Effective Immediately Ep. 60❗️| New Cardi B, Joey Bada$$ Tour, Chris Brown vs. Usher & MORE❗️

Episode 115 • August 23, 2025 • 01:19:17
Effective Immediately Ep. 60❗️| New Cardi B, Joey Bada$$ Tour, Chris Brown vs. Usher & MORE❗️
Effective Immediately w/ DJ Hed & Gina Views ❗️
Effective Immediately Ep. 60❗️| New Cardi B, Joey Bada$$ Tour, Chris Brown vs. Usher & MORE❗️

Aug 23 2025 | 01:19:17

/

Hosted By

DJ Hed Gina Views

Show Notes

Join DJ Hed & Gina Views for another brand new episode❗️

 

0:00 Intro 1:45 Week Recap 14:50 Message From Gina Views Mom 19:20 New Cardi B Song 34:50 New Gunna Album 37:00 Expecting More From Artists 41:30 Joey Bada$$ Announces Tour With Rapsody & Ab-Soul 47:20 Tupac Dissed Jay-Z On “Hit Em Up” 50:00 Kendrick Lamar Muted Lyrics On “Wacced Out Murals” 55:40 Jermaine Dupri Talks Chris Brown vs. Usher 1:02:00 DJ Hed’s Public Restroom Story 1:10:00 Petty Things To Spite Your Employer

View Full Transcript

Episode Transcript

[00:00:04] Speaker A: Yo, it's effective immediately. I'm DJ Head. [00:00:06] Speaker B: What up, y'? All? We back this. Effective immediately. It's your favorite homegirl G. The views. [00:00:12] Speaker A: Yeah. Welcome back to another week. Thank you for tuning in each and every week. If you're listening on audio, please hit that follow. And if you are watching on YouTube, subscribe, why not share, please. Like the video. It helps with the algorithm and they grade us on the algorithms. So just hit the like button and. [00:00:29] Speaker B: You in the chat right now. You in that chat, hit the subscribe button. Like, heart it. Tell a friend, tell a friend, tell another friend. It's free. [00:00:36] Speaker A: It literally costs you nothing to say. And get it while it's free right now. Cause this shit finna go up. You know what I'm saying? Anyway, thank you for tuning in. If you listen on SiriusXM. Thank you. We are going strong last. Just a quick behind the scenes, just so you know. Just a little braggadociousness. We have what's called an air check meeting on the radio. I know people call us a podcast, but we're on the radio. [00:00:58] Speaker B: We're actually a radio show. [00:01:00] Speaker A: It's a radio show. [00:01:00] Speaker B: We're not a podcast. [00:01:02] Speaker A: So we had our air check meeting with our bosses, and this past week, we had zero feedback, meaning we were doing stellar. Great job. Ginaviews. No feedback. It's great feedback. When you're doing radio, shout out to you. [00:01:16] Speaker B: You doing a great job. Leading by example. It's my first time on the radio. And recently it was National Radio Day. Radio Day, right? [00:01:22] Speaker A: Yep. National Radio Day. Gene the Views. First time being a radio personality for National Radio Day or second time? First. First time. [00:01:29] Speaker B: That's the same. Oh, no, it was last year. Yeah. I didn't know about it last year. [00:01:32] Speaker A: Okay. [00:01:33] Speaker B: It's like Juneteenth. [00:01:34] Speaker A: Yeah, but for radio people. But not just blacks. [00:01:36] Speaker B: No, I'm saying how, like Juneteenth just started getting celebrated out of nowhere. [00:01:39] Speaker A: Oh, out of nowhere. Right, right, right. Anything interesting in the Gina verse this past week? [00:01:45] Speaker B: Yeah, I went to the dentist again. Yeah. Hey, shout out to Cal Dental. Dr. J. [00:01:55] Speaker A: Looked like you was just at the dentist. [00:01:57] Speaker B: I was. [00:01:58] Speaker A: Damn. I was. What you be eating? [00:02:02] Speaker B: I told you I was closing my gap. [00:02:04] Speaker A: Oh, okay. You having work done? [00:02:05] Speaker B: Yes. [00:02:06] Speaker A: You getting a tvl yeah. [00:02:07] Speaker B: Shout out to James. What's his. I keep calling. I always call him by his first name. Can I call him that? [00:02:11] Speaker A: Yeah. Shout out to James. [00:02:12] Speaker B: Shout out to James Caldena. So I'm trying to get my gap closed up, but I have like, A. [00:02:18] Speaker A: Gap, though, for real. That ain't really. That's a bullshit gap. [00:02:21] Speaker B: Hey, I see that motherfucker when I'm editing clips. I be looking all in my teeth. I'm like, so, how's the album? And I just see the gap. It fucked me up. But. So the process is to get my gap closed that I had to do, like, X rays and stuff. And they took pictures and all of that. So they found all the things that I had wrong in my mouth. So I had cavities, so I had to get fillings. [00:02:43] Speaker A: Yep. [00:02:44] Speaker B: So my dumb ass. I took an edible before I went to the dentist and shout out to Dr. Kennedy as well. Obviously, they didn't know this. So I thought. This is what I thought. I thought that while I was getting my feelings done that I can just go to sleep and my mouth would just be cocked open. What I didn't know that I needed to work, too. So I get to the dentist, right? Boom, everything good. But you know how edibles work. It smack you out of nowhere. It's a. It's a slow. What they call it? The slow. Yeah, a slow pace, whatever. So it smacked me. It smacked me at the wrong time, nigga. I'm laid out. They done numb my mouth and everything. Dr. Kennedy specifically told me, don't swallow. So he put the numbing gel in my mouth. And I'm just over there, like, my mouth open, but I'm. Because you know how you just gotta do it? Like, no, you know, I'm talking about, like, you used to gulping and swallowing. It's like. Somebody say, don't blink. No pause. I didn't mean to. [00:03:47] Speaker A: Like, I'm not used to shit. I don't know what you talking about. I'm not used to gulping or swallowing. [00:03:56] Speaker B: It's like trying to stop, like, keeping yourself from blinking. If somebody tell you not to blink, it's like, now it's a mind thing that you just gotta like, like. [00:04:06] Speaker A: Like that. [00:04:08] Speaker B: Now you thinking about it. You see what I'm saying? Now you're thinking about it. So I just. I did it and I said, oh, shit. He said, don't swallow. But I would start thinking to myself, because now I'm high. So I'm in my head, like, well, if I was gonna die from swallowing, it's like, this wouldn't be a thing, right, nigga? So they start, and out of nowhere, it just feel like I got a piece of rice stuck in my mouth. So they doing my thing, and I said, so they like, what you need to stop. So I'm like. So I sit up and they said, what's wrong? I said, it feel like I swallowed something. So I'm thinking I might have. I'm high. I don't know. If a tooth done fell down my. [00:04:42] Speaker A: Motherfucking throat, the tooth would have to come from somewhere. [00:04:46] Speaker B: I know. But I thought I was missed it. Cause I did start dozing off. And then you know how like. So I have my earphones in too. You know, like when one of your senses is occupied, it kind of like take away from your other senses. So since I couldn't hear. Cause my music was so loud, I didn't know if they was talking to me. Something just told me like, you can't taste right now because you're listening to music. So that's why you didn't feel when a piece of tooth or rice or whatever fell in your mouth. So I'm tripping, I'm tripping. So he said, what's wrong? I said, I swallowed something. And it was like, okay. So he gave me a napkin. He gave me a napkin. And I started coughing. So I'm like. And as I'm coughing, I still feel it. But then it dawned on me. There's a part of your throat that's numb because you've been swallowing the fucking numbing thing. So that's why I feel like that. So everything around my throat is not numb. Like, basically it was like. It wasn't my throat. It was like the roof of my mouth, but way, way, way in the back. So since I keep swallowing it, that part is numbed right there. But everything else around it isn't. Or the numbing process is beginning. Whatever. I don't fucking know. [00:06:00] Speaker A: This is crazy. [00:06:02] Speaker B: So I start. I start coughing. And then I said, oh. And then I told him, I said, oh. Did the numbing hit? And he was like, yeah. And then we just all start dying laughing. [00:06:12] Speaker A: Ain't better than me. I would have been irritated. [00:06:14] Speaker B: We just all started dying laughing. But yeah, I thought that I was gonna be able to just go to sleep while they worked on my teeth. No, you gotta move your tongue over. You gotta keep your mouth wide open and stuff like that. But my feelings are in. And I don't know how dental worked, but I assume. Cause they was black when I first looked. Like the little black ones. But I looked the next day and they was like dissolved. So then I was nervous with that. I'm like, did I swallow them motherfuckers? Like chewing? [00:06:38] Speaker A: Like. [00:06:43] Speaker B: I thought I'm gonna have to Chew the feeling. I'm chewing like a mother. Cause you know you got feelings before. [00:06:49] Speaker A: Yeah. [00:06:50] Speaker B: You know how you can feel them? Like, when you first get up, you can feel them, nigga. So I'm eating, but I'm, like, crunching extra harder now when I'm eating. Like, I'm. I can feel the motherfuckers. Next day, I didn't feel them, so I thought maybe I swallowed them. But my teeth look good. I want to get Invisalign. [00:07:06] Speaker A: I'm currently on my journey. [00:07:08] Speaker B: Really? Mm. [00:07:09] Speaker A: I'm, like, on my. I have two more trays after. These trays that I have now. [00:07:12] Speaker B: Are they painful at all? [00:07:14] Speaker A: Yes. Well, when you first. So if you don't. If you aren't consistent, they're painful. I went, like, three months without wearing my trays. [00:07:21] Speaker B: Oh, shit. [00:07:21] Speaker A: And it was all bad. I put that motherfucker in, and it felt like somebody was grabbing my teeth and pulling them together. It was. [00:07:27] Speaker B: So should I just get braces, then? [00:07:29] Speaker A: Nah, I mean, you could do it Invisalign. So, like, I have my trays on me. I have my trays here. So what it is is shout out to Cal Dental. My dude, James. I travel with my trays now because I refuse to go three months without wearing these motherfuckers. [00:07:46] Speaker B: Yeah. [00:07:47] Speaker A: So the problem is I'm fat, and I like to eat. So you can't eat with a man, Right. So I'll take the tray. You take the tray, and you pop that motherfucker in. Like, you just pop it and push it in, right? Soon as you push it on, you feel it. You feel it. So as you wear it, it kind of lessens. Like, the intensity lessens over time. But soon as you pop it in, you feel it immediately. Cause your teeth are like, oh, shit. What's going on? Like, niggas is huddling. So other than that, though, it's cool. [00:08:19] Speaker B: Well, you just scared me a little bit. [00:08:21] Speaker A: Yeah. [00:08:22] Speaker B: This shit always happen. I get baby fever, motherfucker. Like, some shit happened on Twitter like that. You just fucked me up just now. [00:08:30] Speaker A: Yeah. I mean, you should do it, though. Like, Invisalign is the way to go. I mean, technically, Invisalign is a brand. It's not what they're called, but they're, like, clear, you know, removable braces or whatever. But, yes, you should do it. What's fucked me up is not wearing it for, like, three months. And then the second part is realizing, like, I'm almost done. [00:08:52] Speaker B: Yeah. Yeah. [00:08:53] Speaker A: Because you wear them, so you would. [00:08:54] Speaker B: Have probably Would have been done. [00:08:55] Speaker A: I would have been done already. I would have had nice teeth like you. But now my shit's still kind of. [00:09:00] Speaker B: Is it an overnight thing or is it all throughout the day? [00:09:04] Speaker A: You're supposed to wear them for 18 hours a day. So you eat, put them back in. Eat, put them back in. Like you supposed to wear them all day, every day. We talk for a living. [00:09:14] Speaker B: Oh, I didn't know that. [00:09:15] Speaker A: That's not a thing. So that's why it's taking me longer. Like I should have been done with these. Top of the year. [00:09:19] Speaker B: Yeah, yeah, yeah. [00:09:20] Speaker A: But I don't wear them 18 hours a day. I might wear. I wear them overnight for sure, while I'm asleep. And I wear them all day as long as I can. And when I eat my first. I work out in them and I wear my. I wear my first. I mean, I take them out when I eat my first meal around noon and then I. Probably cause I'm talking or doing an interview or whatever. I don't put em back in till the nighttime. [00:09:38] Speaker B: How do you know you're done with him? [00:09:40] Speaker A: Your teeth straight? [00:09:41] Speaker B: Cause I. I guess that was rhetorical. [00:09:44] Speaker A: Yeah, but also I have noticed that food gets stuck in different parts of my mouth now. So that's how I know it's working. [00:09:51] Speaker B: Okay. [00:09:51] Speaker A: Because food would never get stuck like here or whatever that means my teeth are shifting. [00:09:55] Speaker B: Wait, okay, so tell me this. Cause you said you waiting for your second tray. [00:09:58] Speaker A: No, I'm done. I've ran through trays this. So these trays that I have right now. I have two more sets of trays after this and I'm done. [00:10:07] Speaker B: But that's what I'm saying. How do you know you have to move on to the next tray. [00:10:10] Speaker A: They get just loose. [00:10:11] Speaker B: Oh, you could. It's like. It's not a snap on. It's just like. Okay, it's not hugging your teeth no more. [00:10:16] Speaker A: It's not hugging your teeth no more. That's when you know it's time to move on to the next degree. And then it does that grip again. [00:10:21] Speaker B: Got you. Okay. Okay. Well, how was your week? [00:10:24] Speaker A: Week was cool. It's a lot of shit going on. I'm about to go to. I'm literally leaving to go to Invest Fest. So I'll be out there all weekend. If you in the ATL holler, shout out to Motown Le, who, you know, helped me with bringing Jagged Edge in. He reached out a couple of the homies. I'm gonna go see the homies, but I'll Be out there with the EYL to earn your leisure crew hosting the stage. My stage, my panel is going to be on Sunday. So if you are in Atlanta for Invest Fest, the panel I'm hosting that I'm actually tasked to host is with. It's la Russell is Simba and Ryan Leslie. It is the like, it's all about independence and investments and financial literacy, et cetera. So check out Invest Fest. If you haven't. If you get in the last minute tickets, you can use my promo code to get a discount. I think you get 20% off if you. If you. When you check out, you use hedif25 and you'll get a discount on your ticket. If you want to go to Invest Fest, that's available to you. So I'll be out there. Also going to be shooting an episode, an episode of someone's show. I can't talk about it, but I didn't mean to say that. But I'll be shooting an episode of somebody's show with some of our. Some of our family members. [00:11:36] Speaker B: Congratulations. [00:11:37] Speaker A: So that's gonna be cool. So, yeah, if you and aatl. I heard the weather. Thank you. I heard the weather's gonna be stupid, though. It's gonna be raining all weekend. [00:11:43] Speaker B: Well, are we in hurricane season? [00:11:46] Speaker A: See now. Now you fucking me up. [00:11:48] Speaker B: It's a hurricane. I think it's a hurricane in Texas or something right now. Where is that? Oh, it's on the East Coast. [00:11:54] Speaker A: What? You okay? Well, I'm flying over that hopefully. [00:11:58] Speaker B: Hey, just don't bring that shit over here. [00:11:59] Speaker A: Yeah, stay where it stop. You see them niggas have an earthquake in New York? [00:12:03] Speaker B: Oh, yeah, they did. [00:12:04] Speaker A: I was like, hey, bro, y' all niggas is tripping. That ain't. Y' all ain't built like that. [00:12:10] Speaker B: How's the weather? Just doing anything. [00:12:12] Speaker A: Anything. [00:12:13] Speaker B: I woke up. Was it yesterday? Yesterday morning. Desiree text me. Desiree text me. Like, she said, did you wake up hot? We like that, though. Like, that's my boy, you know? So she had text. Well, what's so crazy? When I woke up, I was sweating. Like, I need to take a shower type sweater. So I usually. [00:12:37] Speaker A: You was in Florida? [00:12:38] Speaker B: Yeah, I take my baths at night, you know, like, that's what I do. I unwind, you know, whatever. So in the morning I don't have to bathe. Nigga, I had to get back in the shower, like, so I'm like, I'm sweating and I'm not a sweat. Like, my hair got sweated out and everything. Like, underneath this is. Be the beats. [00:12:55] Speaker A: Damn. [00:12:57] Speaker B: Rolled up, Nisha, I need you hair sweated out. But yeah, so she text me that. So I'm thinking, like, I thought I was tripping at first. Like maybe I just fell asleep without the air on or, you know, whatever. But then she texts me and said that I'm like, dang, it's hot. So we walk our dogs together on the phone. So we both preparing to, you know, go outside, whatever, walk our dogs. I get out there, you know me, I'm always hoodie down. So I'm like, hoodie down, scarf on and all this type of shit. Nigga, it's hot. [00:13:21] Speaker A: Yeah, it's 90 degrees outside. [00:13:23] Speaker B: It's like. Cause I mean, there is a little summer that goes over into fall. Like, I remember the beginning of the school week always being hot as hell. Like it be hot as fuck, nigga. And then, you know, we in the Valley facts. So it's even hotter. [00:13:40] Speaker A: Whooped. [00:13:41] Speaker B: I went out last night. It's probably gotta be like 9, 10 o'. Clock. It's burning up like it's the middle of the day. It was hot. [00:13:49] Speaker A: I'll do you one better. I'm two toned right now. [00:13:52] Speaker B: You out of ten. [00:13:53] Speaker A: Two toned. I'm so two toned. I look like one of them car. Remember them niggas that used to drive them cars with the Hawaiian Punch man on the hood. Two tone Cutlass. Like, I got my. I look like a real race car. Yeah. But, yeah, it's just been hot. It's been me working out in the morning time. I gotta go now. I gotta go before 11 or else it's 90 degrees and I'm out there dying, so. Cause I work out outside. [00:14:22] Speaker B: Yeah. I do not like this weather. I'm very. I'm like absolutely ready for summer to. Let's pack it up. I'm done with summer. I need some rain. [00:14:31] Speaker A: Nah, I don't want no rain. [00:14:31] Speaker B: You don't want no rain? [00:14:32] Speaker A: I don't like rain. [00:14:33] Speaker B: What about just a little gloomy like. You don't like gloomy weather either? [00:14:36] Speaker A: No, that shit ain't cute. No, no, I like summer. [00:14:39] Speaker B: What's your weather? You like to cuddle in? Wrong nigga. Huh? My bad. I'm sorry. [00:14:43] Speaker A: Yeah. Wale gone. You know what I'm saying? [00:14:47] Speaker B: My mom wanted to tell you something. And so I am gonna stop cussing because she told me I gave her a headache. [00:14:54] Speaker A: Damn. [00:14:54] Speaker B: When she was watching the show, she said, did I cuss today? I haven't cussed yet, right? [00:14:59] Speaker A: You did. I Think you haven't said you the. [00:15:01] Speaker B: Type of bitch yet, but okay, sorry, mommy. He said that on me. But she was like. She said I was watching the show. She said I was watching this show. And, like, she said, I never knew how bad profanity bothered me until I heard it. Heard it come out of your mouth, and that kind of hurt my feelings a little bit, because I don't want to be disrespectful in front of my elders, you know? Like, I'm like. Like. [00:15:22] Speaker A: Well, I'm older than you, but you. [00:15:23] Speaker B: The model, like, bro, though. Like, Like. But you probably never noticed that early on, I was kind of, like, very respectful in front of you. You know, every time you call me, I used to be like, what I do? I used to always think that I did something. [00:15:37] Speaker A: Every time I call you, you say what I do. I'm in trouble. You would definitely say that. [00:15:41] Speaker B: So I do have, like, a. Eventually, obviously, you know? Cause, like, even Salas. I wasn't trying to, like, talk crazy or anything in front of him. Hi, Mommy. You sleep while I'm doing the show? I was gonna put you on speaker so you can tell Head what you wanted to tell him. I'm about to put you on speaker. You on speaker. [00:16:07] Speaker A: Okay. [00:16:10] Speaker B: You on speaker, girl. [00:16:13] Speaker C: Mr. Head. [00:16:14] Speaker A: Yes, ma'. [00:16:14] Speaker B: Am. [00:16:14] Speaker C: DJ Head, I'm sorry. [00:16:16] Speaker A: Y. Yes. Mama views. [00:16:18] Speaker C: You do a dar. Good job. Okay, that's one, two. And I didn't know who D.J. here was when I was looking at. When I was looking at the first show I watched, just like, I didn't know who Gina V. Was anyway, and thank you for the not cursing as much. I appreciate the fact that you guys just are mindful of that. That's. That's what makes me happy. [00:16:49] Speaker A: Thank you. Thank you so much. I appreciate that. [00:16:52] Speaker C: You are so welcome, sweetie. [00:16:54] Speaker A: Thank you so much. [00:16:55] Speaker C: Good job. It's a couple of things. [00:16:58] Speaker A: Okay. [00:16:59] Speaker C: I just had to think about it, but I was scrapped off. [00:17:02] Speaker A: Okay. [00:17:04] Speaker B: Well, call us back when you remember. I say, you can call me back when you remember. We gonna be on for, like, 20 more minutes. [00:17:12] Speaker C: Okay. All right, baby. [00:17:13] Speaker A: Love you. [00:17:14] Speaker B: I love you too. All right. [00:17:17] Speaker C: Keep doing a good job, you guys. [00:17:19] Speaker A: Thank you. [00:17:19] Speaker B: Thank you. [00:17:20] Speaker C: You're welcome. [00:17:21] Speaker B: You're welcome. [00:17:22] Speaker A: All right. [00:17:22] Speaker C: Love you, sweetie. [00:17:23] Speaker B: I love you too. [00:17:24] Speaker C: God bless you guys. [00:17:27] Speaker B: You too. She had way more to say. [00:17:32] Speaker A: What did she say? [00:17:33] Speaker B: Just how much she. I was gonna say f with you. [00:17:35] Speaker A: Oh. [00:17:38] Speaker B: She was just like, he's just so knowledgeable. He knows so much, and you guys do such a good Job. She was like, y' all had a perfect chemistry. She said she watched Joey interview. [00:17:48] Speaker A: Oh, yeah, that was a good one. [00:17:49] Speaker B: She watched Joey. And then. So I say. I said, you familiar with raising Kanan and power and stuff? She said, no, but I'm about to watch it now. She didn't know nothing about it until that interview. [00:17:59] Speaker A: Word. [00:17:59] Speaker B: She was saying how fine he was and stuff. Oh, she watched Rayvon interview, too. So she's like, reference. Like, finding what we're talking about on certain ones and then going to find the other one to see. You get what I'm saying? [00:18:10] Speaker A: Yo, mom doing research is crazy. [00:18:12] Speaker B: Yeah. And you wanna know what's even crazier? This is her first time using YouTube. My mom, she do not know how to. She do not know how to work YouTube or anything. This is her first time. She not like, she has a. I don't think it's a flip phone, but it's one of them. It's an Android, for sure. [00:18:26] Speaker A: Got you. [00:18:26] Speaker B: Like, she's not tech savvy at all, so. And I gave you even better one. This is her first time seeing me work. [00:18:33] Speaker A: She don't even know what you do. [00:18:34] Speaker B: She. [00:18:34] Speaker A: No, that's crazy. [00:18:36] Speaker B: She didn't know nothing about GXPO stuff. Like, she knew I interviewed artists or whatever, but she used to tell me, like, can you just put everything on the DVD and give it to me? I'm like, mom, you don't work like that. [00:18:44] Speaker A: You don't work like that. [00:18:44] Speaker B: Just go on YouTube. [00:18:45] Speaker A: That's crazy. Well, thank you. Thank you, moms. I know you probably don't watch this. Appreciate you for the accolades. [00:18:53] Speaker B: She says she has a standing appointment at 6pm in her room every Friday. [00:19:00] Speaker A: To watch our show. [00:19:01] Speaker B: To watch the show. She said nothing coming before that. If she got to stop what she doing, whether it's on the phone or on tv, she's making sure she tapping in and watching it. [00:19:09] Speaker A: Oh, damn. Well, thank you. [00:19:10] Speaker B: Yeah. Shout out to Mommy. So, Mommy, I am gonna try to stop cussing, but, girl, we got talk about. I gotta get my shit off. No, I'm kidding. [00:19:19] Speaker A: We gotta talk about this music. [00:19:21] Speaker B: Niggas rapping. Mommy, Cardi B just dropped. [00:19:24] Speaker A: Cardi B's talking that shit, Mom. [00:19:26] Speaker B: That shit. No, I'm kidding. Oh, my God. Yeah. So new Cardi B out. I'm gonna say, as a fan, I feel like we were misled because we thought that it was just a sample. [00:19:38] Speaker A: Yeah. [00:19:39] Speaker B: I think that this acts more as a freestyle than a single. [00:19:42] Speaker A: Yes. But it was like, remember when she dropped. What was it called? Like what, what is that one? Well, that was with the Missy. I mean that was the. No, that was the. Not the Missy one. It was the genuine. No, it was Missy. [00:19:54] Speaker B: Dang, I forgot that. How. [00:19:55] Speaker A: That's all the. Like what, like where she was walking through that house. That bitch. Like what? [00:19:58] Speaker C: Mm, mm, mm. [00:19:59] Speaker B: Did it come out? [00:20:00] Speaker A: Yeah, dang. [00:20:01] Speaker B: I might've. Oh, I do know what you're talking about. Yeah, you know, it just fucked me up. I didn't even realize the sample. I probably didn't even catch the sample then. I know exactly what you're talking about. Yeah, I did not catch the sample. [00:20:11] Speaker A: Cardi dropped that. That was like months ago. [00:20:13] Speaker B: Yeah, well, I feel like the. The music fans are like split down the middle. Some people saying they. They fuck with it. Sorry mommy. Some people say they mess with it. And some people are saying like, it's just not good at all. They didn't like the cadence. They didn't like the her on the beat. For me though. Cause the first listen did throw me off. I was kind of like, hold on. Cause we heard it together and we was like, nah. But once I listen to it again, she's spitting. This is again like we was talking about. We'll get to it. But the title of the album, the Gunna Album, I'm just listening with broke ears Facts. I ain't bought a watch where I take the links out ever. [00:20:56] Speaker A: Never lying. [00:20:56] Speaker B: She said I bought grown man watches to take the links out. But she got some bars in there that I walk around looking like a compliment. It was a N. Dang. I forgot it. But it was one that I remember went over my head about the first three listens. And then I had caught it later on. But she got some. She got some bars on there. [00:21:14] Speaker A: Yeah. So the song is called what the hell is the name of it? I just had it. [00:21:21] Speaker B: You talking about throwing the sample? [00:21:23] Speaker A: Yeah, she just put out. [00:21:25] Speaker B: You know what else I seen? [00:21:26] Speaker A: Imaginary. Imaginary Players. It's the Jay Z flip. [00:21:29] Speaker B: Uh huh. I saw on socials, on social media, somebody did a. What's not called a mash up. They put her vocals from that over Biggie. What is that? Get money or is that Fuck Bitches Get Money was it. I think it was that they put that over it. But it sounded like the vocals were a bit sped up. And I remember when we first listened to it, that was our only critique was that they should have just sped it up. Sped the song up a little bit. So it's get that little Cause sometimes we need that little. [00:22:03] Speaker A: I think the song could definitely be faster. [00:22:04] Speaker B: Yeah. And I feel like the speed of the song would have. The speed of the song would have allowed people to catch those punches. [00:22:12] Speaker A: Yeah. [00:22:13] Speaker B: If you gotta hear that, they would've. [00:22:15] Speaker A: Landed a little bit. [00:22:16] Speaker B: Yeah. [00:22:17] Speaker A: So now that I had time to really sit with it and ride with it in the car, whatnot, I have a couple critiques about the song. It's not my favorite Cardi B. I'm on record as saying up is one of my favorite Cardi B songs after she put out Invasion of Privacy. Like Up. I mean, WAP is great, but I can't play that every. But I play up every single time I dj, but. And then money. Money's a good one that I like playing. Like, Cardi has slaps like, let's not get it twisted. This song is more like. I think she's in her bag, where she wants to prove to people that she can really do music for real. And she could rap and spit and. So there's a lot of bars on this. On this. As opposed to it being just some Cardi talking shit. Turn up, whatever the case may be. That's one. The other critique is it should have been fast. It could be faster. And then the last critique is I think she should have flipped it completely and not sounded like Jay Z. Yeah. I think you take that song. Because when I was younger, first coming up DJing, I remember, I think it was Glasses who took a song. It was a Kick the Sneak song, and he rapped a completely different record on the song. And I was like, why would you do that? Just rap it like how they have it. And then more people would fuck with it. Because it sounds familiar to me from what the other artist did. And now I understand you can't do that because you're never gonna live up to the expectation of that other record. [00:23:37] Speaker B: Yeah. [00:23:37] Speaker A: You know what I'm saying? Like, if somebody tried to flip Jay Z psa, you can't say, allow me to reintroduce myself and rap over that same beat the way he did. Because you gonna get drowned out by. Everybody's gonna say it's not as good as the original. No, no, no, no, no. They're gonna reject it automatically. So I think if she would have made a. Sped it up and made a different song with the sample beat, I think it would be received differently. [00:23:59] Speaker B: Yeah, I agree with that. And what I do wanna know, like, with the fans. Well, I'm not asking the fans to answer this, but just the Way that. Cause like you said, you're never gonna live up to the expectations of the person who. The legend. Somebody like Jay Z would. A legendary status. So obviously going into it, we had already thought. Remember, that was kind of like a part of the rollout of the song was that, oh, Cardi B just sampled a Jay Z song. [00:24:28] Speaker A: Yeah. And he cleared it. [00:24:29] Speaker B: Yeah, he cleared it. Oh, my God. Like, that was the headline. So I think that with that coupled with who Jay Z is, it was just already. The anticipation was just so high. It was a lot of pressure for. [00:24:39] Speaker A: It was a lot on it. [00:24:40] Speaker B: It was a lot on it. It was a lot of guac on that shit. [00:24:42] Speaker A: You know what? Bongos was hard too. But I also wanna. So she did, like, what the. Like what freestyle, which was last year. And then she also did the Enough freestyle. So those were the two freestyles. [00:24:53] Speaker B: And I don't think that Cardi's in the space where she still needs to prove herself lyrically. Cause even the songs that you mentioned, she's still gassing. And if it's not like gassed like on some lyrical shit, the beat crazy that it don't even fucking matter what she's saying on it. But Jay Z. One thing that I like about Jay Z and the way he talk is it's like flex rapping. He flexing and shit. [00:25:15] Speaker A: Yeah, the whole time. [00:25:15] Speaker B: And this song, I feel like she just did the female version of what he did. She has direct lines that she flipped from what he said on the song. So I think she did the same thing. But I don't think people want to hear her on. I think the last slow song we heard her on was Be Careful with. Be Careful With Me. I forget who. [00:25:35] Speaker A: Oh, yeah, I don't want that. [00:25:37] Speaker B: People don't want to hear her on no slow stuff. But that song was still hard. She still said some crazy shit even on that one, you know, and she said that was the. That was the one about getting cheated on and stuff like that. That was a relatable song. And regardless of how she sounded on it, I still connected with it by the things that she was saying, but not necessarily how she was sounding saying it. [00:25:56] Speaker A: Yeah. [00:25:56] Speaker B: One critique that I've seen a lot of people have, which I did think when she's reading when on that song on the. The Imaginary Players sample, it did sound like she was reading. Yeah, it did sound like she was reading her lyrics. I wish that she could have just went in one more time and was comfortable, you know, with saying it. We do this Shit. Done did it before. When? You know, when I first started radio, you told me straight up, it sounds like you're reading your phone. [00:26:19] Speaker A: Yeah. [00:26:20] Speaker B: So that happens when you are looking. You know, you probably. You know, you, like, unconsciously are reading something, and it sounds like you reading, and the person on the other end that's listening to it can hear that. [00:26:31] Speaker A: I can hear that. I be telling rappers all the time, I say, bro, learn your song and then go in the booth and rap it like you on stage. Because when you reading out your phone, I can hear you reading out your phone. And most people can't hear that type of shit. I can hear that. So I don't remember the part of the song where it sounded like that. But I also don't want to kick Cardi's back in. She is gassing on this. The other part of the criticism around the Imaginary Players record is the writers. This is not new. People acting like this is new. Partisan Fontaine has wrote most of Carti's records that people like. Then you got. It's like, when I looked at the credits for Imaginary Players, it was like, five people on there as songwriters, and they're listed as songwriters. Fun fact, kids. You can't be a songwriter and a ghostwriter. That's not how the music business works. You either a songwriter credited or you're a ghostwriter. No credit. That's how it works. [00:27:23] Speaker B: Tell me this. If I'm in a studio, I don't know. [00:27:28] Speaker A: Where you going with this? [00:27:29] Speaker B: I don't know. You and you making a song. [00:27:32] Speaker A: Yeah. [00:27:33] Speaker B: And you say you instead of your. And I say, no, you should say this or you should say it like that. Make it this way. Say this line like that. But I'm just here to pull up on a homie. Do I get credited as a songwriter? [00:27:45] Speaker A: Technically, you are a co writer. A co writer, technically. Okay. Now, if it got weird and you know, like, the record become a number one record in the country, and you like, I want my publishing or I want my piece of the record. Technically, yes, you have claim to that if you can prove it, because. So after you work on a song, you do what's called a split sheet. So the split sheet will determine your percentage of the song. So if me and you work at I produce and you rap, we do a split sheet. 50. 50. We're the only people in the room. Now, if our producer Nay said some bars to you and you spit that on a verse, that come out your shit. [00:28:26] Speaker B: Mm. Okay. [00:28:28] Speaker A: You know what I'm saying? Because she didn't help me produce the beat. She helped you with the lyrics. [00:28:31] Speaker B: Right, Right, right. [00:28:32] Speaker A: Technically, yes, you do have claim to that if you helped participate in the creation of the work. Most people don't trip about that, though. Like, most people was like, bro, here, go, like, say it like this. And it's just like, I'm just looking out. But I have. I don't wanna. I don't necessarily have all my facts on this, but I have heard it got real tricky with a certain artist because there's that going on in the studio, where it's like, I contributed and the record became, oh, number one record on Billboard, and the record is generating $10 million. So now it's like, how much of the record did you write? [00:29:03] Speaker B: Yeah, yeah. [00:29:04] Speaker A: Well, you only changed two words. So then now you gotta go to court and bust that down and have a judge figure out how much of the record is yours. So technically, you're right. [00:29:12] Speaker B: I feel like, though, in this instance, anytime a female gas and go crazy is, oh, somebody else had to write it. Somebody else had to write it. [00:29:23] Speaker A: Yeah, that's true. [00:29:24] Speaker B: We saw when Pardi made the videos of them in the studio. We knew some shit was coming. We knew Cardi was gonna get cracking because Party was there. He posted it. [00:29:32] Speaker A: Yeah. And he didn't tell us shit. [00:29:34] Speaker B: Yeah. [00:29:34] Speaker A: When he was here, he didn't tell us nothing. I just wanna point that out. Partisan Fontaine, you know what I'm saying? But also the other girls. Though I've never heard no stories like this about Glorilla. I've never heard no. When Glorilla Gas. When Cash Dog Gas. Like, I don't see them. I don't see people being as critical. Even when Nikki. Well, no, they criticize it. [00:29:55] Speaker B: They say it about Nikki, but for some reason, it feel like the gangsta rap stuff. Not to say they're gangsta rappers, but it seemed like the kind of gangsta rap type of stuff doesn't get it. But I have people. I got into it with somebody about Glorilla before. [00:30:09] Speaker A: Oh, really? [00:30:09] Speaker B: So, yeah, that has been said. That has been said. Do motherfuckers believe it? No. [00:30:15] Speaker A: That she not writing her shit. [00:30:16] Speaker B: Yeah. Don't nobody believe that. She got writers, bro. [00:30:19] Speaker A: When I listen to a Glorilla song, that's her. [00:30:22] Speaker B: Yeah, nigga. The bars match the personality. [00:30:26] Speaker A: Ain't no nigga calling another nigga no hoe. [00:30:28] Speaker B: No. That's why I said, hey, guy himself gonna have to come tell me that. You know that. But even when Meg and Party was together, people were saying that. [00:30:38] Speaker A: Yeah. I believe Meg has had assistance on records. I don't have anything to back that up. I just. Her records don't seem super personal to me. [00:30:47] Speaker B: Oh, okay. [00:30:48] Speaker A: Her records seem like she's a dope rapper and she telling great stories and she has experiences. When I'm listening to Glo, I'm like, nick, I feel like I'm in a chicken spot in Memphis. [00:30:57] Speaker B: But see, that's the other side to it. Cause even with this song, I feel like everything that Cardi said matches her. Everything that she said, like, that's her. She will be on that. [00:31:09] Speaker A: That's a good point. [00:31:09] Speaker B: You know, another thing that was. That people were debating about is who was the first female rapper of Vogue. Because she says that on the song. And people were saying, like, no, it was Nikki. [00:31:20] Speaker A: I saw that. [00:31:20] Speaker B: It was. You know, so that was another thing. But it's like, at this point, anything that Cardi do is gonna get picked apart. [00:31:25] Speaker A: And. [00:31:26] Speaker B: And for whatever reason, I don't know if it's my algorithm. Cause I'm a barb. But they always are pinning them two against each other unnecessarily. Like, it's no reason why it should. Every time Cardi do something, I mean, down to the hairstyle. [00:31:40] Speaker A: Yeah. It's like, oh, it could be poses and pictures. [00:31:42] Speaker B: Yeah. Oh, she trying to be. I do not think for a split second that Cardi is trying to be like Nicki Minaj. [00:31:51] Speaker A: And go ahead. [00:31:52] Speaker B: If you remember, when Nicki first came out, they put all Nicki poses and shit next to Lil Kim pictures. Do you remember that? [00:31:59] Speaker A: I remember. Cause we had an interview with Lil Kim that went crazy about being Bootleg Kev. And he asked. They told us not to bring up Nicki. And this nigga, bootleg Kev was like. So she called herself the Queen. And then she just went up and then her team was like, no, no, we cutting this out. And Ken was like, no, this is staying in it. Do you fuck? Then she looked at Boula Kev. She said, do you fuck with me? Oh, it was a classic moment in my radio. What? Oh, yeah. But the reason I brought that up is I was gonna go there, too, because I don't see this happening a lot with the men. No, it's only the women, where people. [00:32:37] Speaker B: Like, the niggas came out identical to Lil Wayne. [00:32:40] Speaker A: This nigga still look like Lil Wayne's son. Yeah, that's grown men. Niggas, 35. [00:32:46] Speaker B: Like, Lil Wayne literally had a whole bunch of kids, and they running around this damn industry. [00:32:50] Speaker A: So why do you think that is? [00:32:51] Speaker B: I think it's just a girl thing. Like it's just what it is just for women. The thing too, the ratio of men rappers and female rappers are. It's a landslide. It's way more male rappers than female rappers. So anytime a female gonna come out, and especially during that time where I forget who it was, I said, I wanna say Remy Maha said it, that there hasn't been until now. But obviously she said this before recently, that usually in the music industry it's always that one female that's on top or dominating the music scene. And then it goes to another era of female music and it's still that one female. Then it goes, you know. So right now, this is the first time that we see. Obviously it's always a lot of female rappers, but we haven't seen this many on top like this. That's dominating. Like they are. They're fucking dominating. So. And all at the same time. [00:33:41] Speaker A: That's true. We never had this many girls popping at the same time. And it's more coming in all the time. [00:33:47] Speaker B: So it's like every time. [00:33:48] Speaker A: What's the affirmations? Flip a T. Flip a T. And then you got the other girl who had the. [00:33:55] Speaker B: Whim. Whammy Pluto. [00:33:56] Speaker A: Like it's a lot of. And they bussing. [00:33:58] Speaker B: Yeah. [00:33:59] Speaker A: I don't remember this many girls being dope at one time. [00:34:02] Speaker B: Yeah, that's the thing. Everybody wasn't always good. [00:34:04] Speaker A: Yeah. [00:34:04] Speaker B: But they. I just feel like. So if a female comes out, they're automatically going to compare them to the last female to come out or they're going to compare them to the female that they might sound similar to. Even when I don't remember who came out first. I think Glorilla came out before Sexy Red. [00:34:21] Speaker A: Yes. [00:34:21] Speaker B: But remember that was the thing you posted. They they people's critiquing Glow. You posted Sexy Red taking your spot Sexy. Like why do it got to be a taking of a spot? Like why can't it just be we all coming up and we adding somebody else to the family? [00:34:34] Speaker A: You know, that's why I liked when Cardi f ed with Glow and they did with Tomorrow too. And I like that Latto started like. I like Nicki fucking with Latto. And I don't really care what they clicks are, as long as you doing something with somebody. Like, I think that's important for the girls to have community. [00:34:49] Speaker B: Yeah, but Gunna dropped. [00:34:52] Speaker A: Yeah, man. This Gunna album honestly was underwhelming to me. I got one or two songs That I like off of it. But in my honest opinion, if you heard one Gunna song, you heard them all. He don't have enough variation. To me, it's all like the same type of flow, same type of tempo and whatnot. But to be honest, to be fair, I'm not Gunna's demographic and I'm not a Gunna fan. I respect what he does and I think I said this on the bigger picture. But I really think that if Gunna were to. I think he needs to be outside of his comfort zone. I think he's already. He does arenas, he's a super, he's a star. I think he would go to another level if he were to get out of his comfort zone, work with different producers. Like the song he got with Burner Boy is my pick off the project. That's the one I'm probably gonna play in the mix on the radio and shit like that. But if he were to work in some way to create a different sound with the melodies and the pockets that he be finding, I think he would go mainstream, a different level of mainstream and he'd be. I could see Gunna hopping on songs with pop stars. Yeah, I could see a Gunna and a BTS record randomly. [00:35:59] Speaker B: You wanna know what's crazy though? I thought that that's what the future of Gunna's music was. [00:36:05] Speaker A: Me too. [00:36:06] Speaker B: When he came home due to how the hip hop community is just so against snitch culture and things like that, I thought that. Cause we saw. Well, it was like his first show or something. When he came back. I forget. I don't wanna get. [00:36:20] Speaker A: Yeah. Cause Thug's people was there, they did a sold out. He did an arena run. [00:36:24] Speaker B: Yeah, that's what I'm saying. I don't wanna get the venue wrong, but I just remember. I wanna say it was somewhere in New York where I saw like the footage or whatever, but I just remembered that it wasn't us supporting him, it was other races supporting him. So I thought like, okay, when Gunna hit the scene, when he come back, he gonna go there, he going on there and he's gonna be more successful than all you n all you niggas. That's what I thought. But he's still making his type music. But I've been seeing a lot of good reviews on it. [00:36:51] Speaker A: Yeah, I mean, I think it's just not for me. And I just. I think I'm just expecting more from artists, even like. Even our homies at this point. Like I'm just expecting more from them. Because it's like, you can keep doing what you're doing, and it's working for what it's doing. But you don't want. You don't want to be the. Like, the next wave of the next guy. Like, same thing we talked about last week with Jid and all this other stuff. Like, I just want them to. No, I want. I want to be the nigga. Like, I like that energy. And so I'm not gonna lie to you. [00:37:19] Speaker B: I've been disappointed with some of the music that we've been putting out. [00:37:25] Speaker A: Me too. [00:37:26] Speaker B: Like, the stuff that we've been doing. And I don't wanna, like. Cause I was gonna tweet it. Cause I'm like, if I'm so vocal about the other shit, I gotta be vocal about, you know, about this. But I don't. I now understand the pressure of making music because I'm not even making my mixtape. Like, niggas is sending me songs. You feel what I'm saying? And I'm still on some. Like, I don't wanna put it out. I don't wanna put it out. Like, I'm, you know, like. Yeah, nervous about. I'm getting cold feet with dropping a mixtape, you know? So I don't ever wanna, like, critique or. Except for Benzino, but she said, we. [00:38:01] Speaker A: Didn'T ask for this. [00:38:03] Speaker B: Who asked? I don't ever wanna. I'm about to lose my fucking voice. I could feel. I don't ever want to be the person that's, like, you know, just coming down hard on somebody who. Putting out a whole body of work. Cause somebody thought that shit was fly. [00:38:18] Speaker A: Yeah. [00:38:19] Speaker B: Somebody liked it. But I'm like, bruh, we ain't been like. [00:38:22] Speaker A: It's just that I think what it is is that it's that bravado. Nobody wants to be the guy. [00:38:27] Speaker B: Yeah. [00:38:27] Speaker A: And everybody either think they already the guy, or they think that somebody owe them to being the guy. Like, the hunger ain't there. Like, if I'm being honest with you, I do see the hunger in people. Like, maybe, like, Rayvon has expressed. Like, I'm trying to really, like, do this for real. I'm trying to rap out. Rap everybody. Nobody could outwork me. I'm finna. Go get this. I'm finna. He's coming up with creative ways to do. Joey Badass is another one. Like, he's like, no, I'm rapping. Like, I wanna take this shit to the next level. But I don't think that many people feel like that. I think they Get a bag and they cool. [00:39:02] Speaker B: You know what I think too, could be a part of it. And you stop me, correct me if I'm wrong, but I wonder if the issue, like with newer artists is they don't know which direction the industry is going in. Like, they don't know if I can put out some rapity rap shit and people gonna fuck with it. They don't know if they can do like a. Like some gimmicky TikTok stuff. And, you know, TikTok might fuck with it. TikTok might fuck with it, might not fuck with it. But I feel like as of recent, and I mean recent, like within these past eight months, people have not been scared to be lyrical and actually rap. [00:39:35] Speaker A: Well, that's the fan in you thinking like that. The reality. Yes, you're right. But the reality is nobody is trying to outrap nobody. They trying to rap to get famous or get a bag. They intention is different. [00:39:47] Speaker B: Yeah. [00:39:49] Speaker A: We fans. So our intention is like, man, who's the best? [00:39:52] Speaker B: Yeah, yeah. [00:39:53] Speaker A: They intention is like, where's the bag? Like, I gotta get out my mama house. Or I. Like, I owe child support or like, it's a lot of life shit going on. And so they're trying to mitigate. They're trying to advance their circumstance. I don't think it's very few. Like, for instance, like, I look at Kai Cash, right? Kai Cash is somebody who wants to be, from the conversation I've had with him, the best. He wants to be the best. He want to be the best from New York and then from there, he want to be the best from the east, and then from there, he want to be the best in the country. You know what I mean? It's certain artists like that that got that hunger. Like what RJ Sat up here and told us. He's like, now I'm not playing. Like I'm trying to be. [00:40:29] Speaker B: And you can tell he not playing when you listen to it. [00:40:31] Speaker A: That's my point. You can hear the intention in the music. A lot of people ain't on that type of time. [00:40:36] Speaker B: Yeah, you right. You right. So instead of chasing success and quality, they chasing clout. [00:40:43] Speaker A: Clout and money and the quick flip. If I can make a record and I can make 50, 60 bands, like, why not? That's. They treat rap like why not? [00:40:52] Speaker B: And you know what? Now that you say that, I feel like streaming is the new rap. [00:40:57] Speaker A: Streaming is the new podcast. Everything, it's new. Everything. [00:41:00] Speaker B: Yeah, it's. Cause remember, N. S wanted to rap to make money. Now everybody want to be a streamer. [00:41:05] Speaker A: Yeah. [00:41:05] Speaker B: Everybody chases. [00:41:06] Speaker A: It's like, why not? That's what I'm saying. Most of the shit that people are doing now is a why not? As opposed to like, I grew up wanting to be on the radio. That's the end goal for me. I didn't want to go be on nothing and do this. I wanted to be on the radio and talk about hip hop and talk about culture and say meaningful things. So. [00:41:25] Speaker B: Well, some artists who are definitely taking this rap shit serious is Joey Badass, Absol and Rhapsody who just announced tour. [00:41:33] Speaker A: Yeah, the Dark Aura Tour. Joey Badass. I think this is super dope because one, because I'm a fan, but two, because he got some spitters on the tour with him. [00:41:45] Speaker B: Yes. [00:41:45] Speaker A: And I'm like, I don't remember. When's the last time you've seen a rapity rap ass tour? [00:41:49] Speaker B: I don't know if we have. [00:41:51] Speaker A: I don't remember the last time I seen it. I don't know if we have like a bar fest. [00:41:55] Speaker B: Yeah. I don't know. I think this is great too. Coming off of the year that Joey just had, you got the. Well, he dropping an album. Dropped next week, right? Is it next week that's coming out? You just had this amazing peaceful back and forth. When have you seen everybody go home? [00:42:14] Speaker A: Everybody after a battle, everybody just go home. [00:42:16] Speaker B: Everybody went home. And I saw recently Joey's Breakfast Club interview. He said he talked to Rayvon. [00:42:22] Speaker A: Really? [00:42:22] Speaker B: Yeah, they've talked. That's what he said. They've talked. So I'm hoping, being that everything is all well, it was already friendly, but being that it's like on wax, friendly. Walk with me real quick. [00:42:33] Speaker A: I'm walking. [00:42:34] Speaker B: Just walk with me real quick. Boom. Rayvon only in LA for the LA show. [00:42:40] Speaker A: Only in LA for the tour. [00:42:41] Speaker B: For the LA show. Only in la. Joey, bring Rayvon out. [00:42:46] Speaker A: Okay, I'm walking. [00:42:47] Speaker B: And then they rap, they diss tracks back and forth. Maybe a verse, maybe a couple minutes. But Rayvon gotta come out in LA and he gotta perform. [00:42:59] Speaker A: Whole era crazy viral. [00:43:02] Speaker B: Crazy viral on stage versus crazy. [00:43:06] Speaker A: I'm with it. [00:43:07] Speaker B: And you get the best of both worlds because it's Joey Badass and AB Soul. So TDE fans is in the building and Joey Badass fans is in the building and we in la. [00:43:17] Speaker A: That would be. Honestly, that's some hip hop historic shit. [00:43:21] Speaker B: That's some hip hop shit. [00:43:22] Speaker A: Because nobody's really done that. I mean, I remember when Jay Z and Nas came together, they didn't Perform their diss record. Like, I don't think anybody's perform. [00:43:30] Speaker B: Nobody performed their diss records. [00:43:31] Speaker A: Diss records on stage together. [00:43:33] Speaker B: Only thing that I think is closest to it is when Greo and RJ did their verses on stage. I don't. I didn't go to that show, so I don't remember if they performed they diss tracks. I'm going to guess they had to, though. There was only one song. [00:43:46] Speaker A: It was only one song. [00:43:47] Speaker B: It was one song back and forth. Oh, Gucci and Jeez. Well, that was a real verse. [00:43:50] Speaker A: That was a real verse. That was a real Gucci and Jeezy. That was crazy. [00:43:54] Speaker B: I ain't gonna lie, man. [00:43:55] Speaker A: When I watched that shit, they still. [00:43:57] Speaker B: Said they was smoking on each other. Dead homies, bro. [00:44:00] Speaker A: I went back and watched that shit because I was watching Jermaine Dupree is doing his Magic City thing. And so I went. I'm like, magic City, Magic. Everybody's talking about magic. So I'm like, man, remember when Jeezy and Gucci. So then I went and looked, and I'm looking and I'm looking at the poise. Jeezy was like, in full. Like. Only reason I'm saying is. Cause I don't know what other energy that people tap into, but I'm thinking of, like, Nipsey. Cause Nip had that energy. Like a nigga be over here. Wild disrespect when he, like, I see where you coming from. You know what I'm saying? And that's the energy Jeezy was on. Gucci was hella immature. Gucci was so immature that day. He was so immature. Cause Jeezy was handling that shit like a G. Like, you know what, my nigga, I asked you to be here. [00:44:44] Speaker B: Yeah, yeah. [00:44:45] Speaker A: And I told you, do your shit. [00:44:46] Speaker B: Yeah. [00:44:46] Speaker A: You know what I'm saying? And then he just went on about it, and I just thought that shit was so player and so gangster. Like, if they are. If Rayvon. I mean, if Joey Badass brings Rayvon out on stage, he does hoe era. And then Joey does, like, the finals or whatever he does. And then they like, man, it's hip hop and Rayvon leave. I think that might be like one of them moments where it's like, oh, okay. We have reclaimed the sport of this. [00:45:18] Speaker B: East coast, west coast shit. [00:45:20] Speaker A: We have reclaimed the sport of hip hop battle. [00:45:22] Speaker B: Yeah. [00:45:23] Speaker A: Like, the battle is not ending in lawsuits and ending in death. [00:45:27] Speaker B: There you go, Cook, nigga. [00:45:28] Speaker A: You know what I'm saying? [00:45:29] Speaker B: You better cook. [00:45:30] Speaker A: It's Just. Hey, nigga, good game. [00:45:32] Speaker B: Yeah. Do you know, like, obviously this wasn't so wild and, you know, like, big. [00:45:40] Speaker A: Yeah, it'd be crazy. [00:45:41] Speaker B: The last East Coast, west coast shit. But just being able to compare eras and being like, this is what it was then, and this is what we're doing with it. [00:45:50] Speaker A: Fact. [00:45:51] Speaker B: And y' all not you fans, you media personalities, all you critics that think y' all finna keep pinning us against each other. This not that. We only here for the sport of rap. I would fucking love that. [00:46:01] Speaker A: Yeah, that would be cool. [00:46:02] Speaker B: I would love that. [00:46:03] Speaker A: That would be cool. [00:46:03] Speaker B: And they gotta let me bring them out. [00:46:05] Speaker A: Or what if. Or what if? I'll do you one better. We can move Daylight come out and do the loaded Lux. [00:46:15] Speaker B: Nigga, you talking about that battle. [00:46:19] Speaker A: So obviously Loaded Lux is on Joey's song. He come out loaded Lux or whatever. Low key. They ain't even got a rap. Just give me the moments. [00:46:28] Speaker B: I just need to see y' all up next to each other. [00:46:31] Speaker A: Give me the moment. [00:46:32] Speaker B: That's it. [00:46:32] Speaker A: Like, Joey do the song with loaded Lux. And then they finish the song and Daylight walk out and he's standing there. He looking at him. [00:46:41] Speaker B: Yeah. [00:46:41] Speaker A: And then that's it. And then they just. [00:46:43] Speaker B: That shit'll be hard, nigga. I'm gonna assume. And I have. We have not talked about that. [00:46:48] Speaker A: Shit'll be hard. [00:46:49] Speaker B: We ain't talked to nobody on. [00:46:50] Speaker A: We ain't talked to nobody about this. [00:46:52] Speaker B: Just fan speculation. We fans, too. If they talked recently. Rayvon's coming out on tour LA for sure. [00:47:01] Speaker A: I'm not gonna. I'm not gonna jump to that conclusion. [00:47:03] Speaker B: The fuck was y' all doing on the phone yesterday? The fuck was they on the phone for yesterday? [00:47:11] Speaker A: Why? [00:47:12] Speaker B: Why? [00:47:12] Speaker A: Why? [00:47:12] Speaker B: Why? Why? But speaking of diss tracks. So it was just recently revealed that Tupac dissed Jay Z at the end of Hit Em Up. He says Jay Z name right before Lil Kim. Anybody who has ever heard Hit Em up, you know that there's a blanket. [00:47:27] Speaker A: Yeah, there's a mute. [00:47:28] Speaker B: I didn't know. I thought, like Nate said, I thought it was just breath control. I thought he was trying to catch his breath. Cause he was ranting that N was crashing out. [00:47:35] Speaker A: He was crashing out. [00:47:38] Speaker B: He be like. And another thing, you know, like, I thought that that was just. That to hear that his name is at the end of that is crazy. [00:47:45] Speaker A: You know, It's a good question. We should write down what's the crazy. What's the worst crash out on the record? [00:47:50] Speaker B: Mm. [00:47:51] Speaker A: The worst crash out record. [00:47:52] Speaker B: The worst Crash out record. [00:47:54] Speaker A: That's a good one for next week, you know. [00:47:56] Speaker B: Some R and B up in there. [00:47:57] Speaker A: Hell, yeah. Some R and B in there. [00:47:59] Speaker B: Some R and B in there, for sure. [00:48:01] Speaker A: But, yeah, I do know that space where it's muted. The vocals are muted. I never knew that. I ain't gonna lie to you. When I saw the footage, I thought it was AI. [00:48:14] Speaker B: I thought it was AI. But you know where that's at, right? [00:48:16] Speaker A: Yeah, yeah, at Death Row, Alicia. Yeah. [00:48:20] Speaker B: So I'm looking, I'm like, oh, this real? And then I give you more. [00:48:25] Speaker A: Not the video being AI. I thought the audio was put over the video. [00:48:28] Speaker B: Yeah, yeah, yeah, yeah. No, that's what I thought. So I'm listening to how, like, not raggedy, it sound. No disrespect, but it kind of sound like. It just sound a little. It doesn't sound clear. [00:48:37] Speaker A: Yeah, it is. [00:48:38] Speaker B: It's not a clear audio playback, but I just knew it was Drake. I said, this nigga again. [00:48:53] Speaker A: What are you talking? [00:48:54] Speaker B: This nigga again. This nigga that mad at Jay Z, that he gonna make an AI at. [00:48:59] Speaker A: Tupac, saying, you know, bro, that's crazy. [00:49:01] Speaker B: But so there. [00:49:02] Speaker A: That's so crazy. I thought it was Drake. What? [00:49:07] Speaker B: There's a story circulating, and I forget the guy's name. I don't want to disrespect any legends, any of our legends, but he talks about how he actually told Tupac to remove Jay Z's name from the record. Because whatever was going on, he just said, you know, hov don't got nothing to do with that, basically. So it's a. That's what validated it for me, was that, oh, it's a story, you know, behind this. But Avery just told us. Shout out to Avery, that there's actually a full diss track where he either disses Jay Z or he just say he sub him, like, in the record or something like that. [00:49:39] Speaker A: Um, so, you know what else? So I'm going, if I ever get the opportunity. If I ever get the opportunity. You know, there's a muted portion on the Genex album, too. Yeah, okay. On Whacked Out Murals. [00:49:56] Speaker B: Yeah, it is. [00:49:57] Speaker A: And he's rapping, and there's a muted there. And so, you know, Dot likes to pair himself with Tupac. He has a whole song called Reincarnated. [00:50:13] Speaker B: You think he did. You think he said, fuck Jay Z? [00:50:16] Speaker A: No, he didn't say. No, no, no. [00:50:18] Speaker B: Why whisper it? [00:50:20] Speaker A: Why whisper it to the microphone? Microphone. [00:50:27] Speaker B: Did. [00:50:28] Speaker A: That exact microphone. But, no, I Don't think it was a Jay Z thing. I'm just wondering in my mind, I'm gonna ask him next time I talk to him if that was more or less kinda what. But Pac did it. [00:50:43] Speaker B: Yeah. [00:50:43] Speaker A: And I wonder if he thought that when he did it as well. [00:50:46] Speaker B: Okay. [00:50:46] Speaker A: You see what I'm saying? [00:50:48] Speaker B: You think that he might've known about the fuck. What am I trying to say? You think he might have known about the mute? You know how we just thought it was just a blank space? You think he might have known? [00:51:00] Speaker A: No. Well, I don't know if he knew or not. That's not what I'm. I wonder if he did that on purpose on gnx to kind of like on my. To mirror what Tupac did on Hit Em Up. Because whacked out murals kind of got the same energy of the Hit him up. You get what I'm saying? [00:51:18] Speaker B: I think that. Yeah. [00:51:19] Speaker A: Jeremy. Heck, I can do it too. [00:51:21] Speaker B: N. I think we're 100% late to the party. So I think that this has probably been a thing that people have known about, but probably not as much talked about. So I can see him knowing that and doing that for the intent of what N did. When it dropped. When it dropped because everybody. People were rhyming things together from the bar that came before it and the one that came after. And a lot of people thought that it was a shot at Lil Wayne. [00:51:52] Speaker A: Yeah. See, I don't know. I'm definitely gonna ask him though. [00:51:55] Speaker B: Okay. Before you ask, though, just so we can, you know, just for the sake of conversation, if you can guess, what do you think the context of what he said was? Cause it don't always gotta be that he dissed somebody. [00:52:07] Speaker A: I gotta listen to the song again to see what the bars and to see what he was talking before and after. Yeah. To see before and after knowing Dot. He didn't put nothing there. [00:52:19] Speaker B: He just did it for speculation. [00:52:20] Speaker A: Just. Yeah. Just let me just troll these. [00:52:23] Speaker B: Because one thing about him, I don't think that he gives a fuck. [00:52:27] Speaker A: He don't care at all. [00:52:28] Speaker B: He holds no bar. [00:52:29] Speaker A: That's one thing that we. I spoke to him about as far as, like, where he's at in life. He's not holding back at all. [00:52:35] Speaker B: But that would mean that whatever he. Like, let's say it is something there and he did take it out, that would mean that that shit is that bad. [00:52:42] Speaker A: Exactly. [00:52:43] Speaker B: That is that bad that I gotta. [00:52:45] Speaker A: Take this out and every now and then. That's how you know. I've only heard that happen one time. And that was because Game. I think I could talk about this. Game had a diss record of all the women he slept with. Oh, yeah, okay. Whack 100 was the voice of reason in the studio. [00:53:04] Speaker B: Whack was the voice of reason. [00:53:05] Speaker A: Whack was the voice of reason. [00:53:06] Speaker B: But you know something about whack. Whack don't play when it come to people. Wives and daughters, bro. [00:53:13] Speaker A: I was there and Whack was like, nah, I can't let you do that. You gotta take that out. [00:53:17] Speaker B: Yeah. [00:53:17] Speaker A: He was like, you gotta take that one out. You gotta take that one out. You can't do that to them. You gotta take. He made him change the record two or three different times when he was rapping about all these women that he dealt with. And I'm just sitting there like, how is whack the one that's reasoning? [00:53:32] Speaker B: Cause whack. One thing I know about he do not play when it come to people. Yeah. Family and stuff like that. Like, he don't play. [00:53:39] Speaker A: But I'm just saying that's the only time I've ever seen somebody kind of do that where they filter the song. So it's like, nah, that's doing too much. Oh, and Rayvon said he did it. [00:53:48] Speaker B: Right, right, right. [00:53:49] Speaker A: But we haven't heard the record. [00:53:51] Speaker B: My. My hypothesis or what, I guess, for. [00:53:55] Speaker A: Which one hit' Em up or gnx. [00:53:56] Speaker B: For gnx is that it may have been related to the battle. But remember, that's when all the lawsuits and all that stuff started rolling out. It was the whole. The, you know, people start. I mean, I was about to say some shit I wasn't supposed to say, but people started losing things. [00:54:14] Speaker A: Yeah. [00:54:14] Speaker B: So, you know, like n start playing with N like that. So I think that that might have been around that time. [00:54:21] Speaker A: But I'm for sure gonna ask because if, if, if I'm just gonna ask ambiguously. Cause I don't want him to be like, oh. He's like, I don't want him to. I don't want him to. Jazz hands me. Tell me the truth. Did you take the hit? Did you know about the Jay Z hit? Em up muted part and then do reincarnated and then do whacked out mirrors with the same energy and mute your shits to mirror that. Like, nigga, now I'm impressed. Yeah. [00:54:48] Speaker B: Hey. He's so damn smooth with it, though. He's so clever. We might not even find out until 10 years. He might. I'm saying, like on the record, like, he might Rest it back. Like that one bleep was whoopty, whoopty, whoop. You know, like, he might say some shit like that. [00:55:05] Speaker A: Cause even if you tell me, I'm not gonna say nothing. [00:55:07] Speaker B: But, you know, and not to go back to this Kendrick stuff, but I do just recently. We can get off of it. I saw on Twitter that they said that he references it on the song, but I'm like, maybe this went over my head. I didn't hear it. That he had five more diss tracks to come after. Not like us. [00:55:26] Speaker A: Shit. [00:55:27] Speaker B: I'm not asking if he told you that, but. [00:55:31] Speaker A: I told her I get dubbed real fast. [00:55:33] Speaker B: My bad, my bad. Jid. I mean, not Jid. Jermaine Dupree, Chris Brown, Usher. [00:55:40] Speaker A: Shout out to Jermaine Dupri. He's my goat. He's my number one hip hop producer of all time. He was on, and I told him that, but he was on Joe Budden, and they were asking about Chris Brown and the Usher thing because that's been a thing since Chris Brown debuted. And I am a little biased because I come from the Usher era. I remember watching Usher dance on a wall. Did you hear what I just said? Yeah, I remember it was an MTV award or something, and there was a wall, and Usher was dancing on the wall sideways. And I was just like, who the fuck is this nigga? Like, And I'm just so impressed. So I come from the Usher era, but I ain't gonna front. I've seen Chris Brown do some shit I ain't never seen in my life. You know what I mean? I went to the Usher show, the residency in Vegas, and I've seen Chris Brown in concert. And I be damned if that ain't the pot calling the kettle black and the kettle calling the pot black. [00:56:40] Speaker B: I think, honestly, no disrespect to nobody, I think Chris Brown has outgrown the Usher comparison. [00:56:49] Speaker A: Y' all think he's beyond that? [00:56:52] Speaker B: I think he's beyond being still compared to Usher. [00:56:55] Speaker A: Yeah, I can see that. [00:56:56] Speaker B: And again, no disrespect, I think that Chris Brown's albums are better than Usher's albums, but Usher's Confessions just trumps the whole fucking RB genre. [00:57:10] Speaker A: I can see that. [00:57:10] Speaker B: You get what I'm saying? Like, Confessions is so massive as far as, like, the records that's on there, the longevity, the playback value, and all of that, that it don't even matter what the next nigga put out that it automatically just trumps it. But if we remove Confessions and the rest of the catalog up against Chris Brown's. Chris Brown not getting whooped. [00:57:31] Speaker A: Nah, it's get ugly. [00:57:33] Speaker B: It's getting ugly. [00:57:35] Speaker A: It's getting ugly because what you got with, like. I mean, you could. You could. He might got. Well, with 8701, he got a little bit of action. [00:57:45] Speaker B: A little bit. But did you heard Chris Brown first album? [00:57:48] Speaker A: Yeah. [00:57:49] Speaker B: Cause 8701 is Usher's first album, right? [00:57:51] Speaker A: Nah, hell no. [00:57:52] Speaker B: Oh, the one before that is. It's one before that. It's one before that. [00:57:55] Speaker A: Nah, he got a few. Cause he came out when he was like 16. Same. It's similar to Chris. They have similar career paths. They have similar career paths. [00:58:03] Speaker B: Yeah, but Chris Brown first album is shitting on Usher's first album. [00:58:07] Speaker A: Yeah, I gotta go look at that track list. But. [00:58:09] Speaker B: But Usher. I mean, not Usher. I'm sorry. Chris Brown doesn't necessarily have a Confessions. [00:58:14] Speaker A: I agree with that. [00:58:15] Speaker B: He doesn't have a Confession. [00:58:16] Speaker A: I agree with that sentiment. But if you remove that. But then that's when you start playing the if game, though. [00:58:21] Speaker B: Yeah. [00:58:21] Speaker A: Like, if 50 Cent didn't have Get. [00:58:23] Speaker B: Rich or Die Try, like, it's trying to make it work to respect everybody. I think he surpassed the nigga already. Okay. [00:58:31] Speaker A: He's trying to make it work. [00:58:32] Speaker B: Yeah. He's trying to make it work without disrespecting nobody, you know? But no, I do feel that Chris Brown doesn't have a Confessions, but I also feel like Chris Brown's, outside of Confessions, all of Chris Brown's cat. Not all. You know what I'm saying? But I think that Chris Brown has better albums than Usher does. Usher had breakouts, and I feel like JD is only talking about Confessions and probably everything that came before that. I don't think he wrote that next album. I'm not sure. [00:58:58] Speaker A: I don't think so. [00:58:58] Speaker B: But I don't think he wrote that next album with I'm always on Top Tonight. I'm on the bottom with Trading Places on there. [00:59:04] Speaker A: I don't remember. [00:59:05] Speaker B: I think that was the album that came after Confessions. [00:59:08] Speaker A: He did. Cause. No. What was the one where he did Daddy's Home with Plies? [00:59:11] Speaker B: That's the same album. [00:59:11] Speaker A: That same album? [00:59:12] Speaker B: I think so. Let me look it up. [00:59:13] Speaker A: All right, so. But yeah, J.D. was talking about getting in the studio, and they were. I guess their conversation was about around Usher and JD's accomplishments. But then JD says something. What? [00:59:23] Speaker B: So My Way is the first Usher album. [00:59:25] Speaker A: Correct. [00:59:26] Speaker B: So if we compare My Way to Chris Brown first album, Chris Brown's Whooping my way. [00:59:31] Speaker A: It get ugly. [00:59:32] Speaker B: If we put them motherfuckers next to. [00:59:34] Speaker A: Each other, it get ugly. [00:59:35] Speaker B: Cause that Chris Brown album has zero skips. [00:59:37] Speaker A: It get ugly. I ain't gonna lie. [00:59:38] Speaker B: It get ugly, and then I don't. And then the one you was talking about is 8701. That came out in 2001. And then here I Stand is the one with Daddy's. [00:59:51] Speaker A: So the reason why this conversation was interesting to me is because when they were talking to Jermaine Dupri about Usher, JD Said something very interesting to me. He said, if I go in the studio with Chris Brown, not that I ain't never worked with Chris Brown. I have. He's like, I fuck around and make Thriller. Well, why we not doing that? Then he said Usher would be very, very upset with me. And I'm like, man, listen, bro, he gonna have to understand. [01:00:15] Speaker B: I'll tell you. Who else mad at him? [01:00:18] Speaker A: At Jermaine Dupree? [01:00:19] Speaker B: Not really. Oh, that Jagged Edge. [01:00:24] Speaker A: Yeah. [01:00:25] Speaker B: What was the song? [01:00:26] Speaker A: No, it wasn't a Christmas, was it. [01:00:28] Speaker B: Sleeping in my Bed. [01:00:29] Speaker A: Oh. Cause he gave him the record. [01:00:30] Speaker B: Yeah, I think it was in my bed. [01:00:32] Speaker A: Yeah, it was one day. [01:00:33] Speaker B: Jagged Edge told us. Jagged Edge told us that that was they song first. Yeah, I think that's. Is that the right song? I don't want to misquote. Let me look it up, but go ahead. [01:00:45] Speaker A: I'm sorry. I was just thinking that. Cause Chris Brown is one of my favorite singers of all time. Jermaine Dupri is my favorite producer. I need this album to happen. [01:00:54] Speaker B: Chris Brown and JD I need this album to happen. [01:00:57] Speaker A: You shouldn't even broke. You shouldn't even talk about that. [01:00:59] Speaker B: You shouldn't even say it, though. [01:00:59] Speaker A: You shouldn't even said nothing. It's like I wasn't even thinking about eating no double Double. [01:01:03] Speaker B: Yeah. Until I was watching the commercial. [01:01:06] Speaker A: Now I want grilled onions. You know what I'm saying? That's what type of time I'm on. You shouldn't even said nothing, champ. Now I'm on your line. [01:01:15] Speaker B: I think it'll happen. [01:01:16] Speaker A: I want a whole album, though. I don't want just two, three records. I don't want, like, the money long play. I want you to go. I want Chris Brown to go in the studio with Jermaine Dupri. How Justin Timberlake went in the studio with Pharrell and Chad. That's what I want. Oh, my God. The slaps n would get out of anyway, I don't. All right. [01:01:37] Speaker B: I'm looking in the. I might be overlooking this. I think it is sleeping in my bed, though. I just didn't wanna get it wrong for the viewers, you know, Nate come in here and tell us every week. Yeah, I was wrong on this part. The chat will tell you. [01:01:51] Speaker A: The chat will tell you. [01:01:52] Speaker B: The chat will tell you. [01:01:53] Speaker A: So I was. You know, we. Sometimes we go to the studio. [01:01:56] Speaker B: Mm. [01:01:57] Speaker A: So I was on my way to a session. What? [01:02:01] Speaker B: It was Drew Hill. And they was cut out the video. [01:02:04] Speaker A: They was cut out the video. [01:02:05] Speaker B: They was cut out the video. [01:02:06] Speaker A: Yeah. It wasn't Chris Brown. [01:02:08] Speaker B: No, I wasn't saying that. [01:02:09] Speaker A: Oh, okay. [01:02:09] Speaker B: I was just saying n be mad at J.D. [01:02:12] Speaker A: Oh. [01:02:14] Speaker B: Over this music. [01:02:15] Speaker A: Understood. [01:02:16] Speaker B: Yeah. [01:02:16] Speaker A: But go ahead, go ahead. So I was on my way to a session and something just got. Something got to cooking and I was like, man, I gotta go. But this place I was going, I knew didn't have substantial facilities for me to do to get it done. So you had to release. So I. Yeah. So I'm driving. I'm in. Where am. I'm in Santa Monica. So I just see my go to thing is to look up hotels. If I gotta go, drop a deuce, I'm gonna pull up a hotel, park, act like I'm going to the room, walk right past the front desk attendant, hit that bathroom on that ground floor. That's my go to. Except over there in that part of town, there's nothing but little motels and whatnot. You know what I'm saying? So. So I go, I pull up, I park in the front, throw my hazards on. Cause ain't nowhere to go. And I walk in and I'm like, hey, you know, I'm not on the phone at all. I'm completely perpetrating. But I'm on the phone because I want them to look at me like a business person. Yeah, like. [01:03:23] Speaker B: Like, you already got the glasses. [01:03:25] Speaker A: I got the glasses on. He seen the Tesla. I got the hazards on. I'm here, just. Aw, man. Bro. So I'm like, I'm not even on the phone. I'm like, yeah, give me like 20 minutes. I'm gonna be there. I'm running. I'm sorry. Hold on one second. Hold on. Excuse me, can I use your restroom? [01:03:40] Speaker B: Wait, wait, wait, wait, wait, wait. [01:03:42] Speaker A: Hold on. [01:03:43] Speaker B: So you was faking on the phone? [01:03:44] Speaker A: Faking on the phone. Because I'm trying to lessen the blow of a random nigga walking in trying to use our bathroom. I'm not shooting heroin. [01:03:52] Speaker B: Yeah, you know what? [01:03:53] Speaker A: I'm so he Was like, yeah, no problem. So he opens the door for me to come to the back where the. Through the office. [01:03:59] Speaker B: This at the motel, this at the hotel. Okay. [01:04:02] Speaker A: So I'm like, okay. So I walk in and the bathroom is they own personal bathroom for the workers. I wasn't expecting that. I'm thinking he finna give me a key or something where I could go down the hall. So you blew it up, bro. So I know in they mind they not ready for what's about to happen. Like, son, I've already know it. Like. So I'm in there, I'm in there between 18 and 23 minutes. Right? [01:04:29] Speaker B: Right. You motherfucking foul. You's a foul ass nigga. [01:04:36] Speaker A: Hey, an employee little break room shit, right? [01:04:40] Speaker B: Woo. [01:04:41] Speaker A: It was crazy, right? So I get done and I'm like. And as I'm wrapping things up, I'm like, I know these niggas. Cause it's two workers. I'm like, I gotta walk past, back out this front desk area. On the phone. I'm not on the phone no more. So I just took it on the chin, I just walked out. I'm like, man, thank you so much. He was like, you have a good night. [01:05:01] Speaker B: He looked at you like that? [01:05:03] Speaker A: He looked at me like, yeah, you have a good night. [01:05:05] Speaker B: They never doing that shit again? [01:05:06] Speaker A: Hell no. I fucked it up for everybody. [01:05:08] Speaker B: Heads. You're famous. You can't do that, bro. [01:05:12] Speaker A: I had to. It was either go in the bathroom or in the Tesla. Which way? Which way would you. [01:05:17] Speaker B: And I know that shit stink. Cause you eat all healthy and shit. [01:05:20] Speaker A: Yeah, asparagus. But what's the. Like there's another thing. I went somewhere at a record label before, but that's besides the point. But what's the best place to go if you have to go in public? If you have to go the serious bathroom. [01:05:39] Speaker B: You see that one downstairs? [01:05:40] Speaker A: What? One bath. [01:05:42] Speaker B: You look like a hotel down there. [01:05:43] Speaker A: They got a bathroom downstairs on the ground floor? [01:05:46] Speaker B: Yeah. [01:05:46] Speaker A: Oh, you know what that was? [01:05:50] Speaker B: It's in the artist's room. [01:05:51] Speaker A: I go in the family bathroom. Cause there's more space. [01:05:53] Speaker B: Oh, no, no. [01:05:54] Speaker A: I could pull down the changing table and put my clothes there. [01:05:57] Speaker B: I don't. You know another place that. Okay, it's public as fuck, but the mall. [01:06:03] Speaker A: Nah, I'm not doing that. [01:06:04] Speaker B: The mall bathrooms be clean. [01:06:05] Speaker A: Nah. [01:06:06] Speaker B: And then it's so big, you know, other bathrooms, you can drop a load off and ain't nobody gonna really know. Like that the airport. [01:06:13] Speaker A: Yeah, but that's not the same thing. I'M not driving to the local airport to drop a dude you can't even. [01:06:18] Speaker B: Park to do it. Yeah, you wanna know the worst parts? [01:06:21] Speaker A: It's $20 for the shit. I'm not going nowhere where I gotta pay to park the shit. [01:06:27] Speaker B: Well, how long you gonna be in there? [01:06:29] Speaker A: That's what I'm saying. It take, you know that motherfucker about. [01:06:31] Speaker B: A hundred to get out. [01:06:35] Speaker A: I just told you I'd take my clothes and put it. [01:06:37] Speaker B: But it has to be somewhere where uniformed employees work. [01:06:43] Speaker A: Target, target. Nah, I'm not going to target. [01:06:46] Speaker B: Target. Some targets though. You need that code. [01:06:50] Speaker A: Give me the best place. [01:06:52] Speaker B: The best place is. I think the best place is a hotel. [01:06:55] Speaker A: Hotel. That's what I do. [01:06:56] Speaker B: But an expensive or not so affordable hotel. Because like you said, you can walk past the ones that's like. That's like the cheap hotels. N. You can't walk past them. Hey, who is you? [01:07:11] Speaker A: The key is on the broomstick. [01:07:12] Speaker B: Yeah, yeah. You can't on the fucking dustpan. [01:07:15] Speaker A: Yeah, like. Nah, I don't fuck around. [01:07:18] Speaker B: The worst place I ever used it though. [01:07:20] Speaker A: What? [01:07:21] Speaker B: I was eight years old. [01:07:22] Speaker A: This is trauma. Cause you remember how old you. 8 is a random number. [01:07:26] Speaker B: It was bad. Like, it was so bad. So I was the kid. Like, I didn't want the whole house to know I had to shit. So I'm with my auntie at her friend house and I gotta go. And this is when I had learned that I can never hold my number two again. Because it get down to my knees. Like, I feel it in my knees to where my knees hurt. I can't walk. I can't think. I'm fucked up. I can't even make conscious decisions when I gotta take a dump. [01:07:53] Speaker A: That's crazy. [01:07:54] Speaker B: So my knees is hurting. So I beg my auntie. I'm like, please pull over. So we pull over, nigga. At a park. [01:08:02] Speaker A: Oh, that's the worst place. [01:08:03] Speaker B: Magic Johnson Park. [01:08:04] Speaker A: Oh, now you trippin'. [01:08:06] Speaker B: So I don't know this cause I'm eight. Bro, they just let you out, so get out. But I don't tell them what I gotta do. I'm just saying I gotta use the bathroom. So boom, get out. Go to the bathroom. And I'm just knowing, like, cool. Cause you know the closer you get to the bathroom, the more relief you are. Nigga, I walked in that bathroom and I seen actual shit on the floor. I will never go inside of a park bathroom ever again in my life. It was real turds on the floor. How did the shit get on the floor. [01:08:38] Speaker A: Why? If you in the bathroom already, go in the toilet. [01:08:41] Speaker B: That's what I'm saying. [01:08:42] Speaker A: Yeah. [01:08:42] Speaker B: The shit was, you know, they be like, it's on the floor. [01:08:45] Speaker A: That's crazy. [01:08:46] Speaker B: That shit was on the floor. [01:08:47] Speaker A: Shit don't stop. [01:08:48] Speaker B: And I did not use it. Yeah, I bet I did not use it. But yeah, y' all hit us up and let us know what's the nicest. [01:08:55] Speaker A: What's the best place to go? If you have to go somewhere outside that's not home, what's the best place? Like, what's the little secrets? [01:09:03] Speaker B: Like, how about a food establishment? [01:09:06] Speaker A: Well, what food establishment? [01:09:08] Speaker B: Fish grill. [01:09:09] Speaker A: We both went towards. [01:09:12] Speaker B: You got too much money for me. [01:09:13] Speaker A: Yeah. If I gotta go, I'm for sure going to the. Like, to the. You know, you can go to what, a nice steakhouse bathroom. [01:09:22] Speaker B: That's a play doh' cause they got the lock. You walk in. Cause they bathrooms be nice. It be jazz playing and shit. It smell good. [01:09:27] Speaker A: You can get it done. [01:09:28] Speaker B: You can go up to the way you played it off on the phone, like, hey, where's your. You can go to the check in and say, yo, I need a table for one, whatever. Boom. And they be like, all right, you know, it'll be 15 minutes. [01:09:40] Speaker A: Yeah, where's your bathroom? [01:09:41] Speaker B: Where's your bathroom? [01:09:43] Speaker A: Go get it done. [01:09:43] Speaker B: That's a good one. Yeah, that's a good one. [01:09:45] Speaker A: I used to go to Morton's and do that. Five star restaurants, Morton Steakhouse. Shout out to them in Burbank. [01:09:51] Speaker B: It's not an act, but it could be. [01:09:56] Speaker A: The last thing that I think we have to talk about is this petty shit. [01:10:00] Speaker B: Okay? So to give you guys context, if you're anywhere on the algorithm, on the social media timeline, Eve just dropped her memoir. Or I don't know if it just came out, but I think people are just now. I think it. Ben came out, but people are just now catching it and making headlines about it. So Eve says in her memoir that she was signed to Dr. Dre. [01:10:21] Speaker A: Yes. [01:10:21] Speaker B: And then she was dropped. [01:10:23] Speaker A: Aftermath. [01:10:24] Speaker B: She was signed an aftermath, and then she was dropped from the label. So in spite. And this is not a direct quote, I am literally telling y' all what the headlines were saying. I have not read this myself. But she says that in spite of her getting dropped from the label and them shelving her and her not getting in the studio and stuff like that, that she began to get indulged in a relationship with Suge Knight. [01:10:50] Speaker A: She says, I quote, I was still in my Little mood after, I was still in my little mood about Dre, even though we made a solid hit together. So having Suge, his former boss at Death Row, stomping around Interscope felt like some sweet revenge. I'm not really sure how I. Oh, I'm not really sure how I concocted this idea yet. [01:11:14] Speaker B: You just fucked me up. And I don't even wanna switch topics right now. But who's stumping ground? [01:11:23] Speaker A: Who is? Well, I think she was referring to the label. [01:11:26] Speaker B: That's what I'm saying. Who. Is that Dre or is that Suge? [01:11:29] Speaker A: I was in my little mood about Dre, even though we made a solid hit together. So having Suge, his former boss at Death Row Records, stomping around Interscope, she felt like sweet revenge. That's what she said. [01:11:41] Speaker B: Okay, so I just finished bmf. [01:11:43] Speaker A: Oh, okay. [01:11:44] Speaker B: And the label is stumping ground. [01:11:47] Speaker A: Yeah. Oh, so you thought it was that. [01:11:49] Speaker B: That's why I'm like. But I mean, BMF is based on a. [01:11:52] Speaker A: No, I get it. [01:11:53] Speaker B: I get what you're saying, nigga. But they're saying. Okay. Have you watched the season at all this? [01:11:57] Speaker A: No. [01:11:58] Speaker B: Damn. So we can't even talk about it. You low key. If you could watch it on a plane or something. Yes, because there are fan theories that the guys that put. That the guys that Meech are beefing with, and it's a. You'll see what I'm talking about. But they beefing over artists that. That's supposedly P. Diddy. Oh, and Woof. [01:12:18] Speaker A: Damn. [01:12:19] Speaker B: That those characters are. [01:12:20] Speaker A: These are fan speculations. [01:12:22] Speaker B: Yeah, that's them. And then they have great theories, like when they, you know, putting stuff together. But there's a fight at the end of. There's a fight at the end of bmf, like, before the season finale, where also the fan's theory is that that's the time that one of Suge people got. I mean, I forget if it's Suge people or Diddy people got shot. And that's essentially what started the beef got you between Puffy and Suge. But you just fucked me up when you said Stunbury. I'm like, whoa, what? Also, I didn't know that Eve was signed to Aftermath. [01:12:55] Speaker A: She was being a little messy. But that's just. I mean, getting back at an employer is something that we all can relate to, I guess. [01:13:03] Speaker B: What's something that you did in spite of your company, you work for in. [01:13:07] Speaker A: Spite of an employer. Okay, so I don't want to give out the Code. But I used to work at Burlington Coat Factory, okay? And they would not fire me. I'm talking about. I used to do egregious things to get fired just till they. Because I don't want to quit, because then I can't get an employment. So they wouldn't fire me, though. So no matter what I did, so I would go to work. So Burlington Co. Factory is a department store. You're supposed to wear slacks and a tie. I went to work just like this. Literally, backwards hat, out of dress code, completely out. Backwards hat, jean shorts, T shirt, throw my badge on. Just start helping customers, right? They're like, aaron, you can't do that. Yeah, okay, well, fire me. They wouldn't fire me. So then I took it a step further. I clock in and go to lunch. That's time card fraud. Don't do that, kids. You'll go to jail or you'll be fired for that. But I clock in, go to lunch for 90 minutes. And I go next door to the restaurant. They see me sitting there. Supervisor walk. You know, just stupid. Just young niggas stupid, goofy shit. They wouldn't fire me. Took it a step up. I know the code. I think it's the same code. I doubt they changed their code, because it's the same code in every Burlington. You press a number, three numbers on the phone. They're in succession. And you pick the phone up, and you could talk to the whole store. [01:14:27] Speaker B: What did you say to that store? [01:14:29] Speaker A: Me and the homie used to shoot mom jokes. [01:14:32] Speaker B: What Burlington is. [01:14:33] Speaker A: This is Cerritos. [01:14:36] Speaker B: I can't believe Cerritos was letting this shit fly like that. [01:14:38] Speaker A: It was ghetto in that motherfucker. The store manager got arrested for embezzlement, went to jail, went to prison. It was ghetto as fuck. [01:14:45] Speaker B: Yeah, yeah. [01:14:46] Speaker A: But, yeah, I get on the thing and be like. And literally whoop. You know, the little thing over the. And like, nigga, your mom's. Your mom's got a glass back full of ice water. You know what I'm saying? Or just. And hang up. And then the homie who also was trying to get fired, he'd do it back to me. And so we would just do that over the store intercom. [01:15:06] Speaker B: What was I ever saying about it? [01:15:08] Speaker A: They wouldn't say nothing. They didn't say nothing to me. The only person that ever said anything to me was my direct supervisor. His name was Kevin. Kevin Franklin. Shout out to him. He always looked out for me, and he was like, bro, they're gonna fire you. And I'm just like. But he was a, you know, he was a young popping nigga too. He was just like, bro, they gonna fire him. Like tell em to fire me. And he was like, they won't do it. So I just keep doing shit to try to get fired. I didn't never do nothing criminal. Like I wouldn't steal and all that. Like, but I was just doing stuff. I was immature. I was immature. [01:15:36] Speaker B: Damn. [01:15:37] Speaker A: But that's like petty things that I've done to get back an employer also. Yeah, that's. [01:15:48] Speaker B: You was gonna say some shit. [01:15:50] Speaker A: I'm saving it, I'm saving it for when we go to the Breakfast Club, okay? [01:15:55] Speaker B: Oh, okay. I'm picking up what you putting down. But you gotta write that down. Cause I got some shit I'm saving for the Breakfast Club too. I love how we just know we going to the Breakfast Club. I'm saving this for you. [01:16:08] Speaker A: I'm saving it, I'm saving that. I'm writing it down right now. [01:16:12] Speaker B: Okay. So I haven't done, I don't, I don't necessarily know if this is petty but like maybe like a tad bit revengeful. But you know, I worked at Walmart and I never was able to prove this, but I know they fired me. This, I told the story before when the dude put the note on a thing and all of that, whatever. And you know one of the rules is you have to get like don't protect the money. It's not your money. So whatever, you know, whatever. You know that story. I got fired that following week or like a few weeks after that. And I promise you, I know that they did it because of us getting robbed. But I fucked up on my own. Cause I'm also doing shit to get fired. I'm sitting here on my phone and shit, texting and stuff. I was the customer service manager so I'm just on my phone doing what I want, texting and stuff. So that is grounds for, you know, termination. Especially if you get so many write ups. I was being late and shit like that, whatever. But I know that that was revenge for that. So they fired me and they fired me when I came back from vacation. So I went back to that store and I'm just acting normal. And I still go to the store today. And still to this day, every now and then I just go knock something off the shelf. [01:17:21] Speaker A: To this day, to this day, that's not getting back at them. Cause that's somebody that worked there that gotta deal with that. [01:17:27] Speaker B: Yeah, I know, but fuck your supervisor, fuck your store. Manager. [01:17:32] Speaker A: I feel you. [01:17:33] Speaker B: So, like, I'll go through, like the chip aisle and I just knock over. Just like whatever. And then I just do it. So just. I just sweep it. Just sweep it off the shelf. I just go like that. [01:17:46] Speaker A: I'm picking up what you put down. [01:17:48] Speaker B: That's it. But I'm not good with get back. [01:17:51] Speaker A: Oh, I'm good at it. [01:17:53] Speaker B: I'm gonna start calling when I need to get some revenge on motherfuckers. [01:17:55] Speaker A: I'm good. [01:17:55] Speaker B: I'm not good at that. [01:17:56] Speaker A: But you gonna wanna catch flight and be direct. I don't do that. [01:18:00] Speaker B: You right. You right. [01:18:01] Speaker A: You don't wanna go crash. [01:18:02] Speaker B: I'm addressing it. [01:18:03] Speaker A: Yeah, you wanna go crash. That's not how I do it. I do it. [01:18:07] Speaker B: You let that motherfucker boil. [01:18:08] Speaker A: I let it simmer and I go. I do it strategically over time to where it gives me a great payoff. [01:18:13] Speaker B: It's a slow burn sometimes. [01:18:14] Speaker A: Like even like Charlamagne brought that up too. He said now. He said now he do stuff and he don't even wanna take ownership of it. He just likes seeing it play out. That's kinda where I'm at now. [01:18:24] Speaker B: Well, y' all head over to hofashions.com and you can purchase your car. Game on wholefashions.com and shout out to everybody who ordered T shirts. Y'. All. T shirts are in routes. I know y' all got that email update. T shirts are in rap. You can get the shut the up and rap shirts. Make rap again or R B on the website Ginaviews LA. [01:18:47] Speaker A: Make sure you go to culturemerger.shop to get that. Effective immediately merch. All things on culture merch. You can get the tee or the hoodie. We'll come up with some more creative things. Also, we're going to be doing some really cool things in the future. So go to that website, make sure you follow us, subscribe to our YouTube, get us to 40K, please, please. We definitely appreciate that. And also share this video. Like, comment, subscribe and we'll see you next week. It's effective immediately.
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