh, they gonna get mad at that word. Yeah, they gonna get mad at that word. [00:23:55] Speaker B: I'm cookie for that. That's cool. [00:23:57] Speaker A: He don't need him. [00:23:58] Speaker B: French doesn't need Drake. [00:23:59] Speaker A: Yes. [00:24:00] Speaker B: Okay. [00:24:01] Speaker A: And I feel like French, unlike Rick Ross, could have performed songs that. Or not. Unlike Rick Ross, Rick Ross has way more songs with Drake than French does. It will make for a better verses or a better performance with those Drake songs. Whereas French Montana don't need to do that. You get what I'm saying? Like, he's playing shit with Kodak Black. He plays with album cut from Fab. [00:24:30] Speaker B: Yeah. Hey, I remember when he played that, you was like, is Fab finna come out? Is Fab finna come out? It's finna go up in this motherfucker. [00:24:38] Speaker A: All I hear. All I heard was the introduction, the skit. All I heard was the skit on ball drop. It's gonna be da, da, da with the man talking. But I'm like, but yeah, also, that was Max B show, man. [00:24:54] Speaker B: That was Max B versus everybody up there. [00:24:56] Speaker A: I want. I don't know if this is ever even a conversation or a thing about versus host or versus mc. It needs to be Max B. Max B was on both sides, man. [00:25:07] Speaker B: He was all in the DJ booth with Nasty on Ross's side. [00:25:12] Speaker A: I'm listening on the way there. As I'm late and as I'm going, I'm like, dang, this the best DJ they ever had. Like, out of verses, I'm like, this dj. I like the way he talking, but I'm thinking, this is Rick Ross, dj. It was freaking Max B. Talking the whole time. He did a great job emceeing that. I mean, and I don't think that was, like. [00:25:31] Speaker B: That wasn't even his job. [00:25:32] Speaker A: A plan. Yeah, but he did a good job. And I was also happy to see, like, just imagine being locked up for so long. We couldn't imagine it. [00:25:40] Speaker B: No. [00:25:41] Speaker A: But for that many years, and to see everybody doing such a great job, to see everybody performing well, being successful, being at verses and things like that, like your peers and stuff, and then to not be able to be a part of it, you know? Yeah, but, like, he was able to come home, be a part of Versus, you know, Like. I don't know. I just thought that was fire. [00:25:59] Speaker B: Yeah, he was. He was. He thought it was about him. He was up there. He was like, I'm here. [00:26:05] Speaker A: Yeah. Yeah. Um. Okay. Another. Another takeaway. I think I just said this, though, that it was more close than I predicted it would be. [00:26:14] Speaker B: Me, too. [00:26:15] Speaker A: Because, well, I still stand that Rick Ross. I mean, like, wiped the floor. Yeah, I still stand with that, like, period. But I did forget how many songs French Montana had. [00:26:27] Speaker B: Me too. [00:26:28] Speaker A: Cause he got the ability. And this is why I wanted to give him credit for the radio shit. Because he's hopping on anybody's songs and doing remixes to him, and those are making it to the radio, nigga. I didn't know French Montana had a verse on Loyalty. [00:26:42] Speaker B: Yeah, he did. Well, the thing is about when that song came out, it was like four versions too short. Is on Loyal. [00:26:50] Speaker A: I didn't know that. [00:26:50] Speaker B: Yeah, like, it's niggas on there that you was like, how did this. [00:26:54] Speaker A: Yeah, I didn't know that he had a version of Hot Boy. [00:26:59] Speaker B: Oh, yeah, he's on the. Yeah, there's a remix of that, too. He got a few of them up there. Sleepers that people aren't aware that he's on. [00:27:06] Speaker A: But with all that, I do think that Rick Ross probably still needed a tougher opponent. [00:27:12] Speaker B: I'm trying to pull up the actual Apple music. [00:27:18] Speaker A: The cheat sheet. [00:27:18] Speaker B: The cheat sheet. But it ain't there no more. So they just went straight to the playlist of the actual songs. Okay, so it was a few sleepers that happened. And one specific that I want to bring up was I saw. And I brought this up to French when we saw him after. We'll get to that in a second. But I saw him and Holiday going back and forth before he played Don't Panic. And I remember that was the song that I brought up when we was up here, like, Last week or the week before that, I was like, he gotta do the Mustard record. [00:27:50] Speaker A: Like, remember he said, I wasn't even gonna do it. [00:27:54] Speaker B: He wasn't gonna do it. That's it. And God damn it. Shout out to DJ Holiday, my guy. That's what I want to bring up. Because remember when we had the conversation about Nelly and Ludacris, and I was like, nelly needed to lean on his fucking dj. [00:28:06] Speaker A: Yeah. [00:28:06] Speaker B: He was picking his own records. And that's how I feel. Like he may have lost or whatever. Even though he's a diamond rapper, French trusted his DJ and he played Don't Panic, and it worked for him. And I think that if more people were to lean into that component of it. Cause it's like you kind of don't know everything. Like, I lean on you, I lean on Nay, like our team for certain. Cause I don't know everything. So it'd be like, certain things. It'd be like, no, this need to happen. But then most of the time, it's like, hey, what'd you think? You know what I mean? Because I don't know everything. That's the importance of having people on your team who's like, hey, let's do this. And then you just trusted them. And I think that he won for that. I think Ross did the same thing. I think Nasty was. I think. But I think Ross has so many records that DJ Nasty could have played whatever, and it would have just went up anyway. [00:28:58] Speaker A: Is that his lifelong DJ? [00:29:00] Speaker B: No. So career long. No. I remember the homie DJ Sam Sneak used to DJ for Rick Ross. I remember Sam Sneak DJing, but I think that they kind of alternate, because I know French had another DJ at one point, too. [00:29:12] Speaker A: Okay. [00:29:13] Speaker B: So I don't know what the interchangeability is. [00:29:17] Speaker A: Well, Rick Ross DJ didn't leave no meat on the bone. [00:29:20] Speaker B: None. [00:29:20] Speaker A: He did a great job. Like, he didn't play nothing. And I was like, man, why are you playing this? It wasn't none of those. [00:29:28] Speaker B: And he did that Kanye. When he did that Kanye verse, people was like. It felt like dreams and nightmares. [00:29:37] Speaker A: You know, they have him losing that round for real. Look at the app. Look at the. What is that? [00:29:43] Speaker B: The score sheet. [00:29:44] Speaker A: The score sheet. And that's another thing. I didn't know that there was an actual voting poll. [00:29:49] Speaker B: I didn't know there was a real one either. [00:29:51] Speaker A: I never knew that. [00:29:52] Speaker B: Nobody publicized that. [00:29:53] Speaker A: But now that we know that it is one, I think it is time to establish some rules and guidelines if it. If there's actual voting of all the verses, this is my first time seeing that sheet. Facts, I never seen that before. Look like round. [00:30:12] Speaker B: I can't believe 11 or something and this going. I don't want to sound like that, but I just. It's so crazy to me that they have, like, French winning some of these, but whatever. I guess it's not about that. Whatever. So let's get to the post show. [00:30:27] Speaker A: No, I ain't done yet. [00:30:28] Speaker B: Oh, okay, my bad. [00:30:29] Speaker A: Go ahead. I thought it was so funny when French asked who was keeping score and you tweeted. [00:30:35] Speaker B: What'd your tweet say? [00:30:36] Speaker A: You don't want another score. [00:30:39] Speaker B: That's because we wasn't on the polls. [00:30:42] Speaker A: That's because French knew more than we knew. Yeah, that's why he like, what's the polls? [00:30:47] Speaker B: Wait, wait, hold up. I just had a revelation in real time. French's people keep. Every time he would finish, he would come over and French's people would be showing him the phone. [00:30:58] Speaker A: They was on the phone. I don't know. [00:31:00] Speaker B: I don't wanna put that on him to say he was monitoring the poll. But they were showing. Pause. They were showing him the phone the whole time. [00:31:09] Speaker A: That was nasty. [00:31:10] Speaker B: Okay, fine. [00:31:11] Speaker A: Did you hear the pause on stage? [00:31:12] Speaker B: Yeah, French got it off. [00:31:14] Speaker A: Yeah, yeah. He was like, pause, but nobody heard him. [00:31:17] Speaker B: I heard him. [00:31:18] Speaker A: No, somebody said something and then they said it again, and then French let it go and he was like, pause. [00:31:23] Speaker B: Yeah, No, I heard that. [00:31:24] Speaker A: And then they said it again. He was like, pause. But, yeah. I didn't know that. But yeah. And then, you know, as we said, according to the poll, the point system, French Montana won. [00:31:37] Speaker B: I'm about to see if I got a video of that. [00:31:40] Speaker A: What? Of them? Of them looking at it going back and forth. [00:31:42] Speaker B: Yeah. Cause I remember French, every time he would finish a round, French would go over there and his people was on. They were on the phone like this. And then they were all, like, huddled around the phone. And then when French would come over, they would show French, see? [00:31:55] Speaker A: And I'm thinking they saying. He was like, no, play this song. [00:31:58] Speaker B: Look. [00:31:59] Speaker A: Yeah, yeah. [00:32:00] Speaker B: You know what I'm saying? Every time he would come over, he'd be like. [00:32:04] Speaker A: I was literally thinking. It was like, no, play this song. Play this song. That's what I was thinking. Okay, so the highlight of the verse was Rick Ross says, I wanna perform Aston Martin music without Drake's vocals. We had a conversation about it. We had a back and forth. And after versus, I still stand on my point, and I stand on it even More. But before I get there, what was your thoughts on him saying that? [00:32:30] Speaker B: I said, I think I tweeted Ross is funny. Cause it's like, he could have did it without saying. Without making the announcement. He could have just played the record, and people would have been. Would have deduced that, oh, oh, boy. I mean, his vocals are not on the song. So I was like, rick, Ross is a funny. Right? Then he doubled down and was like, y' all can sing little boy. Sing little boy part. And I'm like, okay, it's smoke. That's what I'm thinking in my mind. And I'm like, yo, Ross is crazy. Cause he has to understand the magnitude of the platform he's on. He knows that this is a global platform. This ain't like y' all doing a show at the house. This ain't an Atlanta show. This ain't a LA show at the Roxy. [00:33:19] Speaker A: Yeah. [00:33:19] Speaker B: This is being broadcast all over the world at the same. Everybody's getting this work at the same time. So I know he knows that. And I'm like, damn. So now I'm thinking, okay, it's some shit. And in real time, I'm like, I would have did it differently, but I understand why he did it if it's that. You know what I'm saying? [00:33:46] Speaker A: Yes. Everything you said, 100% agree with you. And then my mind changed when we went backstage. [00:33:53] Speaker B: Right, right. Okay. [00:33:54] Speaker A: And that's what I want to get to. [00:33:55] Speaker B: Okay, go ahead. [00:33:56] Speaker A: That's when my mind changed when we went backstage. I'm like, oh, so it's not, you [00:34:03] Speaker B: know, like, wait, so let me give flowers real quick. [00:34:06] Speaker A: Oh, yeah, go ahead. [00:34:07] Speaker B: Shout out to Karlie. Shout out to my girl Jenn. The team at Apple always looks out. They always take care of me. I wanted. So you had never met Ebro? [00:34:19] Speaker A: No. Or Nadeski? [00:34:20] Speaker B: Or Nadeski or Jordan or Gina? [00:34:22] Speaker A: None of them. [00:34:22] Speaker B: None of them. Eddie, I think. I don't know if you met Eddie before. [00:34:25] Speaker A: No. [00:34:26] Speaker B: So I was like, oh, I want. I was telling Karlie, I said, I want Gina to meet Ebro. She was like, oh, okay. Let me see where he's at. So then she tell us to just hold on for a second. I'm thinking she finna go grab E and bring him outside. Bring him out to where? [00:34:41] Speaker A: That's what I thought. [00:34:42] Speaker B: So I'm like, oh, we gonna take a picture right here on the wall, and it's gonna be cool. She's like, come with me. So we go in the room. Ebro and the team the whole Apple Music Rap Life team are on air, right? And I don't know when y' all gonna see this or when this is coming out or whatever, but they're on air. Gina and I walk in and we like, oh, shit. Cause we do radio, so we know how to get little. Get quiet. So me and you, we get little, we get quiet, we go to the couch, and Ebro was like, no, come over here. Like, come, come, come, pull up. Come get in this conversation. So we walk up and. Well, you didn't wanna go up there, but it's like, come on over here and holler at us. And I didn't realize what was happening until we walked up. Like, I knew that they were on air, but I didn't know that they were. Like. [00:35:27] Speaker A: I thought they were just saying hello to us. [00:35:29] Speaker B: Yes. [00:35:29] Speaker A: I didn't know that we was about to get on camera, like. Cause remember, I didn't even walk to a microphone. [00:35:35] Speaker B: No, you didn't. [00:35:36] Speaker A: I didn't know. [00:35:38] Speaker B: Yeah, I didn't know. [00:35:39] Speaker A: Ass dress on. Like, I wasn't trying to. [00:35:41] Speaker B: You had on this much fabric. It was like. You know how much, like, fabric a Band Aid come with a cloth? [00:35:50] Speaker A: I think I had more hair on. You had on more hair than hair, Than clothes. [00:35:54] Speaker B: Than clothes, for sure. So we walk up and Ebro jumped right in. Or shout to Jordan from Complex. He was on the air and Jordan was like, oh, we got Gina views. DJ Head here. They on the complex list. This is dope, you know? Versus is presented by Apple Music and Complex. So Ebro jumps right in. He's like, yo, so what y' all think about the verses, Head? I wanna ask you, you know, who you. Who you got? Who you got, who you think took this thing? Who you think won? And right as I'm like, well, I fuck with French, but. I get the but. And soon as I say that, French Montana walks in the fucking room, right? I was like. And so Ebro goes, oh, here we go. Come on over, everybody. I said, this is great. This is great. [00:36:39] Speaker A: I said, oops, saved by the bell. [00:36:42] Speaker B: So I'm like, oh, I've been set up. Like, I just started saying. I didn't even realize I was saying that out loud. [00:36:48] Speaker A: Yeah. [00:36:48] Speaker B: I'm like, I've been set up. They set me the fuck up. Like, okay, so I'm finna have to have this interaction. I'll finish stand on it, whatever. So I'm going through the motions in my mind. So French walks up and they, like, do his introduction, give him his flowers. And all of that. Everything was cool. Ebro circles the block comes back. Well, we was talking to DJ Head before you walked in French about your verses, and we was trying to get his take on who won. So, yeah, Head like, well, you know, I fuck with you, French, but Rose got it. Yeah, that's the truth. My truth. Not according to the poll. Not according to the people. Cool. Whatever. French was like, oh, yeah. Like, why you say that? And then as we start to dive into it, I forgot the conversation kind of just started bouncing around at that point. And I'm like, all right. [00:37:39] Speaker A: No, I think Max B walked in. [00:37:40] Speaker B: Max B walked in. [00:37:42] Speaker A: Y' all think Max B walked in. [00:37:43] Speaker B: Max B walked in. [00:37:45] Speaker A: And then Rick Ross walked in. [00:37:47] Speaker B: Then Rick Ross walked. So you could probably catch that whole thing on Apple Music's Rap Life with Ebro and the crew. But the one thing I want to point out is that when the heat got turned up on me, Gina got little. Mm, okay. Gina got all the way to the point where I look back and she on the couch. [00:38:06] Speaker A: Yeah, well, I left the table twice. [00:38:09] Speaker B: I didn't even know that. [00:38:10] Speaker A: He kept telling me, come back. [00:38:12] Speaker B: Oh, okay. [00:38:12] Speaker A: But all I'm thinking is, all these execs is behind me and my ass is out. I need to sit down. [00:38:21] Speaker B: All these Apple music people's complex. Apple music. All these executives is here. All these executives, and there's cheeks right here. [00:38:28] Speaker A: And I got all this ass on me. I was like, oh, I gotta sit down. Like, you know me. I don't like to look like the. Like, I don't like to be too nude. Like, in corporate. Like, if we at the club. That's why they said this was club anthems. So I dressed like I was going to the club. This Regina in here. [00:38:48] Speaker B: Yeah. [00:38:48] Speaker A: Not Gina buses at home. Yeah, I left Gina buzz at home. But, yeah, within that moment, Ebro did ask Rick Ross about him saying to, you know, perform the song without Drake. And he was like, oh, you know, I'm following whatever my dj. I think he said something like that. Like, whatever my DJ with. I'm with blah, blah, blah, and I'm following his lead or something. He was like, I don't got no problem with him. Drake, if you listening, I fuck with you. He didn't say, I fuck with you. [00:39:16] Speaker B: No. What did he say? He's just. He was trying to reiterate the point that he was. [00:39:22] Speaker A: Basically what he said was, I'm a boss. [00:39:24] Speaker B: He said, I'm a boss. I got a lot of money. That's what he said, I remember $50 million. [00:39:28] Speaker A: Oh, I remember he. He said, I'm a boss and at the end of the day, I don't ever want to see another man down. Drake, if you listening, that was pretty much what he said. [00:39:39] Speaker B: Yeah. [00:39:40] Speaker A: And that's where I got. That's where I was confused at. Oh, and then he was like. He said something like. Oh, he was like. He said, french, he love you. French love you. [00:39:48] Speaker B: He always holds you down. [00:39:49] Speaker A: He always hold you down. Positive. Da, da, da, da. Like, I don't want, you know, I don't wish. Nothing negative, nothing bad. Nothing bad about you or nothing like that. Then he was like, what's he say about the flight? About the flight. Oh, I remember in the beginning of my career, I signed a six album, six album deal with $30,000 advance. A $30,000 advance. And we flew here to LA on a $50 million PJ. And he did. And then during the verses, remember during the verses, he was like, I came to LA on the pj and they said, that's Kim Kardashian, pj. [00:40:32] Speaker B: Yeah. [00:40:33] Speaker A: So I don't know what the transition song for that was, but I was confused because if it's no smoke. He also said, and this wasn't during the interview, this was afterwards when we was taking pictures, right? He said, the only person that can make them makeup, the only person that can make Rick Ross and Drake makeup, it's French Montana. [00:40:56] Speaker B: Yeah, he said anything that. [00:40:57] Speaker A: That's what the B.O. said. [00:40:59] Speaker B: Yeah, he said that. Anything. If. If you ever want to see us get back, right. It gotta go through French Montana. That's what he said. [00:41:05] Speaker A: So now this bring me back. Okay, to our last conversations. [00:41:10] Speaker B: Well, our conversations. [00:41:11] Speaker A: Me and you. [00:41:12] Speaker B: Okay. [00:41:12] Speaker A: Me and our last. Our. Our conversations about performing records with niggas, performing songs with features or, you know, somebody that you don't get along with. [00:41:22] Speaker B: They dragged me for that because. [00:41:25] Speaker A: Oh, they dragged me for that. If there's no smoke, why did you [00:41:30] Speaker B: get involved with the beef? [00:41:32] Speaker A: With the beef from the gate? Why did you get involved in the 20v one if it was no smoke? Now, if it was smoke, if we are beefing, gloves is off. But two years later, if you don't fuck with me and I'm white boy, you and I'm trash and I'm all of these things. All that trolling. He was. All of that. Why are we performing or acknowledging my vocals on the song? Because Astra Martin music is where he acknowledged y' all can sing. His vocals diced pineapples. He Sung Rick Ross performed over the hook. Call me crazy. Shit, at least you calling Rick Ross performed over that hook. Stay scheming. It's a hard cut. You don't even hear Drake verse. You didn't hear nothing from Drake. We didn't hear. Bothers me when the gods got to like a bro. Colby, my nigga. [00:42:21] Speaker B: Hey, it has to be him. [00:42:22] Speaker A: You didn't hear none of that. It wasn't a crowd. Y' all perform this, you know what I'm saying, and then pop that shit. Drake is in the beginning. You can't, you know, get away from that. But even still with that, we didn't hear Drake's verse or, you know, or anything like that. So if that can all be done, why make it a thing to announce that his vocals are here? We know his vocals are there. Because his vocals are the best part of a lot of these songs. Okay, so making the announcement on stage is what makes it. It is smoke. [00:42:53] Speaker B: Yeah, right. That's what I said. [00:42:55] Speaker A: That's what makes it smoke. Why are we doing that? [00:42:57] Speaker B: Why is he announcing the vocal removal on stage? Is that what you're asking? Like, why even do that? [00:43:04] Speaker A: Whereas stay scheming. We didn't hear anything. Whereas Diced Pineapples. It was nothing. [00:43:10] Speaker B: Yeah, we'll see. [00:43:12] Speaker A: And I have not fact checked this, but I've been told from people who have been to see his performances that when he performs, Drake's vocals do still play. [00:43:21] Speaker B: Yeah. [00:43:22] Speaker A: And there's no announcement of it. [00:43:24] Speaker B: No, I wouldn't imagine. But I think that's why I said I think Ross understands the magnitude of this kind of platform and took advantage of it in that way. [00:43:32] Speaker A: But did he consider that on the stage or backstage at the Post interview? Once you're seeing all these comments and everybody tagging. Because at that point, that clip was already gone. It had already took off and went viral. That was like an hour before he said what he said. And he probably thought that we was live. Yeah, it wasn't live. [00:43:51] Speaker B: No, it wasn't live. [00:43:52] Speaker A: Cause they said the shit that they said that wasn't supposed to be, you know. [00:43:55] Speaker B: Yeah. So I have a couple thoughts on this. One is I think he meant what he said on stage. I think that. I think what his. Okay, this is what I think. I think Ross's energy was what it was on stage. I think what he said on the air. And we might even be doing too much. Cause they might not even air that shit. You know what I'm saying? No, they airing that, they probably gonna air it but whatever. [00:44:22] Speaker A: I know the algorithm, they airing that. [00:44:24] Speaker B: So my point is, I think his energy was that on stage. I think his energy on air afterwards was more like. I don't want to rule it out in the event that we actually be okay. I just want to set it up to where it got to go. Through French. French was the person that's always advocating because he said this. I don't even know if we doing too much about this, but French, he was saying that anytime we were in the room. Cause Ross was promoting his book and they were talking to him and you know, I think it was people recording on. They came. [00:45:03] Speaker A: That's why I'm saying all this. [00:45:04] Speaker B: Yeah. [00:45:04] Speaker A: Cause people was recording it. [00:45:05] Speaker B: People were recording on their phone, but it wasn't on the radio. But Ross was basically saying that every time they were in a room and homie came up, French was stand on business, like, that's my guy. And then even if you remember when Ross first brought it up. Cause Ross was like, I ain't never even spoke on this, but I'm gonna speak on it today. Because we. We here. And this is what it is. He said, look. And he was looking in the camera and everything, like, look, homie, like Drake, he addressed him by name. He was like, this dude right here fuck with you. You know what I'm saying? Like, French is my brother. But French is your brother. He fuck with you. Just cause I don't fuck with you don't mean that. He don't fuck. He been fucking with you the whole time. You know what I'm saying? And French was like, yeah. Shout out to Drake. I fuck with Drake. I thought to me that was a genuine moment. Regardless of what he said after that or before that. I thought that was a genuine moment. Cause I've been in those situations where we might not fuck with somebody, but somebody we fuck with fuck with that person. [00:46:00] Speaker A: Yeah. [00:46:00] Speaker B: So it's like I understand that concept of it. [00:46:03] Speaker A: Can I pause you go ahead. So why, if you standing on stage with me at Versus, do you call me Lil boy? [00:46:09] Speaker B: That's what I'm saying. [00:46:10] Speaker A: Next to this person that we both respect. [00:46:13] Speaker B: That's what I'm saying. I don't. I think it's. I think his respect for Drake comes through his love for the people that he still fuck with that fuck with him. I don't think he. I think he genuinely don't fuck with Drake. That's what I believe. [00:46:28] Speaker A: So why is it one person that can make us be back cool if I don't fuck with you, it don't matter who the middleman is. I don't fuck with you. There's a nigga right now that I cannot make you fuck with. [00:46:36] Speaker B: Touche. [00:46:37] Speaker A: There's two niggas. [00:46:39] Speaker B: There's a few niggas. [00:46:40] Speaker A: Yeah. But that's what I'm saying. You're never gonna be like. You're never gonna feel the way that you feel about a person for all of these reasons, and then go. Because that's the way that you feel about a person. And they characterize. Those are your morals. You're not gonna go against your morals just because I'm Lil Sis. [00:46:58] Speaker B: Correct. [00:46:58] Speaker A: You're gonna. You'll never be like, I don't like this nigga. Cause he this, he this, he this, he that. But if Gina make me talk to him, I will. [00:47:07] Speaker B: You're probably right. However you and I. I don't wanna say this is gonna sound bad, but everybody don't have the same principles. We do. And that's how I look at human beings. I don't. Just because, for instance, we've talked about this before. Other media personalities or platforms will do certain things that we won't participate in. [00:47:26] Speaker A: Yeah. [00:47:28] Speaker B: Even though these people, we think they're like us, they're not like us. So no problem. [00:47:32] Speaker A: I like that. [00:47:33] Speaker B: I didn't try to do that. But I'm just saying, just because we. We have a certain texture or pedigree that we operate within, I don't put that on them. So I then don't judge them because they don't operate in the same mentality that I operate in. So if Ross feel like. If Ross feel like, hey, I don't fuck with this nigga. Cause he really don't, in my humble opinion. Ross didn't say that. I believe that Ross don't fuck with him for a myriad of. Whatever those reasons are over the. It could be personal business, whatever the case may be at that point, this person I love so much, I'm willing to come to the table. No, I probably wouldn't do that. But I'm not. Ross is how I look at it. [00:48:16] Speaker A: I get that. But I just feel like the way that I just said it and the way that you think and all of that, that's probably something that's a feeling shared amongst multiple people. Probably even in this room, or probably that's watching. If I don't fuck with somebody, there's nobody that can get me to fuck with them just because I respect them. Depending on what the smoke is over [00:48:33] Speaker B: what the smoke is over, right? [00:48:34] Speaker A: So what that lets me know is if there is a person who can mend this, that means that this shit is not really about nothing. [00:48:43] Speaker B: I agree with you. [00:48:44] Speaker A: That mean that all of this is about nothing. And that has been my point from the very beginning. If it's over nothing, why did you jump in it? If it's over nothing, why did you make a diss track? If it's over nothing, why are we on stage announcing the removal of lyrics? We go to shows all the time, niggas. Don't perform the whole song. Perform your verse, perform your favorite part of the verse, perform the most popular part of the verse and then move on. We don't need announcements that things have been moved out or taken away. Cardi B Redid I forget the song. But whatever song she say Offset name. She just changed the lyrics. Meg Thee Stallion. Same thing. They just changed the lyrics. They not. Yeah, y' all not change the lyrics to that. And they're doing it in real time. Meek Mill have a song where he changed the lyrics in real time on the stage. Wale have one when he performs matrimony, he says, I finally went to a wedding. [00:49:35] Speaker B: Yeah. Yeah. [00:49:37] Speaker A: You get what I'm saying? Like, so it's like, I just don't think that, like, it just makes. Two years later is now it looks like bullying. Now it just looks like it's just constant, constant, constant, constant. Like, bro, let this shit go. And so now I know you said that you feel like it was about French. I do think that, but I think he did. He is saying what he's saying because of his respect and his love for his brother. But I think also coming off of. I think performing all of those songs at verses does to the artist the same thing that it does to us as fans. We get. We get reminded of so much good shit that came out. So much good. We're reminded. Like I always just said, I forgot French had all those songs. What I was reminded of is how we don't give Rick Ross enough credit for being one of those guys who can do the R and B stuff. We only say fab. We say Wale. And we say Drake. Rick Ross. [00:50:32] Speaker B: Yeah. [00:50:33] Speaker A: Rick Ross is one of them. And he. [00:50:35] Speaker B: And not only that, Rick Ross is a real hip hop head. [00:50:38] Speaker A: Yeah. [00:50:38] Speaker B: And people don't give him. You got. Look at the N that he signed. You know what I'm saying? He signed Meek Mill. He signed Wale like he was fucking with Nipsey. Like he's a hip hop. He put Styles P on A hit record, you know what I'm saying? [00:50:54] Speaker A: But saying that to say the way that we're reminded of all the timeless records and the classes that they have, I think they're also reminded of that during verses, they perform Dice Pineapples, Stay Ski Min. Paris Martin music, and Ashton Martin music. Ashton. Well, Drake's version is Paris Martin, so Drake fans know why I mixed that up. But, yeah, they performed that. And then they performed. You made me lose my train of thought. Was it pop? Das. They Scheman, Ashton Martin and Diced Pineapple. Dice Pineapples, you know. [00:51:27] Speaker B: So even when Stacey Scheman came on, you was like another Drake record, That's what you was saying? [00:51:32] Speaker A: Yes, because I think that everybody is forgetting how great they are together rather than apart. And a platform like Versus can remind you of that because, like how I said, DJ Nasty, Rick Ross, dj, he didn't leave no meat on the bone. But what I noticed as a fan of Drake and a fan of also Rick Ross, Drake and Rick Ross have enough music that they could do their own set together. There are songs that they have together that, like, when he was performing, I'm like, dang, they did do that. Dang, they did do that. I low key. I mean, when I say it might look light, but it's heavy, that come from, say, scheming, but I forgot that that's somebody else song too, you know, like, obviously Drake's my favorite, so that verse is one of my favorite verses. I say it might look light, but it's heavy. That's my mantra, you know, Like, I got that from that song. But I think that they also go through the same, like, reminiscing that we go through when we listen to these records. We are only fans. We didn't make these songs. They made the songs. Imagine reminiscing on these music videos, these studio sessions, the writing, you know, like, exactly. Just coming up with it and stuff like that. Exactly. So I just feel like when he said that, I think that he just. It's just all just settling in. And he probably. I don't know. I just feel like in that moment, he realized, like, we made magic. [00:53:02] Speaker B: Yeah. [00:53:02] Speaker A: And they did. [00:53:03] Speaker B: So you think he had, like, a revelation? [00:53:05] Speaker A: I think he had a revelation. You gotta think all they songs. Money in the Grave, Free spirit. [00:53:09] Speaker B: Ooh, I forgot about that. [00:53:10] Speaker A: Lord knows he didn't even do Money in the Grave. He didn't do Money in the Grave. Lord knows. Lemon Pepper, freestyle. Yeah, they got shit. [00:53:21] Speaker B: Yeah, they have songs and they probably got hella shit. In the tub. [00:53:23] Speaker A: Take care. Yeah, they have songs, and I'm leaving so much out. What? Gold Roses. Gold Roses? [00:53:34] Speaker B: Yeah. They got records. [00:53:36] Speaker A: Gold Roses. [00:53:38] Speaker B: They got records for sure. [00:53:39] Speaker A: What? [00:53:41] Speaker B: Yeah. I don't know. That's an interesting point. Cause I look at. So when you look at the future thing, it kind of applies the same way. Yes. [00:53:48] Speaker A: And that's why it's like. It's how we said. You know, how we said before how you was like, well, I'm not about to get involved in. You know, you say you don't tell girls when they nigga is cheating. You don't want to get involved in no dick and pussy stuff. And I feel like the same rules should apply across the board when it comes to beefing in all relationships. Because if, say me and Nate, say me and Nay start beefing, Nay is our producer. Say me and Nay start beefing, right? But you stop fucking with me because I'm beefing with Nay. When me and Nay make back up, fuck you for life, you can never come back because you stopped fucking with me over somebody else. So that's why people need to mind they motherfucking business when Friends is beefing. And if all of y' all felt this way about this, man, I 100% believe that Drake does shit to. [00:54:41] Speaker B: Yes. [00:54:41] Speaker A: And I don't. I. I don't. I don't know how far men care about stuff, but, you know, as women, we. We. We're very. We. We. We. We don't want to share bodies with our friends and stuff, you know, So y' all are not as emotional as we are about shit. And y'. All. Y' all share bitches. Y', all. Y'. All. You know, y' all do this rose over hoes, you know, whatever the case. But I do believe that he be fucking niggas, bitches. I do believe that he does stuff where he gets at the girl in the. In the situation or. You get what I'm saying? And I have no information on this. I've been told things and I've heard stuff, but I'm not there. So I don't know. But I do believe that he does stuff behind the scenes and, you know, like, she like to get people fired, you know, whatever. So all these 20v1, all these 20 niggas that was mad at him, they all probably individually have reasons why they're all fucking mad at him. However, y' all all dykes because nobody dropped or beef with the nigga on their own. Y' all waited for a nigga from Compton to Do it. Except Meek Mill. And that's another thing. Rick Ross. Rick Ross did not stand behind publicly, publicly, Publicly, publicly. We didn't see him defending Meek Mill against Drake publicly as much as we seen him hop in and help Kendrick. Yeah, we didn't. [00:55:57] Speaker B: Well, to be fair, no one really did anything or said anything till it looked like Dot was. [00:56:02] Speaker A: That's what I'm saying. It took a nigga from Compton to [00:56:05] Speaker B: get the motherfucking party started because he [00:56:09] Speaker A: not ever going back on none of this shit. [00:56:10] Speaker B: No. [00:56:11] Speaker A: And, and, and, and Dot has stood. He has stood ten times on this shit. This, you know, this entire time. But nobody else has no n waiting for other niggas to get out there and you know, like that's. You wait for one nigga to take off and then everybody starts stumping a nigga out. Like that's what happened. [00:56:28] Speaker B: Yeah, I think you made interesting points. The only thing that I believe is the revelation part could have been happening in real time. But also they was liquored up too. [00:56:40] Speaker A: I think both revelations are possible at the same time. [00:56:42] Speaker B: At the same time. [00:56:43] Speaker A: I think a revelation and I think that that just adds to it. Like when you look back and you think of something, think about something like, fuck, I really fucked up. I shouldn't have did this. I shouldn't have. I have those all the time. [00:56:55] Speaker B: Really? [00:56:55] Speaker A: Yeah, I have those all the time. Like I'm a very self aware person. So when I, you know, when I do some shit, I'm like, ah, I shouldn't have did that. Or I could have went about it this way or whatever the case. But Rick Ross said he's dropping an album on June 12th. [00:57:07] Speaker B: Yep. [00:57:08] Speaker A: I'm listening at 8:59 on Thursday. [00:57:12] Speaker B: I'm gonna try to get it early. [00:57:13] Speaker A: Yeah. And I just know that it's gonna be so freaking good. We haven't got a Rick Ross project [00:57:20] Speaker B: in a long time. [00:57:22] Speaker A: A long time. I wanna say when Gold Roses and [00:57:26] Speaker B: Ross don't get credit for his albums, like his album. I feel like actually if you think [00:57:31] Speaker A: about it, what's the album? When he said give Birdman to give the Wayne his money. That's the last album he dropped, I think. [00:57:37] Speaker B: I don't remember the name of the album, but when I think about it. So who else was on mmg? [00:57:44] Speaker A: Wale, Stalli, Stahli. Stalli. So Wale, Emil, Wale Stolli. [00:57:50] Speaker B: It was somebody else too. I can't think of. But huh. [00:57:53] Speaker A: Marion. Oh, Marian was on mlb. [00:57:56] Speaker B: I don't count that album. But here's My point, Ross is his albums like him put his. The compilation of his album structures are great. Wale great album structures. Meek. Good album structures. I think that's something that they don't get credit for. As far as artists compiling their albums as a. Like. As a. As a cohesive. Like, you never hear a Rick Ross song that sound out of place. It always sounds like the album. And I think that's commendable. Even though you might get different vibes. You get a girl song, you might get a club banger, you might get. You might get. And then also all 2017. It's three. What you said what? [00:58:35] Speaker A: 2017, his last album. [00:58:37] Speaker B: For real. [00:58:38] Speaker A: Rather than. Rather you than me. [00:58:40] Speaker B: Damn. That was the last album. Oh, yeah. [00:58:43] Speaker A: We need this album. [00:58:45] Speaker B: Yeah, I'm looking forward to it. [00:58:46] Speaker A: We need this. It's perfect time. [00:58:47] Speaker B: Shout out to French and shout out to Rick Ross, man. It was. It was. To be honest, if I. And I'm Keep it real because I know. Shout out to my boy who hit me. Spank. Spank Horton from the Plastic Cup Boys. Kevin Hart's crew. They spank hit me. He was listening to us on the radio in Miami. He text. I don't think. I don't think I told you. He texted me. He was like, bro, why y' all doing French? Like, why you doing French like that on the radio? Like, he don't even got records. I'm like, no. I just think that Ross is gonna get it. [00:59:16] Speaker A: This the thing about it, if I maybe the way we say stuff probably be crazy or something, but as much as I'm a fan of Rick Ross, I'm still gonna say how I feel about stuff. Me saying what we saying about French Montana doesn't mean I dislike French Montana. [00:59:38] Speaker B: Correct. [00:59:39] Speaker A: It's just the honesty. I love Meek Mill, but he can't do nothing with Wylan Inversus. Like, so if I. It's still. I'm not gonna lie. Yeah, I'm not gonna lie. This is a Drake fan from the west coast who feels like Kendrick Lamar won, you know, like, we don't do the bias thing. We saying really how we feel. [00:59:59] Speaker B: Yeah. But yeah, shout out to both of them. Definitely a reminder. The catalogs very extensive. Definitely one. I think. I don't know if we were just because we have firsthand experience and we were there to see it, which is why we talked about it for so long, but I think that it's definitely one that is going to live up to the height as far as, like, the amount of engagement, because it's different. I don't know if it was equally matched. But also French took a humble row and said, you know, this is my teacher. Like this. My big brother. [01:00:28] Speaker A: Like, I learned. I love when he said that. And I don't remember what part of the. I don't know if we just heard this on our own, but it was a part of the night where he said he looked at. He looked at Rick Ross catalog. [01:00:40] Speaker B: Yeah. [01:00:41] Speaker A: Before they. Yeah. He said when he found out. And that's another thing. It's really. It's not rigged. It's not rigged. It's not scripted. Versus is not rigged or scripted. Rick Ross said when I found out who I was going against, it's not like it was a conversation like, oh, I'm gonna do the. You know what I'm saying? He said, when I found out who I was going against, I went through his catalog. [01:01:01] Speaker B: That's dope. [01:01:01] Speaker A: Yeah. But. Yeah. June 12th, Rick Ross album. While we on Complex. Complex Media list. [01:01:08] Speaker B: Oh, man. Let's give it up for Gina views. Let's clap it up for Gina views. So before you say anything, congratulations on the acknowledgment. It's your first appearance on the Complex media List. My second. They put us together because that's what they do with, like, certain. Like Rory and Mal and Gillian wallow. We have a. We share a platform. And they put us at number 30 out of 35 overall for media in the world, which is. I'll take it. Two things. One is I was like, yeah, I'm grateful. Like, I said, like, shout out to Jordan and all the people at Complex. Shout out to. I don't even know if I should shout her out, Ms. Webb, but the people that I fuck with at Complex. Thank you. I was more excited for you. And when I hit. So our manager, Salas, he hit me. He called me and was like, yeah, I just got off the phone with Gina. I'm like, yeah, she's on the list. He like, she ain't giving me no emotion, no energy, no nothing. He's like, I'm more excited than she is. And I'm like, yeah, I don't. Maybe you have a set in or whatever. Like, have you. When you sat with it when you saw it, like, give me what your. [01:02:21] Speaker A: Well, okay. So to my defense, Salas called me before it was announced. [01:02:28] Speaker B: Okay. [01:02:28] Speaker A: He called when we knew that we were gonna be on it. [01:02:32] Speaker B: Right. [01:02:33] Speaker A: Not after. [01:02:33] Speaker B: It was like, after it was announced. [01:02:35] Speaker A: Yeah. So I'm the type of person, like, I'm not about to like, it's been too many. It's too many drafts in my life. There's too many things pending in my life. I don't get excited until the ink is set on the paper. I don't get excited until the budget has been approved. I don't get excited until things are confirmed and set in stone. Because I've had so much shit offered to me and then snatched away from me where, like, you know, like, different opportunities and stuff like that. So with anything, if y' all can. If y'. All. I didn't. I didn't think we was gonna interview Fabless until Jim Jones and Mayno walked through. [01:03:19] Speaker B: When they walked through, the member fab was late. Yeah. [01:03:21] Speaker A: I'm like, dang, it's not even gonna happen. So, like, even with that, like, I prepare for stuff, but, like, I just don't like being over overexcited. But I'm also one of the people. Like, I believe that if you. If you live by the cheers, you'll die by the booze. Like, I don't ever want to get too excited when I'm going too much. You know, when I be going bar, we be still in the group chat regular. I'm like, oh, my God, you know, like, because that shit, it can all be gone tomorrow. Like, you know, So I am very, very appreciative, though, for being acknowledged. I am excited that I am. I think it was only three females on there. [01:03:57] Speaker B: Oh, I didn't even think about that. [01:03:58] Speaker A: There was only three females on there, and it was only three people from the West Coast. So I'm happy that we are a part of the acknowledgement. No matter. You know, they always say, like, oh, we don't get no love in the West Coast. Da, da, da, da. I'm happy that. That's why I tweeted, like, so, dude, that make me the voice Southwest. Like Nipsey said on last time that I checked. Like, do that make me the streets, boy. South west. I ain't got no smut on my rap. [01:04:27] Speaker B: The street, boy, you stupid. [01:04:29] Speaker A: You feel me? Like, so that's what I. That's just how I feel about it. But I am appreciative. There were people in my comments, like, calling me too, like, why they got you at 30? You shouldn't have been 30. And da, da, da, da. I'm never one of those people that feel like, oh, I should be here. I should be here. I agree with the list. So if I can be number 30 out of the whole world, we're in a space Right now, where media is like, everybody's in media. Everybody got a platform, everybody's a streamer, everybody's a podcaster, you know, like, if I can be considered amongst all of those people that's working hard, you know, like, I appreciate that. And I remember last year. Oh, and shout out to Charlamagne. Cause last year Charlamagne was going hard and it looked like they listened. They listened to Charlamagne. [01:05:15] Speaker B: Yeah, he was. Cause he crashed out about me two years ago. And then now it's like, okay, this is dope. [01:05:21] Speaker A: Yeah. So shout out to Complex. I'm very grateful and thankful for it. I'm also one of the people too. I don't really be getting acknowledged like, like my whole life. Like. Like just certain stuff. Like, I ain't really like got acknowledged like for shit until like as a recent. So I'm happy that I'm like, you know, I lost prom queen. [01:05:41] Speaker B: You did? [01:05:42] Speaker A: Yeah. And I was low. I think I was like the bottom. [01:05:47] Speaker B: Damn. [01:05:48] Speaker A: Yeah, yeah, yeah, yeah, yeah, yeah. I'm the prom queen in real life though now. [01:05:51] Speaker B: There you go. [01:05:51] Speaker A: Yeah, I'm cracking for real, you know, But I'm used to shit like that. So that's an example of what I'm saying, like, where I'm thinking something gonna be. Cause I was most popular, so I thought I was, you know. [01:06:03] Speaker B: You got voted most popular? [01:06:04] Speaker A: I got nominated most popular. [01:06:06] Speaker B: I got voted. [01:06:07] Speaker A: I lost to an athlete. [01:06:08] Speaker B: I got voted most unique with the goth kid. [01:06:12] Speaker A: Fucking weirdo. [01:06:13] Speaker B: Real shit. I lost to the goth nigga. His nigga name was Charles fucking Weirdo. He had black fingernails and six inch boots. I lost to him for most unique. [01:06:26] Speaker A: You gotta put some heels on. You gotta put some heels on. Yeah, that is pause, but yeah, you know, so I'm appreciative. And another thing, another thing. It made me realize that I need to just keep going because I was doubted, you know, I was told I wasn't gonna be shit. I was told that I'm like the least successful out of like a group of people, you know, Like I'm doing so bad and I didn't see that person on the list. I didn't see him on the list. Maybe the ink was invisible. Maybe the letters is silent, I don't know. But I didn't see. I didn't see that person there, you know? So I am very, very grateful that, you know, what I'm doing is just it get acknowledged. Cause I didn't see that person there. [01:07:13] Speaker B: Yeah, I don't know, you know. [01:07:15] Speaker A: Hey, man, listen that made me, like. That made me want to be like, I don't even. I was telling Nate, like, I don't even want a nigga to talk to me. That ain't on that motherfucking list today. [01:07:23] Speaker B: Shut the. [01:07:24] Speaker A: Not today. Like, the day that it dropped. Don't fucking talk to me if you not on that list. Don't even look my way if you not on that motherfucker. You know? You feel me? [01:07:33] Speaker B: I thought it was. I thought it was pretty accurate. I did think it was interesting that they started adding the platforms, like Twitter, like the Curo Kiro. [01:07:44] Speaker A: Kirko. Kirko. [01:07:45] Speaker B: Yeah. They added, like, media platforms with their faceless platforms. I thought that was interesting. But I was excited to see Lauren LaRosa on there, making her debut as a solo act, which was dope. I was excited to see Rob Markman on there. I thought Wayne O, you know, Wayne [01:08:02] Speaker A: O should have been on there for me. Wayne O. Top 10. [01:08:05] Speaker B: Yeah. Wayne O is one of them. I be looking at his content. I'm like, damn, this nigga's so good at this. It was dope to see Rob Markin on there. And then I also really was looking forward to seeing where certain people were as far as. Like. As opposed to last year and whatever. And I don't know. It was dope to see Nadeska move up. It was dope. It was dope to see Nadeska up there. You know, she had two standout conversations this year. One with Baby Keem, she had the other one with J. Cole, where they. They shot the interview at his house in Forest Hill Drive. That interview was really, really dope. [01:08:43] Speaker A: She's, like, really dominating the space. [01:08:45] Speaker B: Yeah. Nadeska's killing it. So I just was dope. It was dope to see that, because also to see them separated, you know? Cause Ebro has multiple platforms. So does Nadeska. And so, like, it just. I don't know. It's just interesting to see how they did it, where they combine personalities and platforms. I think we should probably separate them. [01:09:03] Speaker A: That's what we was talking about with them last night. Because I think that, like, I think that it's possible for a platform to. I think it's possible for a platform to be. What am I trying to. Like, Like, I don't know. I think that, like, individuals on the platform, it's possible for them. Okay. Like Lauren, for example, Breakfast Club is a very dominant platform in hip hop. Right? But what Lauryn does independently is. You know what I'm saying, is also versus me and You. We don't have anything else independently. So it makes sense for, if you doing stuff outside of your platform to be recognized as that versus, like, Gabe C. We were recognized on the radar versus I'm saying Gabe C. Gabe P. You know what I'm saying? I think it should be like a separation, even the example of the Faceless account. [01:10:01] Speaker B: Okay. [01:10:02] Speaker A: So I think maybe they can do. And that's what I told them last night. Like, do one of the platforms and then do one of the personalities. [01:10:11] Speaker B: Yeah, yeah. But I appreciate it. Shout out to everybody that showed love. And really, you know, they was definitely giving us our props. [01:10:19] Speaker A: Yeah, they were. They were. I appreciate that. Okay. Also, what is Shout out to Baby Keem and Isiah Rashad? They have shows in la, man, that show. [01:10:29] Speaker B: That la. First of all, Shout out to Baby Keem. Because I didn't realize. I knew, but I didn't know. But when it was. So when he first announced the album, he did drop the album. They announced the tour and everything. Same, like, same week. Everything came out new merch, Everything, man, Them shows sold out faster than anything ever. Right then, fast forward. When I saw the footage, I didn't go to the show. When I saw the footage from the show, I was like, oh, these people have lost their fucking mind over this nigga. Like, this nigga's a rock star. He's out of here. Not that he wasn't before, but not like that. That shit looked like when Dot was in Argentina. [01:11:07] Speaker A: Nah, that was very. I think that's a very justified under. Well, not understatement. Yeah, understatement. I think it is, because I didn't know either. I'm looking at the thing. I'm like, I thought it was a youngboy show. I'm like, he got a fan base like that? [01:11:30] Speaker B: Yeah. [01:11:31] Speaker A: I didn't know he had, like, a hardcore fan base like that. And that's something to be said of the TDE artists because they all have hardcore fan bases. [01:11:39] Speaker B: Yeah. So Isaiah Rashad, who is a TDE artist, he dropped the album. He had his crazy show. They did a show at the Intuit Dome outside in that plaza. And I don't know if you've ever been to the Intuit Dome. It's a beautiful, beautiful venue. But they have an outdoor plaza at the Clipper. It's like a Clippers Plaza or whatever. And they did a show out there, and that was nuts. And I was like, damn. And Isaiah Rashad, not even from here, but, you know, he signed a TD and Baby Keem was on PG Lane. But I just think it's dope to see these artists doing these shows because. And for a long time we went without a mid tier. Like you in LA, you either do the Roxy and it's like 500 cap room or you doing the Kia forum and it's 8,000 people. Like, there was no like in between at like, for a long time we didn't have that. And now it seems, it starts to seem like we starting to have those, those types of mid tier shows, which is dope to me. [01:12:34] Speaker A: Yeah. [01:12:35] Speaker B: Real quick, can I. I wanna shout out to our dentist. Okay. I'm having a problem and I wanna ask you if you having this problem? No, you don't have a problem. [01:12:44] Speaker A: Mm. Okay. [01:12:46] Speaker B: What problem, bro? So ever since I've been wearing my Invisalign, my retainers and stuff like that more regularly now I only got one more tray left before I start smiling big with open teeth, open mouth, pause. But I wasn't gonna. My teeth are starting to shift so much that food is getting stuck all over the place. And I'm trying to figure out were my teeth so fucked up that food would just slide in between my teeth to the point where, like, it wouldn't get stuck in my teeth. Because now I have to travel with these pics everywhere. Because every single time I eat, I have to go in there and get food out of my teeth. I didn't know, like, I would brush my teeth, but brushing doesn't help. I have to go in and individually pick food out of in between each two and I'm just like, how fucked up were my teeth to where? I didn't have this problem before. [01:13:38] Speaker A: I think you're just thinking about it now. I have the same problem, by the way. So I lied. I do have that problem. Okay, but I think it's that you're thinking about it now because, like, when I got my. I be talking like that. I be talking like that. [01:13:52] Speaker B: You wear yours every day like you supposed to. I wear mine at night, but that's why it's taking five years. [01:13:58] Speaker A: So I talk clearer with my Invisalign outs. Doc. [01:14:03] Speaker B: Shout out to James. Shout out to our dentist, James. [01:14:05] Speaker A: Shout out to Dr. James. Yeah, but when he told me to, he said after every meal you have to floss and gargle and brush. So I think now that I'm doing that, I'm just noticing that I have to do it. But I feel like my teeth are so close together. My food be stuck up in my mouth. Food be stuck up in My mouth to where I can't go throughout my day until I get the piece of food out. [01:14:31] Speaker B: Yeah, this gonna sound so ignorant, but I'm gonna just tell you anyway. I always used to think to myself, why everybody traveling around with pics and floss all the time? And I'm like, oh, because they actually have real functioning mouths and teeth. Like, my teeth were fucked up. Cause I never had to pick food out my teeth up until like. Like a month ago. And now I'm like, every day, every single time I eat, I gotta pick food. I'm like, oh, this is what it's like to have regular teeth. [01:14:59] Speaker A: No, I think the people who roll around with, like, floss and like, pics and stuff like that, I think that those people are two. There's two type of people. They're either people who are just very, very hygienically together. They have all their toiletries and stuff like that. They gonna have lotion in their bag and, you know, all of that. But I think the people who. Other people who do that, they probably had braces when they was kids, so they just used to carrying them, just having them around. [01:15:30] Speaker B: Mm. Okay. All right. [01:15:33] Speaker A: But yeah, we spend so much time on verses that it's so much shit that, like, that's cool. [01:15:39] Speaker B: Let's talk. Let's shout out to young Miami. [01:15:41] Speaker A: Shout out to young Miami. [01:15:45] Speaker B: She got a song that's going crazy outside. Spin that, Spin that. The girlies are loving it now, we brought this up. I think it was last week or the week before, where you were telling you, literally, I think on the air, it was like, she needs different versions of the song. Like, you need to speed it up. [01:16:00] Speaker A: Yeah, but I stole that. And these days, you know, like when I stole that from Twitter. [01:16:05] Speaker B: Okay, gotcha. [01:16:05] Speaker A: I stole that from Twitter because I saw somebody say, if you speed it up, it actually sounds good. I thought they was trolling. You know how people say, like, this sounds so good on mute? Like, I thought they was trolling. So I'm like, I'm actually about to speed it up and see. And when I sped it up, I'm like, this can be contender for song of the summer. Like, it does go so young Miami has dropped four versions of the song. Hustler version, booster version, Baller version, Baller version, and then a DJ version. [01:16:32] Speaker B: Okay, so from a DJ's perspective. So the baller version's the original. That's 90 bpm for context. That's like Nipsey grinding all my life. [01:16:41] Speaker A: No, she slowed it. [01:16:43] Speaker B: Well, there's a slower version. I'm gonna get to that one. Then there's a super sped up version that's like 129bpm. And then the one that I like is the booster version. The booster version is 104bpm. That's like the equivalent of, like, you know, like. Like, squabble up is 104bpm. So that's the same tempo. That pocket is the one that I prefer. That's the one that I'm gonna be playing moving forward. [01:17:07] Speaker A: Yeah. I don't. And I think this is why it's important for multiple people to be in a studio, because somebody could have said, we should speed this up. Let's see what it sound like sped up. But you know who would have did that? He incarcerated. That's all I'm gonna say. [01:17:26] Speaker B: Oh, shit. [01:17:26] Speaker A: That's a song. It's a producer. It's a producer. Their job is to enhance songs, make them better. [01:17:33] Speaker B: Got it? [01:17:34] Speaker A: I'm telling you, I know he would have. [01:17:38] Speaker B: Okay. [01:17:38] Speaker A: I know he would have. I don't know the nigga like that. [01:17:40] Speaker B: I don't know the nigga. [01:17:41] Speaker A: I know a nigga like that. [01:17:42] Speaker B: Okay. The other thing that we need to shout out. Oh, well, shout out to rappers that listen to their fans and their feedback. Young Miami, for listening to the people that I agree with them artists changing their albums after they put them out. Don't like that. This great approach. Young Miami. Salute. Oh, rest in peace to Spirit Airlines. [01:18:04] Speaker A: Before we get off that, though. [01:18:05] Speaker B: Okay. [01:18:06] Speaker A: Before we move past that. [01:18:08] Speaker B: Okay. What you. [01:18:09] Speaker A: Because I think that something needs to be said for people to have such. What's the word? You know, people that, like, have thick skin and they can take constructive criticism and they listen to people rather than going against them. [01:18:27] Speaker B: Yeah. [01:18:28] Speaker A: So we just seen when, you know, LaRussell said his engineer told him, don't drop that, and he dropped it anyway. [01:18:36] Speaker B: You say you should. [01:18:37] Speaker A: You should listen to your engineer. You got another nigga you can listen to. [01:18:40] Speaker B: I just talked about it with Holiday, telling French to play the record. [01:18:45] Speaker A: Exactly. Exactly. Just like that. Young Miami listened to social media, and this is a space to where she's been vocal about before. They always negative. They always disrespecting her. They don't fuck with her and all that type of stuff, but she listened to the fans because, like I said, when I read that tweet, I thought they was trolling. They probably possibly could have been trolling, saying that they should speed it up, but she actually listened to it, you know? So they. They Might need producer credit. Whoever that is, might need producer credits. Cause the tweet went up. You know, my question for you is, has that been. Has there ever been a situation where you telling somebody to either change something, not release something, or release something and it's work? I want two stories. One that's worked in the artist's favor, and then one that has worked against the artist. [01:19:37] Speaker B: Probably the one that worked for artist was Nipsey. I remember he played me Victory Lap. I was going to the studio. Me and Silas were actually going to the studio, like, every week or every other week during the summer. And he was playing. He played me the album, and I was like, this is cool. Like, the album was beautiful. He played me the whole shit. And I was like, this is a beautiful album, but it's something missing. And he was like, what you mean? And then when I went back, I was like, I just gotta have a conversation with him. I kinda fucked the mood up in the studio. And he was just like, what's missing? I'm like, you don't have a record. Like, what's the record? And he was just basically, like. He didn't understand what I was saying. I was saying, look, bro, you have me. I'm on the radio six days a week in Los Angeles. I can't support you with my platform because you haven't given me a record to do that with. So basically, I was just telling him, like, I'm not telling him to make a radio song. I was telling him to make a song that everybody and that everybody could support at the same time. DJs, playlisting, streets, whatever. And so he was done with the album. They were in mixing. They were mixing the record. The album at Record Plant and shit. And then I guess one day, when I was having this conversation with him, he was just like. He said to me, he was like, you be saying wild shit to niggas. And I was like, what you mean? He said, I watch you say wild shit to niggas all the time. You finally said some wild shit to me. He was rolling his blunt. I thought he was gonna kick me out the studio forever. He was like. He said, but you know why niggas fuck with you? I was like, why? He said, because your intentions is pure. He's like, that's why I fuck with you. So he didn't even get mad. He was like, give me two weeks. I said, all right. And so I left. And two weeks, he text me. He said, I made one for you. I said, send it to me. He Said, wait. He said, not yet. I'm gonna put YG on it, then I'm gonna send it to you. And that was the last time that I checked. [01:21:25] Speaker A: Shut up. [01:21:25] Speaker B: Real shit. [01:21:26] Speaker A: That's how we got last time that I checked. [01:21:28] Speaker B: That's how we got last time I checked. True story. You verify, you guys, Mike and Keys, that was the last song that they made for Victory Lap. [01:21:33] Speaker A: So Nipsey was done with Victory Lap. [01:21:35] Speaker B: It was done without last time that I checked. [01:21:37] Speaker A: And then when you heard it, how did you feel about that song? [01:21:39] Speaker B: I said, this is it. You got. This is the one that everybody gonna play that record, like, four times platinum or some shit like that. [01:21:45] Speaker A: You didn't think dedication was the one? [01:21:47] Speaker B: I heard it, but it wasn't like. It wasn't the record that I felt like everybody was gonna play at the same time. I'm not even thinking about it from a radio. Cause you don't think about last time Check as a radio song. It's just a song that everybody can celebrate you at the same time together. That's what I was trying to get like. [01:22:03] Speaker A: I'll just reference that for. [01:22:05] Speaker B: Correct. [01:22:06] Speaker A: For the complex. [01:22:06] Speaker B: And then the other one was probably like, I guess YG with. So YG was finna drop. It's actually a photo I got of yg. He looked like he just got out of jail. It's crazy. So I go to the studio, and he played me his whole album. This is when he was opening up the damn tour for dot. And he was like, I gotta drop an album because I'm finna open up for Kendrick. And I'm like, nah, you shouldn't do that. I mean, you shouldn't drop a. You two. You a veteran now. You not a new nigga. You can't drop an album with no record. So he was like, I got records. So I go to the studio, he playing me all this shit. He had this song with YFN Lucci. They shot it in the projects. I'm like, that shit ain't gonna go. Like. Not that it was a whack record. It just. That ain't the shit. So he was like, what you mean? So long story short, he playing me. I'll just move him out the way. I'm going through his hard drive. I'm like, no, no, no. So he played me a song with Ty. I'm like, this is a record. Finish this. He said, that shit old. I gotta get Ty to finish it. I said, well, call Ty up here. I'm talking about Ty Dollason I'm like, call Ty up here. Let him finish the record. He like, let me see where he at. So he calls Ty on the spot. He FaceTimes Ty. And YG is like, yo, I'm up here with DJ Head. He talking about, I ain't got no records. Nigga got me fucked up on Bompton, right? And ty is on FaceTime. He said, Head up there with you right now. He was like, yeah. He said, nigga, whatever he telling you to do, you need to do it. And Ty was. And YG was like, this the first time YG ever knew that I was on picking niggas records. And so YG was like, what you mean? Ty said, n Head comes to my house and he's picked every record since Paranoid. [01:23:38] Speaker A: You picked Paranoid? [01:23:40] Speaker B: That's a whole nother story. [01:23:42] Speaker A: So did we talk about that in the Ty interview? [01:23:44] Speaker B: I don't think so. I don't think we ever. I don't think I ever brought that up. [01:23:47] Speaker A: You the reason we got paranoid. [01:23:49] Speaker B: I'm not the reason we got paranoid. [01:23:50] Speaker A: But you told him to put it out. [01:23:51] Speaker B: I told him that was the record that was gonna change his. So Ty told yg, he said, do whatever Head is telling you to do. So YG was like, all right, bet. So he got off the phone, I told him to finish these records. And then they pushed the album back. So if you remember when that damn tour happened, YG didn't drop his album right when he went on that. Right when he opened up that tour, they pushed the album back. And then he went to the studio and he called me. He said, I got one, nigga. I said, oh, yeah? He said, me and Big Sean just did one. I said, okay. So I go to the big bank. I said, all right. So I'm gonna go to the studio. So I go to the studio, he press play it, come on and say, my bitch drive a all white range, right? [01:24:29] Speaker A: He's like, couldn't touch if you niggas had it. [01:24:31] Speaker B: I said, nigga, what the fuck is this? I said, Cause he had got back with Mustard. You remember? This is a right? [01:24:37] Speaker A: Yeah. [01:24:37] Speaker B: So him and Mustard wasn't on. So he went and got back with Mustard. He got the song. And then I was like, give me the record. I'm finna go to the radio. So he's like, nah, hold up. Like I might. He's like, I got two chains on deck. I'm like, yeah, let's wait, wait. Don't put the record out. Get the two chains verse. So then I'M like, he like, I got chains. Gimme the record. He like, no, he's like low key. Nikki gonna hop, wanna do some shit. I'm like, how long she cause Nikki superstar. I'm like, he like, he said, man, she probably finna knock this out this week. Don't put the record out. Get Nikki. So then that's how we got the big bank. Real shit. That's a true story. [01:25:15] Speaker A: So you actually are going to N Studios and telling them no, this can't come out. [01:25:22] Speaker B: Yeah, no, he was mad as fuck do this. He was not happy with me that time. [01:25:28] Speaker A: Why the fuck you didn't say nothing about Heaven Sent? [01:25:31] Speaker B: I wasn't there for Heaven Sent that. [01:25:34] Speaker A: Just tell me that La Russell needed you. [01:25:38] Speaker B: I wasn't there for that. I've had offline conversation with LaRussell never about that. [01:25:42] Speaker A: Yeah, yeah. Okay, so now tell me, has there been a time where you told somebody you gave someone direction and they didn't listen and it didn't work out in their favor? [01:25:56] Speaker B: Probably. Oh, when? This is a long time ago, but probably when me and Glasses G. Malone, we were trying to do music and figure that shit out. I was telling him he make slow ass songs and nobody want to hear that slow ass music. And I talked about, I taught him about BPM and I taught him how to dj. And then long story short, me, it was me and the hump. So I produced that good with the homie Jim Nays, his song with Ty Dollason and that's like been his. The biggest record of that went crazy for him. That's the second song I ever produced in my life. It was a hit record. [01:26:30] Speaker A: Congratulations. [01:26:31] Speaker B: Yeah, thank you. [01:26:32] Speaker A: Congratulations. [01:26:33] Speaker B: But yeah, it didn't work out because you know, n don't. I don't know, people don't be listening to me. Also low key problem. Had a song with Scheme back in the day called to that shit was hard as fuck. I told him, hey, this is a hit record. They just threw it away like it was nothing. I'm like, you need to do something with this record. They was like, yeah, whatever. And I feel like that was a miss. [01:26:54] Speaker A: What about conversations that you have in the recent years? [01:26:58] Speaker B: Five to ten years recently? [01:27:00] Speaker A: Yes. [01:27:03] Speaker B: I mean there's been artists and you [01:27:04] Speaker A: don't have to name drop. [01:27:05] Speaker B: Oh, okay. You don't have to name drop. Yeah, somebody. I went to the studio with somebody and the one I. Huh? No, not the one you went to. I went to the studio. [01:27:14] Speaker A: Cause that was a miss. [01:27:15] Speaker B: Yeah, I went to the studio with an artist and they label there, they had they manager there. And they was like, yeah, this record finna go crazy. We got Whoopty Whoop on it. [01:27:25] Speaker A: He's an LA artist. [01:27:26] Speaker B: Yeah. [01:27:27] Speaker A: Okay. [01:27:27] Speaker B: And then we got Whoopty Whoop on it. And I'm like, this ain't gonna work. And I'm not supporting this record. [01:27:36] Speaker A: Okay. Did they drop it? [01:27:37] Speaker B: Yeah. [01:27:38] Speaker A: And did it work? [01:27:38] Speaker B: Yeah, it went double wood. [01:27:42] Speaker A: So it didn't work. [01:27:43] Speaker B: Double wood. [01:27:44] Speaker A: That mean it didn't work. Double wood is so crazy, cuz it sound like it's about to start. Double wood. Wood. Double wood. [01:27:53] Speaker B: Yeah, it was like. It was like an iPhone. Lightning cord. [01:27:55] Speaker A: Oh, shit. Oh, shit. Okay, look. Speaking of double wood, rest in peace to Spirit Airlines. [01:28:03] Speaker B: Yeah. [01:28:04] Speaker A: So Spirit recently announced that they are officially discontinuing all service across the board. No flights, no workers, no nothing. And I even seen people saying that they actually discovered that Spirit will be discontinuing their services when they got to work or when they got to the airport to get on a flight. People were saying they didn't get no emails, no updates. [01:28:28] Speaker B: Oh, they just dropped a bomb. [01:28:29] Speaker A: Yeah, yeah. It was just. They just crazy. Yeah. So other airlines were actually helping get passengers back, you know, back home and stuff or whatever. Delta had tweeted about it. United had tweeted like, you know, if y' all need help, we got y', all, or whatever. But, yeah, no more Spirit. [01:28:46] Speaker B: Hey, imagine being being in, like, Tulsa, Oklahoma, right? And you get to the gate and they like, we don't work here no more, bro. That what you mean? The pilots is like, yeah, we outta here, my nigga. [01:28:59] Speaker A: When I tell you that is the most like, okay, if we're gonna give them the stigma, the title for being a ghetto cheap airline, actually, it's on brand to not update y'. All. [01:29:11] Speaker B: Facts. [01:29:12] Speaker A: That's on brand to not update y'. All. But I was thinking when my flight just got delayed in Mexico during a hurricane and I was freaking sick, imagine. Fuck a delay. Imagine the airline shutting down. [01:29:26] Speaker B: Yeah, like, we not. We don't. There's no business. We don't do flights no more. Nigga, the plane right here. [01:29:31] Speaker A: What the fuck was y' all doing last night? Like, who was the last employee is what I want to know. Like, so nobody. Y' all don't have, like, a portal or anything where you could just update? Like, do Spirit have an app? I don't even think update the app. Like, you update. [01:29:48] Speaker B: Let me see if the app is still in the App Store. [01:29:50] Speaker A: When you asked me to check in. I saw a girl who was in New York. She was in New York for some type of event. She got back home, got back to her hotel from her event. She had an email saying that her flight was delayed. Then she got another email saying the flight was canceled. They put a phone number contact phone number in the cancel email. The. She called the number. The wait time was like nine hours. She just hung up. Nine hours for a phone? No, that's crazy. And that's how she found out it was cancer. There's a girl that was stuck in, like, Cancun. She's stuck in Mexico. But this is my thing. If May 3rd was the end of all things Spirit, right, why did you guys allow people to continue to book flights? [01:30:29] Speaker B: Nah, this is some bullshit, bro. Wait, wait. You gotta get a shot of this. Look at the website. They didn't even take the site down. They just erased all the content. Hey, this shit look like. This shit look like when they take your blog down, like some Tasha K type shit. [01:30:45] Speaker A: Look, that look like when they delete your Instagram. [01:30:48] Speaker B: That's crazy. [01:30:49] Speaker A: You know, books just don't use their. [01:30:54] Speaker B: Wait, let me try to book a flight. [01:30:55] Speaker A: Put it closer, put it closer. [01:30:57] Speaker B: No, when you click it, it just go blank, bro. [01:31:01] Speaker A: Go to the book. [01:31:03] Speaker B: Look, if you click book. If you click book, it just turned back into the blank, nigga. They just erased all the content off the website. That's ghetto. [01:31:13] Speaker A: They're ghetto. [01:31:14] Speaker B: They take the site down, my nigga. That's ghetto, bro. [01:31:18] Speaker A: But this is my thing. How did y'. [01:31:19] Speaker B: All. I lift something up when I go try to get an elite. When I try to. When I was trying to watch Power and I didn't want to pay for this. I didn't. Couldn't pay for the stars no more. It's a federal government thing that pop up and say, hey, my nigga, this is wrong. You know what I'm saying? This shit said I could go to find my trip. Ain't no trips. [01:31:39] Speaker A: I just don't understand why they couldn't update the app. Like, they just. All they have to do is update the app. Like, just update the app. Like, when you ask me to check in or when y' all say flight delayed or anything. I mean, I don't know if Spirit has all those functions, but y' all for sure got an email function. [01:31:55] Speaker B: I think everybody asking. I think you having the wrong conversation. Everybody asking the wrong question. [01:31:59] Speaker A: What's the right question? [01:31:59] Speaker B: Nigga, where's my. What if I had. What if I had one Hundred thousand rewards points. Ooh. [01:32:05] Speaker A: Cause where does Spirit go, nigga? [01:32:07] Speaker B: Everywhere. [01:32:08] Speaker A: Oh, no, no, no, no. I did see something that said that they're restructuring. [01:32:12] Speaker B: I did see that they're out of business. What are they restructuring? [01:32:16] Speaker A: Well, Bigger Picture told us they was coming back in March. [01:32:19] Speaker B: Facts. I'm waiting. Like, you waiting? Shit, if you find out, let me know. You know what I'm saying? [01:32:24] Speaker A: You told me I was restructuring. [01:32:27] Speaker B: Oh, yeah. I don't know. I'm still. [01:32:29] Speaker A: You said that. [01:32:30] Speaker B: I'm still waiting on the phone call. I don't know what's going on. [01:32:33] Speaker A: But you said y' all was restructuring. That's what Spirit said. [01:32:37] Speaker B: Well, hey, look. Well, if Bigger Picture fate is like Spirit Airlines, then, hey, Bigger Picture still got the account. [01:32:45] Speaker A: It has been too much stuff going on in the air for us to lose a whole airline. Like, think about that. We lost a whole airline. [01:32:52] Speaker B: I don't know. It's. Let's make some room in the sky. You know what I'm saying? [01:32:56] Speaker A: It might be too much traffic. [01:32:57] Speaker B: They up there playing bumper planes. [01:32:59] Speaker A: They are up there playing bumper planes in the air. They for sure playing bumper planes up there. But I seen a video where a plane was landing so low that the big wheel, the big truck, the plane. [01:33:14] Speaker B: She said a big wheel. [01:33:16] Speaker A: What? [01:33:16] Speaker B: It's called, nigga, Big wheels. [01:33:18] Speaker A: The three wheels are the wheels not big. [01:33:21] Speaker B: Yeah, but a big wheel are the wheels. [01:33:25] Speaker A: Answer my question. [01:33:26] Speaker B: Yes. [01:33:28] Speaker A: Are the wheels bigger than the other? [01:33:33] Speaker B: Okay, go ahead. [01:33:34] Speaker A: To me, it's a big wheel. [01:33:36] Speaker B: Okay, good. [01:33:40] Speaker A: So look, the big wheel flip over when a plane was landing. The plane landing and do that, like that. Flip the whole thing over. They better than me. Spirit would have been mine. [01:33:53] Speaker B: That. [01:33:54] Speaker A: What I'm just saying. I would have went and bought an airline. [01:33:57] Speaker B: Oh, I did. Did you see the. Did you see the little rumor that said it was considering buying Spirit? [01:34:02] Speaker A: No. They are. No, they are. This. This man got on Tik Tok and made a. A whole domain where people can donate. It's. He didn't set it up to where it's a structure now, but you got to, like, pay an amount. And they trying to buy back Spirit. Like, it's. They got, like, millions of dollars already. We should. I'm about ready to go get my ass stuck in a plane toilet so I can be Kevin Hart. [01:34:25] Speaker B: Oh, Soul Plane. Can you imagine? Like, what if the blacks got together and bought their own airline? Would know. [01:34:32] Speaker A: I mean, they trying to make this an airline for the people, by the people. [01:34:35] Speaker B: Look it up. [01:34:36] Speaker A: It's like buy 50 Cent, Tyler Perry, all the niggas with money. YB, G herbo. [01:34:46] Speaker B: G herbo. [01:34:47] Speaker A: I don't care they got PJs. But remember, they said G herbo was scamming, bro. They said he was scavenged, okay? [01:34:56] Speaker B: All of them. People don't even need to do it. It's only, like, three people that need to do it. [01:35:00] Speaker A: Who? [01:35:01] Speaker B: Tyler Perry, probably like, yeah, we don't [01:35:07] Speaker A: need a white millionaire in there. Why don't celebrities have airlines? Because Rick Ross do. [01:35:12] Speaker B: It don't make sense. The money don't make sense. [01:35:14] Speaker A: Drake got Drake Air. No, but he's not like, chartering that to, like, he should, though. All these. PJ need to go buy us an [01:35:21] Speaker B: airline so we can fly on it. Yeah, they not gonna. They don't care about us. [01:35:28] Speaker A: Who? [01:35:29] Speaker B: Whoever. [01:35:30] Speaker A: I mean, the. The pharmaceutical companies don't care. You don't got no hope. No, you don't got no hope in the culture. [01:35:37] Speaker B: Not for no airline, though. [01:35:39] Speaker A: Some I think somebody gotta do is just go, somebody. Okay. That's all that's going on up at the top anyway. Oh, all righty. Well, back us out of here. [01:35:49] Speaker B: Yeah. So look, we gonna do a cut. Like, just get a couple more of these in. [01:35:54] Speaker A: All right. Miley Cyrus. I'm you. Can I be full transparent right now? [01:35:59] Speaker B: Yeah. This is a safe space. You not talking to nobody but me [01:36:04] Speaker A: and a couple thousand people in the comments. I've experienced my first. I had my first situation, my first experience being a hater, okay? And I mean, I was hating hard. Like, I was sipping that haterade. I was Dave Chappelle. Remember the hater? They had like a hater. It was like a hater. Awards. [01:36:28] Speaker B: Yeah. [01:36:29] Speaker A: Or the player hater. The player hater. I was player hating on who? Miley Cyrus. [01:36:34] Speaker B: For what? [01:36:37] Speaker A: Because they announced that she about to get a star on the Hollywood Walk of Fame. [01:36:41] Speaker B: What that gotta do with you? [01:36:42] Speaker A: Nothing. [01:36:43] Speaker B: However, it's a white lady. [01:36:46] Speaker A: I was about to comment on top of it and say, where's Bow Wows? [01:36:49] Speaker B: Oh, you was gonna comment on her shit? [01:36:51] Speaker A: I was gonna comment that. But I don't wanna be. I never wanna be a person in the comments talking shit about a celebrity. So I don't do it. I don't do it. However, I'm also one of them people who. I mean, now we're getting acknowledged and things like that. And I don't like when I see stuff and somebody be like, well, this person getting it. Why the whoopty whoop? Don't got one or da da da, da da. And I did that shit in real time. [01:37:14] Speaker B: You had on human moment. [01:37:15] Speaker A: I had a human moment. And I was like, damn. So I was about to tweet it and I said, no, we should just talk about it on the show. Cause now we have a radio show where we can give our takes on the show. We don't have to give them on Twitter. So I dropped it in a note. And when I had seen it today, I was gonna tell y' all to remove it. And then I had remembered, Bow Wow don't have a star on the Hollywood Walk of Fame. And he deserved one. [01:37:36] Speaker B: But that don't have nothing to do with Miley Cyrus. [01:37:38] Speaker A: Why the fuck don't Bow Wow have a star on a Wally? Why is Miley Cyrus getting a star before Shad Moss? [01:37:45] Speaker B: I don't know. Are they still on tour? [01:37:47] Speaker A: No. [01:37:48] Speaker B: You mean call him? [01:37:49] Speaker A: No, don't call him. Don't call him. And it's time for us to give that man his flowers. [01:37:56] Speaker B: All right, so look, he's advocating for Bow Wow star. [01:37:59] Speaker A: Bow wow need a star on the Hollywood Walk of Fame. [01:38:01] Speaker B: For what, though? You know, you have to pick a category. Music like he has. Don't act like he ain't got multiple facets. [01:38:10] Speaker A: What's Snoop Dogg and LL Cool J? I was about to say, what's Miley's in? What the fuck is Miley's in? [01:38:17] Speaker B: You have to pick because you know how certain people have a TV on there. Some people have a like, music. [01:38:22] Speaker A: I'm not saying she only got Hannah Montana show, but what I'm saying is what else do she have for a star on a Hannah Montana party in the usa? Juicy J. And then she went back white. I hate that this is all coming out of my mouth right now because she didn't do nothing to me. And I'm not even gonna lie and tell you I love her, but I don't dislike her. And I'm happy that a woman is getting a star. But where is Bow Wows? [01:38:56] Speaker B: So hers is for music. Music and entertainment. So I'm pretty sure hers is gonna be a music star. That's interesting. She's a Grammy Award winning pop icon, [01:39:11] Speaker A: so it's not even for Hannah Montana. I said she make music. I know she. I know Party in the USA is way more than I know she make music, but. But so what? [01:39:28] Speaker B: But so what is crazy. [01:39:29] Speaker A: So what? Also, shout out to Iri because why doesn't Raven Symone have a star on the Hollywood Walk of Fame before Miley Cyrus. [01:39:43] Speaker B: That's a great question. I think Raven deserves one for sure. [01:39:46] Speaker A: Raven Simone has been on our TV screens since Raven been on TV since before I was born. Raven Simone, he was a back to confirm. She doesn't have. I looked it up. Okay. She doesn't. [01:39:58] Speaker B: Ravenson have been on TV since TVs had the big. [01:40:01] Speaker A: I looked it up. Stevie's had the big back. [01:40:03] Speaker B: She was on the big back team [01:40:05] Speaker A: since the TV had the bbl. [01:40:06] Speaker B: Yeah. [01:40:06] Speaker A: She said dragging the wagon since you had to remember you had to hit the top of it for the to get the reception. Yeah, yeah. [01:40:18] Speaker B: Some hanger in the. [01:40:19] Speaker A: Yeah, yeah. Foil at the top. She been on TV before the fire stick facts. She been on TV before sidekicks, so okay, so she been on TV before the Internet, so look, where the fuck is her store? [01:40:35] Speaker B: Let me tell you this though, because if they did this to us, we would be killing them. [01:40:40] Speaker A: And they did. They do. Fuck it. They do it. [01:40:44] Speaker B: I'm just saying they do it. I'm just saying they do it. [01:40:48] Speaker A: Fuck em. [01:40:49] Speaker B: They do it. [01:40:50] Speaker A: They do it. [01:40:51] Speaker B: I'm just saying, like, if a black woman was getting a star and they was like, what about Miley? [01:40:56] Speaker A: Yeah, yeah, yeah. Cause black people, we are hypocrites. And we do to them what we don't want them to do to us. [01:41:04] Speaker B: Yeah, I feel you. [01:41:05] Speaker A: We all subconscious. I'm just the first to admit it. Okay? We do that shit. Black people act like they can't be racist and all that type of stuff when black people was racist as shit. [01:41:14] Speaker B: Okay? [01:41:15] Speaker A: Are we not this the problem? Y' all not real with yourselves. I hear you. [01:41:21] Speaker B: I. I'm with you. [01:41:22] Speaker A: Just not. They just not gonna hear what y' all mama said when they seen white Barbie dolls the way the black one's at. I'm not getting my girl. What your. What your. What your family say? [01:41:33] Speaker B: I don't know. I was the only child for a long time. [01:41:36] Speaker A: You just told me you seen two [01:41:37] Speaker B: baby bumps for a long time. I was a lonely child. Yeah, but when your Barbies wasn't. [01:41:42] Speaker A: When your sister start playing with Barbie, you see how motherfucker bullshit you. [01:41:46] Speaker B: My sister didn't play with Barbie. [01:41:48] Speaker A: Take us up out of here. [01:41:50] Speaker B: My sister didn't play with my sister like anime. [01:41:53] Speaker A: Take us up out of here. My lashes getting stuck together and shit. [01:41:55] Speaker B: All right, so look, this is the last thing I want to talk about. Cause of the passport bros. Oh, Lord. [01:42:01] Speaker A: I thought I took that off. Yes, you did. We're gonna do it next week. [01:42:04] Speaker B: Oh, okay, all right, all right, fine. [01:42:06] Speaker A: We'll do it next week. Unless you was about to cook, you have some hot shit. [01:42:10] Speaker B: It's all right. We can talk about it. [01:42:12] Speaker A: We got clips. [01:42:16] Speaker B: We can talk about it next week. It's fine. Make sure you hit that link and make sure you share that link with someone that you love and somebody that you hate. We appreciate any and all of it. The comment section, y' all show us love each and every week. We're gonna shout y' all out next week as well. Sorry this show is late. Gina and Views and I were outside this week. A lot going on, so we appreciate you. Make sure you hit that subscribe button and make sure you buy her T shirts and shit. You know what I'm saying? [01:42:44] Speaker A: Nah, I ain't fucking with godaddy right now. I ain't fucking with godaddy right now. [01:42:50] Speaker B: All right, well, don't buy the fucking T shirt. [01:42:51] Speaker A: Nah, we gonna talk about that next week. [01:42:53] Speaker B: Yeah, either way, we appreciate you. We appreciate it, Scott, for being here and he don't have to thank you, Scott. If you heard, if you saw the white dude walking around round behind Gina, that's our dude, Scott. We with him the long way up here. [01:43:03] Speaker A: Hey, Scott. [01:43:04] Speaker B: Shout out to everybody here at Sirius. It's effective immediately.