Episode Transcript
[00:00:04] Speaker A: Yo, it's effective immediately.
[00:00:05] Speaker B: I'm DJ Head and it's your favorite homegirl, Gina Views.
[00:00:08] Speaker A: Welcome to another week of effective medialiness. We appreciate you hit that subscribe button if you haven't already. Thank you to our 40,000 plus strong. We growing. You know what I'm saying? Thank you.
Also, shout out to all of our guests that we've had on the show. Go check out all of our interviews and our freestyle. That was fire. Gina Views is standing up on the chair this week.
You ain't been up on a chair in a while.
[00:00:32] Speaker B: I ain't had a reason to.
[00:00:34] Speaker A: Yeah, yeah. Lakia came up here and did her big one.
[00:00:37] Speaker B: Lakia blessed the mic.
[00:00:38] Speaker A: Yes.
Also, I got to see.
Wasn't there like a dope dinner that she did? I missed it.
[00:00:46] Speaker B: Oh, yeah, yeah, yeah, yeah.
[00:00:48] Speaker A: I missed the dinner.
[00:00:48] Speaker B: We had dinner at Tao. Compliments of Hennessy.
[00:00:51] Speaker A: Okay. Shout out to Hennessy.
[00:00:52] Speaker B: Yeah. Celebration of her new single Hersky, as well as her birthday.
[00:00:57] Speaker A: Okay.
[00:00:58] Speaker B: Happy birthday, Lakiya.
[00:01:01] Speaker A: So before we get into the recap from your movie night, because I definitely want to hear about that.
I remember, I think it was like two days ago, you and I was talking on the phone. I think you had called me to check on me or something like that. Or it was like three days ago because I ended up going to the hospital and well, I went to the emergency room and so. And you was like, yeah, everything good. I was like, I'm going to just talk to you about it on the show because I believe it's worth talking about.
But over the weekend, I, like, had a cool weekend. It was cool, it was normal. And then I think Sunday, like last Sunday, I end up getting like, I started having like these weird feelings, like I was just overexerting myself. Mind you, I have been sleeping really, like, really. I have been sleeping like really small amounts.
Two and a half hours here, three hours here. Like just really incremental sleeps.
And whenever I do that, I don't.
I notice that my body feel different. But this time it was a little different. And here's what's crazy.
I bout to lay down.
I was laying down to go. To go to bed. It wasn't that late. And as I'm laying down, I'm like, damn, I left the light on over here in the little bathroom area. So I went, I got up to go turn the light off, and when I stood up, the whole room starts spinning. Whole room starts spinning.
[00:02:22] Speaker B: I. I got lightheaded.
[00:02:23] Speaker A: Yeah, got lightheaded. I felt, you know, how like when you.
When your. When your shit go to. Like when your arm go to sleep or something, you feel that tingly when
[00:02:31] Speaker B: it feel like noise on the tv?
[00:02:34] Speaker A: Yes.
[00:02:34] Speaker B: Yeah.
[00:02:35] Speaker A: Yeah. I felt that all through my head. I felt that running through my whole body. And I was just like, oh, something wrong. Like, I'm dizzy. All right, let me just. So I was still for a second. I just chilled out for a second. I was just being still. And then when it calmed down a little bit, I cut the light off and I'm like, maybe I'm just really tired. And I drunk some water and I laid down. This. Where shit get funky? This. What? I didn't tell you I had a. So you know how, like, when you have dreams, the dream seems real, but sometimes, you know you're in a dream? I had the in between of that. So I'm laying down, and as I'm falling asleep. Took me two hours to fall asleep. As I'm falling asleep, I have this dream. Me and you are in a restaurant. So you are sitting on this little bench how you normally would do. Like, you just sitting on a little chair, waiting on our table. You just. On your phone. I'm standing up, talking to the waiter.
I'm talking to the waiter, and he got on this red coat, and it's a woman standing next to him. And I just feel myself. I'm like, boom. I just start to black out. And I'm like, oh, shit, something wrong. Then I came back and I was like, okay, I think I'm fine. And then I'm telling the. This is all in the dream. And then I'm telling the waiter, as I'm falling over, I said, oh, shit, I'm fainting. I'm fainting. I'm blacking out. Carl Silas. I'm fainting, and then I just pass out right there on the floor. You jump up, and as I hit the floor, I wake up out of my sleep. My heart is pounding like crazy. My blood is. I got tingles, the tingling sensation running through my skull all the way down to my feet. And the whole room is spinning and shit, and I'm, like, gasping for air, and I'm like, oh, I don't know what's up?
So I'm like, you know what? God. Want me to go to the ER today? You know what I'm saying? So I took that as the second sign. Like, hey, fool, something wrong. Like, go figure it out. So I calmed. I was able to gather myself, drink some water, and I was like, okay, I'm good. Enough to drive. So I got in the car and I just drove to the emergency room. And I paid hella money in insurance. So I'm like, I'm finna go use this insurance.
So that's how I ended up in the hospital. That's how they run all of my tests. Fun fact. I know what to say in the emergency room to like, you know, get right through. So I said the little things that you need to say, like, are you having shortness of breath? Sure. You know, so they. They give me a room, they give me a bed, they assign me a doctor. I end up spending like a day in the hospital.
And they run all of my blood, they do X rays and everything. Everything is fine. Basically, I'm just need some fucking sleep. I. I need to calm down. I got too much going on in my life and I need to calm down and get some rest. And that was the professional opinion. And then they discharged me and I drove home.
That's what happened.
[00:05:13] Speaker B: It's tripping me out. Cause I had a dream that you fail.
[00:05:17] Speaker A: For real?
[00:05:18] Speaker B: Yeah. This wasn't recent though. This was probably like last year or earlier this year.
[00:05:24] Speaker A: Did I fail where?
[00:05:26] Speaker B: I don't want to get into it because it was a nightmare.
[00:05:28] Speaker A: Okay.
[00:05:29] Speaker B: But it wasn't a good dream.
[00:05:30] Speaker A: Okay.
[00:05:32] Speaker B: It was a really, really bad dream.
[00:05:34] Speaker A: Oh yeah, I'm cool on that shit. Well, yeah, that's how the week started for me. And then I felt good after like two days of rest. I just needed to lay down. I got like, I got some good sleep over this last week and I'm back to normal. So that was my week.
[00:05:49] Speaker B: Shit, you had a rough week, man.
[00:05:55] Speaker A: It was interesting. But I did. I was laid up and I did see your movie night cracking.
It was a bunch of. It was some niggas there, but it was hella girls in pajamas, right? Furry boots and shit.
I didn't know what was going on.
[00:06:11] Speaker B: Yeah, I had a movie night at. At Sinopolis. Shout out to Dario and Gran Coramino.
We did a pajama night, pajama jam type of thing. We had alcohol, you know, good food. I gave out gift bags.
Shout out to Marathon. They sponsored the gift bags as well as Nyx Cosmetics and of course Gran Coramino. And yeah, we all hung out and watched Scream 7.
It was some friends in there, it was some strangers in there, some people. I made it a public thing. Family was in there.
But yeah, it felt like you was just kicking it with your cousins in your granny living room.
[00:06:52] Speaker A: It looked like a lot of people.
[00:06:54] Speaker B: It was a lot of people.
[00:06:55] Speaker A: It looked like a hell of people.
[00:06:56] Speaker B: We filled the theater up.
[00:06:57] Speaker A: Yeah, that part.
[00:06:59] Speaker B: We filled the theater up. And I was so scared. Cause we have 400 RSVPs. And I was like, what am I about to do when this hits over capacity?
[00:07:08] Speaker A: Yeah, what are we supposed to do?
I'm curious to know. And this could be for people in the comments or in the chat. Why do you rsvp. RSVP for shit and don't show up?
[00:07:23] Speaker B: I was told that a third of your RSVP. No, not a third. 10% of your RSVPs show up.
[00:07:31] Speaker A: But why is that, though?
[00:07:32] Speaker B: Probably cause it's on your mind to go. Cause I be putting stuff on my calendar that I'm not going to.
[00:07:36] Speaker A: You do?
[00:07:37] Speaker B: Yeah.
Just so I can remember that it's happening. That is happening.
[00:07:41] Speaker A: Yeah.
But to like go and reserve your spot on somebody's like, Q is kind of crazy behavior. If you don't plan on going, why
[00:07:52] Speaker B: did Serae just text me and said, bitch, I don't remember nothing about that.
She said, I don't remember nothing about that.
Bitch,
[00:08:09] Speaker A: he calling me on no radio.
[00:08:10] Speaker B: See, like, bitch, don't be talking about on the radio.
Oh, my goodness.
[00:08:17] Speaker A: So were you satisfied with Scream with the movie?
[00:08:22] Speaker B: No. Yes. Yes, I was. Yes.
[00:08:24] Speaker A: I was as a fan.
[00:08:25] Speaker B: As a fan of the franchise. Absolutely. I was as a fan of horror. I was. I thought that it was very, like. It was more so action packed than it was like, horrifying. Because Scream.
Scream five, Scream six was nasty.
[00:08:43] Speaker A: That was a subway.
[00:08:44] Speaker B: No. Yes.
[00:08:45] Speaker A: Yeah, that was a subway.
[00:08:46] Speaker B: That was a subway.
[00:08:47] Speaker A: Okay.
[00:08:47] Speaker B: So they did some things. Scream 1 was also nasty. They cut the inside of a character's stomach out. But this one, it did have some guts on the floor, but it just wasn't like the killer just wasn't as gruesome. But this N was running, though.
[00:09:06] Speaker A: This Ghostface run fast.
[00:09:09] Speaker B: Fast.
[00:09:09] Speaker A: Damn.
[00:09:10] Speaker B: Like, he's running like. We ain't seen the Ghostface run for real since Scary Movie right now. You know, you want him to run because you're trying to figure out how you in this place and that place and stuff like that. But this ghost face. And they've been. I guess they have been doing different things. Cause it's like, normally we know him for stabbing, right?
[00:09:27] Speaker A: Yeah.
[00:09:27] Speaker B: But last one, he had the shotgun.
[00:09:30] Speaker A: A shotgun I didn't want.
[00:09:32] Speaker B: Since he had a shotgun.
[00:09:33] Speaker A: He was killing people with a shotgun.
[00:09:34] Speaker B: They was in the bodega.
[00:09:36] Speaker A: That's crazy.
[00:09:36] Speaker B: He got the shotgun and Then this one, Scream seven.
He's an arsonist.
[00:09:43] Speaker A: Oh, burning stuff.
[00:09:45] Speaker B: He burned Stu Marker house down.
[00:09:47] Speaker A: Damn.
[00:09:47] Speaker B: The house from the first one. He burned it down.
It's gone. But I like how nostalgia it was. I like how. What did they call it? Like, the metaverse they had.
They turned Stu's house into an Airbnb.
[00:10:04] Speaker A: Mm.
[00:10:05] Speaker B: That would happen in real life. Mm. They turned it into an Airbnb. They had like a.
I don't know what it's called, but those little. It's like those little metal things, and it has the name and the description of the art piece. They had that up. So it was like Amber Freeman died here. Stu Mocker. This the TV that hit him. They had, like, stuff like that. Yeah. And then they had body outlines, like the John Doe Jane Doe chalk. They had that outline for where all the, like, the killers died at. And then even the dialogue, they were just saying stuff that was, like, in reference to the last scream. I mean, like the previous screams.
[00:10:39] Speaker A: Yeah.
Would you go stay in that Airbnb?
[00:10:42] Speaker B: No.
[00:10:43] Speaker A: So you not that much of a. I'm black.
So you're not interested in.
[00:10:48] Speaker B: No, I wouldn't.
[00:10:49] Speaker A: Like where they shoot the movie.
[00:10:50] Speaker B: No, no. I was at the theater, so I also went to go watch it with the cast. I think I said that last week.
[00:10:57] Speaker A: Yeah.
[00:10:58] Speaker B: I was in Paramount Theater. A ghostface bounced out and was walking regular.
This is. I mean, not the theater. Not the theater. The actual studios.
[00:11:07] Speaker A: Yeah.
[00:11:07] Speaker B: Like where it's a whole bunch of buildings and sets and stuff like that. I'm walking through my phone dying. So I be looking for a charger and stuff. I'm on the phone with Desiree. I'm walking through and the ghost face bounces out.
He wasn't doing nothing.
I think he was headed to the red carpet.
And they probably was switching out shifts, you know, but he bounced out and was walking in front of me. I wasn't ready for that. That had me see. I was scared.
Cause I didn't want to tell you last time, but I was scared watching it with the cast.
[00:11:38] Speaker A: Why?
[00:11:39] Speaker B: It's the cast.
So if you know anything about Wes Craven and, like, what he does with movies and stuff. So obviously Scream 2 is not a real movie, right?
[00:11:51] Speaker A: Correct.
[00:11:52] Speaker B: But Jada Pickett died watching the movie.
[00:11:55] Speaker A: Watching the movie at the.
[00:11:57] Speaker B: Yeah, exactly. You know.
[00:11:59] Speaker A: Oh, so you thought it was gonna shit. You thought it was some real life shit gonna crack off?
[00:12:02] Speaker B: I didn't think it, but it wasn't off the table.
So I get to my car, I'm looking in the backseat, up under the seat. I'm the only black person.
[00:12:12] Speaker A: For real.
[00:12:13] Speaker B: We had a black robe. Yeah. You get what I'm saying? You just gotta be ready for anything still.
[00:12:18] Speaker A: Okay, let's say you did look in the backseat and it was a ghost face back there. Then what would you do?
[00:12:24] Speaker B: Run.
[00:12:25] Speaker A: You said the N. Run.
[00:12:26] Speaker B: Now we gonna be two running motherfuckers down the street.
[00:12:29] Speaker A: Yeah.
[00:12:34] Speaker B: What would you do?
[00:12:35] Speaker A: I don't know. You probably gotta see me.
[00:12:37] Speaker B: Come on. You in your back seat. It's the back seat.
Not your back seat, your trunk.
[00:12:42] Speaker A: I'm in the trunk, you in.
[00:12:44] Speaker B: Not the front trunk, the back trunk.
[00:12:45] Speaker A: I'm in the back trunk.
[00:12:46] Speaker B: You in the back trunk. You open a motherfucker and the nigga
[00:12:48] Speaker A: right there with a knife.
[00:12:49] Speaker B: With a knife.
[00:12:50] Speaker A: I'm probably gonna swing. Then run.
Cause I think that they're. I think that whoever that person is, is trying to surprise you.
Surprise, nigga. I got one, too.
You know what I'm saying? Cause you expect me to run.
[00:13:04] Speaker B: Yeah.
[00:13:05] Speaker A: Surprise. Here come the right now.
[00:13:08] Speaker B: What if it's your nephew with a costume on?
[00:13:09] Speaker A: He get the right.
Everybody get the right.
It could be you, nigga. Nay niggas getting this right before I bounce.
[00:13:18] Speaker B: You got the mask on.
[00:13:21] Speaker A: If it could be whoever with the mask on, you get the right first, and I'm out.
[00:13:26] Speaker B: Okay, what do you think? Realistically, from your experience, how fast is your response time?
[00:13:33] Speaker A: Fast. I'm fast to swing, nigga. I'm stocky, but I'm faster than I look.
[00:13:37] Speaker B: No, I'm not talking about running. I'm talking about yo.
[00:13:40] Speaker A: Yeah, yeah.
[00:13:41] Speaker B: You think within a second.
[00:13:43] Speaker A: Yeah, trust me, fool.
[00:13:45] Speaker B: But, nigga, that's how I know that you would die in a scary movie. Your trunks take so long to open already. Peep the boots, I'm gone.
[00:13:56] Speaker A: Oh, you saying. Cause it go, mmm, like that, right? Yes, but you didn't. That wasn't the scenario that you painted initially. I'm not thinking logistics.
[00:14:04] Speaker B: I said your trunk.
[00:14:05] Speaker A: Okay. My trunk.
[00:14:06] Speaker B: We talking about a scary movie.
[00:14:07] Speaker A: You have to be smart, all right? So if the trunk is opening and I'm peeping somebody there, I'mma step back out of arms, out of arms, like,
[00:14:15] Speaker B: and see what's up.
[00:14:16] Speaker A: And see what's up?
[00:14:18] Speaker B: What?
[00:14:18] Speaker A: Yeah, I'm not running. Because the thing is, you got one up on me. If I kind of sting you a little bit, then at least I got a little. I can get off. But, like, I'm not finished. Take off. I'm not that fast running, I'm faster.
[00:14:32] Speaker B: Swinging them niggas is surviving bullets.
[00:14:34] Speaker A: And I'm playing my odds.
If I swing on you, I'mma take that. I'm going to take that over me just running out running. I'm not going to outrun many people.
[00:14:45] Speaker B: Hey, I got to my house and I start opening closets, cabinets. I'm under the bed with it, and it was so funny because my bed is so.
Okay now. You've seen my bed before.
How much? You don't got much space, you know? So I was. I'm like, ain't nobody up under there. But then I was like, hmm,
[00:15:07] Speaker A: what if the nigga skinny though?
[00:15:08] Speaker B: I opened up my closet, I'm pushing my clothes, I'm moving boxes around. Like, I was like, oh, I'm officially. Remember I was talking all that shit about Final Destination. Talking about ain't been no new fears Unlocked.
I've been watching this franchise my whole life and I was worried about, what if somebody was there? And then I had told myself, bitch, what are you gonna do?
[00:15:32] Speaker A: What you gonna do?
[00:15:33] Speaker B: Cause if you in the house with me, you already got me.
[00:15:35] Speaker A: No, you gotta swing.
They not expecting you to swing.
[00:15:39] Speaker B: And then what?
[00:15:40] Speaker A: And then now it's a fade.
[00:15:44] Speaker B: And then he hit you with the. He poked you. Now he poked you.
[00:15:47] Speaker A: Let me tell you what to do then.
If you already surrendered and you finna go down, at least scratch the shit out of nigga so we get the DNA under the finger. Under your finger.
[00:15:55] Speaker B: This is what I'm telling you right now. The way Ghostface work, if that motherfucker crept up right here to the side, I'm not even looking to my right.
I'm gone.
[00:16:06] Speaker A: Yeah, you are.
[00:16:07] Speaker B: If he just rolls up just like that, you gonna need that fade.
I'm gonna be on.
What is that? Highland?
[00:16:15] Speaker A: Mm, I feel you. My thing is, so I do the same thing in hotel rooms too. I check the whole hotel, but I'm not checking for Ghost face. I'm checking for, like, cameras. Weird nigga shit. Weird people like peep hoes. I'm checking for shit like that. I'm doing a whole room suite before I even take my. Unpack my bags and, like, get comfortable or whatnot.
[00:16:34] Speaker B: The bag kinda gotta stay at the door.
[00:16:36] Speaker A: What? The bag? Mm.
[00:16:38] Speaker B: I keep the bag at the door.
[00:16:39] Speaker A: You gonna grab your bag when you running?
[00:16:41] Speaker B: No, I'm just leaving it at the door. Cause we ain't even officially moved in this motherfucker yet.
[00:16:45] Speaker A: Yeah, but I'm just saying, like, I do that naturally Airbnb's the same thing. I'm running through an Airbnb worse than I'm running through a hotel room.
[00:16:52] Speaker B: Hell, yeah.
[00:16:52] Speaker A: You know what I'm saying? But at the same time, if somebody's in there, it's a fade.
It don't matter what you here for.
[00:17:00] Speaker B: Yeah, yeah, yeah.
[00:17:01] Speaker A: Like, if you in. If I didn't let you in, it's a fade. Off top, nigga.
[00:17:08] Speaker B: I just don't trust a motherfucker that'll hide.
[00:17:11] Speaker A: That's why it's a fade.
[00:17:12] Speaker B: Yeah, yeah, yeah.
[00:17:14] Speaker A: See what I'm saying? Don't be popping up on me. Are you stupid?
[00:17:18] Speaker B: Hey, if you bold enough to hide, here, you got it.
[00:17:23] Speaker A: It's a fade.
You can have it. Don't let me get to my backpack.
[00:17:28] Speaker B: Yeah,
[00:17:30] Speaker A: that's really what I'm. I ain't want to say that on the radio, but, like, what I'm really trying to do is confuse you enough to get to my bag. If I get to my bag, niggas. Bob Barker, out this motherfucker.
[00:17:40] Speaker B: Okay, Tell me this, tell me this.
You asked if I would stay at the Scream House.
[00:17:54] Speaker A: Yeah, the Airbnb.
[00:17:56] Speaker B: Would you stay at the Whole Land in Texas Chainsaw?
[00:18:00] Speaker A: I. I don't play with none of that. You like horror. I don't.
So, no, absolutely not. I'm not going to the premiere.
I'm not fucking with none of that.
[00:18:12] Speaker B: Why?
[00:18:13] Speaker A: Cause I'm scared.
[00:18:16] Speaker B: What the fuck? How we get back here?
Oh, no. I thought you was big squabble up.
[00:18:23] Speaker A: No, no, no. I'm fighting for my. I'm fighting out of fear.
[00:18:26] Speaker B: I thought you was big squabble up.
[00:18:28] Speaker A: I'm fighting out of fear. No, not bravado. I'm not trying to be tough guy. I'm not protecting you, nigga. I'm fighting. Cause I'm scared.
What the fuck you talking about, nigga? This ain't that.
You know what I'm saying? I'm not one of them niggas finna front for the camera like, oh, no, I'm scared, nigga. We finna fight.
[00:18:44] Speaker B: All right. You know what this reminds me of?
All the life skills that we were either given or we weren't given as a kid that we are using or we need right now as adults.
[00:18:55] Speaker A: Yeah, survival.
[00:18:57] Speaker B: Survival.
[00:18:57] Speaker A: That's it. Don't let me get to my bag.
That's all I'm thinking about. Then come to my house. Get to the Airbnb. That's all I'm thinking about is I gotta get to my bag. If I get to my bag, I'm telling you right now, you gonna think. You gonna. Boy, you gonna think you got some oil. I want the way I'm.
That's too soon for that. All right? So anyway.
That's crazy.
[00:19:27] Speaker B: They still over there.
[00:19:28] Speaker A: That's crazy, huh? So anyway, T.I. harris.
[00:19:34] Speaker B: No, I segued away.
[00:19:36] Speaker A: What?
What you said. What you do.
[00:19:39] Speaker B: Life skills.
[00:19:40] Speaker A: Okay? Life skills.
What was to say I missed it.
[00:19:47] Speaker B: You repeated it and everything.
[00:19:50] Speaker A: Oh, you already said it? Yeah. Oh, you already said it. Me, I was trying to get up out of there. You know what I'm saying?
[00:19:56] Speaker B: What's something.
What is something that you learned as a kid and you no longer need as an adult?
[00:20:03] Speaker A: Chemistry.
I ain't never, like, dissolved a piece of bubble gum in some acid. Like, I don't know why I need that.
I don't know why I need to know what makes the frog throat pop out like that when he breathes. I don't. Why do I need to know that?
[00:20:20] Speaker B: Did you do that?
[00:20:21] Speaker A: Yeah.
[00:20:22] Speaker B: You dissected a frog?
[00:20:25] Speaker A: Yes.
[00:20:27] Speaker B: You did that?
[00:20:28] Speaker A: It wasn't sanctioned. It wasn't a frog.
[00:20:30] Speaker B: It was a different animal.
[00:20:33] Speaker A: Avery, in college.
[00:20:34] Speaker B: He said in college.
[00:20:35] Speaker A: He said in college, y' all didn't do that.
[00:20:38] Speaker B: Well, Desiree did it.
[00:20:40] Speaker A: She dissected a frog.
[00:20:40] Speaker B: I don't know if she remember that.
[00:20:43] Speaker A: She got a problem with her not river bitch. Do you remember that? Bitch, I just don't. It's certain things, like, I think certain components and elements of chemistry I didn't need.
I don't need. There are certain. And like, you always talk about the Pythagorean theorem.
I don't know if we need that. A squared plus B squared equals C squared. Why don't you just remove the squares?
You know what I'm saying? It makes shit way easier. A plus B equals C. Yeah. Why we need the twos on there? You know what I mean?
There's a couple of elements of history that was capped. And I didn't know till I got grown.
They were still teaching us bullshit history in my generation. That's how. You know how bullshit this country be sometimes.
[00:21:34] Speaker B: Like what, though?
[00:21:35] Speaker A: Like Christopher Columbus.
[00:21:37] Speaker B: Oh. Cause they was teaching us what they wanted us to know. Yeah. What they wanted us to think.
[00:21:42] Speaker A: Yeah. They was teaching us. Christopher Columbus discovered America. No, that nigga, he was a. First of all, he got punked.
Christopher Columbus was a buster.
That nigga got ran out the hood in real life. Christopher Columbus,
[00:21:59] Speaker B: he just called. This nigga just called Christopher Columbus a buster.
He just Called Christopher Columbus a buster.
That's like when I said Jesus is dead, homie.
[00:22:12] Speaker A: Christopher Columbus. Christopher Columbus was a buster. He got ran out the hood, ran to the Caribbean, laid all them niggas down because he thought he can get his shit off. It's like that's some what. That was trash.
It's the west coast version. It's the picture Bible version, you know, like that was some bullshit. They were still teaching us that in my generation. Then they taught us, then they taught us the Harriet Tubman. They taught us about the underground railroad, but they didn't tell us.
They made it seem like a side mission, you know what I'm saying? They made it seem like, oh yeah, she had this little shit going on, you know what I mean? It was like the. Watch out. Like that's how they made it seem in art. She had a little section in the history book. It wasn't like she really had. I watched the movie Harriet and I read a book. Not read it, but it's an audiobooks. And I'm like, oh no, she has some real shit going on. She had a full on big business going like. Like on some Pablo Escobar but for.
And it ain't no students watching listening to this. You know what I'm saying?
[00:23:26] Speaker B: Hey,
[00:23:30] Speaker A: don't, don't let them tell you, right? They scholars.
[00:23:33] Speaker B: I didn't know it was senior citizens watching.
[00:23:35] Speaker A: But anyway, I'm just saying it's certain things that we didn't need that we were. That I was taught in my generation. All also life skills.
If you go back to life skills, there certain things that I was taught I didn't even know how to do.
[00:23:48] Speaker B: Like what?
[00:23:49] Speaker A: Like landscaping.
You learned that Jackie had me out there landscaping cuz she refused. She want. She want to pay the gardener no more. Now mind you, we was getting $298 a month welfare. So she didn't have the money to pay the gardener. So she was like this, tag you it. And I had to go out there and learn landscaping.
[00:24:09] Speaker B: But you don't cut your own grass at home.
[00:24:12] Speaker A: Hell no.
If we had grass, we gotta throw
[00:24:16] Speaker B: it in the house.
[00:24:16] Speaker A: It was in apartments.
[00:24:17] Speaker B: Oh, she was. So what would you couldn't.
[00:24:19] Speaker A: No, this one we moved in the house. But I'm saying why would I know that if we'd been in apartments my whole life.
[00:24:23] Speaker B: Right, right, right, right, right. So we can throw that in the box of things you don't need landscaping. Landscaping anymore.
[00:24:30] Speaker A: Uh, that's what I could think of off the top of my head. I don't.
That's it.
[00:24:38] Speaker B: I asked. I asked Twitter and what the fuck? Rudy said, the War of 1412.
[00:24:45] Speaker A: Which one was that?
[00:24:47] Speaker B: And then dead via Internet said the 50 states in alphabetical order.
[00:24:56] Speaker A: State capitals.
We did state capitals in fourth grade. I didn't even know that shit. I still know they meant they. We had to memorize every state capitol fool in the fourth grade.
[00:25:11] Speaker B: But do we need know that stuff?
[00:25:13] Speaker A: No.
What you need to know the capital of Nebraska for?
[00:25:17] Speaker B: Yeah.
[00:25:17] Speaker A: Yeah. Or like Ohio? Like, why do I need to know that? No disrespect, but I'm. I don't need to know that.
You know what I'm saying? I'm gonna go in, I'm gonna go on delta and I'm gonna type in Ohio and it's gonna tell me which airports is in the area.
[00:25:33] Speaker B: That's why I love where technology has taken us.
[00:25:35] Speaker A: Technology is fire.
What's the skill? You. You. You didn't need.
[00:25:40] Speaker B: I didn't need to learn exponents.
[00:25:42] Speaker A: Exponents.
[00:25:43] Speaker B: Exponents and multiplication. Like, why couldn't. We didn't need two siblings.
[00:25:51] Speaker A: Right.
[00:25:51] Speaker B: We only needed one key.
[00:25:52] Speaker A: Right, right, right, right.
[00:25:54] Speaker B: Exponents and multiplication is kind of the same thing.
[00:25:56] Speaker A: Yeah. Low key.
[00:25:57] Speaker B: It's basically the same thing.
[00:25:58] Speaker A: Low key.
[00:26:00] Speaker B: I didn't need to know how to color inside the lines.
I didn't.
Right now.
[00:26:11] Speaker A: No, I'm not. You ain't just going. You ain't just got a coloring book on you. But I think I. I think that was to teach hand eye coordination.
I don't think that that was to just color in the lines.
[00:26:23] Speaker B: I think connected docs was hand eye coordination.
[00:26:27] Speaker A: I think it's both.
You had them books where you connect the dots with a pen or a pencil and then you color it.
[00:26:33] Speaker B: Yeah. You might have the number in digits over here and then you got to connect it to the one in word form.
[00:26:40] Speaker A: Yeah.
[00:26:40] Speaker B: That make more sense than coloring inside the line.
[00:26:43] Speaker A: I think a lot of that stuff that we deal with, we call them dittos now, but like the exercises was just to learn certain. Just to improve certain motor skills and even like crossword puzzles. That's like pattern recognitions.
[00:26:54] Speaker B: And we needed that.
[00:26:56] Speaker A: We needed that.
[00:26:56] Speaker B: We needed crossword puzzles. We needed to learn how to stand in line because you're going to do it at some point at a company somewhere.
[00:27:03] Speaker A: At the dmv.
[00:27:05] Speaker B: Exactly.
But I've never needed to color inside the line.
[00:27:08] Speaker A: Yeah.
[00:27:10] Speaker B: Cursive.
[00:27:11] Speaker A: Oh, that could go.
[00:27:13] Speaker B: Cursive could go.
[00:27:15] Speaker A: But do you. Wait, wait. When you do your signature, though. You sign in print.
[00:27:20] Speaker B: Some of my signature is electronic. They type it for me.
[00:27:22] Speaker A: I know, but when you actually sign it, like if. Oh, Gina, can I get your autograph?
[00:27:26] Speaker B: I scratch it.
[00:27:28] Speaker A: You just draw a line.
[00:27:29] Speaker B: I just do something.
[00:27:30] Speaker A: You don't even know what you're doing.
[00:27:32] Speaker B: Signature and cursive is two different things.
[00:27:34] Speaker A: Okay?
[00:27:34] Speaker B: Your signature doesn't always have to be
[00:27:36] Speaker A: in cursive, but your signature most of the time is in cursive.
[00:27:38] Speaker B: Or initials.
[00:27:40] Speaker A: Or initials. Yeah, I don't fuck with cursive either. I think that's stupid.
[00:27:43] Speaker B: Why are you defending cursive?
[00:27:45] Speaker A: I'm not. I'm just. I wanted to know how you do signature. Cause signature is most of the time incursive.
[00:27:49] Speaker B: Pe.
[00:27:50] Speaker A: Nah, I ain't gonna fight.
[00:27:52] Speaker B: No, you need PE no, you need a PE.
I don't need PE she fat shaming.
We said shit that I learned that I didn't need no more. Not what you lear that you needed.
[00:28:06] Speaker A: She fat shaming.
[00:28:07] Speaker B: Not fat shaming.
[00:28:08] Speaker A: There are some people who took.
[00:28:12] Speaker B: You know, they took things from P.E.
i'm glad we had P.E.
[00:28:15] Speaker A: some of them kids that mile every Thursday was some bullshit, though.
[00:28:18] Speaker B: Some of them kids need to be right. That's what y' all needed.
[00:28:20] Speaker A: Mr. Rennes, you a bullshit ass nigga. Oh, my God.
[00:28:27] Speaker B: We talking about what I don't need. This is fair as an adult. That's fair.
I don't need to know how to write a letter.
Last time I wrote a letter, the only time I've written a letter, I sent it to somebody in jail.
All my stickers, my addresses to go out are all stickers.
[00:28:49] Speaker A: I think that was because there was no technology back then, so they were just teaching us things to deal with the times at that time.
So, you know, if you had to do some postage or something like that. But you know what, though? I ain't gonna lie. I seen adults put stamps on the right side. I mean, on the wrong side of the envelope.
Well, I done seen a stamp in the middle of an envelope before.
I'm not even making that up like crazy. It's like, hey, my nigga, just do what you see. Yeah.
You know what I'm saying?
[00:29:20] Speaker B: Like reading a compass.
[00:29:23] Speaker A: Reading a compass.
That could come in handy, though.
[00:29:29] Speaker B: Why is you arguing online? We talking about what I don't need today.
[00:29:32] Speaker A: I'm just thinking it out loud.
[00:29:33] Speaker B: What the fuck is you using the Compass for in 2026? Outside of the world ending, when I
[00:29:38] Speaker A: went hiking, I was using the compass on my Phone?
[00:29:40] Speaker B: You think I'm talking about an electric compass?
[00:29:43] Speaker A: Oh, you talking about a real one?
[00:29:45] Speaker B: I didn't say an app.
[00:29:46] Speaker A: Gen Z, you right. Go ahead.
Go ahead and cook.
[00:29:51] Speaker B: I'm gonna stay up cleaning chitlins.
[00:29:56] Speaker A: We don't need chitlins in general.
[00:30:00] Speaker B: I don't iron.
[00:30:02] Speaker A: Okay.
[00:30:04] Speaker B: I don't have a reason to be in a large body of water.
My parents put me in swimming lessons as a toddler. I learned how to swim very, very early.
Whatever my first scare was, whatever I seen that.
Learned trauma response. I am terrified of big bodies of water, beach pools.
[00:30:27] Speaker A: It don't even matter. Damn.
[00:30:29] Speaker B: When we go and sit in my pool, I sit at the top.
[00:30:32] Speaker A: Oh, you don't even go in.
[00:30:34] Speaker B: Mm. Mm.
[00:30:35] Speaker A: Damn. Okay, but you know how to swim.
[00:30:39] Speaker B: No.
[00:30:40] Speaker A: You say you learned how to swim at a very young age.
[00:30:42] Speaker B: I said, whatever. Trauma scared me.
And now I don't fuck with it.
[00:30:46] Speaker A: Now you don't. Okay. So you just forgot how to swim?
[00:30:48] Speaker B: I can't swim.
I can't swim. I don't iron. I use the wrinkle on my dryer.
And we were taught that if you drive with the lights on, you're gonna get a ticket.
[00:31:00] Speaker A: That's bullshit.
[00:31:02] Speaker B: So I heard.
I've never gotten a ticket for it, but I've also never got. Well, I did get a ticket for speaker.
[00:31:11] Speaker A: Yeah, I think that's cap.
[00:31:13] Speaker B: So that's things that our parents told us. Turn that light off. You don't make me get a ticket.
[00:31:17] Speaker A: Oh, you know what the other one was?
Everything running up her light bill.
[00:31:22] Speaker B: Okay, that's not true.
[00:31:24] Speaker A: No, that's bullshit. Explain that to me, because, like, everything I did in the house, she like, y' all stop running in my house. Y' all running in my light bill. Like, how?
[00:31:34] Speaker B: Oh, running around the house.
[00:31:35] Speaker A: Yeah, like, we playing with our toys. Like, you running up my electricity.
Like, you know, it's just trauma.
[00:31:41] Speaker B: Like, have you heard if you roll, if you drive with the windows down, you wasting gas?
[00:31:46] Speaker A: Yeah, it makes the car less aerodynamic, but it's not enough to be true.
[00:31:52] Speaker B: Oh, yeah. Well, those are the things that I learned that I don't think I need this year.
[00:31:57] Speaker A: Okay, well, you want to. So. Okay, we already. We already had. We had ti here. He was sitting here in front of us.
[00:32:05] Speaker B: We need him back.
[00:32:06] Speaker A: We need him.
We had him too early.
A lot has unfolded in the last week, I guess. But the thing is, we talked about this literally one week ago on this very radio station about you actually said, you know what? 50 ain't letting nothing go. He not finna let this go.
You got the Suns dropping diss records. You got TI dropping record after record. TI was rapping. Rapping too. Like it ain't like TI was just in there, you know, doing some bs. Like TI was in there for real rapping. He dropped these records.
[00:32:44] Speaker B: T.I. is rapping. Like Ren is due.
[00:32:47] Speaker A: Yeah, and T.I. and Tiny, we all know they got that lawsuit that they won. Like they don't need to do shit, you know what I'm saying? They don't need no money. Like they're good. But ti's rapping like this. You were like, at this point, 50 gotta get in the booth. I told you wasn't gonna happen. But you actually said, 50 not finna let this go. A week ago I said, I see 50 doing a documentary or he's gonna use what he does. Just like TI said, I don't make memes, I do music.
I think. I mean, I said that 50 was gonna do what he does, which is create stories about people and put em out on a major platform. And lo and behold, allegedly 50's working on. Well, not allegedly, cause he posted, but he's working on a documentary about TI and Tiny and the Harris family and their transgressions and they have lawsuits in the past and stuff like that.
What's crazy is that's not even the crazy part. The crazy part is 50 is not tripping about none of the diss records. Like he just like, oh, it's all good. I'm finna make this dot.
Like he don't even. It's almost like he's being dismissive of the way ti feel, which is standard issue.
[00:34:02] Speaker B: 50, I think.
No, see, I think that he kind of addressed what he feel about him not doing the verses. He said, I'm not doing it.
And now since you playing with me in the studio, I'm about to play with you.
But this is what he's been doing to people regardless if they drop a diss track or not. Right?
He been getting at people and exposing them and stuff like that for owing him. You remember that?
[00:34:31] Speaker A: Oh, I want my money by Monday.
[00:34:32] Speaker B: Remember N S was on them.
[00:34:33] Speaker A: Yeah, yeah.
[00:34:35] Speaker B: He started putting your business out there. He started, you know, posting you and all that type of stuff. So I think this is that.
Okay, so it's just a different level. Cause he got new relationships.
[00:34:45] Speaker A: So I did see that Domani went on Breakfast Club, I believe, and, and he was talking about that.
I'm actually quote him here. He said, we really didn't have no conversation because basically TI would have had some input and I would have had to choose to ignore him or go my own route. So I just put out the music, basically. And he was talking about him and King Harris going rogue and dropping their diss records. And Tip had no idea that they was doing that. Which. These are grown. They're grownups at this point and they have their own music careers and they can drop their music if they want to drop their music.
But it is interesting to me that TI didn't have no heads up about his sons dropping Diss record. But at the same time, like, 50 was like trolling they mom so I could see them as grown men. He was like, wait, hold up. He got my mom. You got me fucked up.
[00:35:36] Speaker B: Yeah.
[00:35:36] Speaker A: You know what I mean?
[00:35:37] Speaker B: I thought that did kind of surprise me that he didn't know what they was doing and he didn't have any input on it. Cause if you ask me, I thought it was like a group chat.
[00:35:46] Speaker A: You gotta kinda put that in the group chat.
[00:35:49] Speaker B: You gotta kinda put that in a group chat.
I don't know about that. The level of disrespect. King had a picture of 50's mom on his shirt.
[00:35:59] Speaker A: Yeah. And in this record, he was talking about digging her up. And you posted my mama. Then go dig your mama up. It was very egregious.
And 50 didn't have no. He's like, all right, whatever, whatever.
[00:36:13] Speaker B: What I can say, though, I am tired of this back and forth.
[00:36:16] Speaker A: Right.
[00:36:17] Speaker B: I'm ready for this to be packed up and over with. Cause it's not entertaining, you know, when like, just stuff just stopped being not entertaining. It's not fun. It's not like it's not interesting. Because now we know what's coming.
[00:36:33] Speaker A: The doc.
[00:36:34] Speaker B: The doc. But about what?
[00:36:36] Speaker A: Like, what's the angle?
[00:36:37] Speaker B: What's the angle?
Where is it? Is it some stuff that we don't, you know, know exists? Some stuff from, like, tips pass back, back, back, back, back in the day, you know, is it some. Is it some behind the music type of thing where. You know what I'm saying? Like, where it's about the deals and stuff like that, you know, like what was going on behind the scenes in the music industry with them too, as. You know, like, it's like, what is it? Like, what about them. Them being business people, they family, you know, Like, I was just like, what is it?
[00:37:05] Speaker A: I don't know. I just know that. I remember we talked about a timetable on a back and forth. Whereas, like, we since 2024. We didn't have this whole back and forth shit going on. Two years now.
[00:37:16] Speaker B: Yeah.
[00:37:17] Speaker A: And the timetable keeps getting extended because we don't get. We don't. This person didn't drop. Cardi waited to. Her albums come out, and then it's kind of like, is it dead? Is it not? Like, do we care? Do we not care?
And so by the time.
[00:37:31] Speaker B: That's a good point.
[00:37:31] Speaker A: By the time this doc come out, will we care?
[00:37:34] Speaker B: Yeah.
[00:37:35] Speaker A: Cause at this point, Tip is dropping his last album, Kill the King. Kill the King is gonna come and go. By the time. Unless 50 is, like, dropping what he's doing, produce this doc by the summer, I don't see us caring.
Cause you gotta think he did the diddy doc. But the diddy thing is still going on.
[00:37:54] Speaker B: Right?
[00:37:54] Speaker A: So it's still. People are still kind of engaged.
But, like, TI finna have his album, his final album. He gonna go on tour. He gonna do all the things that he's doing. He gonna be done. He gonna be done with music. Are we still gonna care a year, maybe a year and a half from now about this?
[00:38:12] Speaker B: I think it depends on when the
[00:38:15] Speaker A: album comes out, when TR's out.
[00:38:18] Speaker B: Cause if it comes. Well, no, honestly, again, underestimating 50 Cent. Because I think that he has the ability to make you care about something that you don't care about anymore.
[00:38:28] Speaker A: Touche.
[00:38:28] Speaker B: You know what I'm saying? Like, he's storytelling.
[00:38:31] Speaker A: Yeah.
[00:38:32] Speaker B: So I feel like he has that ability. And depending on what it is. Cause that was what I was about to ask you. Depending on what it is, does it help or hurt his legacy and his retirement?
[00:38:45] Speaker A: It hurts his. It hurts. It depends on what it is.
[00:38:48] Speaker B: Remember, he told us he's done.
[00:38:50] Speaker A: Yeah.
[00:38:51] Speaker B: If I decide to retire and then some information comes out, do you come back and defend yourself or do you stay gone and retire?
[00:38:59] Speaker A: No.
[00:39:00] Speaker B: So for whatever this documentary is going to be, if it comes out, when it comes out, he's going to spend the rest of his legacy explaining himself.
[00:39:12] Speaker A: It depends on how crazy it is.
Here's the other thing, too.
50 is considered a street dude.
I see people taking the angle that 50 is telling on niggas by doing these docs. Because it has real world implications. Like, say 50 do a documentary and it really get ti in trouble. In real life, it has them launch an investigation because 50 went and found new witnesses, whatever it is. Right.
And now TI Is in real legal trouble.
Then you're right. Then it might be like, okay, now TI has to figure out what his next move is gonna be and how to, like, maneuver in this situation. But what does that. How then. But then how do you look at 50 at that point?
[00:39:59] Speaker B: I think 50 continues being 50.
[00:40:02] Speaker A: This just being him.
[00:40:03] Speaker B: It don't matter how we look at him.
[00:40:05] Speaker A: He don't care.
[00:40:05] Speaker B: He's already past general public.
General public. He's past general population. Yeah, he's up here.
[00:40:11] Speaker A: Yeah.
[00:40:13] Speaker B: You giving us more content, more documentaries, more TV shows. All that little. That don't matter to us no more. How we looking at them, you know what I'm saying?
[00:40:20] Speaker A: Facts.
[00:40:21] Speaker B: And we talking about a culture that don't stand on none of that. None of that.
[00:40:26] Speaker A: Yeah.
Yeah, you right.
[00:40:28] Speaker B: Niggas could feel a way about them today, but then tomorrow they done forgot. Why? Cause they're entertained.
[00:40:35] Speaker A: Yeah. So you get. So 50 dropped a documentary. Let's say it come out a year and a half from now.
My point is, I don't think it would be tied directly to this back and forth that they've had.
I think it's just gonna be a documentary about TI that 50 produced, and it might start. It might kick off some more, some new shit, basically. Like, it's just gonna be, hey, here's a doc that.
Here's a documentary that, you know, 50 produced about T.I. and his family.
So. But I don't think T.I. comes back and does anything like. I don't think that that's. I don't think that's his campaign.
[00:41:12] Speaker B: Yeah, but we didn't think Jay Z was gonna say something, and then Jay Z had to defend himself, and he didn't stop until them lawyers couldn't practice in that jurisdiction.
[00:41:22] Speaker A: I just don't see it happening. But, I mean, we don't know.
But.
I don't know. I'm definitely tired of it. But I just know 50 not the type of letting nothing go. He don't let nothing go. Yeah, he don't let nothing go.
[00:41:38] Speaker B: Well, I know it's too far to say that they need to make up. It's too far. Too deep into it, but I just don't want this to turn into more.
It's going too far.
[00:41:50] Speaker A: What took it there?
[00:41:54] Speaker B: I think the. The mother.
[00:41:55] Speaker A: Posting his mom.
[00:41:56] Speaker B: Yeah.
[00:41:56] Speaker A: Posting his wife. Yeah, yeah.
[00:41:59] Speaker B: No, that was already what he does.
[00:42:03] Speaker A: They posting tiny.
[00:42:04] Speaker B: Yeah, 50 already does that. I'm talking about talking about the dead.
[00:42:07] Speaker A: Oh, King.
[00:42:08] Speaker B: Yeah.
[00:42:08] Speaker A: Oh, that's what took it.
[00:42:10] Speaker B: I thought that's when it went too far. Okay, but again, we talking about 50.
[00:42:14] Speaker A: Yeah, but you can't tell people how to React either.
If you poke making you trolling somebody's mom, it's hard to tell them, like, hey, you can't. It's no different than when we had Rayvon here and we had Joey here. It's like to certain, to certain people, the line is right here. Tell the people the line is over here.
[00:42:29] Speaker B: So when do you think it went too far?
[00:42:34] Speaker A: I think it just got too far. It was in between posting tiny and the mom diss, because every time the other person had to, like, up the score.
And so it just kept getting upped and upped and upped. And now there's two whole records about somebody's deceased parent. You know what I mean? Like, and I don't want to say all he did was post. He didn't say nothing. But all he did, he just posted her picture. So I don't know, I think it's like in between that, it's almost like nuance. And I know 50 is very smart and he does shit like that on purpose. Like, he won't put no caption, he'll just post your picture.
But you're, you know, the insinuation behind that. So now it's like, do you just meet him, where he's at, or do you up it? That's where I think it kind of like.
[00:43:24] Speaker B: Well, I have a scenario for you.
[00:43:26] Speaker A: Okay.
[00:43:28] Speaker B: If you woke up in the morning and there was a million dollars in your account and this person knew they sent it to your account and they requested you to send it back, would
[00:43:40] Speaker A: you send it back to them?
No.
[00:43:43] Speaker B: Yes.
[00:43:43] Speaker A: Well, who sent it?
So just like random. Somebody sent me a million dollars.
[00:43:50] Speaker B: You know the person.
A million dollars is a million dollars whether you're a friend or a stranger.
[00:44:02] Speaker A: I'm just saying.
Cause there's certain people we can't play with.
But like, for me, I'm probably. I'll send half back.
[00:44:11] Speaker B: Okay.
[00:44:12] Speaker A: Now if I know you.
[00:44:14] Speaker B: All right, now they're asking you.
Now they're asking you send it all back or you have to spend a year in jail.
[00:44:27] Speaker A: Do I gotta do it in LA County?
[00:44:30] Speaker B: You asked her too many questions.
[00:44:33] Speaker A: I would go sit down for a year.
I would definitely go sit down for a year for the million. For sure, for sure.
[00:44:42] Speaker B: And never send nothing back.
[00:44:43] Speaker A: Yes. If I had an option, Send you the million dollars back or go sit down for a year.
Sign me up for the year.
[00:44:49] Speaker B: Yeah, yeah, yeah.
[00:44:50] Speaker A: I go sit down for a year for a million. A million. Cash. You zelled it to me. I go sit down for that. Would you?
[00:44:57] Speaker B: Yeah.
[00:44:58] Speaker A: You be right there in Linwood.
[00:44:59] Speaker B: There's no questions. I don't care where we at.
[00:45:01] Speaker A: At Women's Central Life.
[00:45:02] Speaker B: I sit in the box.
[00:45:04] Speaker A: Solitary.
[00:45:05] Speaker B: A year. Yeah.
[00:45:07] Speaker A: Yeah, I would definitely go sit down for that.
[00:45:08] Speaker B: You gonna find me with the Cleo braids from set it off to have my straight backs.
[00:45:14] Speaker A: And then. So when you come out, when you first, like, first day you get out, what you doing?
[00:45:22] Speaker B: I'm going to my house that somebody bought for me while I was gone.
I'm going straight to the crib. Cause I already got the house.
[00:45:32] Speaker A: Yeah, I don't know, Nate. Would you give it back or would you go sit down?
[00:45:35] Speaker B: I'm sitting down. We. We in the. We chilling, making friends and shit.
[00:45:40] Speaker A: What?
[00:45:41] Speaker B: We chilling.
[00:45:42] Speaker A: Yeah, I'm going see y' all when I get out. Look, I got an M, fool. Y' all niggas want to spread.
Like you know what I'm saying? Like, you know what I'm saying? Let's play nice, my nigga. You know what I'm saying?
[00:45:52] Speaker B: All right. Five years.
[00:45:54] Speaker A: Fuck no. I can make a million dollars in five years.
Not saying that. I got it and I can, but I'm saying I'll go figure it out. But I'm like, nah, I'll do a year for a million, for sure.
Five years? No chance.
[00:46:09] Speaker B: Three?
[00:46:10] Speaker A: No, a year's my max.
[00:46:12] Speaker B: Oh, you maxed out at a year?
[00:46:14] Speaker A: I maxed out at a year. I'm not doing longer than. Because I can talk my way out of shit for a year.
I don't know how good my politic is.
[00:46:25] Speaker B: What?
[00:46:25] Speaker A: Like, I'm just saying, like, where you gonna go? Different than where I'm gonna go.
You know what I'm saying?
We in Los Angeles county, fool. I'm gonna be in Twin Towers.
Like, this ain't cute.
Like, I got homies that be. I got homies in Twin Towers.
You gonna go to the jail that they put old girl in. You gonna go to the jail they put Paris Hilton in and shit. You know what I'm saying, bro? No, I'm not the one in Linwood. That's the only female jail. That's the LA county female jail.
[00:46:55] Speaker B: But why you making. You threw Paris Hilton on it like glitter in that motherfucker.
[00:47:01] Speaker A: I'm not saying it's sweet, nigga.
[00:47:02] Speaker B: Still jail.
[00:47:03] Speaker A: It ain't. It ain't. It ain't.
[00:47:04] Speaker B: Me and Paris Hilton cell gonna look totally different, nigga.
[00:47:07] Speaker A: It ain't. Me and central lockup and in Twin Towers. That's what it ain't. I seen Civil Brand, nigga, I don't give a fuck what you saw. N.
I got homies in Twin Towers. I got homies that came home from Twin Towers. I'm cool.
I'm not doing a day over a
[00:47:23] Speaker B: year for a million dollars.
[00:47:25] Speaker A: No.
I'll go figure it out.
Not fucking with it.
[00:47:30] Speaker B: I wish I had Geechee Gotti Soundbite on me.
[00:47:32] Speaker A: What does it sound bite?
[00:47:33] Speaker B: Nigga, you's a bitch.
[00:47:35] Speaker A: Facts.
Sign me up, nigga. Drop me the bitch PDF. I'll sign it right now.
[00:47:43] Speaker B: One day over.
[00:47:44] Speaker A: Not one day.
Not one day.
[00:47:48] Speaker B: Wow.
[00:47:49] Speaker A: You would do two years for a million.
[00:47:50] Speaker B: Yes.
[00:47:51] Speaker A: 3.
See what I'm saying?
[00:47:55] Speaker B: It's gonna be rough. Yeah, look at what you mean it's gonna be rough.
[00:47:58] Speaker A: But for $1 million in cash.
[00:48:01] Speaker B: Remember three years ago, right now. Okay, just that quick.
[00:48:06] Speaker A: Yeah.
[00:48:07] Speaker B: It's over.
[00:48:08] Speaker A: Nah, fool.
[00:48:09] Speaker B: Nigga, 2023 was yesterday.
[00:48:12] Speaker A: A. M. Ain't that much money to be doing all that.
[00:48:17] Speaker B: Well, Cash, you ain't had my life, bro.
[00:48:22] Speaker A: Cause. Cause they finna, man. They finna whoop you in, like, taxes and just. Nah, I'm cool.
[00:48:29] Speaker B: See how you know it's taxes, Nigga, I already broke the law, so it's
[00:48:33] Speaker A: just cash to the face.
[00:48:34] Speaker B: Yeah, you worried about taxes?
[00:48:37] Speaker A: Do niggas know?
[00:48:38] Speaker B: Already stole.
[00:48:39] Speaker A: Do niggas know?
[00:48:39] Speaker B: I got the M.
It's all over the news.
[00:48:42] Speaker A: Oh, hell no. Hell, no.
[00:48:44] Speaker B: It's public knowledge just like this, dude.
[00:48:46] Speaker A: Nah, I'm cool. No, I'm cool.
I'll do one year.
That's it.
[00:48:51] Speaker B: Two million.
[00:48:51] Speaker A: No, I'm not doing over a year.
366 days. I'm out, Sonic.
[00:48:58] Speaker B: All right, final. Final offer.
Final offer.
Three years.
A. Billy.
Yeah.
Yeah. So, nigga, you would do the 1 million?
[00:49:12] Speaker A: No, I wouldn't. I'll go do five years for a bill for a billion.
[00:49:16] Speaker B: Nigga, you already done built up the courage, the strength. You got homies in there now. You been whooping shit.
[00:49:23] Speaker A: I ain't been whooping nothing.
[00:49:24] Speaker B: You've been knocking shit down.
[00:49:25] Speaker A: I'm paying my way. I ain't whooping. I ain't whooping nothing.
But I'm for sure paying my way.
Yeah, I'm breaking everybody. Look, everybody in this cell block. Nigga, I got 100,000 for everybody. Leave me the fuck alone.
[00:49:40] Speaker B: You one of them little ass.
[00:49:41] Speaker A: Leave me alone. For five years. I got 100,000 for all you niggas.
[00:49:44] Speaker B: You one of them badass kids that done figured out how to finesse the whole playground.
[00:49:48] Speaker A: The whole Playground. I got gummy bears. I got licorice,
[00:49:53] Speaker B: bro.
Okay, so would you promise niggas only want 500 from you?
[00:49:59] Speaker A: From your 1,500,000?
[00:50:02] Speaker B: Yeah. No, no, no, no, no, no, no, no, no. 500.
[00:50:06] Speaker A: $500.
[00:50:06] Speaker B: Yes. Everybody in jail that you meet. Keep him, keep him off him. I got $500. A million. But three years.
[00:50:13] Speaker A: No, I don't.
I'm older than you, fool. Like, time is more valuable to me. I'm cool. A billion. I'll go sit down for five years for a billion dollars for sure. Cause I don't think I could make that, like, in that five year span. I feel like I can go figure out a way to make a million dollars in five years.
[00:50:31] Speaker B: Well, can you figure out 90 days?
[00:50:33] Speaker A: Nigga, I'm trying.
You know what I'm saying? But a billion? Yes, but I'm paying everybody. Guards, judges, everybody. I'm getting conjugals, bro.
[00:50:42] Speaker B: They're gonna add what price?
They're gonna start adding time. Cause you're gonna be trying to bribe
[00:50:49] Speaker A: the whoever at the time. I'm paying him, too.
[00:50:52] Speaker B: Whoever at the time?
[00:50:54] Speaker A: Yeah, my nigga, what you need to make this go away? Cause you tripping.
[00:50:58] Speaker B: You think that's gonna make him stop adding time? Yeah, he gonna take your whole account.
[00:51:04] Speaker A: Somebody's snitching.
[00:51:05] Speaker B: You're in deep.
[00:51:06] Speaker A: Somebody snitching a billion?
Yeah, bro, I could. Hey, listen. I ain't listen, bro. This is still LA County.
[00:51:13] Speaker B: You in deep.
[00:51:14] Speaker A: This is LA County.
[00:51:16] Speaker B: And then, you know how many niggas you gotta worry about when you come home? Cause you've been promising all these niggas shit and they telling they homies. Yeah, he promised me a million. Tell that nigga to promise me a million or I'm going to his mama house, okay?
[00:51:27] Speaker A: Nigga, what mama house?
N, my mama ain't got no house.
Nigga, I got a billion dollars. You think Jackie lives somewhere? Nigga, Jackie don't live nowhere. N. We don't even exist.
[00:51:38] Speaker B: All right?
[00:51:39] Speaker A: No fingerprints.
[00:51:40] Speaker B: You can't touch it till you come home.
[00:51:42] Speaker A: I don't give a fuck, nigga. I have the coldest IOU system in my cell. Let me see what sheet you on. You on sheet 13? Let me see. Yeah, I got you down for 200,000. You good? You want some soups?
[00:51:57] Speaker B: The way that we respond to stuff is so funny. Like, kind of like the parodies, like the parody movies. Like, if black people did this, how they doing?
[00:52:08] Speaker A: Like the Scary Movie thing, bro, did you see the Scary Movie 6 trailer. Okay.
[00:52:14] Speaker B: Did you see the reference post?
[00:52:17] Speaker A: Yeah.
[00:52:18] Speaker B: Well, how they reference all of the stuff? Yeah, I like that. We got that. Cause we didn't have that. We didn't have that for the other scary movies.
[00:52:25] Speaker A: No. Now, niggas, if you knew, you knew.
[00:52:27] Speaker B: Yeah, it's like if you knew, you knew. Okay, this is this movie. This is that now we. That's what I'm talking about. How I love technology, but the way that they put each reference on top of each other. Cause a lot of them I didn't realize, like, I didn't know that Cindy was Jamie Lee Curtis. Yeah, I didn't realize that one.
[00:52:45] Speaker A: Yeah, I missed a few of them. I did. I caught like the get out one. Obviously the Scream shit. I caught.
Damn. What's the other one? The.
[00:52:56] Speaker B: They did Megan.
[00:52:57] Speaker A: Not Megan.
[00:53:00] Speaker B: They did heart eyes.
[00:53:01] Speaker A: They did smile, smile like I caught a couple of those. But I also don't watch hella horror movies either.
Was to me was dope. Is because, you know, I don't know if. Well, you're not, you know. But for those who don't know, the scary movie franchise had. They sold it like the Wayans family had got rid of it and they reacquired it because they didn't they want to get it back in. In house or whatnot. And just from the trailer, I could tell this is better than other ones.
[00:53:26] Speaker B: You think so?
[00:53:27] Speaker A: Yeah, I think it's gonna be way better.
[00:53:29] Speaker B: I think it's gonna be good and perfect timing for this generation of the Internet with how sensitive it is and for people to get these raw jokes the way that we got em. Yeah. You know, like, I think that's what's gonna make it better too.
[00:53:47] Speaker A: And to be honest, I think Marlon shout out to Marlon Wayans. I think his ego is too big for him to do some whack shit.
[00:53:55] Speaker B: Yeah.
[00:53:56] Speaker A: Like, I know somebody that is close with the franchise and they say, yeah, this is some of Marlon's best work.
[00:54:02] Speaker B: I wanna commend them for the turnaround time facts. Because to recap, all of those movies, they even did Final Destination 6. That just came out.
[00:54:11] Speaker A: That just came out.
[00:54:13] Speaker B: And they got references from Scream 5 in there too. But just the way that they did it and then even the timing and releasing it with Scream 6 like they released the Scream.
I'm sorry, they released the scary movie trailer with Scream. Scream seven, you know, so that's freaking fire.
[00:54:31] Speaker A: That was smart.
Did you notice the Shawn Wayans shit?
Yeah, they be sex playing Sean Wayne. No. Remember, it was like some oh, when
[00:54:43] Speaker B: he said we gonna do some half gay shit. Yeah. Why just half gay?
[00:54:45] Speaker A: But I think that's a parody. Because I don't know if you know, but like, over the years, they be like playing with Shawn Wayans that he be like, that he's gay or whatnot. You ain't seen that.
[00:54:57] Speaker B: Oh. Cause they said the word half gay.
[00:54:59] Speaker A: Yeah.
[00:54:59] Speaker B: So he's always been gay on Scary Movie.
[00:55:01] Speaker A: No, but he said half gay.
[00:55:06] Speaker B: Okay. See, I took that as white people be treading the.
[00:55:09] Speaker A: Oh, okay, man.
[00:55:11] Speaker B: You know, treading like the fence of like gay and not gay.
[00:55:14] Speaker A: Gotcha.
[00:55:14] Speaker B: Type of thing. Like, that's what I took it as.
[00:55:16] Speaker A: That makes sense.
[00:55:17] Speaker B: It's like him. He coming in and like, we're gonna do some half gay shit because they not claiming that is necessarily gay.
[00:55:23] Speaker A: Yeah.
[00:55:24] Speaker B: You know what I'm saying?
[00:55:24] Speaker A: No, that makes sense.
[00:55:26] Speaker B: If he wasn't gay the whole thing, then I would. But he got a fucking.
[00:55:31] Speaker A: His.
[00:55:31] Speaker B: The. The. What's the hole? The glory hoe. Yeah, he got. No, no, at the glory hole. He wrapped his dick around it.
[00:55:39] Speaker A: Yeah.
[00:55:39] Speaker B: Under the bed.
[00:55:40] Speaker A: Yeah. He's like, no, come here. Yeah, yeah. That was a crazy scene.
[00:55:45] Speaker B: He fell over on Dewey with the ass tooted up.
[00:55:48] Speaker A: Yeah, yeah.
[00:55:50] Speaker B: He was whole. He was on whole gay shit.
[00:55:52] Speaker A: Yeah. I just thought it was like, why he say half gay when it's like that's his character?
[00:55:56] Speaker B: But I don't know that part two that was referencing, I believe, strangers and sinners.
[00:56:04] Speaker A: Sinners.
[00:56:05] Speaker B: You know how they knock on the door.
[00:56:06] Speaker A: The Sinner's parody was fired.
Yeah. I'm looking forward to Scream 6. I mean, yeah, scary movie 6.
[00:56:13] Speaker B: And I love that it's all the old cast because that was the thing, the screams that came out. The only one that was still on there was Cindy and Brenda. Yeah.
Yeah. I don't think anybody. I don't think anybody else from at least one and two came back.
[00:56:28] Speaker A: But I think that's also because I don't think that the family was in control of the franchise like that. So now that they. Now that they're back in control of the franchise, I think it's going to be way better.
Um, okay, couple more things we gotta get to shout out to Red Bull. Our family, friends or family over there at Red Bull. Big Sean did this 60 second freestyle. Big Sean is one of them artists where we've always talked about Big Sean and how dope he is as a lyricist, but I really like him doing this Red Bull 60 second freestyle. Because Sean, I don't Wanna sound. I don't wanna sound like that. But to me, Sean has went a lot more introspective in the way that he produces his music.
Where like, the new album he put out all the way, going back to Detroit and Detroit, too. Those are little, like, concept albums. And then when we saw the Red Bull Spiral, it's just bars.
And I think just as fans of these artists who, like, they grow throughout their career, but some of us, hey, hey, give me them bars. Yeah, like, we start fucking with you. Cause you could rap. Like, I get the concepts and, like, the orchestras and shit, but, like, give me the bars. And so that's what I thought was dope about the freestyle.
Yeah.
[00:57:33] Speaker B: And I said this before, but Nick has got to stop playing with Big Sean.
[00:57:39] Speaker A: It's Sean's fault, and I told him that. But go ahead, tell me why.
[00:57:42] Speaker B: Why you think it's his fault?
[00:57:44] Speaker A: Because he be so passive and chill. Like, I don't know how to describe it, but I think part one is because he doesn't talk.
Like, he told me he was gonna come up here two years ago.
You know what I'm saying? The other thing is he just lets narratives run about himself, and he don't engage and let niggas know, like, I'm really one of them ones. Like, I'm still like that. I could rap with the best of y'. All.
And I think I remember a period of time when we were talking about the Big Three, and then, who's the Mount Rushmore? The new generation and whatnot. Sean was always one of them people that they would put in that fourth slot.
But then it would go to, like. First it would go to Big Sean. Then he would come down and go, future. Then he would come down and it would go rocky. Like, it would just swap. It was swappable.
But I don't think Sean had that urge to take that shit. And that's kind of like why I say that.
[00:58:35] Speaker B: So you want him to flex more?
[00:58:37] Speaker A: I've been told. I been told him to talk more shit.
I been told him he was supposed to, if I'm being honest.
Shit, last year he was like, yeah, I'm gonna have you come to the studio. I still ain't been to the studio. Cause I be telling him, like, you really like that? Like, nigga, let these n know you like that. Don't run from it. It's kind of the energy that Pusha T be on.
[00:58:57] Speaker B: You don't think, though, him dropping the music is showing them. It's like, I'm Showing with the product rather than me popping it.
[00:59:03] Speaker A: I think you gotta do both.
Because think about this.
[00:59:09] Speaker B: What if that's just not your personality, though?
[00:59:11] Speaker A: It's not. But then also, you can't either. Not saying that he has complained. I've had private conversations with him. Not saying that he's complained. But then you can't feel away if people don't give you that.
Like, Wale. Wale is somebody who is he on the timeline every other day addressing disrespect? N ain't putting me in these slots when n playing with my name. But this last rollout, he went for it like he was rapping every week and at a high level. Shit that I didn't. I wasn't even catching all of the bars he was rapping. Right. And I think that he went for it. That's the energy I'm talking about that Sean has. Don't really give us.
[00:59:47] Speaker B: But how has that benefited Wale?
[00:59:50] Speaker A: I don't think it's benefiting him, but it shows that to me, from a fan's perspective, it's like, oh, Wale is here to compete.
I'm not just resting up on my Grammys and my platinum plaques and I'm rich. And it's like, no, I'm here to play. Let's do it. That's the energy and that's the mentality. I think that if Sean were to just turn that on one time, people would stop playing with him.
[01:00:14] Speaker B: Okay.
[01:00:15] Speaker A: That's just my perspective.
[01:00:16] Speaker B: Okay.
[01:00:17] Speaker A: But, like, in this freestyle, though, he did get some shit off, though, so shout out to the Red Bulls.
[01:00:22] Speaker B: He talks crazy every time he raps.
[01:00:25] Speaker A: Yeah.
I just need to. I want him to do more often.
[01:00:28] Speaker B: You want him to get on Twitter?
[01:00:29] Speaker A: No, I want him to just rap more often and talk and defend himself. Not defend himself. That's a bad way to say it. No, I want him to pop his shit.
[01:00:37] Speaker B: Yeah. Yeah.
[01:00:38] Speaker A: It's very rare that we get artists that are really, really dope that know they dope and proclaim they dopeness.
Cause a lot of niggas ain't in that category where they're so dope that they can actually stand on how dope they are. Yeah, I want him to just own it. Like, yeah, you one of them ones, nigga. Like, that's it. Just as a fan and a homie, like, whatever.
[01:00:57] Speaker B: What's this? Data security and meta glasses.
[01:01:00] Speaker A: So, okay, so you see everybody walking around with the meta glasses on and whatnot.
[01:01:09] Speaker B: You gotta be careful.
[01:01:10] Speaker A: Who you telling?
[01:01:11] Speaker B: You gotta be careful.
[01:01:14] Speaker A: I don't really like talking to n with them meta glasses on. Not because I feel like they're recording me, but it's like.
It's kinda like, yo, what you own?
[01:01:23] Speaker B: I don't even know what they look like.
[01:01:25] Speaker A: Yes, you. You seen em.
[01:01:26] Speaker B: I'm starting to think about all the niggas I done walked up on. Cause I walk up on a N A and say anything.
[01:01:31] Speaker A: Oh, yeah.
[01:01:32] Speaker B: I be.
I'll be saying, hey, how's your dick? Like I say anything. Like walking up.
Would they have like a light? Y' all miss me? Oh, it's a sensor on it. There's a little light on. Okay, I've seen.
[01:01:45] Speaker A: You can tell they done figured out a way to.
To block the light. So. What? Oh, yeah.
[01:01:50] Speaker B: Is that light a flash or. That's a recording?
[01:01:52] Speaker A: It's a. It's a little illuminate. It's a little white illuminating light that lets you know that they're they're on. But now they'll like block that. They'll put tape over. They'll use marker. They'll put a little paint over it. Or they just hack the glasses.
So now you just. Now you. You could just be out in the world record. But anyway, I don't have the. I can't pull up the official report here, but. Because I don't know what's wrong with my computer no more. But basically what happened was somebody came out and said that there is people that have access to this footage via meta. And randomly, people can just.
Randomly people could just interact with your footage that you've captured that's supposed to be secure in your account.
And there are people that can review said footage that are not you or people you don't grant access to within the meta universe or people that are meta adjacent through like a third party firm or whatnot. Right.
[01:02:53] Speaker B: So that's not the same. Oh, go ahead.
[01:02:54] Speaker A: So that's kind of like shaking shit up and making people like, well, everybody walking around just filming shit. And they actually did say that they were able to see certain people scantily clad, I was just say, like nude or whatever.
Through other people's footage that they didn't get access to through them.
[01:03:15] Speaker B: So we don't think that it's the same thing when ring cameras, I and camera videos.
[01:03:22] Speaker A: Here's the thing, this is what.
[01:03:23] Speaker B: I'm sorry, camera videos, car cameras.
[01:03:28] Speaker A: Yes, it is the same thing. But I think privacy is dead anyway.
[01:03:32] Speaker B: Yeah, nanny cams.
[01:03:33] Speaker A: I think privacy is dead anyway. And I was arguing with Avery about this before. We got on the air, right? Because I think that. Do you still believe in privacy? You still think we have privacy?
[01:03:44] Speaker B: No, I always think somebody watching me.
[01:03:45] Speaker A: Me too. Like, at all times, anywhere, everywhere.
[01:03:48] Speaker B: I feel like I'm on reality TV every day.
[01:03:52] Speaker A: That's called being self absorbed.
But I think we're always being watched. I think that privacy is dead. I think everything you text, everything you call niggas be. The street homies be using Signal and FaceTime audio. Like, oh, yeah, they can't, nigga. They can hear everything.
[01:04:12] Speaker B: I hate running into a motherfucker with a front camera with tape on it.
[01:04:16] Speaker A: Right?
[01:04:17] Speaker B: Like, come on now.
[01:04:19] Speaker A: Right. But anyway, Avery, what's your number? What's your thing? You saying that Avery is. He's here. Go ahead. Sorry.
No, we was just going back and forth about it, and he was saying how we don't have privacy anymore. Now I would just like the facade of at least having the privacy, you know, just so you can at least live somewhat of a normal life and not live, I guess, in fear, for lack of a better word. Okay, this is perfect. This is what I wanna talk to you about.
Do you want the fluff, Gina? Do you want to believe that we still have privacy even though we don't?
[01:04:51] Speaker B: Okay, this is the thing about the fluff.
From as long I would have, my brain would have to be reconditioned because for as long as I remember, once my parents told me, once you step foot in that Internet, it's done.
[01:05:07] Speaker A: It's over with.
[01:05:07] Speaker B: It's no privacy.
[01:05:08] Speaker A: Facts.
[01:05:09] Speaker B: Once you sign up for something, once you create an account, once you put your name, your. You know, anything on the Internet. A picture of yourself.
[01:05:16] Speaker A: Yeah.
[01:05:17] Speaker B: Once you do it, it's ova.
[01:05:20] Speaker A: Yeah.
[01:05:20] Speaker B: So my brain will have to be reconditioned because I never thought it was privacy.
I have never read the terms and conditions.
[01:05:30] Speaker A: Nobody reads that.
[01:05:31] Speaker B: I check the box and accept every single time.
[01:05:33] Speaker A: Right.
[01:05:34] Speaker B: So for my life, for me, I feel like shit. Like we was talking about last time. Like, I've been on the Internet for so long that I never thought it was privacy or safe.
[01:05:44] Speaker A: Okay, so the other thing, though, the other thing was that basically what Avery was saying was that. I mean, not Avery, but what we were talking about earlier is, like, somebody'll be looking at you with glasses on, and it'll recognize your face and then pull up your old profile on Facebook or whatnot. Right. And so an agent sent it to me, says, meta being sued over AI Smart glasses. After it was revealed that workers allegedly reviewed intimate Personal footage of somebody. So not only am I recognizing you and your profile, and then I get all your information in my glasses, but now the footage that I'm. That. I mean, not even the footage, because somebody could just turn your glasses on, in theory, remotely, and just record everything you're looking at, even though you don't intend to record.
And so now those people can review all of that information. My argument is, who the fuck cares?
Everything is being recorded at all times everywhere. I don't believe in no privacy no more.
[01:06:38] Speaker B: Yeah, well, I do believe that, but there's two separate things here. Because looking at me and being able to pull up my Facebook profile is different than somebody hacking into the camera and being able to record, you know, like, what's going on and stuff. So for the Facebook thing, I feel like, what did you purchase the Facebook item for without expecting that.
[01:07:01] Speaker A: Right.
[01:07:01] Speaker B: You know, that's the risk you take. However, I didn't purchase them glasses. You did. So I'm not opting into that.
[01:07:07] Speaker A: Yeah.
[01:07:07] Speaker B: You know what I'm saying? Because if you put the glasses on and you can pull up my profile and you can see my thing, that's what you opted into. I didn't opt into that. I ignored that notification when it came. But also, on the flip side to that, when you signed up for Facebook, I'm sure that there was some fine print in there when we signed up, when we checked out in boxes, that your likeness is being used regardless of what the form is.
[01:07:34] Speaker A: Yep.
[01:07:35] Speaker B: You know, so we don't know what's in that little. Cause we haven't read it. So if I. You. It's like, you know, when we do things with shows, if they resell it to another company, then in our contract it says you don't get any. You don't get no royalties or, you know, like anything else. If you do this show for us and we choose to resell it to somebody else, unless you ask for you to get that. You know what I'm saying? So if I signed up for Facebook and I'm in Facebook's face recognition so that they product picks me up on the glasses, that's the risk that I took when I created a profile.
[01:08:07] Speaker A: When you got on Facebook. Facts.
Here's the other question. Have you ever paid for Gmail?
[01:08:14] Speaker B: No, but they keep asking if I want to buy some storage.
[01:08:17] Speaker A: Okay. So here's the rule of thumb for everybody. That's conspiracy theorist. If you're not paying for a service, you're being sold as the product.
So if Gmail is it's not looking at all your emails, but it is looking at context and who you're emailing. And all that is gathering data on you. So that way they can just sell you more shit. It's all just money. Your data is worth more than you actually are.
If I can predict that Gina is going to want more Mountain Valley spring water, in four days, I can have that shit shipped to the warehouse closest to your house and predict that in four days you're going to order more Mountain Valley spring water to your house. That's worth money.
Because now I could order in bulk. Because they might order the same water in that area. Avery might order the same water. Now that's. That's how they monetize this shit. I don't look at it like they collecting all this data so they can clone me and shit. And they don't give a fuck about cloning you.
[01:09:11] Speaker B: They do care about cloning me, but.
But I think that's genius, though. And again, that's the risk you take once you put your digital footprint on the Internet.
[01:09:21] Speaker A: On the Internet.
[01:09:22] Speaker B: Because as a company, if I have so many people logging into Google Googling this water, why wouldn't I find a way to make it continue to pop up in their faces? Yeah, that's the risk. With your first digital footprint, that's the risk you took.
[01:09:36] Speaker A: Yeah, I agree with you. I just don't know what the. I mean, I understand the concern, but it's over with anyway. If you ever been outside anywhere where there's a security camera, if you ever took a flight, if you ever order anything off Amazon, if you ever use a Gmail, if you got on Twitter, if you on Instagram, it's over with.
[01:09:52] Speaker B: But there are those people who are ancient to like social media. There's still people who have never been on social media. It's people that be like, I'm not taking no picture. Don't post me anywhere.
[01:10:03] Speaker A: They got a driver's license.
[01:10:05] Speaker B: Yeah, but is that public information?
[01:10:09] Speaker A: It's not public, but your information, your data is somewhere and someone else has access to it, which means it's not secure.
[01:10:16] Speaker B: So in that case, the Internet don't matter because we've been having driver's license and ID cards from the beginning of time.
[01:10:21] Speaker A: That's my point. If you got a bank account, a bank card, green dot, I don't give a fuck if you exist anywhere outside of yourself, nigga. Your data is not secure. It's over with. So best you could do is not have to use the same Passwords over and over again and use biometrics. That's all I got for you. Championship. Sorry, Avery. Thank you.
Okay. Last thing.
It's interesting.
I guess the question is, who is to blame? Like, we've had controversial things happen on this show. Who's to blame? When somebody shops a song to everybody, it's your song, but it continues to get shopped, and then the same song comes out or a similar song comes out. Who do you think should own the blame for that?
[01:11:08] Speaker B: I think it's on all the above.
[01:11:12] Speaker A: Everybody.
[01:11:12] Speaker B: I think everybody. Because somewhere along the line, there was a box that wasn't checked.
So if the producer gives me the song and it's been shopped around to other people, and I'm As a producer, don't let the artist know that I shopped it around to other people. And then the artist records the song, and then the artist doesn't inform me that they're about to drop the song, and I done already gave it to three other people. And then six months later, a song comes out, and there was no communication.
[01:11:40] Speaker A: So I noticed everything is going crazy with Lakia right now. But we also had Jim Jones and Mayno on the show, and when they were here, they was like, nigga, that's my song.
You recorded the. He was like, bro, I recorded him for the hook that you used on your record. So it was like.
It was like, it happens all the time. And I think it's new to the Internet, where it's like, oh, that's so and so. So and so. Ripped this person off. It's like, no. People actually just shop songs.
[01:12:07] Speaker B: I think it's more shocking when it's rap.
[01:12:10] Speaker A: Oh, because you didn't write it?
[01:12:11] Speaker B: Yeah. I think it's more shocking when it's rap, because if it's a rap song and then it's something to where it's like a hook is one thing, because that's what Jim Jones and Mayno was talking about. They just had the same hook. They said the same person sung the same hook. And before a rapper to.
For a rapper to recite my lyrics is different, especially if it's something catchy.
[01:12:35] Speaker A: So if a rapper writes a verse and then you use the verse, I use the verse, and my shit come out. You like, that's my song?
[01:12:41] Speaker B: Yeah. Got it just for rappers, though. You get what I'm saying?
[01:12:45] Speaker A: Yeah, but because it's a little more tricky with rap.
[01:12:47] Speaker B: It's trickier with rap. But if it's like an R and B song, then clearly we're gonna assume that it's the producer or the songwriter, you know, but even that, still.
Still the lyrics is the same thing.
[01:13:00] Speaker A: What if it's just the beat? Do it matter?
Is it the same? It's not the same thing. It's not lyrics.
[01:13:05] Speaker B: Because this is what I'm saying from the fan perspective, the reason why it's been going crazier as of recent. How you saying, like, this is something that's common in the music industry. I think when it's rappers, whether it's lyrics or the hook, when the fans hear it, it's way more crazier because it's a rapper. Because we don't expect rappers to have writers and things like that. Even if it's a different verse or even if it's like a reference track or it's the hook. You get what I'm saying?
[01:13:31] Speaker A: Yeah, I feel that.
[01:13:32] Speaker B: But I think it's the lyrical aspect that these two artists have the same exact song.
[01:13:39] Speaker A: I will put the blame on the artist, and I will put the blame on whoever is handling the song, whether that's the management or the A and R. Because unless you make us. Like, I know a lot of producers that go in and like, I was talking to shout out to Don Cannon. I was talking to Cannon, like, yesterday, day before, he. I ain't gonna say he going in with an artist, right? He said, that artist likes to cook up on the spot. I know Beyonce operates the same way. She don't want no beats you made before you came to the studio. She wants you to sit in the studio with her and craft the record. Now, if you make that for Beyonce, I wish you would go play that for somebody else. But if you make the song for Beyonce, then it'd be whoever is taking that song and shopping it to Gina. Views. That's who's at fault.
Cause you didn't tell either party that you're shopping the record. And then when Beyonce comes out, you can't be like, that's my record.
Now, on the flip side, if the artist knows that Gina is shopping the record around and I don't let Gina know, like, hey, I want this song, then I'm to blame for that. That's how I look at it.
[01:14:43] Speaker B: Hmm. Yeah.
[01:14:45] Speaker A: Okay.
[01:14:45] Speaker B: Yeah.
[01:14:46] Speaker A: Okay. So. Oh, you got your cards?
[01:14:49] Speaker B: No, but go to wholefashions.com and ginaviews la for the T shirts, man.
[01:14:55] Speaker A: Go get the merch. Go get all of that great stuff. And ain't gonna tear us up for this episode, but appreciate you hit that subscribe button.
[01:15:05] Speaker B: What we do now.
[01:15:06] Speaker A: We talked about a lot of different things, but we appreciate everybody. Make sure you listen to us on SiriusXM. Listen to Genevieve's morning show each and every Saturday, effective immediately, each and every Sunday. And we'll see you next week. It's effective immediately.