Effective Immediately Ep. 44❗️| DJ Hed vs. Mal Recap, New Ray Vaughn, 100 Men vs. 1 Gorilla & MORE❗️

[00:00:04] Speaker A: Welcome to effective immediately. I'm DJ Head. [00:00:06] Speaker B: What up Hip Hop Nation? It's your favorite homegirl, Gina Views. [00:00:09] Speaker A: Yes. We are back for another week of shenanigans. [00:00:12] Speaker B: Wait, wait, wait. [00:00:13] Speaker A: What? [00:00:13] Speaker B: The sound of the culture. [00:00:15] Speaker A: Shut the fuck up, bro. [00:00:17] Speaker B: You know that shit sound cool though. That shit sound cool on the radio. He be like, the sound of the culture. [00:00:23] Speaker A: Effective immediately on Hip Hop Nation. The sound of the culture. You goddamn right. [00:00:29] Speaker B: Hey, that's the streets is saying what we one of them shows. [00:00:33] Speaker A: We are one of them shows. Thank you. If you're watching this on YouTube, thank you for subscribing. We appreciate that. On our way to 30k, tell a friend. Tell a friend. Hit that subscribe button. If you are happy with what you see on Gina View's Instagram, make sure you subscribe. You know what I'm saying? Also, go to our. [00:00:48] Speaker B: You kind of made it sound like a only fans though. [00:00:51] Speaker A: Whatever is gonna get y'all to subscribe. You know what I'm saying? [00:00:53] Speaker B: We're gonna get em over here. [00:00:55] Speaker A: Yeah, we take the moments as we get them. But yeah, go subs. Also, if you listen to us audio, make sure you hit that follow or that plus icon so we get the credit for you fucking with our show. Thank you very much. [00:01:06] Speaker B: You know, people in the comments have. [00:01:09] Speaker A: Been saying, shout out to the chat. [00:01:10] Speaker B: Shout out to the chat. They have via Twitter, Instagram, YouTube. They've been saying that they love us as a duo. [00:01:18] Speaker A: Yes. [00:01:18] Speaker B: And what's crazy to me, cause we just. This is us on cameras. Like, if y'all think this shit funny, you gotta get a load of the group chat. [00:01:26] Speaker A: Yeah, wait till you see the. Wait til you get a load of shit we can't say on the radio. [00:01:33] Speaker B: If we could get a camera and they could hear us going back and forth. Remember Salas was so tickled. [00:01:39] Speaker A: Oh, in the car. [00:01:40] Speaker B: Where was we going? [00:01:41] Speaker A: Cause you was picking on me by my glasses. [00:01:42] Speaker B: I wasn't picking on you. You was talking. [00:01:44] Speaker A: We went to go eat at the. [00:01:45] Speaker B: Grove, but you said some stupid shit. [00:01:47] Speaker A: I didn't say nothing stupid. [00:01:49] Speaker B: You was like, what did you say? [00:01:52] Speaker A: I don't remember what I said. [00:01:53] Speaker B: We was driving out the. From the ticket thing. We was driving out the garage and you talked to me as if like. [00:01:59] Speaker A: I said a word. [00:02:00] Speaker B: No, you said a full statement. That felt like Wikipedia. [00:02:04] Speaker A: Okay. [00:02:05] Speaker B: It was like if I asked chatgpt something and then you replied to me and I just looked at you and the first thing I seen on your face was some glasses and you had just Got them glasses. [00:02:13] Speaker A: Yeah. You was like. And what's crazy though, chat is I said something. Gina. I said something that had nothing to do with my eyesight. And Gina views didn't reply. She go up, she just go up in the backseat. It's like, and I don't give a fuck about them glasses. What the fuck the glasses got to do with me? [00:02:31] Speaker B: I don't give a fuck about them glasses though. [00:02:35] Speaker A: I can't see like. It had nothing to do with nothing. [00:02:39] Speaker B: You had just got the motherfuckers and I looked over at you, I seen this smart ass nigga talking to me, saying words I don't know. I said, I don't give a fuck about them glasses. [00:02:50] Speaker A: Hey, man, listen. [00:02:52] Speaker B: But speaking of that though, we did. [00:02:54] Speaker A: Just have a crazy week. [00:02:56] Speaker B: Crazy week. [00:02:57] Speaker A: Crazy week. We went to Atlanta. Let's start at the beginning. Shout out to Charlamagne, shout out to Dolly, and shout out to iHeartRadio. They have the Black Effect podcast network. We went out to Atlanta for the Black Effect podcast festival. [00:03:11] Speaker B: Yes. [00:03:11] Speaker A: Gina and I took the trip out there. And do you wanna start, you wanna start at the. [00:03:17] Speaker B: Let's start at the airport. [00:03:18] Speaker A: Let's start at the airport. [00:03:19] Speaker B: So I get a text from Head. He said, you need to get here right now. [00:03:23] Speaker A: Why you always make me sound like an angry dad. [00:03:25] Speaker B: You're very much an angry dad without kids. Okay, so you was like, you need to get here now. So you know me, I take my time. They say people who stress out are people who don't take they time. So I live a stress free life. So I'm gonna take my motherfucking time. [00:03:40] Speaker A: Yes. [00:03:40] Speaker B: So I took my time to get to the airport and you text me while I'm still an hour away. [00:03:46] Speaker A: I know, I was looking, I was like, I was. So look, I'm at the airport right now. Let me back up a little bit. I can't check in. And if you ever flew anywhere, hopefully you have, you know, you have to check in 24 hours ahead of time. It didn't let me check in. I'm thinking, oh, the system is down. It said, we're sorry, we're experiencing difficulties or something like that. Shit happens, whatever. I'm not tripping. I go check in at the airport. I mean, I'll check in tomorrow. I try to check in, I'm trying to check in all day. Cause I have a bag to check, so I can't check in. And now I'm like, okay, let me call them. I'm calling them. And then I'm talking to them now, mind you. I don't know how I sound on YouTube. I don't know how I sound on the radio right now. But I don't know if you can tell. I'm 40, I'm a grown ass man. Okay? The agent tells me that I'm seven because in their system, I was born in 2018. That's why I can't check in. Cause I'm a minor. Hey, sir, we're sorry. You're a minor. You can't check in with that grown ass voice, Bitch, do I sound like a minor to you? And it reminded me of when we had Az Chike on our show. And he was like, bitch, I'm 10, I'm grown. Like, I was like, what do you mean I'm a minor? I said, I literally own a home. Like, what are you talking about? [00:05:00] Speaker B: You got the flex on her. [00:05:01] Speaker A: No, I'm just like. Because my problem, the problem that I run into in dealing with people who just do their job, like, without thinking. [00:05:09] Speaker B: They don't have common sense. [00:05:11] Speaker A: They're not thinking as a human being. They just doing they job. I get you just got your head down. You got your headset on you and the computer. I use your brain, though. [00:05:19] Speaker B: There are customer service representatives who, it seems like when they clock in, it like, dehumanizes them. [00:05:26] Speaker A: Yes. [00:05:27] Speaker B: Like, they don't understand common sense, social cues and the obvious. [00:05:32] Speaker A: Yes. Like, one time not to go. I don't want to. I've been harping on this for years, but we went to a show at the Palladium. I think it was Blast. And we went to see Blast at the. I think it was Blast show. And I had a credential. But the credential, I guess, wasn't for backstage. It was just for, like, friends or family or something like that. I'm literally backstage talking to Blast Mom. [00:05:53] Speaker B: Yeah. [00:05:54] Speaker A: You were there. I walk out like. So the security guard let me out of this one barricade, and I was like, oh, I left. Gina let me go back. He's like, I can't let you back through here. You just let me out. He was like, yeah, but I can't let you back through here. [00:06:07] Speaker B: The Palladium security pisses me off. [00:06:10] Speaker A: So peep game. So I'm like, but you just let me out? [00:06:14] Speaker B: Yeah. [00:06:15] Speaker A: He was like, yeah, but I can't let you back in. I said, do that make sense to you? [00:06:18] Speaker B: Like, if you went to the car and came back okay. [00:06:21] Speaker A: No, I. But if I just let me go grab Gina, I'm gonna go get Gina and I'm gonna come back over here. Nah, I can't let you through. He's like. I said, so how do I get back to where I was? He said, oh, you gotta go all the way back around. Go out the front and come back in through the back. I said, so you want me to leave the venue and go outside and go all the way around to the artist entrance and come back in and then I can come back? He's like, yeah. I said, all right. So then I was so fucking. I was mad, like, you know, I don't lose my shit. But I'm like, all right. So then I think I went and found you. And then I came back to that same barricade. And before I walked through. Cause he was gonna let me out again. I said, you see where I am, right? And he's looking. I said, now do that make fucking sense to you? You know what I'm saying? Like, I understand you trying to do your job, but also, I need you to be a human being and understand that you just let me out this motherfucker. [00:07:11] Speaker B: Yeah. [00:07:11] Speaker A: You know what I'm saying? Anyway, I get to. So that type of shit, that's where I go over the top. I be calm, normal the time. But that type of shit, I lose it. So I'm talking to the Delta agent. She tells me, I'm seven. I can't check in the airline. Cause I'm a minor and I need a parental guy. Yeah, I don't. I don't know what to do with that. So now I'm like, let me just go to the airport. So I just skip everything. I go straight to the airport. I'm there two hours early. The homie watch sticks is there. He check in, no problem. We on the same flight. So he. Look, he's standing there as I'm dealing with the. Now, this agent, she was helpful. I wish I could remember her name. She was extremely helpful. She checks me in. She's like, all right, I corrected the mistake. It's our bad. It's Delta. We sorry, but there is something that happened. I said, what happened? She said, well, you bought some kind of. You bought a certain reservation. I don't know if it's Comfort plus or whatever you bought, but we don't have no more seats left for that. Because the agent you talked to on the phone deleted your flight. You're on a flight tomorrow. I gotta go to Atlanta tonight. Nigga, what the fuck you talking about? I'm on a flight tomorrow. She's like, you're not on this flight. Gina is literally finna get on this flight. Stick's getting on this flight. I'm getting on this flight. Fuck you talking about? I'm not on this flight? [00:08:30] Speaker B: And it wasn't a full flight. [00:08:31] Speaker A: And it wasn't a full flight. She was like, well, all right, let me do some stuff. So she has to call. She calls somebody else. I don't know. She calls upstairs. They end up doing something in the computer. They put me on the flight. She's like, but the problem is now you have a different reservation where you don't get the seat that you was about to sit in, right? And I think you had a middle seat. So I'm like, okay, so what does that mean? Do I get credit back? She's like, no, you just get to be on this flight. But that's not what I paid for, right? She was extremely helpful. I didn't want to go up on her. I said, just put me on a flight. I need to get to Atlanta tonight. Poom. We get on the. We get there. I go to security. I don't know where you at. And so now I'm upstairs. I'm hot because now I'm hungry. I done been at the airport two hours dealing with these people. Delta, I am so beyond irritated. And Gina Fuse pulls up. Playing. [00:09:25] Speaker B: I was. First of all, I did not have that type of experience. I pulled up, I parked at Desiree Shop. I ordered a black truck. I ordered a black truck. I drove through lax, went through. Went through tsa. It was no line at tsa. I just walked straight through. Hey. [00:09:44] Speaker A: Hi. [00:09:45] Speaker B: Took my shoes off. [00:09:45] Speaker A: Took my phone and shit. [00:09:47] Speaker B: Yeah, I'm on the phone. Me and Desiree gossiping and shit. I said, oh, let me go get some sleep pills. So I go to the little convenience store, and I see you. So I start ducking behind chips and shit. I said. I said, desiree, I see him. I see. Head right here. Cause when you told me to get here, now I'm like, I ignored you. [00:10:04] Speaker A: Yeah, I know. [00:10:04] Speaker B: Because I'm like, you already checked in. I'm checked in. We the last flight. That motherfucker airport ain't crowded. I knew I was walking straight through. So I'm hiding, ducking and shit. This nigga gonna stay. You need to hurry up to fight for the board. I was like, well, if somebody's not. [00:10:27] Speaker A: Having a good day, I'm fucking pissed. [00:10:30] Speaker B: I said, desiree, let me call you back. [00:10:33] Speaker A: But not only that, though. You gotta think, like, I'm Also pescatarian. So it ain't nothing for me to eat in that motherfucker. They only got ham sandwiches and turkey sandwiches, like, so I'm hot. So I'm eating a hummus cup or something. I'm fucking. I'm just not having a good evening, you know. And so anyway, we get on the flight and after that, it ended up being cool. [00:10:58] Speaker B: Yeah, the flight was cool. I did not sleep the entire flight, though. I did and. Cause I had that middle seat. So that was the other thing. The Delta app was fucked up. [00:11:06] Speaker A: Because something was fucked up. [00:11:07] Speaker B: Yeah, something was fucked up. As I'm hitting the thing, it have all the options available too buy. If you wanted to upgrade in all of that, but you could not do it. Like, it didn't matter if what you was clicking, it was not working at all. Their app was really experiencing some technical difficulties. [00:11:23] Speaker A: So we get to Atlanta. I also want to say I tried for like three hours to get my refund. Delta, I want my refund, bro. Like, shoot me my bread back. Y'all shot me half of my bread for the flight, but y'all downgraded my reservation. I need my bread back for this credible, this crazy experience. And I'm tagging y'all in this clip. I want my bread back. I want the full refund. My name is Aaron Drake Jr. You know what I'm saying? I put my. I give you my Sky Miles number and all that. I talk to five agents in two days. No, seven agents. Four in person, three on the phone. I talk to seven agents in two days. I need my money back. Anyway, we get to Atlanta. [00:12:04] Speaker B: I said, ain't you. [00:12:08] Speaker A: I said, Delta. Delta. On the Delta shit. You know what I'm saying? I took a flight. Cause I didn't take flight to get a flight before. I took flight on the flight. You know what I'm saying? [00:12:28] Speaker B: I knew you could do it. [00:12:29] Speaker A: Yeah, exactly. [00:12:31] Speaker B: But yeah. So we land in Atlanta, we go get. The food was really good that we went to. I forgot the name of the place. [00:12:36] Speaker A: Shout out to cousin. [00:12:37] Speaker B: Shout out to my cousin. [00:12:38] Speaker A: Yeah, shout out to Cuzz. She was accommodating enough. [00:12:44] Speaker B: Yeah. She came and picked us up from the airport. She took us to go have breakfast. I really wanna know the name of the place we went to, though. [00:12:51] Speaker A: Me too. [00:12:51] Speaker B: It was something that had to do with an egg, like Over Easy Delight. [00:12:55] Speaker A: Broken egg. [00:12:57] Speaker B: Was it broken egg? [00:12:58] Speaker A: I don't know. Let me look at my. [00:12:59] Speaker B: It might have been broken. [00:12:59] Speaker A: Let me look at my credit card statement. [00:13:02] Speaker B: I believe it was Called Broken Egg. But it was really good. We got in there before the crowd pulled up and apparently this is a very popular spot. But when we pulled up, we was able to walk right through, sit down, and by the time we left, the line was out the door. [00:13:18] Speaker A: It was. [00:13:19] Speaker B: I think it's called Broken Egg. [00:13:20] Speaker A: It ain't showing up on my thing yet or something. [00:13:23] Speaker B: It's something to do with the egg. [00:13:25] Speaker A: Yeah, it was good. [00:13:26] Speaker B: Broken Egg Cafe. Yeah. [00:13:28] Speaker A: Okay. Shout out to the Broken Egg Cafe. They were nice in there. [00:13:32] Speaker B: And this is not an ad. [00:13:33] Speaker A: This is not an ad. They could be, but it could be. We went and had breakfast and then we went to our prospective places that we were staying and. [00:13:42] Speaker B: Another broken Egg. [00:13:43] Speaker A: Another broken egg. What was crazy to me though is it's always funny to me when I. When like, I know Gina, I know Gina very well at this point. Like, this is like my little sister. Like, I know Gina very well and I don't be picking up the social cues. I still miss him, right? So we in the car and I'm having this crazy conversation with your cousin. And Gina's just quiet. Gina and I saying shit, right? She let me. I'm in the field, I'm running the fade. Dolo just do, do, do, do, do, do, do, do. [00:14:19] Speaker B: So why you not married? Yeah, why you don't have kids? [00:14:22] Speaker A: Why you not married? Your cousin cooking me. Well, how old are you? 40? 41? You not. Why you not married? Hey, bro, I ain't. It's 7:00 in the morning, my nigga. I don't. [00:14:34] Speaker B: I motherfucking. [00:14:36] Speaker A: I don't know. I don't know what's going on. [00:14:39] Speaker B: I don't got nothing to say. [00:14:40] Speaker A: We have a good conversation now. Shout out to Cuzzo. [00:14:43] Speaker B: Now I told you before that my family is nosy. [00:14:47] Speaker A: Yes, you have said this. [00:14:48] Speaker B: I told you my family is nosy. And I told you that there's a side of the family who has an obsession with light skinned people. Remember she brought that up. [00:14:54] Speaker A: Yeah. [00:14:54] Speaker B: That our family got an obsession with light skinned people. So I already kind of just know what to expect now. She is actually the cousin that you met. She is actually like, if it's like a scale of 1 to 10 with the family, she's like at a 3. If you would have met the other aunties, they had like a 10. With the nosy, the disrespect. I got an auntie who would've asked you straight up, how much money you make? [00:15:19] Speaker A: Damn. [00:15:20] Speaker B: A year. [00:15:20] Speaker A: That's kind of invasive. [00:15:21] Speaker B: What's your salary? How much? Your car? No, like, she come in. [00:15:24] Speaker A: Just like I said, I'm unemployed entrepreneur. [00:15:28] Speaker B: I went over there. I forgot what holiday it was, but it was one of the holidays where we all eating. Good. Gina, when you gonna introduce us to your boyfriend? [00:15:38] Speaker A: What boyfriend? [00:15:39] Speaker B: I'm like, what boyfriend? You don't have a boyfriend? No. You not in a relationship? No. You don't want kids? You getting older? Like, they get it. Like, they get it going like that? [00:15:51] Speaker A: Yeah, yeah, yeah. I fuck with the family. You know what I'm saying? [00:15:54] Speaker B: But that's why, see, me, I learned. Like, I know how to handle people. I just shut the fuck up. [00:15:59] Speaker A: Yeah, you just completely. You was quiet the whole trip. And even when you got in the restaurant, you didn't start talking till the bird flew into the window. [00:16:05] Speaker B: Oh, my God, y'all. We saw a bird die, man. [00:16:10] Speaker A: Why you say it like. [00:16:11] Speaker B: Because, like, we saw it happen. [00:16:14] Speaker A: I saw the bird life leave his body for sure. [00:16:16] Speaker B: Yes. Yeah, like, I seen it. Okay, so this to paint the picture. We're sitting at the table and over to my left, head's right, a bird just comes in smack and hits the freaking window. Literally, like the movies. [00:16:31] Speaker A: It just flew straight into the window. [00:16:33] Speaker B: It was like the windows commercials. Yeah. Boom. [00:16:36] Speaker A: And he just fell on the table on his back. I ain't never seen a bird on his back, like, a lot. [00:16:41] Speaker B: I've never seen a bird on his back like that. [00:16:42] Speaker A: He laying on his back, but he started kicking. He just like. I'm like, what the fuck? [00:16:48] Speaker B: He had started, like. Like, he was, like, kicking and shit. [00:16:50] Speaker A: I was like, oh, shit. I think, is he. Oh, that's fucked up. [00:16:53] Speaker B: And then we so fucking judgy. We are some judgy ass motherfuckers. Cause we all watched that girl pick. [00:17:00] Speaker A: That bird up with her in her hands. [00:17:02] Speaker B: And we waited for her to go to the bathroom, and she didn't. Bitch never went to the bathroom. Bitch, go wash your hands, bitch. That ain't my server. [00:17:10] Speaker A: Yeah. Hey, you know what she did? She picked the bird up with her bare hands, moved it off of the table, put it somewhere else. Probably somewhere where a cat can get to it later on, and just went back to life. She didn't wash her hands, nothing. I'm like, damn. [00:17:26] Speaker B: That bitch started. She started putting. What is it called, placings, condiments and. [00:17:31] Speaker A: Shit on the table. [00:17:32] Speaker B: On the tables. On people's tables. [00:17:33] Speaker A: Yeah. [00:17:34] Speaker B: I'm glad we ain't. I'm glad we're not dining in her section. [00:17:37] Speaker A: Yeah, definitely. That was crazy. But other thing too about the bird is now I was gonna make a bad joke. Nevermind. [00:17:45] Speaker B: It's already on the flow. You might as well just throw it up. [00:17:47] Speaker A: Yeah, but it's just like. Because I was like thinking to myself, it's like maybe the bird was. Didn't. Don't like certain parts of Atlanta. The reason why I don't like certain parts. So the bird rather just, you know, let me just fly into this. [00:17:57] Speaker B: You thought he just killed himself. [00:17:58] Speaker A: Yeah. [00:17:58] Speaker B: Damn. [00:17:59] Speaker A: Suicidal birds is the thing in Georgia. [00:18:01] Speaker B: It's so messed up. I seen somebody saying on Twitter that it's a moose got hit. A moose got hit by a car on Twitter. And then somebody at comedy said it's so crazy. Cause like in wildlife, there is no emergency rooms. It's no anesthesia. Urgent cares, they kind of just have to just go back into regular life. [00:18:20] Speaker A: Like they gotta walk it off. [00:18:22] Speaker B: They just gotta walk it off. [00:18:23] Speaker A: I never thought about that. [00:18:24] Speaker B: They gotta walk it off. We are. I don't wanna call us privileged. It is privileged, but it's a freaking privilege to be human. [00:18:31] Speaker A: It is a privilege. Y'all out here getting lip fillers and shit. [00:18:35] Speaker B: Yeah. [00:18:35] Speaker A: And the bird gotta just walk it off. [00:18:36] Speaker B: Yeah, yeah, yeah. [00:18:37] Speaker A: That's fucked up. [00:18:38] Speaker B: And a hundred niggas is arguing if they could take down the gorilla. We don't get into that later on. [00:18:45] Speaker A: But what was dope though, was to see all them black people at the Black Effect Podcast festival. Yeah, Gina was hella late. And I mean, I don't even think late is the word. Like, Gina showed up 45 minutes before this shit over with. [00:18:59] Speaker B: Okay, in my defense. No, look, the flyer said it end at 8. I got there at 4, bro. Doors opened at 12, bro. [00:19:09] Speaker A: I'm there. I'm there like 12, one everybody different type of nigga. Nigga's on my bumper. Where's Gina? Where's Gina, nigga? I'm here, I'm here. You have Gina views number charlamagne. Where's Gina, nigga? You got Gina text Gina. Why you asking me where the fuck Gina at? I don't know, nigga. I'm looking and I'm looking at Gina location. This motherfucker, she on the north side. [00:19:31] Speaker B: So I'm like, I was having a hair. Okay, so this is part of my flight almost beating fucked up. I had a hair crisis. [00:19:37] Speaker A: I don't know what that means. [00:19:38] Speaker B: I had a hair business for a long time. These are bantu knots in my hair right now. [00:19:42] Speaker A: These are what? [00:19:43] Speaker B: Bantu knots that's what these are called. These are bantu knots. [00:19:47] Speaker A: What's a bantu knot? [00:19:48] Speaker B: When I left the knot. When I left Lauren's house, shout out to my friend Lauren. That's my braider. When I left Lauryn's house, my braids was just straight back. My hair was not done. [00:20:01] Speaker A: Oh, like, one of these days or one of. What's the. [00:20:03] Speaker B: Yeah, my hair was halfway done. Exactly. My hair was halfway done. So she did all the braids and stuff. But the style is what you see right now. So when I walked out her house, I did not have the knots. The options were get my hair finished and miss my flight. [00:20:19] Speaker A: Hell, no. I'd have been. I'd have. [00:20:21] Speaker B: Now, would you rather me miss the flight or be late? [00:20:23] Speaker A: Be late. At least you in Atlanta. Getting you from North Georgia. I mean, north Atlanta to where? To Pullman Yards is easier than getting you from lax, nigga, to Pullman Yard. [00:20:34] Speaker B: So I had to make a decision. So I told Lauren, I said, bitch, you taking too long. I said, bitch, I'm gonna have to just do my own knots when I, you know, when I get to Atlanta. But I didn't sleep on a flight. So I got to my auntie house. I mean, my cousin's house. I said, I'mma just take a nap. [00:20:54] Speaker A: You slept all morning? [00:20:55] Speaker B: I slept the whole fucking morning. But I told y'all. [00:20:59] Speaker A: But you said you was gonna sleep. [00:21:00] Speaker B: For a little bit at that restaurant. I told y'all. Cause y'all was like, you sure you don't wanna eat? I said, I need to get to a bed. I need to lay down. But y'all was just sounding. Y'all start talking about what the place had. I said, well, let's just go in there and sit down and eat. [00:21:13] Speaker A: Let me eat. [00:21:14] Speaker B: That was supposed to be my sleep time, but, yeah, I was fixing my hair that whole time. [00:21:18] Speaker A: Okay, so Gina Views was dumbass. Late to the podcast festival. Everybody's done bugging me. You get there, we take our pictures. We wait all day to do this content for a king. Shout out to a king. That's my guy. And what was super dope, though, is like, it was a more. It was female dominated. [00:21:35] Speaker B: Yeah, it was. [00:21:36] Speaker A: It was super, like, black woman dominated. Like, shout out to Debbie Brown. She did her thing. Like everybody. It was less men than it has been previously, and I appreciated that Lauryn. [00:21:46] Speaker B: Was walking around doing her thing. Mandy was hosting. I ran into Mandy. She like, you seen me going. Cause it was like a conversation. I was on Twitter, and Mandy was like, Hey, I need Gina to be whoopty whoopty wop. [00:21:57] Speaker A: Oh, for real. [00:21:57] Speaker B: And she was like, having a back and forth with somebody else. Yeah. [00:22:00] Speaker A: Okay. [00:22:01] Speaker B: Nala. [00:22:02] Speaker A: Yes. [00:22:03] Speaker B: Shout out to Nala. [00:22:04] Speaker A: Nala Simone. [00:22:05] Speaker B: Shout out to Nala Simone. So for the people who don't know, Nala has been somebody who I've been, like, tapped in with for a really long time, where I look at her as, like, the east coast version of me. [00:22:19] Speaker A: She's also a Leo, which is crazy. [00:22:22] Speaker B: She's heavily into music. The difference between me and Nala is I do only hosting and she's a DJ as well. Yeah, but she's somebody who's like, super into, like, the music, the vibes, and, like, she cares about the true essence of hip hop. [00:22:36] Speaker A: She do. [00:22:36] Speaker B: Not the gimmicky, not the clown shit. Like, she cares about what it is to be a hip hop artist and what this. What the brand of hip hop is, you know? I love Nala. [00:22:47] Speaker A: Mm. [00:22:47] Speaker B: Me and Nala found out we're cousins. [00:22:49] Speaker A: How the fuck what you mean? [00:22:51] Speaker B: So Nala's grandmother and my auntie put two and two together and start having this, like, just adding all this shit up. [00:23:02] Speaker A: Who? Wait, wait, wait. Your cousin. Cousin that you met and Nyla's auntie. [00:23:08] Speaker B: No, my cousin and Nala granny and. [00:23:11] Speaker A: Nyla's granny started having to just. They just randomly called each other and start. [00:23:15] Speaker B: No, no, no. After the festival, we dropped Nyla off at home. [00:23:19] Speaker A: Got you. [00:23:20] Speaker B: So on the way there, my cousin like, where are we going? So she tell her the address. She like, who? You know, over here? So she like, my granny. [00:23:29] Speaker A: She who? [00:23:29] Speaker B: Your granny? [00:23:30] Speaker A: Yeah. [00:23:30] Speaker B: So she like, no way. So then she called her granny. So then my auntie get on the phone with another one of our family. I mean, my cousin get on the phone with another one of our family members, and they start just adding all this shit up. So then later on, we get out the car and Nala called me back, and they still adding shit up. But me and Nala are cousins. [00:23:46] Speaker A: You and Nala are family related cousins? [00:23:48] Speaker B: We're blood cousins. [00:23:49] Speaker A: That's insane. That makes so much sense. [00:23:51] Speaker B: Yeah, we're blood cousins. [00:23:53] Speaker A: That makes a lot of sense, actually. Cause both y'all are annoying and, you know, nuts, but that's dope. [00:24:00] Speaker B: And then I went out with her. And what I like about Nala as well is that she is not an outside person like me. [00:24:08] Speaker A: She don't fuck with people. [00:24:10] Speaker B: I don't with people. She invited me out with Barry. Shout out to Barry. [00:24:14] Speaker A: Shout out to my Barry Hefner. [00:24:16] Speaker B: And we went to a. A hookah lounge. But it was kind of like a mansion. [00:24:21] Speaker A: Kind of like it was a mansion. [00:24:23] Speaker B: I've never seen a hookah lounge this big. Like, it was private rooms. And, like, the music was great. The food. The. The waiter made us this tea from scratch. He won't give us the recipe. He wouldn't tell us what it was. [00:24:34] Speaker A: Atlanta, a different place. [00:24:35] Speaker B: Yeah, yeah, yeah, yeah, yeah, yeah. [00:24:37] Speaker A: That's crazy. [00:24:38] Speaker B: It's a movie called Spell. Is it called Spell? With Amari Hardwick? Amari Hardwick? [00:24:44] Speaker A: I don't know. [00:24:45] Speaker B: It's another one with Terrence Howard and Tommy from Power, where they drink some shit and everybody start wallowing. [00:24:52] Speaker A: She said, tommy from Power. Joseph Socorro. [00:24:55] Speaker B: Joseph Socorro. [00:24:56] Speaker A: Yeah. [00:24:57] Speaker B: But. Yeah, that's why I'm like, oh, shit. Y'all sure about this team? But no. Great time. Great time in Atlanta. [00:25:03] Speaker A: That was dope. I think I always enjoyed the food in Atlanta. And the weather wasn't bad. Like, it was. It was actually cool. Like, it'd normally be either crazy, like. Like humid. [00:25:14] Speaker B: Yeah. [00:25:15] Speaker A: Or dumb ass hot. [00:25:16] Speaker B: Yeah, the weather was real good. [00:25:17] Speaker A: The weather was good. [00:25:18] Speaker B: The weather was good. [00:25:19] Speaker A: I had another issue when. Well, actually, let me back up. I was in Atlanta, and we were finishing up. This about the podcast festival. I didn't even know that Kendrick was gonna be in Atlanta when we started setting this trip up. [00:25:34] Speaker B: Do you know when I saw you posting it, I thought that you was posting somebody else videos, bro. [00:25:38] Speaker A: I didn't know. [00:25:39] Speaker B: I did not know that you was at that show. [00:25:40] Speaker A: So DJ Aara, when DJ A1 who told me, he's like, you know, Dot is out here this week. I'm like, get the fuck outta here. I totally didn't even realize. Cause people swear to God on the Internet that I'm in Atlanta. Cause I'm opening the show and all that. I'm like, bro, Mustard's opening the show. Oh, on the Internet, they thought I was in Atlanta for the GNX tour. I didn't even know that shit was gonna be in Atlanta. [00:26:07] Speaker B: Okay, see, I saw people saying that, but I didn't know. I thought they was just doing a regular, you know, research speculation. Exactly. I didn't even realize. Okay, that makes sense. [00:26:16] Speaker A: So DJ Aaron ended up telling me, you know, you know, Dot is here. I'm like, oh, shit, I gotta go to the show. I wanna see the show. So I hit people and ended up getting that squared away. And I went to really see the show. I didn't do no backstage. No backstage shit. I didn't do none of that shit. And I was like. I had a moment. To be honest. It was not. It wasn't. I wouldn't classify it as emotional. Cause I'm not an emotional person, but whatever is below emotional. I had a moment when I was watching that shit, and I was. Cause I wanted to see the show. So I'm watching it, and I'm just. I keep finding myself just looking around and looking back and like, this shit is really crazy. [00:26:54] Speaker B: That was me at the Pop Out. [00:26:56] Speaker A: Oh, really? [00:26:56] Speaker B: Yeah. Don't it feel good to be in a crowd and be a fan? [00:26:59] Speaker A: Yes. [00:27:00] Speaker B: Like, you not here to work. [00:27:01] Speaker A: No. [00:27:02] Speaker B: You not asking no fucking questions. Like, you're literally just there as a fan to enjoy the show. [00:27:06] Speaker A: And I was just looking like, they really here for the homies. Like, that's fucking crazy. And I was just having a. I was tripping out. Like, it was hard for me. I watched the show, and the show is dope, and I enjoyed the show, but it was very hard for me to not just keep, like, looking around like, how you say you did at the Pop Out. And I had to. I text him. I had to text him like, bro, like, I don't remember what I. Let me tell you what. I text him because I was like. I was just so, like, taken aback by that. And we only had two moments like that. So I text him. I said. I said. I was standing there last night looking at the crowd like, damn, bro, this shit really crazy, fool. Proud. Proud isn't an abundant enough word that I feel right now. I'm happy for you, bro. This shit is unreal. And he just said, my nigga love, bro. We did that. It's the work. And I was just like. Cause I was really like, damn. Because I remember when we came home from the road in 2010, I remember calling him to book him at the Dragonfly for $500. And I called him like, hey, you know, dot, like, this promoter got 500 for you. He was like, nigga, I need that right now. Like, let's do it. [00:28:17] Speaker B: What year is this? [00:28:18] Speaker A: This was 2010. [00:28:20] Speaker B: Damn. [00:28:21] Speaker A: 2010. I sent him a gig for 500 bucks. And he was like, I need that right now, bro. Like, right now, I need that. And so just seeing that, I was just. I had to hit the nigga. Like, it was crazy as fuck. And then seeing Sza over the years evolve into, like, this Beyonce of the new generation, it's, like, been crazy to watch, too. Also, I said on a bigger Picture. I say it here, publicly on the radio. Whatever. I got into it with Punch, not got into it. I had a discuss. I had to talk to Top for two and a half hours one night because Charlemagne ran his fucking mouth and told he Charlamagne. I told me and Charlamagne were having an argument about Sza. He took his daughter to see Sza. And I said, sza don't have no slaps. I don't mean she don't have no hit records. I don't mean she don't have no successful records. I meant slaps. I'm a dj. I'm coming from a pure DJ perspective. Which Sza song do you play at the function? I was wrong. SZA got slaps. You know what I'm saying? Sza got slaps. [00:29:23] Speaker B: You fucked around and found out. [00:29:24] Speaker A: I fucked around and found out. I was wrong. Sza got slaps. [00:29:28] Speaker B: Players fuck up. [00:29:29] Speaker A: Yeah, it is what it is. [00:29:30] Speaker B: It's all good, man. Players fuck up. [00:29:32] Speaker A: But seeing that, it was just incredible. I can't wait for everybody. I can't wait for y'all to see that. And also, I don't know if I should talk. I'm not gonna talk about the full. The conversation I had, but I ended up going and taking and sitting down and having a really good conversation with Shaka Zulu. And I don't know if people know who Shaka Zulu is, but Shaka's the man behind Disturbing the Peace. Ludacris, like, all these different people, and Shaka's a legend in the music game. And we talked for, like, two hours. And that was some of the most fruitful conversation I had in a long time. Just being able to sit with an OG and him just gang me up and like, that shit was fucking. I needed that. That was super dope. So I went by myself. I took the Uber, jumped an Uber, went to his compound, sat down with Shaka, and it was just like one of them conversations that really, really, really fulfilled me that I really needed. And I was just like, man, I really appreciate. So, Shaka, thank you, bro, for being a real one. You know what I'm saying? Go do your Googles if you don't know who Shaka Zulu is out there in Atlanta by way of New York. But, yeah, anyway, also, I saw Killer Mike at the airport. [00:30:41] Speaker B: How was that? [00:30:42] Speaker A: It was dope. He was moving, though. Like, he. I saw him in New York and he was going back to Atlanta when. When I was in New York. But, yeah, so I end up leaving. Oh. So let me back up we. I'm finishing Atlanta. Rory shout out to. Rory kept his word. You seen the clips that we all posted? Rory told Ma that he don't want it. The debate or whatever the case may be, Whatever. However it was phrased, Rory said, DJ Head, are you window or aisle? That nigga booked me a window seat. I'm a window nigga. [00:31:13] Speaker B: Do people pick aisle? [00:31:15] Speaker A: Some people do. Tall people do. Like, big people who are like, tall. Like Avery on our engineers here. He. He for sure gonna pick a owl seat. [00:31:22] Speaker B: So my homegirl hit the group chat. [00:31:25] Speaker A: Oh, shit. [00:31:29] Speaker B: This is what she said. Look, go ahead and read that. [00:31:33] Speaker A: Read it. You wanna read it on the air? [00:31:34] Speaker B: Yeah. [00:31:35] Speaker A: DJ Head ripped maul a new asshole. Oh, my God. I don't necessarily look at it like that. [00:31:46] Speaker B: The streets is saying that you cooked. [00:31:51] Speaker A: I just. I did. I was me. I know people wanted the rah rah, but I'm not a rah rah type person. Unless you fuck up my flight, but. [00:32:01] Speaker B: Or if you don't eat. [00:32:02] Speaker A: Oh, yeah, if I don't eat, I start tripping for show. But nah. So, Rory, Kevin, shout out to Benner. I want to give Benner his props, too. Benner is their manager or whatever. So Benner Hall. That's my guy. Me and Silas been rocking with him for years. Rory, obviously, I respect Rory. Me and Rory have a rapport. Me and Ma not so much as Rory, but I fuck with Rory, I fuck with Benner. And they were fully accommodating. Booked my hotel, booked a flight. I'd have no problems checking in. It was no problem. I do. I'm not a fan of New. Okay, let me not say that certain New York hotels are very, very small and stingy with their real estate. The rooms are crazy small. [00:32:41] Speaker B: Like, what hotel did you stay at? [00:32:42] Speaker A: I stayed at. I don't remember the name, but it was in Soho. It was a nice area. Like, everything is walkable. So while I was there, I'm like, fuck it. I'm in New York. I might as well go see the homies. Charlotte told me to pull up. I go to the Breakfast Club. Envy wasn't there, but I got to talk to Jess. And you when you sit down. And when you talk to Jess. Hilarious. Y'all gonna be just like Nyla. Y'all are the same. Y'all are. Jess was so irritated with me and my verbiage. When I tell you, Jess, what did. [00:33:14] Speaker B: You say to her, though? [00:33:14] Speaker A: What was it? We would start talking about relationships. We started talking about, like, how I am. Jess could not when I tell you. She just could not. [00:33:24] Speaker B: She couldn't take it. [00:33:25] Speaker A: She had a white sheet of paper that she was writing shit down, just taking notes, and she wrote this whole page of shit down. That's these words that she want to use. Shit that's wrong with me. Like, Jess is hilarious. Like, she. I fuck with her, but she's just like you. She just really. She was not fucking with. She was like this nigga talking about cerebral cortexes and shit. Nigga talking English. [00:33:51] Speaker B: You talking chat. GPT. [00:33:53] Speaker A: Oh, man. So I went and did. I went and did Lauren's podcast. The ladies with Lauren LaRosa. Hung out with them real quick. And then, yeah, I went to do the Rory and Mall podcast. [00:34:02] Speaker B: I thought you would have slid by the jbp. [00:34:05] Speaker A: I didn't have time. I wanted to go see Joe, but Joe's in Jersey. [00:34:08] Speaker B: Oh, okay. Yeah. Okay. Well, some new music did drop while we were out traveling. [00:34:17] Speaker A: While I was in New York. [00:34:19] Speaker B: Yeah. Dababy dropped a mixtape where it's all freestyles and he's rapping his ass off. [00:34:26] Speaker A: He is. [00:34:27] Speaker B: Yeah. [00:34:28] Speaker A: I remember. I do want to give Dababy his crops. Cause he is rapping. Because I remember when he started doing this before. Yeah, they was on his ass. Like, them beats is whipping his ass. [00:34:36] Speaker B: And that nigga went and picked some beats that he doesn't. He's rapped over Squabble Up. He went and picked some beats that he doesn't normally rap on. Rap on? Yeah, he got a bar where he say, I just brought the Drake in the club. Hope they ain't playing no Kendrick right now. Another one where he. [00:34:53] Speaker A: I think he said that on the Justin Credible freestyle, though. [00:34:56] Speaker B: Okay, So I think some of these freestyles are from. Cause Justin Credible has some sort of credits on the project. I wanna say he produced this. [00:35:05] Speaker A: What? [00:35:06] Speaker B: Yeah, I think he produced this. [00:35:08] Speaker A: Let me look this shit up. Hold on. [00:35:09] Speaker B: And then I wanna say his name is on the artwork. He got another bar where he say, baby got a car for every day of the week, but give me a beat. But I'm walking the nigga hard. He got off. [00:35:23] Speaker A: No, the baby. People be acting like the baby can't rap. Just because sometimes. Sometimes. Sometimes, you know, the rap sound a little blue facious, where it be like it be slid over a little bit, you know, like, that's our style. [00:35:36] Speaker B: Ooh. [00:35:37] Speaker A: What? [00:35:38] Speaker B: I'm gonna let you go. [00:35:40] Speaker A: That's not. That's not true. [00:35:42] Speaker B: What? [00:35:43] Speaker A: Like where. I'm talking about, like, the beat where. You know how people Say he rap off beat, but that's his style. Like, sometimes I hear the baby rap in a certain pocket, and I'm like, that ain't for him to do. [00:35:53] Speaker B: Mm. I don't know. I mean, I get the. Cause I do hear that critique of him a lot, but I feel like. Yes. It says, hosted by DJ Kidd and Justin. Incredible. [00:36:05] Speaker A: Oh, okay. Shout out to Kidd. That's my guy. [00:36:09] Speaker B: He did what the Helly? As well. Oh, okay. See, they're. Oh, he did Nokia Tweaker. Sky's the Limit. Squabble up Part of a woman. No. Chicken Evil Jordan. One take. What the hell? He spin doo wop. Sorry, Ms. Jackson. Paint the town red. And last. Last. And then this mixtape is called Please say the Baby Volume One. [00:36:34] Speaker A: Mm. [00:36:35] Speaker B: Is that the name of it? Yeah. Please say Da baby Value one. I appreciate this from Dababy, and I hope that more artists are going back to this type of the. The freestyle, the rap, because that's something that we've been missing for a long time. My favorite mixtape is no Ceilings. [00:36:56] Speaker A: Yeah. [00:36:57] Speaker B: As well as Soul Tapes. The Soul Tapes. And there's no competitions and all of those. [00:37:00] Speaker A: You like the soul Tapes better than that. I think we talked about that before. [00:37:03] Speaker B: Yeah, we talked about it. Well, my favorite one is. Yeah, we did talk about this, because now I'm getting Deja vu. Friday night freestyles. Yeah, that's my favorite. But just I like mixtapes better than albums. [00:37:16] Speaker A: Yeah. [00:37:17] Speaker B: Unless you really put together, like, a song that's really, like, a classic for me. Like, I was just talking about the Gunna and Wiz Khalifa shit. That motherfucker. Bang. Like, unless you got real, like, music on the albums. Give me the mixtapes. Where you rapping? I wanna hear the rap shit. I love the rap shit. So I appreciate that Dababy is even bringing this type of thing back. I hope that more people doing it. Do you remember there was a time where an artist could drop a song and everybody would be rapping on that beat? [00:37:44] Speaker A: Yep. [00:37:44] Speaker B: We don't have that no more. [00:37:46] Speaker A: Yeah, I think. But I also think that it's a lot of. It's too much. The music industry has made it too complicated to do that now. Yeah, you get flagged, you get your shit striked. [00:37:55] Speaker B: And that's why. Just make it fun. Put that motherfucker on YouTube, SoundCloud, something for the fans for us to talk about. Cause, like, even Fab hasn't dropped a compilation, like a full project in a long time. But every now and then, he gives us a freestyle. He Just rapped over Sza. He rapped over Amarie song. He'll do. But it's only on YouTube. Obviously all of them don't make it to DSPs. [00:38:16] Speaker A: I think the reason also is because another reason probably why we don't get those things is because if the rapper is gonna like do a three minute verse on a song and rap on a beat, he's like, well, I might as well do something on an original beat and be able to monetize it and be my record. [00:38:31] Speaker B: Yeah, but it's not as good. [00:38:33] Speaker A: It's not the fun. [00:38:34] Speaker B: It's like I feel like not to. Cause I'm tired of talking about these two as a whole. But I feel like the whole beef, the rap beef that went on last year, that made rap back fun to where people just wanted to rap. And it's like, fuck the business of this. Let's just rap. Let's just do it for fun. It don't have to count as anything. But we as the fans are going to remember that you said this right here with that. You know what I'm saying? Like, we're going to remember the way that you walked on a beat. We're going to remember the way that you talked, the way that you used your words and stuff. [00:39:06] Speaker A: Well, not according to Mall. He said he don't remember Euphoria at all. [00:39:09] Speaker B: Well, that was a lie. That was. That was a lie. [00:39:14] Speaker A: Hey, can I play this clip of this dude on my Instagram? [00:39:18] Speaker B: Oh yeah, yeah, yeah. [00:39:19] Speaker A: I want to give him a shout out, man, what's this dude name? [00:39:23] Speaker B: Not remembering Euphoria is just like, that's just crazy to me. [00:39:27] Speaker A: That was crazy as hell, bro. I was. [00:39:30] Speaker B: I mean, hey, while you pull that up key Glock also dropped the. He dropped the music video to his song the Grinch, which is from the project Guacaveli. And if you tune in, if y'all listen to. Effective immediately on the Sirius XM app or on your radio in the car, we are giving away tickets. [00:39:48] Speaker A: Well, no, you could buy the tickets. I'm not. I don't have any more tickets to give away. But if you want to buy them, you can. You go to SiriusXM.com My bad. [00:39:58] Speaker B: Thought I had ya. [00:39:59] Speaker A: We give it away. Nah, the ticket's gone. But if you do want to go see that Glocavelli Tour presented by SiriusXM's Hip Hop Nation, you can buy those tickets right now. They're on sale. Go to SiriusXM.com Keyglock and that is a Siriusxm Hip Hop Nation presentation so you can get those tickets right now. Again. SiriusXM.com keyglock so this dude I wanna shout out his name is Dev. [00:40:24] Speaker B: Shout out to Dev. [00:40:25] Speaker A: Dev went he had a problem with me. Oh man. This went in on me for. Let me see. Let me try to. He did not like how I handled that that mall situation. Let me see. Here we go. Shout out to Dave. Here you go. Oh, let me go. Hold on. [00:40:44] Speaker C: I could appreciate DJ Head the next time you in the next time you endorse or entertain this fuddy duddy ass conversation and you don't fry a at 400 degrees Fahrenheit me and you gonna have to talk, bro. Me and you gonna have to talk. Why did you let there sit there? Why did you let them sit there and ask that mall? Do you feel like Drake made a mistake by mentioning Whitney's name at all? Rory brought the whole thing about Virginia and how taking it there can bring it and you let this dumbass see he and try articulate the fact that he not thinking for another like they didn't ask that his opinion. You just did the same thing to you. I'm not asking. I'm asking what you think. We not asking you to speak for Drake and what his mind state. Why didn't you fry that bro? I'm hot. [00:41:37] Speaker B: I'm hot. [00:41:38] Speaker C: There was nothing to talk about. The Lakers won a championship. You said your you said this yourself. I could appreciate the super ogis for your verbiage. You know what I'm saying? [00:41:46] Speaker B: You ain't going to say too much. That's the west coast right there. [00:41:50] Speaker C: You gonna say some real and you gonna give a space to try and articulate himself that you should have deaded the space when them ask more. Do you think Drake lost any brand dealerships and that said no. I would have clean got on that and been like bro you better go check them court documents and quit fibbing in this. This losing not only his brand dealerships, he losing his mind, his money, his friends and his reputation and that said that himself in the paperwork. So I don't give a what you think butterbean looking ass. You was not supposed to get that that much room, bruh. You really was not bro. [00:42:22] Speaker B: I'm. [00:42:23] Speaker C: I'm actually mad like the Lakers won the championship. It wasn't no 2 point buzzer beater my. They blew Toronto out by 40 bro. They saw Kobe ghost on the court bro. Like it was one of the greatest. [00:42:35] Speaker B: Games of all time here. [00:42:39] Speaker C: And acting no type Of Big about shit. You not this nigga. [00:42:43] Speaker B: All right, we've heard enough. We've heard enough, bro. [00:42:46] Speaker A: I think that that's shout out to Dev, bro. [00:42:48] Speaker B: That's one thing that I feel like the Drake fans as well as the Kendrick fans are both missing is that they both did the same thing, just in a different way. And that's why it's like, this shit supposed to be fun. It's not supposed to be so damn serious, you know? But it was a part of the conversation where you guys were talking about using AI or whatever. And you said, well, is it okay for him to. What did you say? Is it okay for him to use the likeness of somebody who's still walking around the earth or, you know, whatever. One thing that I feel like. I don't know if y'all ever brought it up. Cause I'm only 30 minutes in, but I feel like one thing that ma. The point that he was trying to make was that it was just fun. Like, he was just having fun and stuff. But I think he also forgot that Snoop was laughing. [00:43:44] Speaker A: Mm. [00:43:45] Speaker B: Snoop thought it was funny. Snoop didn't feel disrespected. So it was all still fun and games. You know, it gets serious when you bring up my significant other. After we talked about not bringing up personal shit. [00:44:01] Speaker A: I keep trying and shout out to problem. Cause problem hit me this morning. And we. And he was just like. He said he's okay with people not understanding our culture at this. And I think that's kind of where I have to be. Cause I keep. For the last year, literally, I've been trying to communicate our culture to the world. It's like certain things we play with, certain things we don't play with. Certain people call your phone. Gina gonna pick the phone up. Certain people call my phone, I gotta pick the phone up. That's probably not protocol for wherever you live. [00:44:30] Speaker B: Yeah. [00:44:31] Speaker A: If you in the Bronx or you in Arkansas or wherever, that's how we get out. You know what I'm saying? And I saw. I just. That's been irritating. But, you know, I'm also not a loud popping ass. Like, I don't yell over people. Malls start talking, I stop talking. I don't talk over people. I'm not trying to get the last word or none of that. I just, you know, it is what it is. [00:44:49] Speaker B: The thing about it, like, with the whole. Just like the battle in general, like, lines were crossed. Right. But you can't say one of y'all brought it up. I don't know who the Fuck. Brought it up. But I'm like, exactly where he mentioned. They're gonna call me a pedophile. They call me a pedophile, whatever. And then you said, why would you give somebody the weapon? You said, you don't go to a fight and hand somebody the weapon. So you can't say, like, well, number one, you can't be mad for somebody saying it when you said they were gonna say it. [00:45:19] Speaker A: That's it. [00:45:19] Speaker B: That's number one because. [00:45:21] Speaker A: And then sue him for it. [00:45:22] Speaker B: Was that TaylorMade? [00:45:23] Speaker A: That was. No, that was. No, that was the other one that he put. [00:45:29] Speaker B: Nonetheless, it was before. Not like us. [00:45:31] Speaker A: Yes. [00:45:32] Speaker B: So you can't say, this is what I am, and this is what they're going to do. If I'm the opponent, I'm going to be like. Even though you brought it up first, I'm like, okay, well, he cool with this being said, because he already knows this narrative, so I can use it. But to sue for it. Like, we could fucking go on in this all day. But, like, I don't know. I feel like if people just kind of just have fun with this, like, then it's easier for everybody to digest rather than it just being just, this is so fucking serious. Like, this not serious. Like, this is. [00:46:09] Speaker A: I agree with you. It did get serious for the homie. It got serious for him because it was like, oh, there's a boundary here. And you cross the boundary, right? And that's what I was trying to explain to Ma, and I told him that, like, if you tell me your earlobe is off limits, and I'll just fuck you. Earlobe, Fuck. Now I have to be okay with whatever comes with that. You can't tell me that I'm wrong for whatever come with that. [00:46:29] Speaker B: But that's. Cause that's the one piece that's missing for public perception. So the public doesn't know that. There was an internal conversation. They don't know that Faze was asked for. I don't even know if I was supposed to say that. But whatever. It's on the motherfucking floor. Nigga didn't want to get in. Okay, so it's supposed to just keep it on the beats. It was supposed to just be about rap. But this is the line that you do not cross. And if you cross that line, then it's fucking up. [00:46:57] Speaker A: And then you can't tell me what that look like. [00:46:58] Speaker B: And I feel like you're getting. That's a luxury for us to even define a boundary in rap. [00:47:08] Speaker A: Correct. [00:47:08] Speaker B: This is fucking rap. I just watched Geechy Gotti tell Hitman holla about the shooting that happened with his girl when somebody broke in. You get what I'm saying? Like, we just seen Geechee Gotti Geechee a disrespectful motherfucker. So that's probably a bad example. But that's another Compton nigga talking to Eazy about the Remy Ma situation. Then talk to Remy Ma said, this, who you decided to give your pussy to? Like, in rap. I feel like at this point, we're embedded in this culture, right? If there's a N that wanna rap about us today, that's just what the fuck this shit comes with. We're on Hip Hop Nation. [00:47:49] Speaker A: That's it. [00:47:50] Speaker B: Like, that's just what it comes with. So I just feel like also, you. [00:47:53] Speaker A: Didn'T get to the point this part yet. But then I asked Ma later, I said, so if you beefing with Joe. [00:47:59] Speaker B: Button, I saw that clip. [00:48:03] Speaker A: I said, if you. [00:48:03] Speaker B: Everybody just meet up and die. You quoted Soulja Boy a lot. You was quoting Soulja Boy a lot. And I don't think they was picking up that clip when you were, let's just meet up and die. Fuck rap. Fuck the Internet. Fuck hip hop. Let's just all die. Let's just meet up and die. Nigga, you said it a couple times. I'm like, when is they gonna pick up what he said? [00:48:24] Speaker A: It don't matter. [00:48:24] Speaker B: But no, that's a good point, though. It's like, fuck all this shit. [00:48:31] Speaker A: It's like, hey, bro, you can't say. [00:48:33] Speaker B: But that's the thing. I feel like it was even a luxury for. I don't know who asked for the boundary, but for the boundary to be set and then for you to then go against it, it's fucking crazy. [00:48:47] Speaker A: It's up and you can't tell me what that look like. So anyway, go check that out. Shout out to Rory and Ma, thank you for the platform and, you know, thank you for being man to your word and appreciate you, you know. Oh, they're huge. Gina views advocates. Charlamagne, Lauren LaRosa, Nyla Simone, Rory Damaris. Fucking, they loved them. Some Gina fucking views. Jesus Christ. I'm like, bro, I'm here, nigga. I flew 3,000 miles. [00:49:17] Speaker B: That bitch at home with her dog. [00:49:19] Speaker A: Yeah, I flew across the country, champ. I flew. There was a whole superstorm. I was looking out the fucking plane window when I was flying over Oklahoma. A whole goddamn superstorm. I'm looking at. It's lightning and thunder and all kinds. It's a. They asking about Gina views. Gina views at home with them little fluffy stupid. Little stupid ass fluffy slides. [00:49:42] Speaker B: I say. I say, I say. Anyway, I would love to go out there. You know, I got an obsession. [00:49:48] Speaker A: Rory said he want to have you on the show. [00:49:49] Speaker B: Okay, that's great. That's great. You know, I got an obsession with New York, New Yorkers in general. [00:49:54] Speaker A: Yeah, I know. [00:49:55] Speaker B: That's probably the only place that I went. And I felt like Tyena. Remember Tyena was coming up the stairs. Y'all know what I'm talking about? [00:50:01] Speaker A: No. [00:50:01] Speaker B: You never seen Tyena? Tyena. I've always had dreams of me being a star. They'll be saying my name. [00:50:09] Speaker A: I'm pretty sure it wasn't in that key either. [00:50:11] Speaker B: It probably wasn't. It's a Nickelodeon show. Tyena has one of the best. That just tickled the fuck out of me. [00:50:22] Speaker A: Hell, yeah. I don't know what the fuck key that was. [00:50:25] Speaker B: Tyena has one of the best song intros of kids show history. Okay, so that was on Nickelodeon. But I went to New York, and I felt like I was at home. Like, you know, I don't walk. [00:50:37] Speaker A: Yeah, New York. I definitely got on a train because it was 40 minutes in the Uber. [00:50:41] Speaker B: That's where I draw the line. [00:50:42] Speaker A: It was 40 minutes in the Uber, 20 minutes on the train. I'm like. And I was already late. So I told Rory, I said, I'm jumping this train. [00:50:48] Speaker B: You got on the train? [00:50:49] Speaker A: Hell, yeah. It's cool. [00:50:49] Speaker B: I'm not getting on no train. [00:50:50] Speaker A: It was hella cool. [00:50:51] Speaker B: I'm not getting on the train in California. [00:50:53] Speaker A: I thought it was hella cool. [00:50:54] Speaker B: They say that you don't get the full experience. [00:50:56] Speaker A: You have to jump on the train. [00:50:58] Speaker B: I'm not getting on the train. I walked. I was out there walking, but, you know, I don't walk. I was excited to walk. [00:51:04] Speaker A: Well, I took a walk. And I was in Chinatown. I was taking a walk down the street. My phone rings. I'm looking at my phone, says, Charlamagne. So I picked the phone up. I'm like, my brother, what's up? He like, yo, yo, you listen to this Rayvon mixtape? I said, hell, yeah. That shit hard. He's like, this shit hard as a motherfucker. I said, I know, right? And then we talked 20 minutes, just about Rayvon's mixtape. [00:51:31] Speaker B: Rayvon did just drop the Good, the bad, the Dollar Menu. [00:51:34] Speaker A: That shit's hard. [00:51:35] Speaker B: He dropped a music video for Dollar Menu, and it's a bar that he's saying there he said, y'all be in DMs begging these hoes that I feed off the dollar menu. Yes, n do really be like, I'mma watch myself because I'm still getting drugged right now for that medium ugly shit. Hey, if you refresh your timeline, like, I mean, if you refresh your mentions. Cause since we collabed on the post, you're going to see a comment, a new fresh comment on that video from that video. [00:52:11] Speaker A: Yeah, for sure. [00:52:11] Speaker B: Every day, Every day, Every day, every minute, every day. But n do be like, you know, I could see. Okay, let me flip it and reverse it. As a female, that was a Missy bar. Yeah, as a female, I'm gonna put myself in the perspective of the person who delivered the bar. But talking about men, because there do be shitty men out here that I see. Women be like, crashing out, over, sad over. And they not shit. So it's the same thing. Y'all begging, y'all sliding in bitches DMs that I feed off the dollar menu. [00:52:47] Speaker A: I can see that it's a duality to that. [00:52:49] Speaker B: Have you got with a bad bitch? [00:52:51] Speaker A: One of my homies. This is One of my OGs used to tell me back in the day, he said, show me a. Show me a bitch every nigga wanna fuck, and I'll show you a bitch. I show you a nigga tired of fucking her. [00:52:59] Speaker B: That's what I'm saying. [00:52:59] Speaker A: And I was like, damn, that's some cold shit to tell a nigga who 19. [00:53:02] Speaker B: Yeah. You know what I'm saying? [00:53:05] Speaker A: But yeah, so I feel that the good, the bad, the dollar menu, to me, it's fire. It's top tier, like rap music. It's rap music. It's storytelling. It's double entren, triple entendres. It's good hooks, it's good. The production, I ain't gonna lie. I did not expect Rayvon to pick as good a production as I heard on this project. If I'm keeping it a buck. Cause usually, like, I heard his, like, he used to play me stuff a couple years ago, and it wasn't as good as this. And I could tell he been over there in the lab. He been in the boot camp for sure. My first song, my first choice off the project is called Flocker's Remorse. It's the first song on the project. That's my go to song. I keep going back to that one. That's my favorite song on the project because it's storytelling. It's like. It got emotion in it, but it's bars, obviously. Look at God with him. And LaRussell to me is dope. And then the shit with the clown, dance with him and J rock that shit hard too. Like, I'm just excited about this because I didn't expect him to come like this. [00:54:08] Speaker B: We are in. What are we? Second quarter. [00:54:10] Speaker A: Second quarter. [00:54:11] Speaker B: We in second quarter. A lot of people are dropping. G Perico just dropped the project with DJ Drama. Gangsta Grylls Keegalok dropped. We already talked about Dababy, Thug and Future just dropped Wiz Khalifa and Gunna. Outside is cracking. [00:54:26] Speaker A: Yeah, yeah. People outside dropping music. [00:54:29] Speaker B: Yes. [00:54:29] Speaker A: N participating. [00:54:31] Speaker B: Do you think that there's a chance just on some LA shit that will get our party club scene back to where it was? [00:54:41] Speaker A: Where it was when? [00:54:43] Speaker B: Before I couldn't even come outside. Like Sundays. [00:54:46] Speaker A: It'll never happen. [00:54:48] Speaker B: What do you think was the classic party era? Was it that? [00:54:50] Speaker A: It was multiple eras? It's just like saying the best rap era, it's multiple eras. So when I was coming up, they. When I was. When I first started DJing, they allow 18 and over clubs in Hollywood. We was doing. We was doing that. We. Our generation fucked that up for y'all. So. So, you know, I ain't gonna say who it was, but niggas is doing a lot. [00:55:09] Speaker B: Yeah. [00:55:10] Speaker A: And so it was this one party in particular, it was that. That shut it down. 18 and over in Hollywood altogether. I mean, when I tell you I was hiding behind the bar like it was a full on melee royal rumble in that motherfucker. [00:55:23] Speaker B: Really. [00:55:24] Speaker A: Until they. Yeah, the security guards basically locked the doors and. Because certain people rushed the door. And it was. It was a fraternity sorority party. So the Q's was fighting this hood. The Iotas and the Omegas was fighting this hood. The Alphas was fighting this. It was these. [00:55:41] Speaker B: The Steppers. [00:55:42] Speaker A: Yeah, the sorority fraternities, nigga. [00:55:44] Speaker B: I'm like, I'm so ghetto. I'm like, when you talking, I'm like, what hood is that? You lost me at Q's. I was like, no, you said the Omegas. I'm like, what? You know how like TV gangs be like weird names? So when you start, I'm like, what city is this nigga in when this happening? [00:56:02] Speaker A: What's fucked up is you can't even say regular shit because that be a hood. [00:56:06] Speaker B: Oh, are you talking about the winter? It was like the winter. [00:56:10] Speaker A: It was called USC, UCLA. Back to school. It was something. It was like 2000. It was like 2007 is okay, okay, okay. [00:56:19] Speaker B: I'm Thinking of a whole nother it up. [00:56:21] Speaker A: The whole 18 over. Because we was doing 18 over clubs in Hollywood like regular on every week it up. Then it was another era. Then we got the Rat the Jerk and then after that we got Ratchet and then it turned up from there. [00:56:32] Speaker B: But see I didn't come outside until Ratchet. Yeah. [00:56:35] Speaker A: Cuz a jerk was. [00:56:36] Speaker B: I was still a kid. [00:56:37] Speaker A: I was too. I was older than they were. I. I djed hella jerk parties. But I didn't. I wasn't into it like that. When Ratchet came is when we. We got back outside the Pushes Inc. And like all that kind of shit. So it's different eras but that's neither here nor there. What I'm saying is I think we'll have another era. But it will never go back to what it was because social media ruined it. And then like how you just said how we just talked about business coming into hip hop and ruining the fun. These big companies and corporations own these clubs now. And all they care about is selling bottles and tables and sections. So the dance floor is gone now it's just all these sections that you have to buy piece up. And it's 2,500 a section or something like that. As opposed to it being about dancing and clubbing and turning up. [00:57:24] Speaker B: Yeah. [00:57:24] Speaker A: So that's why I don't think it's gonna go back. [00:57:26] Speaker B: Wow. Yeah. We need that club, that party area back. I haven't fully enjoyed being outside because by the time I start being outside everything kind of like died down. Like I was outside and stuff for like the Ratchet era. But I'm still getting dropped off at parties and stuff like that now I got my own shit. We can go from party to party club to club. Niggas buying up sections and you know, spending money and all of that. I have not experienced that. It's funny cause Karen was just telling me, she was like I wish you could have been outside during like the last like the end of like the party era. She told me they used to just have so much fun. [00:58:04] Speaker A: Yeah. That was like. I would say they call it the supper club era. [00:58:07] Speaker B: Supper club. That's what I meant to say. Not secret. Sunday supper club. [00:58:10] Speaker A: Yeah, they call it. I remember that. So that, that was a thing for real. Cause it was Tuesday. And if I'm being Honest, I stopped DJing in clubs right before that. Just cause I started to get judgment judgy like my homegirls. Like I was DJing this party. So shout out to Frisco, chuck him I was doing club, I think it was called Club Dreams or Nightmares or Dreams or something like that. And it was me, Frisco, Chuck and Game. And we was doing this party, I think it was every Monday night. And then I just started to get real judgy. Mark the spot too. Shout out to mark the spot. He used to let me open for him and I was making like 50 bucks a night. But I really needed that. I appreciate that opportunity. But I used to get real judgmental because I know these girls, we from la. So you know, once you go out enough, you start seeing the same people and it's like, it's Tuesday. Like, where you. You got three kids. [00:58:59] Speaker B: Oh, you started judging like that. [00:59:01] Speaker A: I started judge being really judgmental. Like, I know you got three kids and I know you don't got it like that. Why are you, why are you here? [00:59:07] Speaker B: So you just in a DJ booth, player hating, judging. [00:59:11] Speaker A: This, this buying a section. He owe this money. I know he owe him money now. I didn't say nothing, but I'm like, bro, don't you owe this 1500? How you buying sections? Like, I just started being like, I think that's when I started to get grown. You was worried about the wrong. [00:59:24] Speaker B: You was supposed to spinning them records. [00:59:25] Speaker A: I was spinning the records, but while I'm playing the records, I'm judging n. [00:59:29] Speaker B: So this nigga been a hater his whole life. [00:59:33] Speaker A: I'm not hating, I'm just like, I'm looking at N. One of the homies bought. He bought a car. [00:59:40] Speaker B: Uh huh. [00:59:42] Speaker A: I was hot. Cause I'm like, bro, you just spent. It was a Maserati he bought. I think it was like, I think he spent like 85,000 on this car and was like, yeah, I cashed out. Yeah. And it's like, bro, you owe back child support. Like, what's up with you? Like, I just, I think that's when I started to become a grown up, like, and I just started thinking grown. And I'm like, yeah, I need to stop. [01:00:02] Speaker B: Yeah. [01:00:03] Speaker A: So anyway, I'm trying to find these. [01:00:05] Speaker B: Dreezy lyrics where she says, she says something about that Ren Du. She say something like, ren Du, but you out of Cabo. I'm just saying, you got a watch ho, bro. Like, she say something like that. [01:00:19] Speaker A: That's not before you got no business. [01:00:21] Speaker B: Oh, here it goes. Shorty Red Label, she flying out the Cabo. What? I'm just saying, you gotta watch hoes, bro. [01:00:26] Speaker A: You ain't got no business buying this miser. I cashed out, nigga. What about your kids? Oh, my goodness. [01:00:33] Speaker B: No, that's a good one. So I was scrolling through X. You know me, I'm a Twitter nigga. Somebody tweeted Killa Bambi, Bisexual nap. [01:00:44] Speaker A: Wait, what? [01:00:46] Speaker B: I'm just reading the at. The ad is killer bnb. The ad is killer bnb. Okay, and then the name is bisexual Nat. How you spell nat? [01:00:57] Speaker A: N a P. [01:01:00] Speaker B: Oh, nat like flying. [01:01:02] Speaker A: Oh, it's G A N. G N a T. That's what it say. Oh, Bisexual Nat. Okay, got you. [01:01:08] Speaker B: I would have said gnat, but they would have fucked me up. [01:01:12] Speaker A: You would have said gnat. [01:01:13] Speaker B: Gnat. [01:01:14] Speaker A: Jesus Christ. Gnat Lausd, ladies and gentlemen. [01:01:19] Speaker B: Well, no, nigga, I said it right. Nigga, we just asked you how to spell it and you spell nap. [01:01:22] Speaker A: Well, I thought you said nap, not nat. Plus, if we being honest, the white people who made an English language didn't know what the fuck they was talking about either. Cause why the fuck would you spell nat with a G? [01:01:31] Speaker B: N a T. So you can't fault me. I like how that worked for you. [01:01:36] Speaker A: You see, I spun the fuck out there. [01:01:39] Speaker B: Yeah, I cooked. I like how you made it work for you. [01:01:44] Speaker A: Did you? [01:01:46] Speaker B: What'd you do? [01:01:47] Speaker A: The. [01:01:48] Speaker B: What is that? [01:01:49] Speaker A: Time it. [01:01:52] Speaker B: What? [01:01:52] Speaker A: Nigga, time it. [01:01:53] Speaker B: What the fuck you mean time it? [01:01:55] Speaker A: That's what you taught me last episode. Time it. [01:01:57] Speaker B: Niggas clock it. [01:01:58] Speaker A: Okay? Clock time it. [01:01:59] Speaker B: Nigga, nay. We in fucking Atlanta. I forgot what the fuck somebody said. I think Nala said something. This n gonna go. Mm. She said, what are you doing? He said, that's how Gina said I gotta. Uh huh. Nigga, this when you tell somebody to shut up. [01:02:20] Speaker A: I went like this. I think time it. Clock it. [01:02:24] Speaker B: Okay, so the tweet says, and I want you to think about this. Halle Berry may be the most rapped about woman in history. Imagine being that. Fine. So this is just so cultural right here, right, bro? [01:02:39] Speaker A: Halle Berry show culture. [01:02:40] Speaker B: Halle Berry comes on top of the tweet. She quotes it with, I appreciate every rap song reference. What are you guys favorite? Guess who joined the group chat. [01:02:51] Speaker A: Who joined the group chat. [01:02:51] Speaker B: Guess who added to the thread who and said won a trade? Monica Lewinsky. [01:02:56] Speaker A: What? [01:02:57] Speaker B: Yes. [01:02:58] Speaker A: Hey, bro, Monica need to sit this one out. [01:03:01] Speaker B: I feel like Monica was mentioned a lot. [01:03:03] Speaker A: Yeah, but she not Halle Berry. [01:03:05] Speaker B: Okay, okay. [01:03:07] Speaker A: You know what I'm saying? Like, I get you trying to staple your homework to that, but nah, champ, we not in the same grade. Halle Berry. Halle Berry is way out of your league. [01:03:16] Speaker B: So there's a List of frequently referenced non musical women in hip hop. Monica Lewinsky is number one. Marilyn Monroe is number two. Kim Kardashian. Three, Michelle Obama. Four. Oprah. Five, Hillary Clinton. Six. Serena Williams, Rosa Parks, Lisa Bonette, Princess Diana. And then they have some bonus mentions. I don't know none of these women. So I'm not saying this. Okay, so Lisa Bonet. Huh? [01:03:45] Speaker A: Lisa Bonet. [01:03:46] Speaker B: I said her. [01:03:47] Speaker A: Oh. [01:03:47] Speaker B: Then there's a list of women who are in the music culture that are also artists that were mentioned. Beyonce is number one, of course. Marilyn Monroe is number two. Three is Rihanna, Kim and Marilyn Monroe. Do they do music? [01:04:06] Speaker A: So, like, you know, how is Kardashian part of music? [01:04:08] Speaker B: Well, she's number four on this list. [01:04:09] Speaker A: You know how you say people mentioned in music? You know how when Jay Z say, got the hottest chick in the game, where am I chained? He's talking about B. But she not mentioned. Does that count? [01:04:19] Speaker B: So they have that. Okay, so on this list, they have where he mentioned her before but didn't say her name. [01:04:28] Speaker A: Got you. [01:04:28] Speaker B: So that's a. I guess that's a. [01:04:30] Speaker A: Part of it counts. [01:04:30] Speaker B: It counts, yeah. Okay. Is that Beyonce in the video, though? Yeah, that is Beyonce in the video. [01:04:36] Speaker A: Right. [01:04:36] Speaker B: But it was like distorted or whatever. [01:04:39] Speaker A: I don't think they was all the way outside like that. [01:04:42] Speaker B: So Kim Kardashian, Nicki Minaj, Aaliyah number 6, 7, Foxy Brown, 8. Halle Berry, number 9. Lauryn Hill, Erykah Badu number 10. And then Honorable mentions, which I already mentioned. All these people. Madonna, Lisa Bonet, Oprah, Serena, Michelle Obama. [01:05:00] Speaker A: I'm cool with everybody being involved in this conversation except Monica Lewinsky. [01:05:06] Speaker B: They said her name a lot, though. [01:05:07] Speaker A: I don't give a fuck. You. Not that you are. Not that. You know what I'm saying? You did your job. We didn't go to war in the 90s. Let's move on. [01:05:17] Speaker B: For the people who were born in 2000. [01:05:19] Speaker A: Is that disrespectful? [01:05:20] Speaker B: What do you mean? She did her job and we didn't go to war. [01:05:23] Speaker A: She made sure that everything was copacetic in that Oval Office. And we appreciate her for her services, but we don't need you. You're not Halle Berry. [01:05:32] Speaker B: That could be, though. The excessive mention is that people always rapping about the Oval Office. [01:05:37] Speaker A: Monica Lewinsky might be the first. She might be the first. Damn. Okay, let me ask. I'm gonna ask a series of questions. What is Kim Kardashian's skill set? [01:05:55] Speaker B: She's an influencer. She's a high level. [01:05:58] Speaker A: What's her skill set to influence? [01:06:01] Speaker B: Okay, she's a high level influencer. She was a stylist at one point. Or a personal assistant. What was she to Paris Hilton? [01:06:10] Speaker A: Perfect. What is Monica Lewinsky's skill set? [01:06:14] Speaker B: I don't even know who that is. The only thing I know of Monica Lewinsky is the rap lyrics that reference her. [01:06:21] Speaker A: So allegedly, she was a White House intern who serviced Bill Clinton during her time there. [01:06:30] Speaker B: Okay, what does it say on paper? Because I'm telling you, hip hop is so influential. The only thing I know about Monica Lewinsky is the actual. The allegations. That's all I know. [01:06:47] Speaker A: Monica Lewinsky. This is according to Gemini. Monica Lewinsky is an American activist. Lewinsky became internationally known in the late 90s after US President Bill Clinton admitted to having an affair with her. With her during her days as a White house intern between 1995 and 1997. [01:07:05] Speaker B: Okay, so. [01:07:07] Speaker A: But I don't think it was. You know how, like. So, like, there's a couple women out here that said that I was with. We was in a relationship, but we wasn't. There was. There was interaction, but we was never in a relationship. [01:07:18] Speaker B: Somebody out here claiming you. [01:07:19] Speaker A: This is back in the. This is a while ago. This is a while ago. A couple years ago. I think this description is similar to that. Having an affair. Yes. But, you know, I don't think the relationship was fully that. I think it was just, you know, they was fucking. I don't even think it was that they were intimate. She was. [01:07:41] Speaker B: If he scooted up, he was intimate. [01:07:43] Speaker A: Okay. All right. I'll accept it. [01:07:44] Speaker B: You can scoot. [01:07:45] Speaker A: Okay, I'll allow it. [01:07:47] Speaker B: See, because that's when that argument start about, did Jody cheat? [01:07:56] Speaker A: Did he? [01:07:57] Speaker B: Yes. [01:07:58] Speaker A: Okay. Okay. By definition, yes. It wasn't fair. Cause anything you can't do in front of the other person is cheating. [01:08:04] Speaker B: He got hit. [01:08:06] Speaker A: Say less. [01:08:07] Speaker B: But there's an existing debate that Jody did not cheat because he didn't do anything. [01:08:13] Speaker A: I would love to talk to Tyrese about this. [01:08:16] Speaker B: That nigga cheated. [01:08:17] Speaker A: Okay? [01:08:17] Speaker B: He cheated. [01:08:18] Speaker A: Well, there was an affair there. [01:08:20] Speaker B: Okay, okay. But what. What was she interning for? Did it say that the white. [01:08:23] Speaker A: She was an intern at the White. [01:08:24] Speaker B: House, but not specifically what department or. Or anything. [01:08:28] Speaker A: Oh, there's a department. [01:08:29] Speaker B: Cause she could have been. It could have been administration. It could have been housekeeping. See, that's all I know about Monica Lewinsky is what they say about her in rap. [01:08:41] Speaker A: Now we know. Kids. Thank you for tuning in. [01:08:43] Speaker B: Kids, do not take this back Home to your parents. Please do your own research. [01:08:47] Speaker A: Monica and Lewinsky on the radio. [01:08:49] Speaker B: Please do your research. Okay. Are there any women that we didn't. That are not being mentioned in this list? [01:08:58] Speaker A: Being mentioned in songs? [01:08:59] Speaker B: No, on this list that we didn't cover that wasn't said that you could think of. I couldn't think of any more off the bat. I do remember. Well, okay, I guess this is most mentioned, but Melissa Ford. [01:09:14] Speaker A: Melissa Ford, Yeah, it was mentioned. [01:09:16] Speaker B: Ashanti was mentioned a lot. Early 2000s. [01:09:19] Speaker A: Yeah. Oprah, Oprah. [01:09:25] Speaker B: She was on the list. [01:09:26] Speaker A: Oh, I don't know them. I think they got a cover. [01:09:29] Speaker B: Okay, well, while we're on the subject of music, you know me, my mind wander. [01:09:37] Speaker A: Oh, shit. [01:09:39] Speaker B: I composed a tweet that said, name a remix that was better than the original. [01:09:46] Speaker A: Okay. [01:09:47] Speaker B: It's getting a lot of traction right now. Shade Room did just post it. [01:09:50] Speaker A: Of course they did. They post all your shit. Where's Gina? You know what I'm saying? Now I sound like Elliott Wilson, huh? Oh, you niggas wanna go outside? You don't wanna invite me? Where's Gina? [01:10:03] Speaker B: A lot of people are responding to this. And the obvious one, which I feel like kind of goes back to, like the Lauryn Hill conversation about the one album topic. We had this one song I feel like shouldn't even be mentioned because that's obvious. R. Kelly, Ignition. [01:10:19] Speaker A: Okay. [01:10:20] Speaker B: It's the remix to Ignition. Hiding Fresh out the Kitchen. Obviously, that's one of those. Okay, what are some that that are. [01:10:28] Speaker A: Better than the original? [01:10:29] Speaker B: That are better than the original Remixes. [01:10:31] Speaker A: That are better than the original. [01:10:32] Speaker B: And another thing, before you answer, I feel like a lot of people are confusing versions of songs with remixes. [01:10:40] Speaker A: Correct. [01:10:40] Speaker B: Because one that I thought right off the back and I had to check myself was, though, I mean, I throw it in the bag so into you. You know, there's one that was released, which is Tamiya in 98. And then Fabulous released one in 2002. 2003, where he's rapping on it, but that's actually a sample. [01:10:55] Speaker A: Yeah. [01:10:56] Speaker B: So that don't count. [01:10:57] Speaker A: Yeah. Okay. Remixes that were better than the original. Oh, let's do it. Waka. To me, that remix is better. I think it's Rick Ross Puff. [01:11:10] Speaker B: Oh, yeah, they was cooking on that. [01:11:12] Speaker A: Yeah. [01:11:14] Speaker B: A lot of people are dropping the. Touch it, bring it. [01:11:17] Speaker A: Oh, yep. Busta Rhymes. [01:11:18] Speaker B: That shit hard. [01:11:19] Speaker A: That shit hard. Oh, you wanna go more R and B. Ish. I think it's 112 Only youy. That remix. Who's on that It's. It's Junior, not Junior Mafia. Damn. I'm drawing a blank. I can't think. The Pimp Snoop Dogg remix. Yeah, it's better than the original. [01:11:41] Speaker B: Yeah. [01:11:43] Speaker A: Oh, one of my personal favorites from Thug Motivation 101. The Crate Go Crazy remix with Jay Z, GZ, and Jay Z Go Crazy. That remix is top tier. And the Kanye Diamonds are forever with Jay Z on it. Those are the ones I can think of off the top of my head. Oh, Mop. Antioch remix. [01:12:04] Speaker B: Okay, what's a good one to me? Deuces for sure. Remember the Deuces remix? I know. [01:12:09] Speaker A: The original's cool. [01:12:10] Speaker B: No. Okay, the original had Chris Brown and Kevin McCall and Tyga. The remix had Kanye Fabolous, Andre 3000. That shit. Oh, dang. [01:12:20] Speaker A: That shit was hard. [01:12:22] Speaker B: That shit. Bang. [01:12:23] Speaker A: That is. That is a better one. [01:12:24] Speaker B: Yeah. And Drake. [01:12:26] Speaker A: Yeah, that you right. [01:12:27] Speaker B: And Drake is on that one. [01:12:28] Speaker A: You're right. [01:12:28] Speaker B: Drake is on that one. Another one. That's good. Throw it in the back. Throw it in the back. The original one, I want to say, is just Drake. But then the remix is fabulous. That's a good one. [01:12:40] Speaker A: I see a list here. And they got the Lean Back remix on here. And I'm like, no. [01:12:43] Speaker B: Who's on Lean Back remix? [01:12:45] Speaker A: Mace, Remy Ma, Eminem, Lil Jon. [01:12:48] Speaker B: I never even heard that. [01:12:49] Speaker A: Oh, Chief Keef don't like Kanye with the good. Oh, yeah, the good music remix. That shit hard. [01:12:55] Speaker B: That's a good one. [01:12:56] Speaker A: Pusha T. Yeah, bro. But yeah, let us know what you think. [01:13:00] Speaker B: Well, another one. That's good. I don't know if this is like, just on some to bring up, like a newer mask off Kendrick. Oh, yeah, newer ax. Put it on a flow Now Put it on the flow again has Cardi B. But it's not. It doesn't. It's not technically not a remix. Cause they just changed the version of the song. [01:13:21] Speaker A: They did that same shit with Soak City. That's because. Shout out to Gendry. He know what he doing. But the Soak city, the original 310, baby song, if you go search it. Soak City is not listed as a remix. With Blueface and Blue Bucks Clan. [01:13:35] Speaker B: It's just another version. [01:13:36] Speaker A: It's another version, but technically, yeah. [01:13:39] Speaker B: Did Tomorrow Glorilla. Tomorrow. [01:13:41] Speaker A: Tomorrow two. [01:13:43] Speaker B: See, that's another one. [01:13:44] Speaker A: Tomorrow two was an original song, though. Tomorrow was its own song, I think. And then she did Tomorrow two with Cardi B. [01:13:50] Speaker B: That's technically a remix. [01:13:51] Speaker A: Nah, it's just another song. [01:13:52] Speaker B: Just another song. [01:13:53] Speaker A: Yeah. By your rules. [01:13:55] Speaker B: Okay. Look, but I feel like those should have been called remixes. [01:14:02] Speaker A: I can see that. [01:14:02] Speaker B: No different than what the helly. So we've been holding this shit in since we did the interview. We wasn't even supposed to talk about it, but he just previewed the remix with Justin Bieber, Latto, and one more person, G. Herbo. [01:14:18] Speaker A: Yep. [01:14:19] Speaker B: But he's calling it a remix. [01:14:20] Speaker A: Yeah. [01:14:21] Speaker B: On a. Just from your most professional opinion, your pov, your experience, why are remixes not. Remember it was a time where a song could come out and we would anticipate the remix. [01:14:36] Speaker A: Yes. [01:14:37] Speaker B: Like, welcome to Atlanta. Ooh, you remember that? And then they added it to west coast niggas. [01:14:44] Speaker A: That one's just as good as the original. But it's not better. [01:14:47] Speaker B: That's better than an original. [01:14:48] Speaker A: Nah, nah. [01:14:50] Speaker B: You don't think so? [01:14:50] Speaker A: Nah, him and Luda cooked. But then that's one of my favorite songs to ever come out of Georgia, man. [01:14:56] Speaker B: The remix is crazy, though. The remix ain't Snoop on the remix, right? [01:14:59] Speaker A: Yeah, Snoop Murphy Lee and Puff. [01:15:00] Speaker B: Yeah. I don't know. I like it. Before I ask you that question, though, remember it was a time that that shit was hard. That when a song would come out, you would anticipate like, ooh, who gonna be on the remix? I feel like that was even a part of interview questions. Are you gonna do a remix? Who's gonna be on the remix? Now they calling them remixes, but all they doing is adding a verse to the song. Probably a verse that they probably reached out to that didn't get cleared soon enough. And now they just. Now it's just that featuring this praise, it's the song with the feature, rather than it being like a remix. Remember there was a time where the remix would be a different version of the song to go back. No, no, no, no, no. With Wyclef, this is the remix. That shit is way better than the original. But stuff like that where it'll be. Remember the original. No, no, no. Was slow. When Wyclef got on it, it was sped up. It was fast. [01:15:54] Speaker A: Yeah. Oh, Avery just texted me. Let's get married remix. [01:15:57] Speaker B: Woo. What? I have my whole wedding planned out for? No, nigga, no, N. But the wedding is planned out at my wedding reception. [01:16:11] Speaker A: Hey, women be plugging and playing niggas, don't they? You gonna fit here? Yeah, around this song. [01:16:16] Speaker B: Oh, you think? Just so you. Just so you can see. Just so you can see how that. [01:16:21] Speaker A: Shit was hard, though. Doom, doom. Do do do do, do do that shit hard as fuck. Trade it all remix with fabulous. [01:16:28] Speaker B: Oh, yeah, yeah, yeah, yeah. [01:16:30] Speaker A: Trade it all remix. [01:16:31] Speaker B: The Trade it all remix might be the better one. You know what? A lot of people was also putting in the comments. [01:16:35] Speaker A: Gina's mix CD with a wedding ring on it. [01:16:39] Speaker B: That's my wedding playlist. [01:16:41] Speaker A: N. It's like. It's two and a half hours of music on here. [01:16:47] Speaker B: It's gonna be a long wedding. [01:16:50] Speaker A: Bro, women are really crazy. Bro, women are really crazy in real life. [01:16:55] Speaker B: A lot of people are putting in the comments, too. I need a girl. [01:16:59] Speaker A: I need a girl. Part one or part two? [01:17:01] Speaker B: Part two. [01:17:02] Speaker A: That's not. Well, part's not a remix. [01:17:05] Speaker B: Okay. That's the other thing I was battling. Because technically. [01:17:09] Speaker A: Cause Trapped in the Closet part. Blah, blah, blah, blah. [01:17:12] Speaker B: Yeah, that's a good point. But Confessions. [01:17:18] Speaker A: Confessions, part one, Part two. [01:17:19] Speaker B: It's Confessions, part one. Confessions, part two. And it's a Confessions remix. [01:17:22] Speaker A: The remix is the only one that count. Then the remix not better than the. [01:17:25] Speaker B: Original, but the part two is. Okay. Why do we not recognize part one? [01:17:31] Speaker A: Cause it was stapled to part one. I mean, part two. And it's not. If you look at the Confessions track list. Cause I looked at. That's another thing that they used to do back in the day. You know how you were saying that you can't. That they were doing remixes differently back in the day? Back in the day, they would. Back in the. The day when what they would do is you would get a video version in addition to the album version. [01:17:52] Speaker B: Ah. [01:17:53] Speaker A: You get what I'm saying? Because I remember certain songs would be just like, what Kendrick is doing, like, when he put out not like us. We got squabble up on the beginning, but we don't even have the song right. You get what I'm saying? So when we. When Confessions came out as a video, part one was different than it is on the album. [01:18:11] Speaker B: Yeah. Yeah. [01:18:12] Speaker A: You get what I'm saying? So I don't think. I think it's just confusion. [01:18:14] Speaker B: Yeah, Well, I like. Okay, part two is obviously the song that everybody plays and fuck with, right? [01:18:22] Speaker A: Yes. [01:18:22] Speaker B: But part one is good every time. Yeah, part one is really good. [01:18:28] Speaker A: But see, that's different on the album than it is on the video. [01:18:31] Speaker B: Yeah, yeah. [01:18:32] Speaker A: So. [01:18:32] Speaker B: And then the remix. I might be saying this wrong. I don't even know if that's called the remix, but it's the one sitting in the head about the verse. Wouldn't be alive if I didn't shoot first. Deshawn. Kanye. [01:18:46] Speaker A: Oh, yeah, yeah, yeah, for sure. [01:18:48] Speaker B: I forgot who Else is on it. Yeah, but I feel like the part two got so much love and recognition that we didn't even like. Like, people don't even. When people talk about confessions, they don't even talk about the other two versions of it. [01:18:59] Speaker A: Yeah. [01:19:01] Speaker B: Oh, yg. [01:19:02] Speaker A: Oh, with YG on it, for sure. [01:19:04] Speaker B: Chris Brown. [01:19:05] Speaker A: No, no, no. So technically that's T. Okay. [01:19:11] Speaker B: It's some tea with that. It's some tea with that. Because when you look it up, I forget. But one of they name's not on it. [01:19:18] Speaker A: So up was originally Love Rant's record. It's with the HBK gang. It's like Skip and I think somebody else on it. That was the original song. YG got added to it, and then YG put it on. Just read up project. And then 50 Cent and everybody jumped on it as a remix. And then they did multiple versions. [01:19:38] Speaker B: Okay. [01:19:39] Speaker A: Valentine Chris Brown is a different version. It's not a remix, though. [01:19:45] Speaker B: Okay. Young Jeezy J Valentine Remix is with 50 Cent. Okay. Okay. Which version? [01:19:53] Speaker A: Better for what? What party? [01:19:56] Speaker B: Okay, this. [01:19:57] Speaker A: This how we play a J. Valentine version. If I'm doing for y'all, I'm playing. If I'm just DJing a club, I'm play the YG. Just the YG version. [01:20:04] Speaker B: Which version is better? [01:20:06] Speaker A: Just better. [01:20:06] Speaker B: Because according on dsps, the original one is the one that's on. Just read up which one? When you type in up yg, that's the original one. [01:20:16] Speaker A: Which version is. [01:20:17] Speaker B: When you add all these names, those are listed as the remix. [01:20:20] Speaker A: I think the YG version is the better version. [01:20:22] Speaker B: The original one. [01:20:22] Speaker A: Cause the part that DJ Valentine, only the beginning is the part that everybody like and know. [01:20:27] Speaker B: Yeah. [01:20:28] Speaker A: Nobody actually does the verse. [01:20:29] Speaker B: Because you can't tell me that you can hear that song without saying your name. Tati. That shit. Do I need that part? [01:20:37] Speaker A: Yeah, but you. [01:20:38] Speaker B: I need that part. [01:20:39] Speaker A: But everybody. Ladies, this show song, like, everybody loves that part. But then after that it just scammy to the bag. Nobody care after that. [01:20:44] Speaker B: I want to hear stop signs don't even stop me. Your name Tati? What that shit do? Yeah, your cold, nigga. Fuck you in an igloo on a hype man Fuck you on a nice stitch. [01:20:56] Speaker A: Yeah. [01:20:56] Speaker B: Why did you stick her ass look tight right in the. What he say? Her ass look right in the pipe ass. I don't know. [01:21:03] Speaker A: What do you think? Tap in with us and let us know which remix is better than the original version. That's what we wanna know. [01:21:10] Speaker B: Yeah. [01:21:11] Speaker A: Cause this conversation can go on for days. [01:21:12] Speaker B: Yeah, yeah, yeah. We can talk about this forever. But that Jagged Edge is a good one, though. [01:21:17] Speaker A: Let's get married. [01:21:17] Speaker B: Let's get married. [01:21:18] Speaker A: No, no, no. Which one? Trade it all or let's Get Married? Actually, no, Trade it all don't count. Cause Trade it all is considered part two. [01:21:26] Speaker B: Oh, yeah. That one don't count. [01:21:28] Speaker A: It don't count. [01:21:28] Speaker B: That one don't count. What was I gonna ask you, though? From a professional point of view, from your experience and your knowledge of being in the music industry, why are remixes not important anymore? [01:21:40] Speaker A: It's not that they're not important. I think that people just got lazy and they just throw a verse on it and it's not a real remix. So if you remember. Well, not if you remember, but kids, go do your research. Back in the day, Puff and Jermaine Dupri had this whole back and forth. And Jermaine Dupri put out an album called Definition of a Remix. Puff put out an album called We Invented the Remix. They was back and forth. [01:22:06] Speaker B: Wait, wait, what year is all of this? [01:22:07] Speaker A: Yeah, go look that shit up. Go look that shit up. Puff put out an album from Bad Boy Records called We Invented the Remix. And Jermaine Dupri countered that I don't remember which one came first, but they put them out around the same like two year span. And JD Put out. Jermaine Dupree put an album called Definition of a Remix. And it was basically, who do remixes better? So so Def or Bad Boy? What? Because so so Def got top tier remixes? [01:22:34] Speaker B: Yeah, yeah. [01:22:35] Speaker A: But so do Bad Boy. [01:22:38] Speaker B: I'm not finding it. [01:22:39] Speaker A: I don't know if the albums are. The album still got to be up. Let me look. We Invented. [01:22:47] Speaker B: Oh, I see it. So. So Def Presents Definition of a Remix. [01:22:51] Speaker A: Yep. [01:22:52] Speaker B: Okay. And then you said, what's the name. [01:22:53] Speaker A: Of Diddy's We Invented the Remix. [01:22:59] Speaker B: Yep, We Invented the remix. Oh, my goodness, I can't wait to get in the car. [01:23:03] Speaker A: See, I Need a Girl Part one. He put that on this album. I Need a Girl Part two. [01:23:08] Speaker B: Okay, so we Invented the Remix by Diddy came out May 14, 2002. And then so so Death presents A Definition of a Remix came out. Oh, that's just giving me the buy. It. [01:23:29] Speaker A: May 14, 2002, is came. Is we Invented the Remix. P. Diddy. That's when the His P. Diddy era, before he dropped the picture. [01:23:39] Speaker B: Okay. And then it came out in 2002. I just don't see the. [01:23:44] Speaker A: Yeah, that's what I'm Telling you they would. They had this whole thing, like, it was like, a competitive back and forth shit, like, who do remixes better? [01:23:52] Speaker B: Wow. Okay. July 2, 2002 is when Jermaine Duprees dropped. [01:23:56] Speaker A: Yeah. [01:23:56] Speaker B: And it has promise on there by LL Cool J, Puppy Love, Bow Wow. Let's talk about it. Where the party at? Welcome to Atlanta. [01:24:08] Speaker A: Yeah. [01:24:10] Speaker B: Mm. I didn't know they was doing that. I wish if social media was out back then. [01:24:15] Speaker A: Crazy. [01:24:15] Speaker B: It would've been crazy. [01:24:16] Speaker A: It was a whole thing, like, who do remixes better? So. So Def or Bad Boy. [01:24:20] Speaker B: I would love to see, like, some personalities and music execs just debate and talk about, like, just remixes itself. Because I feel like that's, like, one thing. You know how we talk about how, like, music videos don't have any storylines or any. The content in the music videos are not good anymore. Most niggas is just rapping in front of their homies, throwing money on somebody on the stripper ass and. Or they in front of a green screen. We don't have. Like, that's one of the elements missing. Remixes are also one of the things that's missing. [01:24:53] Speaker A: And I remember on what I remember, because I remember listening to that shit when I was young and when I played We Invented the Remix. Puff was on that intro talking, talking big shit. [01:25:02] Speaker B: What? [01:25:03] Speaker A: Yeah, he kicked it off. Like, yeah, we invented the remix. Like, you know, like, Like. And I think. Cause, you know, Jermaine Dupri's thing is, y'all know what this is. And I think I remember Puff saying something like, you know what it is? Like, it was some shit, so. It was some shit. [01:25:17] Speaker B: So we needed that versus, hell yeah, we needed that. [01:25:21] Speaker A: Damn. Yeah. But anyway, go check that out. I know Gina gonna go down Arrival. [01:25:27] Speaker B: Oh, you already know. I'm gonna eat one of them edibles. [01:25:30] Speaker A: Yeah. [01:25:32] Speaker B: Before we get off this, who do you think invented the remix? [01:25:35] Speaker A: I mean, Bad Boy Puff and them kind of started pioneering that, but, you know. [01:25:40] Speaker B: Can we get Jermaine Dupree up here? [01:25:42] Speaker A: Hell, yeah. [01:25:42] Speaker B: I've been. I want to talk to him about this. [01:25:45] Speaker A: I want to talk to JD in general. I was. I don't want to be annoying, but I was texting that, like, hey, bro, I need you to pull up. He said he would pull up, though. [01:25:53] Speaker B: Okay. Before we get up out of here, obviously, you guys are all involved in social media, so you are all logged into X and you seen Dream Chasing Mike send this tweet out. He said, I think a hundred niggas can beat one gorilla. Everybody just Gotta be dedicated to this shit. This Tweet now has two 190.9 million views. What news did you say? ABC, CBS? NBC has reached out to him. He tweeting about how he done got a check from X. This shit has been everywhere. It done got so far. This conversation has got so far that it's now gentrified. It's no longer 100 niggas. It's just 100 men. [01:26:40] Speaker A: 100 men, people. 100 people? [01:26:42] Speaker B: Yeah. [01:26:42] Speaker A: Can't say men no more. [01:26:43] Speaker B: You can't even say men no more. [01:26:44] Speaker A: It's people, folks. What's that word? Nevermind. Fuck it. I don't say like for gentrified, but like for men. Female. What's that word? [01:26:55] Speaker B: Them. [01:26:55] Speaker A: Okay, so 100 people. [01:26:57] Speaker B: Yes, 100 people. It's 100. Folks. Before we dive into the bullshit of this conversation, I think it's stupid. All right. In an actual scenario, though. [01:27:09] Speaker A: In an actual scenario. In an actual scenario, a hundred people in this building with a gorilla. [01:27:13] Speaker B: No, not this building. Niggas that signed up for it. No, I'm saying no, not her, not us. [01:27:19] Speaker A: No, not us. But 100 men. [01:27:21] Speaker B: 100 people who signed up. [01:27:23] Speaker A: Who signed up. You put them in a room, in a big confined area. One gorilla to fight. [01:27:28] Speaker B: An average size, I think the average size of gorillas, about six feet. [01:27:32] Speaker A: Yeah. [01:27:33] Speaker B: I don't know the weight, but let's just say an Average sized gorilla, 100 fit men. [01:27:38] Speaker A: Okay. [01:27:40] Speaker B: What is the outcome? [01:27:41] Speaker A: It's gonna be ugly. Shit gonna be bloody and ugly, and it's gonna be gnarly as fuck. That's what I think. [01:27:48] Speaker B: How many people do you see making it out of this battle? [01:27:54] Speaker A: Like humans? [01:27:55] Speaker B: Yeah. [01:27:56] Speaker A: Statistically, I would say about. It might be about 15 to 20 survivors. [01:28:02] Speaker B: Damn. [01:28:04] Speaker A: But 80 of y'all, it's gonna be ugly because the first 20, he. He cold cocking. Yeah, he gonna cold 20. [01:28:10] Speaker B: Just. [01:28:10] Speaker A: No problem. [01:28:11] Speaker B: Just off the rip. [01:28:11] Speaker A: Yeah. Cause you gotta think chins is weak. [01:28:13] Speaker B: Yeah. [01:28:14] Speaker A: Like, get knocked out on Instagram every. [01:28:15] Speaker B: Day and then you dummy. To run up first. [01:28:17] Speaker A: Yeah. It's one crash out. That's gonna be like, I got. I got him. He's, you know, boop is over with. But the thing. This is what people. This is why I. This is why this conversation is so ridiculous. I remember when we were on tour, Glasses used to tell us that he would fight a bear. He's like, nigga, this crip. What does that mean? Like, what does that mean? [01:28:47] Speaker B: What does that mean? [01:28:48] Speaker A: It's so crazy when you say this crip. Does that override physics and, like, your biology? He's like, nah, knock, cuz. Beak off. [01:28:58] Speaker B: Was it beak? [01:28:59] Speaker A: He called it a beak. Cause it's a bear. He's a snout. [01:29:01] Speaker B: But I'm like, was it mystical that said. Was it mystical that said, if I'm in a fight with a bear, you better check on the bear? [01:29:09] Speaker A: Help. Help the bear. Help the bear. No, you're not that. You're not one of them ones. Nigga, you're not gonna. But I think, too, it's a lot of people, much like we've seen over the last year, just people sitting on the Internet, not going outside. Have you been to a fucking zoo? [01:29:27] Speaker B: Right? I think a lot of people, too. The misconduct. Use Baddies as an example. Okay, so Baddies, as you know, it's a show on Zeus where there's a lot of fighting going on. The people, they're now. So they stopped. Well, not stopped, but they started to cast people that are actual fans and that win from the auditions. [01:29:54] Speaker A: Oh, Lord, that sound like a liability. So that sounds like a lawsuit to me. [01:29:59] Speaker B: You gotta imagine that these people who are watching Baddies on TV assume, oh, I can get in there and do that. And they're going. A lot of the new girls, they doing they shit. But a lot of people don't fight on a regular basis. So to think that you could fight a gorilla and you running from dogs is crazy. [01:30:19] Speaker A: Hey, bro, don't let. Don't get the. Don't let the Internet get you up out here, bro. Natalie Nunn been fighting on TV for 10 years, nigga. Decades. She in chunking them, nigga, she a fucked up. [01:30:30] Speaker B: They should have said, a hundred baddies versus a gorilla. [01:30:32] Speaker A: Natalie Nunn. Hey, if you think you sitting on your couch watching baddies on Zeus or wherever, fuck you watching your shit. You and Gina, y'all getting high, Y'all watching that shit. And you think, man, I can go beat. I could go whoop on Natalie. N. Don't get your. Don't get fucked up out here thinking that. It's sweet because these girls been fighting on TV for 10 years. [01:30:52] Speaker B: I'm sending. I'm texting Natalie this clip, bro. [01:30:54] Speaker A: It's just. [01:30:55] Speaker B: I'm sending her this clip. [01:30:56] Speaker A: I'm serious, though. Like, I be seeing shit on the Internet. I'll be like, bro, what are you talking about? Like, you finish. Get up off your couch like niggas. I remember when Floyd was fighting. Like, man, I could. I could whip Floyd. Floyd Mayweather. [01:31:08] Speaker B: Like, why do you think that? [01:31:09] Speaker A: Why do you think that. [01:31:10] Speaker B: And no matter how much you guys think that these people can't fight or they're not capable, they have more experience than you. [01:31:17] Speaker A: I don't fight. I'm a grown man. I'm not fighting Natalie Nunn. [01:31:23] Speaker B: They need to do a new one. It needs to be a hundred baddies. [01:31:26] Speaker A: Natalie Nunn probably got more undercard fights than most people in Top Rank. [01:31:31] Speaker B: Well, you know, she got in the ring, I'm not. [01:31:34] Speaker A: Fuck the ring. Those are sanctioned fights I'm talking about. Cause we talking about the shit I watch on tv, shit we done seen on the Internet. [01:31:40] Speaker B: Yeah. [01:31:40] Speaker A: That ain't counting the bitches she done ran into in the club that just needed that. [01:31:43] Speaker B: Yeah. Oh, right, right, right. [01:31:45] Speaker A: You know what I'm saying? Oh, you just need that. All right, what. You know what I'm saying? Like, I don't want. [01:31:52] Speaker B: I know you don't watch the show, but every season it's somebody that try her. [01:31:55] Speaker A: That's what I'm saying. [01:31:56] Speaker B: Not back down, like, at all. [01:31:58] Speaker A: I'm not fucking with nobody who just never turning down nothing. [01:32:01] Speaker B: Yeah. [01:32:03] Speaker A: I ain't never seen her turn it down. So cool. So the gorilla is the same. Not to say that Natalie's a gorilla, but I'm just saying, first of all, the gorilla minding his business. He not fucking with nobody. [01:32:14] Speaker B: Imagine when a gorilla find out that he beefing with a hundred niggas on the street. [01:32:17] Speaker A: Imagine what a gorilla find out. Nigga, they coming in there to do him harm. He like, oh, this is. Oh, y'all need that. Watch this nigga. Check this out. I'm finna show y'all, right? The gorilla not even mad. I've seen, like, you see how these wildlife videos. I seen kangaroos fight. This is what makes it so scary. Woo. [01:32:37] Speaker B: Kangaroos got a squabble. [01:32:39] Speaker A: This one make it so scary, though. You seen when. You know, like, you have a dog. You know, when a dog is angry, he growling his teeth. Whatever the case may be, their temperament change. I ain't never seen an angry gorilla or a kangaroo, and I done seen them both fight. Imagine when the nigga get angry. [01:32:55] Speaker B: Yeah. [01:32:56] Speaker A: You know what I'm saying? I done seen the gorilla squabble another gorilla, and he wasn't even angry. You get what I'm saying? What the fuck y'all think y'all finna do? [01:33:06] Speaker B: I need them to create. We got AI with the evolution of technology, people have been creating these reenactments of a hunted man versus a gorilla. I need them to show me a Hunted baddies versus a gorilla. [01:33:20] Speaker A: That ain't fair at all. Because them, they gonna be in there eye gouging. They gonna be in there kicking a nigga in the balls. [01:33:31] Speaker B: You know me, I'mma always bring it back to rap. So I tweeted, Use 1 gorilla vs 100n as a rap bar. I'm actually extremely like, excited to see the first battle rapper who does an amazing job of doing a whole scheme on the gorilla. [01:33:47] Speaker A: Oh, it's coming, it's coming. [01:33:49] Speaker B: Like, I. I can't wait for it. But so I tweeted it and this tweet is going up too. People are responding. So one person said, and don't clip this like this. Me rapping, he said. I said, hey, yo, hold it down. And I only know he's saying it like this because he put sue surf. [01:34:07] Speaker A: Oh, okay. [01:34:08] Speaker B: Sue's her gift, he said. And this is Chico Marvella. [01:34:14] Speaker A: Salute to Chico. [01:34:15] Speaker B: Salute to Chico. He said, hey yo, hold it down. They said a hundred niggas can't catch a punch Wait, let me start over they said a hundred niggas can't punch a gorilla to death I said fuck a fist fight, nigga I got a gun that double barrel will put a hole in his silver back he'll go from beating his chest to bleeding at the vet. [01:34:38] Speaker A: Don demarco I need my. [01:34:43] Speaker B: Don demarco Somebody else said honey Nutta niggas would have thought they were killers Turns out I always gorilla. [01:34:56] Speaker A: I saw that coming up. [01:34:58] Speaker B: You didn't see that coming, but that was hard. A lot of people are responding to this. Let me see. This one says flip a brick to a honey math Looking like jungle figures Flip the brick to a honey math looking like jungle figures Banana clips peeled now they dunkin from monkey business Cold world these vampires trying to drain all my vigor what is that? [01:35:30] Speaker A: No idea. [01:35:31] Speaker B: Vigor, vigor I'm sure it has something to do with vampires. V I G O R Vigor, vigor Born center, blacked out King Kong Gorilla. [01:35:42] Speaker A: Verse A hundred niggas that was more technical. [01:35:47] Speaker B: Yeah, I was rocking Bathing Nate My chains look great the bitch head in my lap I'm trying to save her face I remember counting cash singing Amazing Grace One gorilla, 100 niggas a king Kong couldn't save this place. [01:36:01] Speaker A: Oh, that's hard. Who is that? [01:36:05] Speaker B: That is Cmoneybags. [01:36:09] Speaker A: Hey, cmoneybags, you cook, King, Queen, Whatever. [01:36:13] Speaker B: Somebody said this is Guala Guap I fuck with shorty her pussy got gorilla grip A hundred niggas wanna fight me for some They'll Never get. [01:36:24] Speaker A: Yeah, yeah. Gina liking these bars. [01:36:32] Speaker B: Hey, who is that? Guala Guap. That was crazy. [01:36:36] Speaker A: Guala Guap. [01:36:37] Speaker B: Guala Guap on X. That was crazy. [01:36:39] Speaker A: Make sure you subscribe to our channel. Guala Guap. You know what I'm saying? Getting them comments. Join the chat. All that good stuff. We gotta get the out of here. But. Oh, shout out to Knife Wonder, too. He called me about your post. [01:36:52] Speaker B: What I post? [01:36:53] Speaker A: He said about the. The. What's the question that went hella viral that we asked last time. [01:36:59] Speaker B: The cereal? The Mount Rushmore? [01:37:01] Speaker A: No, the other one. [01:37:02] Speaker B: The. Oh, the whooping. What's the crazy you got a whooping for? [01:37:07] Speaker A: Nah, it was music. [01:37:09] Speaker B: The remixes. [01:37:10] Speaker A: No, I don't fucking. [01:37:12] Speaker B: I be tweeting shit. [01:37:13] Speaker A: It's. No, we just posted. We posted. It's going crazy on our Instagram. [01:37:17] Speaker B: The stupidest thing you got a whooping for. [01:37:19] Speaker A: Nah, it was music. [01:37:20] Speaker B: Oh, oh, what? You don't own as an adult that you should. [01:37:24] Speaker A: No, nigga, it was music related. [01:37:25] Speaker B: I keep saying I don't know. [01:37:28] Speaker A: The albums. It was something to do with albums. [01:37:30] Speaker B: Oh, which album? Which classic album? No, what's what? Could have gone without that one. [01:37:36] Speaker A: He called. He called me about that. He was like, bro, I need to come up there and see y'all. Cause that's a great conversation. Knife Wonder's a legend, kids. Knife Wonder's a legendary hip hop producer. He's Rhapsody. He's responsible for a lot of different people. Go check him out. But he definitely called me. He called my phone and was like, nigga, them rap. Them hip hop conversations you and Gina having up there, that's type shit. I'm talking about head. I was like, for sure OG appreciate you, my. But yeah, shout out to Knife Wonder. He called me about that. He named like four or five albums and that I didn't think about. He's like, yeah, nigga, yeah, yeah, Go D. He just hung up. Whoops. [01:38:11] Speaker B: What was one that he said that you agree with? [01:38:15] Speaker A: Damn, it was shit. I don't remember. I ain't gonna lie. I don't remember. He said like four or five of them. Yeah, it was some good ones. [01:38:26] Speaker B: Oh, yeah, get him up here. We need to talk to him. [01:38:28] Speaker A: Yeah, that conversation is still going crazy. [01:38:31] Speaker B: Oh, yeah. On TikTok, Instagram, everywhere, Twitter people is. [01:38:36] Speaker A: Still talking about join some of these dope hip hop conversations we having. We appreciate you. Subscribe to our YouTube, all that good stuff. Make sure you listen to us on SiriusXM. You can listen live at 5pm Pacific on SiriusXM. On Hip Hop Nation. That's channel 44. And also make sure you tap into our podcast version of this show if you listen on the go. If you don't have a YouTube Premium, you can just tap in and take us on the go on all podcast apps and stuff like that. We're gonna have some announcements for you very shortly, but in the meantime, between time, thank you for watching. Thank you for listening. It's effective immediately. Oh, get that car game. [01:39:10] Speaker B: Hofessions.com unfiltered conversations about intimate experiences Turn your game night up. I done caused a lot of arguments with this car game. [01:39:20] Speaker A: It's effective immediately.